S. Trow's brilliant exposition on the state of American culture and twentieth-century life. Published to widespread acclaim, Within the Context of No Context became an immediate classic and is, to this day, a favorite work of writers and critics alike. Both a chilling commentary on the times in which it was written and an eerie premonition of the future, Trow's work locates and traces, describes and analyzes the components of change in contemporary America -- a culture increasingly determined by the shallow worlds of consumer products, daytime television, and celebrity heroes. "This elegant little book is essential reading for anyone interested in the demise, the terminal silliness, of our culture." -- John Irving, The New York Times Book Review; "In this elegant, poignant essay, written with the grace of a master stylist, George Trow articulates the accelerated impermanence of American culture with a precision that is both flaunting and devastating." -- Rudy Wurlitrer; "Within the Context of No Context is a masterpiece of the century that belongs on a shelf next to Theodore Adorno's Minima Moralia and Guy Debord's The Society of the Spectacle." -- Michael Tolkin; "Within the Context of No Context may appear to be a book of the mind, for it is suffused with such a keen intelligence, but it is actually a book of the heart -- passionate, brave, and stirring." -- Sue Halpern.

    Illustrated with graphic designer Paul Rand's colorful, witty artwork, Sparkle and Spin is a children's classic (now happily available again through Chronicle Books) that reveals to young readers the power and music in the words they use every day."Paul Rand did not set out to create classic children's books, he simply wanted to make pictures that were playful. Like the alchemist of old, he transformed unlikely abstract forms into icons that inspired children and adultsand laid the foundation for two books that have indeed become children's classics."Steven Heller, author of Paul Rand

    Consistently insightful and beautifully written, this work is especially compelling at a time when the forest, as a source of wonder, respect, and meaning, disappears daily from the earth."Forests is one of the most remarkable essays on the human place in nature I have ever read, and belongs on the small shelf that includes Raymond Williams' masterpiece, The Country and the City. Elegantly conceived, beautifully written, and powerfully argued, [Forests] is a model of scholarship at its passionate best. No one who cares about cultural history, about the human place in nature, or about the future of our earthly home, should miss it.—William Cronon, Yale Review"Forests is, among other things, a work of scholarship, and one of immense value . . . one that we have needed. It can be read and reread, added to and commented on for some time to come."—John Haines, The New York Times Book Review

    (Abridged from The Psychology of Art), will be forthcoming.

    Petersburg in a heavy Russian carriage and set out on a difficult journey to meet her husband, John Quincy Adams, in Paris. She traveled through the snows of eastern Europe, down the Baltic coast to Prussia, across the battlefields of Germany, and into a France then experiencing the tumultuous events of Napoleon's return from Elba. Along the way, she learned what the long years of Napoleon's wars had done to Europe, what her old friends in the royal court in Berlin had experienced during the French occupation, how it felt to have her life threatened by reckless soldiers, and how to manage fear. The journey was a metaphor for a life spent crossing borders: born in London in 1775, she had grown up partly in France, and in 1797 had married into the most famous of American political dynasties and become the daughter-in-law of John and Abigail Adams. The prizewinning historian Michael O'Brien reconstructs for the first time Louisa Adams's extraordinary passage. An evocative history of the experience of travel in the days of carriages and kings, "Mrs. Adams in Winter "offers a moving portrait of a lady, her difficult marriage, and her conflicted sense of what it meant to be a woman caught between worlds.

    An illustrated collection of poems for very young children, including works by Robert Louis Stevenson, Edward Lear, Shel Silverstein, and Jack Prelutsky.

    It is also an artistic and political manifesto. The introduction traces Conrad's sources and gives the history of writing and reception. The essay on the text and the apparatus set out the textual history. The notes explain literary and historical references, identify places, and gloss foreign terms. Four maps and a genealogical table supplement this explanatory material. This edition of A Personal Record, established through modern textual scholarship, presents Conrad's reminiscences and the volume's two prefaces in forms more authoritative than any so far printed.

    The author of Bad Land realizes a lifelong dream as he navigates the waters of the Mississippi River in a spartan sixteen-foot motorboat, producing yet another masterpiece of contemporary American travel writing.  In the course of his voyage, Raban records the mercurial caprices of the river and the astonishingly varied lives of the people who live along its banks.  Whether he is fishing for walleye or hunting coon, discussing theology in Prairie Du Chien or race relations in Memphis, he is an expert observer of the heartyland's estrangement from America's capitals ot power and culture, and its helpless nostalgia for its lost past.  Witty, elegaic, and magnificently erudite, Old Glory is as filled with strong currents as the Mississippi itself.

    Parkman conceived the project in 1841, when he was a Harvard sophomore, and persisted in it despite chronic disorders that affected his eyes. The last volume of what he called his “history of the American forest” appeared almost thirty years after the first. Deservedly compared as a literary achievement to Gibbon’s The Decline and Fall of the Roman Empire, Parkman’s accomplishment is hardly less awesome than the explorations and adventures he so vividly describes. His own indomitable spirit is reflected in two of the history’s most fiercely resolute figures: La Salle, obsessed with colonizing the Mississippi Valley, and Frontenac, determined to bolster France’s tottering position in the New World. He tells a story of great empires maneuvering in an unfamiliar and hostile terrain with all the guile, sophistication, and ingenuity learned from centuries of European rivalry.Pioneers of France in the New World (1865) begins with the early and tragic settlement of the French Huguenots in Florida, then shifts to the northern reaches of the continent and follows the expeditions of Samuel de Champlain up the St. Lawrence River and into the Great Lakes as he mapped the wilderness, organized the fur trade, promoted Christianity among the natives, and waged a savage forest campaign against the Iroquois.The Jesuits in North America in the Seventeenth Century (1867) traces the zealous efforts of the Jesuits and other Roman Catholic orders to convert the Native American tribes of North America. Jean de Brébeuf, Isaac Jogues, Marguerite Bourgeoys, Marie de l’Incarnation, and Joseph Bressani represent only a few of that resolute company, many of whom suffered captivity, torture, and martyrdom in the far corners of the wilderness.La Salle and the Discovery of the Great West (1869) records that explorer’s voyages on the Ohio and Mississippi Rivers and his treks, often alone, across the vast western prairies and through the labyrinthine swamps of Louisiana. Although he won the respect and admiration of the Native Americans, La Salle often distrusted and alienated his associates. He survived two attempts to poison him before he was finally assassinated by his own men in a lonely Texas outpost.The Old Régime in Canada (1874) recounts the political struggles among the religious sects, colonial officials, feudal chiefs, royal ministers, and military commanders of Canada. Their bitter fights over the monopoly of the fur trade, the sale of brandy to the natives, the importation of wives from the orphanages and poorhouses of France, and the bizarre fanaticism of religious extremists and their “incessant supernaturalism” animate this pioneering social history of early Canada.Parkman’s chronicle of nearly two and a half centuries of conflict will permanently transform our image of the American landscape. Written with verve, suppleness, and wit, this grand narrative history of political and theological conflict, of feats of physical endurance, of courtly manners practiced with comic disproportion against the backdrop of a looming wilderness, is itself one of the still-undiscovered treasures of our national and of world literature.

    She writes about four such women in The Wilder Shores Of Love — Isabel Burton (who married the Arabist and explorer Richard), Jane Digby el-Mezrab (Lady Ellenborough, the society beauty who ended up living in the Syrian desert with a Bedouin chieftain), Aimée Dubucq de Rivery (a French convent girl captured by pirates and sent to the Sultan's harem in Istanbul), and Isabelle Eberhardt (a Swiss linguist who felt most comfortable in boy's clothes and lived among the Arabs in the Sahara).They all escaped from the constraints of nineteenth century Europe and fled to the Middle East, where they found love, fulfillment, and “glowing horizons of emotion and daring”. Blanch’s first, bestselling book, it pioneered a new kind of group biography focusing on women escaping the boredom of convention.

    This definitive collection brings together the finest of Sidney Joseph Perelman's comic writings, satires and parodies, from The Customer is Always Wrong and Boy Meets Gull to Is There an Osteosynchrondroitrician in the House? and The Pants Recaptured.

    Henry's novels, celebrated as among the finest in the language, and William's groundbreaking philosophical and psychological works have won these brothers a permanent place at the center of the nation's cultural firmament. Less well known is their enigmatic younger sister, Alice. But as Jean Strouse's generous, probing, and deeply sympathetic biography shows, Alice James was a fascinating and exceptional figure in her own right. Tormented throughout her short life by an array of nervous disorders, constrained by social convention and internal conflict from achieving the worldly success she desired, Alice was nonetheless a vivid, witty writer, an acute social observer, and as alert, inquiring, and engaging a person as her two famous brothers. "The moral and philosophical questions that Henry wrote up as fiction and William as science," writes Strouse, "Alice simply lived."

    Dyson traces the course of the information revolution, illuminating the lives and work of visionaries - from the time of Thomas Hobbes to the time of John von Neumann - who foresaw the development of artificial intelligence, artificial life, and artificial mind. This book derives both its title and its outlook from Samuel Butler's 1863 essay "Darwin Among the Machines." Observing the beginnings of miniaturization, self-reproduction, and telecommunication among machines, Butler predicted that nature's intelligence, only temporarily subservient to technology, would resurface to claim our creations as her own. Weaving a cohesive narrative among his brilliant predecessors, Dyson constructs a straightforward, convincing, and occasionally frightening view of the evolution of mind in the global network, on a level transcending our own. Dyson concludes that we are in the midst of an experiment that echoes the prehistory of human intelligence and the origins of life. Just as the exchange of coded molecular instructions brought life as we know it to the early earth's primordial soup, and as language and mind combined to form the culture in which we live, so, in the digital universe, are computer programs and worldwide networks combining to produce an evolutionary theater in which the distinctions between nature and technology are increasingly obscured. Nature, believes Dyson, is on the side of the machines.

    The first section, "The Call to Honor", recounts the confusion and despair triggered by Hitler's blitzkrieg takeover of France. The second section, "Unity" describes de Gaulle's struggles to rally the Free French in Africa and in underground movements throughout Europe, his bitter conflict with the Vichy puppet regime ruling occupied France, and his cooperation with the Allied powers. "Salvation", the final installment, chronicles the turning of the tide of war against Nazi Germany, de Gaulle's triumphant return to France, and the reincarnation of the French Republic as a major international presence.

    The author of Down and Out in Paris and London, Nineteen Eighty-four, and Animal Farm, he published ten books and two collections of essays during his lifetime -- but in terms of actual words, produced much more than seems possible for someone who died at the age of forty-six and was often struggling against poverty and ill health. His essays, letters, and journalism are among the most memorable, lucid, and intelligent ever written, the work of a master craftsman and a brilliant mind. Taken as a whole they form an essential collection, and read in toto and sequentially, they provide a remarkably literary self-portrait of an engaged, and consistently engaging, writer. Here, in four volumes, is the best selection of his nonfiction writing now available, a trove of letters, essays, reviews, and journalism that is breathtaking in its scope and eclectic passions. An Age Like This collects Orwell's essential early writings, including material that would later emerge in Down and Out in Paris and London, as well as observations on marriage, reviews of Henry Miller and J. B. Priestley, reports from the Spanish Civil War, an examination of the meaning and value of Charles Dickens, and notes on the early years of the Second World War.