This compendium of early Japanese life provides a panorama of Japan during its formation.

    Featuring folklore, mythology, and poetry from around the world, this lovely collection reveals these ethereal spirits' extraordinary powers and the history behind their existence. From the case of the Cottingley fairies in the early twentieth century, whose photographs fooled thousands (including Arthur Conan Doyle), to the mischievous fairies found in Shakespeare's A Midsummer Night's Dream, the fascinating stories surrounding these magical sprites are sure to captivate anyone who has ever dreamed of catching one hiding deep within her flowerbed. Whether you're interested in exploring the history and culture or just want to learn more about fairies' powers and trickery, you'll love plunging into the enchanting tales that bring these whimsical creatures to life.Complete with hundreds of lovely illustrations, Fairies reveals the magnificent beauty of these mesmerizing sprites as well as their knack for causing mischief.

    The first and most terrifying monster in English literature, from the great early epic Beowulf, tells his side of the story in a book William Gass called "one of the finest of our contemporary fictions."

    Euripides' classic drama about the often mortifying consequences of the unbridled--and frequently hysterical--celebration of the feast of Dionysus, the God of wine.

    He opened his eyes and what did he see but the terrible Anzu bird beating its wings in its nest high above. . . . Did he quake? Did he quail? No. Lugalbanda the Brave sat and stared, and into his head came a brilliant idea. Before the Bible and the Koran, before even the Greek and Roman myths, there came a story from the land we now call Iraq. Speaking across five thousand years, in a voice so fresh and timeless it could have been written yesterday, this tale tells of an extraordinary journey, of a magical bird, of a battle that wouldn't end, and of wisdom gained. It is the story of Lugalbanda, a boy in a time of war. Etched on clay tablets in cuneiform, lost underground for thousands of years, and rediscovered just 150 years ago, this account of the epic adventures of a loyal, resourceful boy is renarrated in lyrical prose by Kathy Henderson and set against Jane Ray's glorious images glinting with gold.

    Part One considers the distinguishing features of the various Cycle of tales and the personages who figure most prominently in them. Part Two reveals the cosmological framework within which the action of the tales takes place. Part Three consists of a discussion of the themes of certain classes of stories which tell of Conceptions and Births, Supernatural Adventures, Courtships and Marriages, Violent Deaths and Voyages to the Other World, and an attempt is made to understand their religious function and glimpse their transcendent meaning.

    Gwenhwyfar moves in a world where gods walk among their pagan worshipers, where nebulous visions warn of future perils, and where there are two paths for a woman: the path of the Blessing or the rarer path of the Warrior. Gwenhwyfar chooses the latter, giving up the power that she is born into. Yet the daughter of a King is never truly free to follow her own calling. Acting as the son her father never had, when called upon to serve another purpose by the Ladies of the Well, she bows to circumstances to become Arthur's Queen only to find herself facing temptation and treachery, intrigue and betrayal, but also love and redemption.

    Contents include: The Beginning of Things / How Odin Lost His Eye / Kvasir's Blood / The Giant Builder / The Magic Apples / Skadi's Choice / The Dwarf's Gifts / Loki's Children / The Quest of the Hammer / The Giantess Who Would Not / Thor's Visit To the Giants / Thor's Fishing / Thor's Duel / In the Giant's House / Balder and the Mistletoe / The Punishment of Loki.