Narrated in the first person by the protagonist and Crocadile member Duke, The Cool World recounts the story of Duke and his gang's adventures and travails as they deal with street life in the ghetto and a rival gang called the Wolves. Drug dealing, fights, prostitution, guns, and gambling are rampant throughout this engaging, slim novel that rarely has a dull moment. Written entirely in African-American street vernacular of the time, Miller—a caucasian academic—accomplished a great, and mostly unnoticed, linguistic and narrative feat with this novel.

    He runs away from home in Paterson, New Jersey, to New York City and learns the bare bones of life before he hits the road with a traveling carnival. Then one icy night in the Adirondacks, the young man sees a private train roar by. In its lit windows, he spies an industrial tycoon, a poet, a gangster, and a heartbreakingly beautiful girl. He follows them, as one follows a dream, to an isolated private estate on Loon Lake.Thus the stage is set for a spellbinding tale of mystery and menace, greed and ambition, harsh lust and tender love, that lays bare the darkest depths of the human heart and the nightmarish underside of the American dream. E. L. Doctorow has written a novel aglow with poetry and passion, lit by the burning fire of humanity and history, terror and truth.

    Today it is generally regarded as one of his three best novels, along with Sister Carrie and An American Tragedy. But the text of Jennie Gerhardt heretofore known to readers is quite different from the text as Dreiser originally wrote it. In the tradition of the University of Pennsylvania Dreiser Edition, James L. W. West III has recaptured the text as it was originally written, restoring it to its complete, unexpurgated form. As submitted to Harper and Brothers in 1911, Jennie Gerhardt was a powerful study of a woman tragically compromised by birth and fate. Harpers agreed to publish the book but was nervous about its subject matter and moral stance. Jennie has an illegitimate child by one man and lives out of wedlock with another - but Dreiser does not condemn her for her behavior. As a requirement for publication, Harpers insisted on cutting and revising the text. Although Dreiser fought against many of the cuts and succeeded in restoring some material, Harpers shortened the text by 16,000 words and completely revised its style and tone. These changes ultimately transformed Jennie Gerhardt from a blunt, carefully documented work of social realism to a touching love story merely set against a social background. Passages critical of organized religion and of the institution of marriage were reduced and altered. Perhaps most important, Jennie's point of view - her innate romantic mysticism - was largely edited out of the text. As a consequence, the central dialectic of the novel was skewed and the narrative thrown out of balance.

    As funny as it is sad, Good as Gold is a story of children grown up, parents grown old, and friends and lovers grown apart -- a story that is inimitably Heller.

    It is the story of Lassiter, a gunslinging avenger in black, who shows up in a remote Utah town just in time to save the young and beautiful rancher Jane Withersteen from having to marry a Mormon elder against her will. Lassiter is on his own quest, one that ends when he discovers a secret grave on Jane’s grounds. “[Zane Grey’s] popularity was neither accidental nor undeserved,” wrote Nye. “Few popular novelists have possessed such a grasp of what the public wanted and few have developed Grey’s skill at supplying it.”

    It is the story of the young Hollywood mogul Monroe Stahr, a character inspired by the life of boy-genius Irving Thalberg, and is an exposé of the studio system in its heyday.

    On a rafting trip down the Colorado River, Hayduke joins forces with feminist saboteur Bonnie Abbzug, wilderness guide Seldom Seen Smith, and billboard torcher Doc Sarvis, M.D., and together they wander off to wage war on the big yellow machines, on dam builders and road builders and strip miners. As they do, his characters voice Abbey's concerns about wilderness preservation ("Hell of a place to lose a cow," Smith thinks to himself while roaming through the canyonlands of southern Utah. "Hell of a place to lose your heart. Hell of a place... to lose. Period").Moving from one improbable situation to the next, packing more adventure into the space of a few weeks than most real people do in a lifetime, the motley gang puts fear into the hearts of their enemies, laughing all the while. It's comic, yes, and required reading for anyone who has come to love the desert.

    Based loosely on the author's own life, the book follows a young bohemian woman, Margaret Sargent, through her experiences and lost loves in a time of coming war.