Winner of the Prix de Rome and the National Jewish Book Award, these ten stories and the title novella, "Ellis Island," exhibit tremendous range and versatility of style and technique, yet are closely unified in their beauty and in their concern with enduring and universal questions.

    Since the 1950s Peter Matthiessen has written fiction and nonfiction of elemental power and moral vision, including the acclaimed novels At Play in the Fields of the Lord and Far Tortuga and works of naturalism and exploration like the National Book Award-winning The Snow Leopard.This stunning collection of short stories, available for the first time in paperback, spans more than three decades of writing by one of the most acclaimed literary voices of our time.

    Combining interrelated novels, stories, and novellas, Dixon's multilayered and frequently hilarious family epic—the story of Howard Tetch, his ancestors, his parents, his children, and the generations that follow—"reassures us that whatever is precious can never be completely lost" (The Baltimore Sun).

    But things fester in America's utter South. And Skelton's plans to become a skiff guide in the shining blue subtropical waters place him on a collision course with Nichol Dance, who has risen to the crest of the profession by dint of infallible instincts and a reputation for homicide. Out of their deadly rivalry, Thomas McGuane has constructed a novel with the impetus of a thriller and the heartbroken humor that is his distinct contribution to American prose.

    It includes the harrowing novella Dzahn ("Soul"), in which a young man returns to his Asian birthplace to find his people deprived not only of food and dwelling, but of memory and speech, and "The Potudan River," Platonov's most celebrated story.In December 2007 The Fierce and Beautiful World will be superseded by Soul (978-159017-254-4), a new translation of eight of Platonov's stories.

    Her range is extraordinary; there is seemingly nothing she can't do. Her stories contain passages of intense lyricism and brilliant, hilarious, uncontainable inventiveness.

    A Swedish scientist, an American journalist, and a young, French-speaking adventurer climb into a wicker gondola suspended beneath a huge, red-and-white balloon. The ropes are cut, the balloon rises, and the three begin their voyage: an attempt to become the first people to set foot on the North Pole, and return, borne on the wind. Philip Pullman says in his foreword: "Once I open any of MacDonald Harris’s novels I find it almost impossible not to turn and read on, so delightful is the sensation of a sharp intelligence at work. In The Balloonist , we see all of his qualities at their best."

    But anyway he (Thurber, that is) here continues the study, fooling no one by putting it in the form of fables. People who already know everything there is to know about people shouldn't bother reading this book. Others need it badly.

    In Moral Disorder she has created a series of interconnected stories that trace the course of a life and also the lives intertwined with it--those of parents, of siblings, of children, of friends, of enemies, of teachers, and even of animals. As in a photograph album, time is measured in sharp, clearly observed moments. The '30s, the '40s, the '50s, the '60s, the '70s, the '80s, the '90s, and the present --all are here. The settings vary: large cities, suburbs, farms, northern forests. The first story, "The Bad News," is set in the present, as a couple no longer young situate themselves in a larger world no longer safe. The narrative then switches time as the central character moves through childhood and adolescence in "The Art of Cooking and Serving," "The Headless Horseman," and "My Last Duchess." We follow her into young adulthood in "The Other Place" and then through a complex relationship, traced in four of the stories: "Monopoly," "Moral Disorder," "White Horse," and "The Entities." The last two stories, "The Labrador Fiasco" and "The Boys at the Lab," deal with the heartbreaking old age of parents but circle back again to childhood, to complete the cycle. By turns funny, lyrical, incisive, tragic, earthy, shocking, and deeply personal, Moral Disorder displays Atwood's celebrated storytelling gifts and unmistakable style to their best advantage. As the New York Times has said: "The reader has the sense that Atwood has complete access to her people's emotional histories, complete understanding of their hearts and imaginations."

    But the beauty of this novel is the gradual revelation of the bond that develops as this unlikely couple experiences courtship and marriage, the birth of a son, isolation, forgiveness, work, and death in a small Catskill community in the 1950s. The plot turns on tragic events—they might be accidents or they might be acts of will—involving a cast of rural eccentrics that includes a lonely amputee veteran, a religious hysteric (thought by some to be the devil himself) and an itinerant "Goat Lady." Questions of guilt, innocence, and even murder are eclipsed by deeds of compassion, humility, and redemption, and ultimately by Henry Soames' quiet discovery of grace.Novelist William H. Gass, a friend and colleague of the author, has written an introduction that shines new light on the work and career of the much praised but often misunderstood John Gardner.

    But nine years, many affairs, and thousands of drinks later, the reality of her shadow life is made clear when she is fired from her job as a freelance illustrator. That same day, she hears that her beloved Uncle Ambrose, an unsuccessful writer, has shot himself.As Violet collects the shattered pieces of her uncle's life, she is forced to face herself and her own tattered dreams. And what she discovers is that she has just been going through the motions of living. She's not even sure she can do anything else. But she's in her mid-thirties and knows she still has time to try again. If she succeeds, she will have broken from her family of dreamers forever and can deservedly claim both the rich rewards and frustrating adversities of the artist's life....

    Taut, brooding, and densely atmospheric, these stories show us the ways in which murder can arise out of boredom, perversity can result from adolescent curiosity, and sheer evil might be the solution to unbearable loneliness. These tales are as horrifying as anything written by Clive Barker or Stephen King, but they are crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying.

    Wissey Jones, a stranger who comes to the town of Pequot on urgent defense business. His business is to buy for his corporation children of a certain sort, in this case a ten-year-old named Barry Rudd, a budding genius of potentially critical value. A hearing is held and questions are asked: exactly why does Mr. Jones' company buy children, and will it succeed in buying Barry?

    It is here that Jeeves makes his first appearance with these unremarkable words: "Mrs. Gregson to see you, sir." Years later, when Jeeves became a household name, Wodehouse said he blushed to think of the off-hand way he had treated the man at their first encounter...In the story "Extricating Young Gussie," we find Bertie Wooster's redoubtable Aunt Agatha "who had an eye like a man-eating fish and had got amoral suasion down to a fine point." The other stories are also fine vintage Wodehouse: the romance between a lovely girl and a would-be playwright, the rivalry between the ugly policeman and Alf the romeo milkman, and the plight of Henry in the title piece, The Man with Two Left Feet, who fell in love with a dance hostess.

    To open this spirited collection, Irving explains how he became a writer. There follow six scintillating stories written over the last twenty years ending with a homage to Charles Dickens. This irresistible collection cannot fail to delight and charm.The first collection of short pieces--two of them previously unpublished--by the author of The World According to Garp includes memoirs, six short stories, and essays on Charles Dickens and Gu+a5nter Grass. Reprint. Tour.This gem, a delightful collection of shorter works, both fiction and nonfiction, written by one of the country's finest--and funniest--writers, includes a living portrait of Irving's grandmother, a new, never-before-published essay, six scintillating short stories--including the O. Henry Award-winning "Interior Space"--and two essays on Irving's favorite 19th-century novelist, Charles Dickens. Trying to Save Piggy Sneed is John Irving at the top of his form.