Studying their habits, customs, and modes of life, he made copious notes and numerous sketches of ceremonies, buffalo hunts, symbols, and totems. Catlin's unprecedented fieldwork culminated in more than five hundred oil paintings and his now-legendary journals, which, as Peter Matthiessen writes in his introduction, "taken together... constitute the first, last, and only 'complete' record of the Plains Indians ever made at the height of their splendid culture, so soon destroyed by traders' liquor and disease, rapine and bayonets."

    This new South End Press edition makes available the full text of this out-of-print classic--along with a new foreword by Manning Marable, interviews with participants in DRUM, and reflections on political developments over the past threee decades by Georgakas and Surkin.

    Insisting on the centrality of women as historical actors and gender as a category of analysis, this work shows how the fateful political choices made by the low-country yeomanry were rooted in the politicsof the household, particularly in the customary relations of power male heads of independent households assumed over their dependents, whether slaves or free women and children. Such masterly prerogatives, practiced in the domestic sphere and redeemed in the public, explain the yeomanry's deepcommitment to slavery and, ultimately, their ardent embrace of secession.By placing the yeomanry in the center of the drama, McCurry offers a significant reinterpretation of this volatile society on the road to Civil War. Through careful and creative use of a wide variety of archival sources, she brings vividly to life the small worlds of yeoman households, and thelarger world of the South Carolina Low Country, the plantation South, and nineteenth-century America.

    In the midst of the Seven Years War (1758), at about age fifteen, Jemison was taken from her western Pennsylvania home by a Shawnee and French raiding party. Her family was killed, but Mary was traded to two Seneca sisters who adopted her to replace a slain brother. She lived to survive two Indian husbands, the births of eight children, the American Revolution, the War of 1812, and the canal era in upstate New York. In 1833 she died at about age ninety.

    Taking the reader on an evocative journey through the worlds of traditional craftspeople from blacksmith to bee-keeper, wainwright to housewife the acknowledged "Father of Self-sufficiency" John Seymour celebrates their honest skills, many of which have disappeared beneath the tread of progress.

     In this powerful and provocative book, Scottish writer and campaigner Alastair McIntosh shows how it is still possible for individuals and communities to take on the might of corporate power and emerge victorious. As a founder of the Isle of Eigg Trust, McIntosh helped the beleaguered residents of Eigg to become the first Scottish community ever to clear their laird from his own estate. And plans to turn a majestic Hebridean mountain into a superquarry were overturned after McIntosh persuaded a Native American warrior chief to visit the Isle of Harris and testify at the government inquiry. This extraordinary book weaves together theology, mythology, economics, ecology, history, poetics and politics as the author journeys towards a radical new philosophy of community, spirit and place. His daring and imaginative responses to the destruction of the natural world make Soil and Soul an uplifting, inspirational and often richly humorous read.

    He demonstrates that by the early eighteenth century a series of creative adaptations in politics and diplomacy allowed the peoples of the Longhouse to preserve their cultural autonomy in a land now dominated by foreign powers.

    Through it all, Motown provided the beat. This book tells the story of Motown--as both musical style and entrepreneurial phenomenon--and of its intrinsic relationship to the politics and culture of Motor Town, USA.As Suzanne Smith traces the evolution of Motown from a small record company firmly rooted in Detroit's black community to an international music industry giant, she gives us a clear look at cultural politics at the grassroots level. Here we see Motown's music not as the mere soundtrack for its historical moment but as an active agent in the politics of the time. In this story, Motown Records had a distinct role to play in the city's black community as that community articulated and promoted its own social, cultural, and political agendas. Smith shows how these local agendas, which reflected the unique concerns of African Americans living in the urban North, both responded to and reconfigured the national civil rights campaign.Against a background of events on the national scene--featuring Martin Luther King, Jr., Langston Hughes, Nat King Cole, and Malcolm X--Dancing in the Street presents a vivid picture of the civil rights movement in Detroit, with Motown at its heart. This is a lively and vital history. It's peopled with a host of major and minor figures in black politics, culture, and the arts, and full of the passions of a momentous era. It offers a critical new perspective on the role of popular culture in the process of political change.

    Declaring "We can do it and do it better," these women proved that poor mothers are the real experts on poverty. In 1972 they founded Operation Life, which was responsible for many firsts for the poor in Las Vegas-the first library, medical center, daycare center, job training, and senior citizen housing. By the late 1970s, Operation Life was bringing millions of dollars into the community. These women became influential in Washington, DC-respected and listened to by political heavyweights such as Daniel Patrick Moynihan, Ted Kennedy, and Jimmy Carter. Though they lost their funding with the country's move toward conservatism in the 1980s, their struggles and phenomenal triumphs still stand as a critical lesson about what can be achieved when those on welfare chart their own course.

    Here is a selection of statements and writings which illuminate the course of Indian history and the abiding values of Indian life - living in harmony with nature.

    But do you know the history of the Philadelphia Tea Party (December 1773)? How about the York, Maine, Tea Party (September 1774) or the Wilmington, North Carolina, Tea Party (March 1775)?Ten Tea Parties is the first book to chronicle all these uniquely American protests. Author and historian Joseph Cummins begins with the history of the East India Company (the biggest global corporation in the eighteenth century) and their staggering financial losses during the Boston Tea Party (more than a million dollars in today’s money).From there we travel to Philadelphia, where Captain Samuel Ayres was nearly tarred and feathered by a mob of 8,000 angry patriots. Then we set sail for New York City, where the Sons of Liberty raided the London and heaved 18 chests of tea into the Hudson River. Still later, in Annapolis, Maryland, a brigantine carrying 2,320 pounds of the “wretched weed” was burned to ashes.Together, the stories in Ten Tea Parties illuminate the power of Americans banding together as Americans—for the very first time in the fledgling nation’s history. It’s no wonder these patriots remain an inspiration to so many people today.

    Written in exile, under tight security, here is Henry Kyemba's inside story of Idi Amin.

    In HAMMERTOWN, poet Peter Culley re-imagines his home town of Nanaimo, British Columbia, not as it is, but as it might be imagined in the mind of a Parisian who had rarely left his city. This is Culley's fifth book of poetry.