As the body slowly rolls over to reveal her face, it’s clear this was not his intended victim…250 Years Later…When a gown she stole from a historic home as a child is mysteriously returned to Fenella Brightwell, it begins to possess her in exactly the same way that it did as a girl. Soon the fragile new life Fen has created for herself away from her abusive ex-husband is threatened at its foundations by the gown’s power over her until she can't tell what is real and what is imaginary.As Fen uncovers more about the gown and Isabella’s story, she begins to see the parallels with her own life. When each piece of history is revealed, the gown—and its past—seems to possess her more and more, culminating in a dramatic revelation set to destroy her sanity.

    Born into dismal poverty, young Nell Sweeney scratches by on her wits and little else until fortune blesses her with a position as nursery governess to the fabulously wealthy Hewitts. But she soon learns that ugly secrets lurk beneath the surface of their gold-plated world.The Hewitts’ eldest son, William, a former Union Army battle surgeon and the black sheep of the family, was reported to have died three years before in a notorious Confederate prison camp. But one snowy February afternoon, his parents learn that he is, in fact, still alive—and in jail for having murdered a man while intoxicated on opium. Infuriated by his son’s deception and convinced of his guilt, August Hewitt forbids his wife from coming to Will’s aid, so she begs Nell to help exonerate him. Nell finds that she must delve into the kind of dark and treacherous underworld she thought she’d left far behind if she is to unearth the truth before the hangman’s noose tightens around William Hewitt’s throat.

    . . Frances Wynn, the American-born Countess of Harleigh, enjoys more freedom as a widow than she did as a wife. After an obligatory year spent mourning her philandering husband, Reggie, she puts aside her drab black gowns, leaving the countryside and her money-grubbing in-laws behind. With her young daughter in tow, Frances rents a home in Belgravia and prepares to welcome her sister, Lily, arriving from New York—for her first London season. No sooner has Frances begun her new life than the ghosts of her old one make an unwelcome appearance. The Metropolitan police receive an anonymous letter implicating Frances in her husband’s death. Frances assures Inspector Delaney of her innocence, but she’s also keen to keep him from learning the scandalous circumstances of Reggie’s demise. As fate would have it, her dashing new neighbor, George Hazelton, is one of only two other people aware of the full story. While busy with social engagements on Lily’s behalf, and worrying if Reggie really was murdered, Frances learns of mysterious burglaries plaguing London’s elite. The investigation brings death to her doorstep, and Frances rallies her wits, a circle of gossips, and the ever-chivalrous Mr. Hazelton to uncover the truth. A killer is in their midst, perhaps even among her sister’s suitors. And Frances must unmask the villain before Lily’s season—and their lives—come to a most unseemly end . . .

    Summer 1942. The world has been at war for three long and desperate years. In the remote English village of Little Buffenden, Poppy Redfern's family house and farmland has been requisitioned by the War Office as a new airfield for the American Air Force. As the village's Air Raid Warden, Poppy spends her nights patrolling the village as she tries to ease her neighbors' fears about the "Friendly Invasion" and what it means to their quiet way of life.When two young, popular women who were dating American servicemen are found strangled, Poppy quickly realizes that her little town has been divided by murder. The mistrust and suspicion of their new American partners in war threatens to tear Little Buffenden apart. Poppy decides to start her own investigation with the help of a charismatic American pilot and she soon unearths some chilling secrets and long-held grudges. Poppy will have no choice but to lay a trap for a killer so perilously close to home, she might very well become the next victim....

    Gabriel Stone is desperate to escape the ghosts that haunt him in Massachusetts after his wife's death, so he moves to Pale Harbor, Maine, where there is a vacancy for a new minister. Gideon and his late wife had always dreamed of building their own church, and Pale Harbor is the perfect opportunity.But not all is as it seems in the sleepy town of Pale Harbor. Strange, unsettling things have been happening, and the townspeople know that only one person can be responsible: Sophronia Carver, a widow who lives with a spinster maid in the decaying Castle Carver on the edge of town. Sophronia is a recluse, rumored to be a witch who killed her husband.When Gabriel meets her, he knows the charming, beautiful woman cannot be guilty of anything. Together, Gabriel and Sophronia realize that the mysterious events have one thing in common: they all contain an element from the wildly popular stories of Mr. Edgar Allan Poe. And when the events escalate to murder, Gabriel and Sophronia must find the real killer, before it's too late for them both.

    Looking for a change, she accepts a request for help from her former fiancé, Gil Trent, not knowing that she’ll soon become embroiled in a murder investigation that will test not only her friendship with Gil, but will upset the status quo with her husband.Amory accompanies Gil to the Brightwell Hotel in an attempt to circumvent the marriage of his sister, Emmeline, to Rupert Howe, a disreputable ladies’ man. Amory sees in the situation a grim reflection of her own floundering marriage. There is more than her happiness at stake, however, when Rupert is murdered and Gil is arrested for the crime. Amory is determined to prove his innocence and find the real killer, despite attempted dissuasion from the disapproving police inspector on the case. Matters are further complicated by Milo’s unexpected arrival, and the two form an uneasy alliance as Amory enlists his reluctant aid in clearing Gil’s name. As the stakes grow higher and the line between friend and foe becomes less clear, Amory must decide where her heart lies and catch the killer before she, too, becomes a victim. Murder at the Brightwell is a delicious mystery in which murder invades polite society and romance springs in unexpected places. Weaver has penned a debut in the tradition of Jacqueline Winspear.

    . . As the Great Blizzard of 1888 cripples the vast machinery that is New York City, heiress Prudence MacKenzie sits anxiously within her palatial Fifth Avenue home waiting for her fiance s safe return. But the fearsome storm rages through the night. With daylight, more than two hundred people are found to have perished in the icy winds and treacherous snowdrifts. Among them is Prudence s fiance his body frozen, his head crushed by a heavy branch, his fingers clutching a single playing card, the ace of spades . . . Close on the heels of her father s untimely demise, Prudence is convinced Charles s death was no accident. The ace of spades was a code he shared with his school friend, Geoffrey Hunter, a former Pinkerton agent and attorney from the South and a former Pinkerton agent. Wary of sinister forces closing in on her, Prudence turns to Geoffrey as her only hope in solving a murder not all believe in and to help protect her inheritance from a stepmother who seems more interested in the family fortune than Prudence s wellbeing . . . Filled with richly colorful characters, fascinating historical details, and thrilling moments of suspense, What the Dead Leave Behind is an exquisitely crafted mystery for the ages.

    Sophia Thompson wants nothing more than to be one of the famed Bow Street Runners, London's most elite corps of detectives. Never mind that a woman has never before joined their ranks--and certainly never mind that her reclusive family has forbidden her from pursuing such an unladylike goal.She gets the chance to prove her capabilities when an urgent letter arrives from her frantic cousin Daphne, begging Sophia to come look into the suspicious death of Daphne's brother.As Sophia begins to unravel the tangled threads of the case--with the help of a charming young policeman--she soon realizes that the murderer may be even closer to her family than she ever suspected.

    Genevieve Summerford is used to forging her own path. But when one of her patients is arrested for murder-a murder Genevieve fears she may have unwittingly provoked-she is forced to seek help from an old acquaintance.Desperate to clear her patient's name and relieve her own guilty conscience, Genevieve finds herself breaking all the rules she's tried so hard to live by. In her search for answers, Genevieve uncovers an astonishing secret that, should she reveal it, could spell disaster for those she cares about most. But if she lets her discovery remain hidden, she will almost certainly condemn her patient to the electric chair.

    When the police discover that the murdered girl was obsessed with Arlena, an up-and-coming actress, questions arise about possible connections between the victim and the legendary Madison family. Arlena has just been cast as the lead actress in iconic film director Salvatore Marco’s next movie. If she can prove herself as a serious actress, it might just be her ticket out of the cut-rate horror movie world. Penelope has just gotten her big break, too. Her company, Red Carpet Catering, has booked its first real job on the Marco movie, cooking every meal during filming. She can’t believe her luck, working with the famous director and also with her best friend. But when serious accidents begin threatening the lives of the cast and crew, the whole production is in danger of being shut down. Detective Joseph Baglioni, a childhood friend of Penelope’s, tracks the killer who lurks among the stars. His search leads him into the world of celebrity stalkers, aggressive paparazzi, crazed fans, and Hollywood deal makers, all with agendas of their own. In a desperate race to catch a killer, he discovers that past mistakes don’t always stay buried and the lies people tell have the power to undo them.

    Questions needing answers.”Those words gave Christie Ryan a reason to stay in River’s End, when she should have gone home after Gran’s funeral. Inheriting a rundown cottage, far from her jet-setting life, she is drawn into a fifty-year-old mystery.Who wrote the letters hidden in the attic, an outpouring of love to a woman Christie suspects she is related to? What is the significance of a damaged painting kept by Gran but clearly painted in this seaside town?Local artist Martin Blake may have the answers she seeks, but refuses to help. His dog adores Christie, but Martin keeps his feelings locked away.As Christie faces difficult decisions about her own future, will the consequences of righting old wrongs be too high a price to pay?**New edition April 2019 completely re-edited**

    It’s 1974 and Ellison Russell’s life revolves around her daughter and her art. She’s long since stopped caring about her cheating husband, Henry, and the women with whom he entertains himself. That is, until she becomes a suspect in Madeline Harper’s death. The murder forces Ellison to confront her husband’s proclivities and his crimes—kinky sex, petty cruelties and blackmail. As the body count approaches par on the seventh hole, Ellison knows she has to catch a killer. But with an interfering mother, an adoring father, a teenage daughter, and a cadre of well-meaning friends demanding her attention, can Ellison find the killer before he finds her?

    Living on the edge of society, Elizabeth uses her guile to relieve so-called respectable men of their ill-gotten gains. But brutal and greedy entrepreneur Oscar Thornton is out for blood. He’s lost a great deal of money and is not going to forgive a woman for outwitting him.With his thugs hot on her trail, Elizabeth seizes the moment to blend in with a group of women who have an agenda of their own. She never expects to like or understand these privileged women, but she soon comes to respect their intentions, forming an unlikely bond with the wealthy matriarch of the group whose son, Gideon, is the rarest of species—an honest man in a dishonest world.Elizabeth knows she’s playing a risky game, and her deception could be revealed at any moment, possibly even by sharp-eyed Gideon. Nor has she been forgotten by Thornton, who’s biding his time, waiting to strike. Elizabeth must draw on her wits and every last ounce of courage she possesses to keep her new life from being cut short by this vicious shadow from her past.

    After all, she lives in Vista Beach, a quiet California beach community where violent crime is rare and murder even rarer.Suspicion falls on Rory when the body buried in her flowerbed turns out to be someone she knows—her tole painting teacher, Hester Bouquet. Just two weekends before, Rory attended one of Hester’s weekend painting seminars, an unpleasant experience she vowed never to repeat. As evidence piles up against Rory, she embarks on a quest to identify the killer and clear her name. Can Rory unearth the truth before she encounters her own brush with death?

    By night, she creates her own intricately detailed coloring books for adults, filling the pages with objects that catch her eye. There's plenty of inspiration in her new apartment--a beautiful carriage house belonging to Professor John Maxwell, Florrie's boss. He offers the property to Florrie rent-free with one condition--she must move in immediately to prevent his covetous sister and nephew from trying to claim it.When the professor's nephew, Delbert, arrives, he proves just as sketchy as Florrie feared. But the following morning, Delbert has vanished. It's not until she visits the third floor of the store that Florrie makes a tragic discovery--there's a trap door in the landing, and a dead Delbert inside. The esteemed Professor Maxwell is an obvious suspect, but Florrie is certain this case isn't so black and white. Doodling clues, she begins to consider other colorful characters on the scene, all with a motive for murder. With a killer drawing closer, Florrie will need to think outside the lines . . . before death makes his mark again.