Launched in 1936 by Princess Marina, the Duchess of Kent, HMS Sheffield was the third of the Royal Navy’s ten Town-class cruisers. She marked a number of firsts: the first ship to be named for Sheffield, the first to have stainless steel fixtures instead of brass, and the first to carry operational RDF (Radio Direction Finding) equipment. Old Shiny, as she became affectionately known, was manufactured to the high standards of peacetime. Even hitting a mine was unable to render her inactive for long. Her crew simply manufactured a wooden patch, and saw her safely home. Achieving twelve honours over thirty years’ service, Old Shiny notably exchanged salvoes with the Bismarck, engaged Admiral Hipper and Lützow, and helped sink Scharnhorst. A more unusual deployment came in 1956, as HMS Sheffield was one of the ships loaned by the Admiralty for the Technicolor epic The Battle of the River Plate! Drawn from the experiences of the men who lived, fought and served on board, in HMS Sheffield Ronald Bassett paints an evocative and highly personal portrait of Old Shiny, and shows how she was more than just a warship. Praise for Ronald Bassett ‘One of the most impressive things I found about the book was that you got a real feel for the time and place. Scenes set in India or England felt different and I think that's a great achievement.’ – Library Thing ‘vividly described … the voyage as seen through the sleep-robbed eyes of matelots and officers alike’ – Daily Telegraph ‘A catalogue of horror’ – Eastern Daily Press ‘There is a degree of authenticity that makes the blood run cold’ – Cambridge News ‘Fast, vigorous action’ – Sheffield Morning Telegraph ‘Graphic tale of slave and convict ships… not for tender stomachs’ – Books and Bookmen Ronald Bassett (1924-1996) was born in Chelsea. During the Munich crisis, at age fourteen, he falsified enlistment papers to become a Rifleman of the King’s Royal Rifle Corps (60th Rifles). Following active service, he was exposed and discharged. In his records, his colonel noted, ‘A good soldier. I am sorry to lose him.’ Undismayed, he immediately entered the Royal Navy, in which he remained for fourteen years, serving in the Arctic, North Atlantic, Mediterranean, the Far East and, later, Korea. He died in Surrey.

    In Savage's funniest, most biting book yet, the nation's fiercest independent thinker invites you to take a riotous tour through The Political Zoo--an outrageous look at today's most prominent politicos and pundits as the reptiles, rats, and birds of prey they most resemble.Animal by animal and cage by cage, Savage brandishes his irreverent wit to keep these beasts in check. Serving as resident biologist and zookeeper, Dr. Savage asks that you watch your step when approaching the widemouth copperhead Ted Turner (also known as Mouthus desouthus), do not feed the ego of stuffed turkey Alec Baldwin (Notalentus anti-americanus), and please keep your children with you at all times around wolf boy Bill Clinton (Fondlem undgropeum)."The world of politics is filled with uncivilized, snarling, rapacious beasts that, like untrained mutts, raise their legs and urinate on everything we hold dear," says Savage. And this sensational book is your guide for navigating the jungle of today's animal-political kingdom.

    In this illuminating, in-depth Q & A, “America’s storyteller” lets readers in on his philosophical approach to understanding our nation’s past, as well as a little family secret for overcoming your fears.Tom Roston is a veteran journalist who began his career at The Nation and Vanity Fair magazines, before working at Premiere magazine as a senior editor. He writes a regular blog about nonfiction filmmaking on PBS.org and he is a frequent contributor to The New York Times. He lives with his wife and their two daughters in New York City. Cover design by Adil Dara.

    From Mexico to Tierra del Fuego, and from Cuba to Trinidad and Tobago, Americas examines the historical, demographic, political, social, cultural, religious, and economic trends in the region. For this new edition Peter Winn has provided a new preface and made revisions throughout to include the most up-to-date information on changes and developments in Latin America since the last revised edition of 1999.

    During the campaign, not only dreams but also principles, careers & personal relationships are dashed or strengthened. The candidate who survives may be the fittest, or merely the most durable, the most pliable or the luckiest. To a country scarred by scandal, disillusioned by unkept promises & wearied of politics, the '76 presidential election seemed no different from previous ones. But Witcover makes it clear, in this vivid account, that this time it was very different. On the Democratic side the field was wide open. On the Republican side an unelected incumbent faced a strongly partisan challenger in a demoralized & fragmented party. There were more volatile issues, new rules, new influences. In this 1st post-Watergate race it couldn't be politics as usual. The campaign proceeded with a new awareness of the effects of mass-media techniques of propaganda & manipulation, & the role money plays. Marathon is the story of what political life was like from the time the '76 campaign began--for the Democrats in late '72 & for the Republicans within months of Nixon's fall in '74. It's the story of the army of people who took part in the marathon--the chief competitors, the behind-the-scenes enthusiasts, the party pols who organized the race, the people who sustained or tripped up the runners. It's also the story of life on the stump for both candidates & reporters. Morris Udall, Ronald Reagan, Frank Church, Gerald Ford, Henry Jackson & dozens of others--this is the story of their day-to-day experiences fighting for political control & survival. Most important, it's the story of Jimmy Carter--who he is, where he came from & how he reached the finish line. Witcover covered the presidential campaign from start to finish--in interviews with all the candidates (during the primaries, the campaign proper & after the election), scores of campaign aides & key politicians, pollsters, reporters on the trail & voters. His is a detailed account of the major events in politics during the past four years, the issues & nonissues, the personality clashes, the policy debates, the technicalities (His analysis of the new election-finance laws & their effect on politics & the media is essential), &, above all, the participation & response of the voter. Never before was there a presidential race like this one. Never before has there been a book that has told the story so comprehensively & accurately.

    From his window on one of the busiest street corners in the world, Littlewood watches the daily parade of fashion queens, prostitutes, gangsters, and celebrities that make up the population of this strangest of villages. Dirty White Boy is a vivid mosaic of modern London, caught between the ghosts of the past and the uncertainties of the future. With an unforgettable cast of characters ranging from Chico the camp queen to Pam the Fag Lady (with guest spots by stars like Kathy Griffin and Graham Norton), these compulsively readable true tales offer a wry panorama of Soho's rich and often raucous subcultures.

    With his new book he turns his eye to how Great Britain has been transformed by its free press down the years. He shows how, while the press likes to pretend it's independent, they have enjoyed the power they have over the events they report and have at times exercised it irresponsibly. He examines how it changed the world and changed itself over the course of the last hundred years, from the creation of the Daily Mail and the first stokings of anti-German sentiment in the years leading up to the First World War, to the Sun's propping up of the Thatcher government, and beyond. In this self-analysis from one of the pillars of modern journalism some searching questions are asked, including whether the press can ever be truly free and whether we would desire it to be so.Always incisive, brilliantly readable and never shy of controversy, "Lies Like Truth "sees John Simpson at the height of his game as one of Britain's foremost commentators.

    Posing as jewel thief “Donnie Brasco,” Pistone spent the next six years undercover in the Family, witnessing-and sometimes participating in-the Mafia's gruesome activities while gathering enough evidence to send over 200 gangsters to jail. Pistone told his story in the 1988 book Donnie Brasco: My Undercover Life in the Mafia-a New York Times bestseller and later a feature film starring Johnny Depp and Al Pacino. But because of pending trials at the time of publication, many details of the alleged crimes were held back. Now, in Donnie Brasco: Unfinished Business, Pistone for the first time reveals with great detail the horrific deeds of wiseguys Tony Mirra, “Lefty” Ruggiero, Sonny Black, and the rest of the cold-blooded Bonanno crew. Pistone puts the operation into historical perspective, detailing the timeline of Mafia trials that crippled the New York City crime family over the past 25 years. He also recounts his experiences after the operation, his time on the Hollywood set with Pacino and Depp, and other undercover operations through present-day. A tense, thrilling account of the greatest infiltration ever by a federal agent into the most brutal gang of killers in the world, Donnie Brasco: Unfinished Business is the final chapter in the story of a real American hero.

    It is primarily a story to share with family and friends about my personal involvement in the conflict and the turbulent decade of the 60s and does not attempt to question the politics of the era. It begins with a brief description of my quest to gain admittance to the United States Air Force Academy, my four years at the Academy, and the subsequent year of pilot training. I flew three different types of aircraft in combat and the book provides insight into the training that took place for the C-130 Hercules, the F-105 Thunderchief, and the A-1 Skyraider. Each of the three tours in combat over Laos and Vietnam is described with emphasis on the more memorable flights including a bailout in the A-1 and the final crash on takeoff that ended my active duty Air Force career. My time in various hospitals is described at the end of the book and the epilogue tells briefly of my life after retirement from the United States Air Force. The book has been described as a combination of Band of Brothers, Top Gun, and Forrest Gump.

    He was born to race —some of the fastest cars ever to tear up a speedway.  Carroll Shelby wasn’t born to run. He was born to race—some of the fastest cars ever to tear up a speedway. The exciting new feature film Ford v Ferrari--starring Matt Damon as Shelby and Christian Bale as fellow racer Ken Miles--immortalizes the small-town Texas boy who won the notorious Le Mans 24-hour endurance challenge, and changed the face of auto racing with the legendary Shelby Cobra. But there’s much more to his high-velocity, history-making story.A wizard behind the wheel, he was also a visionary designer of speed machines that ruled the racetrack and the road. While his GT40s racked up victories in the world’s most prestigious professional racing showdowns, his masterpiece, the Ford Cobra, gave Europe’s formidable Ferrari an American--style run for its money. If you’ve got a need for speed, strap in next to the man who put his foot down on the pedal, kept his eyes on the prize, and never looked back.

    My narrative covers many issues which increasingly threaten all classes of modern day society. Principle among these is the heartbreak of Addiction, and the collateral devastation it exacts in all its’ forms. Regrettably, true appreciation of addiction’s desperate landscape, too often requires one’s intimate personal involvement with its twisted and insidious nature. Despite this grim caveat, a powerfully descriptive account can nevertheless provide some measure of protective awareness. With this in mind, please consider some of the issues discussed in my story: · Raised primarily by an abusive, unemployed, alcoholic step-father, and a mother more concerned with maintaining her tenuous relationship than protecting her children. · My gradual descent into the drug-culture of the 1960’s, culminating in Heroin use at 15, and addiction by 16 years of age. · Forcible eviction from my home by my stepfather at age 16; the grueling adaptation to street-life and homelessness, while supporting a significant drug habit. · Surviving as a frightened white teenager in Spanish Harlem; forced to live in abandoned buildings (which doubled as “Shooting Galleries”), Central Park, the Subways (during winter), stairwells or boiler-rooms. · Ejection from High School after being caught shooting Heroin in the school bathroom. · My criminal involvement and subsequent arrests, resulting in jail time, jumping parole, and interstate flight to avoid prosecution. · My decision to begin Methadone Maintenance. · My mysterious “Epiphany”, providing incentive for my detox, and subsequent devotion to Physical Fitness. · Falsifying documents to enter College without ever achieving a GED or Diploma. · Gaining early admission to Medical School, with neither a College Degree nor High School Diploma. · Relapse into narcotic addiction following surgery during my 3rd year of Medical School. · Completing Internship and gaining acceptance to an Anesthesiology Residency while maintaining a narcotics habit. · Entry into treatment following my 1st year of Residency; my re-entry into another Anesthesia Residency. · Relapse after completing Residency, while performing 3rd world medicine; taking a position at a hospital in Penn. · My arrest for narcotic diversion; my imprisonment which ultimately totaled 34 months, and the loss of my Medical License. · Becoming the subject of a 20/20 television broadcast which was intentionally twisted and malevolently distorted through disingenuous editing. · The years following the loss of my profession. My depression, anxiety, hopelessness, and subsequent suicide attempts; my eventual acceptance of life’s disparate and capricious nature, and how life, and our success within it, is defined simply by our own perspective. DIRTY WHITE BOY avidly supports and encourages the belief that no matter how desperate our current life appears, we all have the power to rise above it. Those currently struggling with personal demons need to realize their future is malleable by design, not immutable or cast in stone. It is also a cautionary tale warning that success comes hand-in-hand with inherent temptations. Arrogance and conceit are equally as addictive as any narcotic; to forget our past quite often means we are destined to repeat it.

    How did Bernie Sanders make it out of the backwoods of Vermont – where he lived for a time in a ramshackle off-road “sugar shack” with no electricity, and where he never got more than 6 percent of the vote in a string of doomed, fringe far-left campaigns in the 1970s – to become a leading contender in the 2016 race for the White House? And perhaps more importantly for author Will Bunch, how did this gruff and sometimes didactic gray-haired political survivor make it out of the 1960s and ‘70s to become the last torch-bearer of the youthful idealism of that nearly lost “Age of Aquarius” – The One who didn’t drop out, sell out…or simply give up? In the fall of 2015, Bunch – with the voices of the late Hunter S. Thompson and the other iconic “New Journalists” of that lost era ringing in his ears – set out on a road trip that took him from the battlefields of northern Virginia to the salty air of backwater Boston to the neon sky of the Las Vegas Strip, all to get to the bottom of “The Bern Identity.” He follows the long strange trip of Bernie Sanders – a kid from a cramped Brooklyn flat who couldn’t tell a lie in school, who mourned the migration of his beloved Dodgers and was shaken up by “Death of a Salesman,” who became a campus radical, a dreamer of revolutions, and then almost disappeared before his improbable election of mayor of Burlington in 1981. Sanders’ remarkable bio is interspersed with the tale of the true believers who packed hockey rinks and concrete convention floors in crowds of 20,000 or more, who tweeted incessantly and posted memes of Sanders flying in coach class, and who exploded with excitement at their hero’s call for a “political revolution” to raise the beleaguered middle class. In a time of rampant cynicism about American politics, “The Bern Identity” turns into something most unlikely – a love story, between the long-distance runner who never gave up his fantasy of real social change, and the dreamers and the radicals and the formerly hopeless who were waiting for him at the finish line.THE AUTHOR Will Bunch is senior writer for the Philadelphia Daily News – where he writes the popular political blog Attytood – and also shared the 1992 Pulitzer Prize for spot news reporting in 1992 when he was at New York Newsday. He is the author of two other Kindle Singles: October 1, 2011: The Battle of the Brooklyn Bridge, about the Occupy Wall Street movement, and Give It To Steve!, about the 1948 Philadelphia Eagles winning the NFL title during a raging blizzard. His full-length books include The Backlash: Right-Wing Radicals, High-Def Hucksters and Paranoid Politics in the Age of Obama, and Tear Down This Myth: The Right-Wing Distortion of the Reagan Legacy. His articles have also appeared in the New York Times Magazine, The Washington Post, Mother Jones, The Los Angeles Times, American Prospect, American Journalism Review, and elsewhere. He lives in the Philadelphia suburbs with his family.

    That afternoon she went with her fiancée to watch Tipperary and Dublin play a gaelic football match at Croke Park. Across the city nine men lay dead in their beds after a synchronised IRA attack designed to cripple British intelligence services in Ireland. Trucks of police and military rumbled through the city streets as hundreds of people clamoured at the metal gates of Dublin Castle seeking refuge. Some of them were headed for Croke Park.Award-winning journalist and author Michael Foley recounts the extraordinary story of Bloody Sunday in Croke Park and the 90 seconds of shooting that changed Irish history forever. In a deeply intimate portrait he tells for the first time the stories of those killed, the police and military that were in Croke Park that day, and the families left shattered in its aftermath, all against the backdrop of a fierce conflict that stretched from the streets of Dublin and the hedgerows of Tipperary to the halls of Westminster.

    What is it that remains when the spiritual path, and even enlightenment, is transcended? Dismantling the Fantasy is a consideration of the movement out of thought itself. This may sound extreme or even impossible, but again it is a simple consideration of your potential as a human being, and you can easily understand it from the life experience you already have.

    Staff nursing in a ward where she's challenged by an inventory driven ward sister, she reckons it's time to swap such trivialities for life as a district nurse.Independent thinking is one thing, but Jane's about to find that the drama on district can demand instant reaction; and without hospital back up, she's usually the one having to provide it. She meets a rich cast of patients all determined to follow their own individual star, and goes to Edinburgh where Queen Victoria's Jubilee Institute's nurse training is considered the cr me de la cr me of the district nursing world.Call Me Sister recalls Jane's challenging and often hilarious route to realizing her own particular dream.