But, logically, there would be times--

    “The real deal!”“Oh yeah?” Bobby replied. “Tell me more.”“She's the most amazing woman I've ever met!” He snatched his cigarettes from the coffee table...

    It first appeared in the May 1941 issue of Astounding Science Fiction and was reprinted in the collections I, Robot (1950) and The Complete Robot (1982). It was Asimov's third published positronic robot story. Although the word "robot" was introduced to the public by Czech writer Karel Čapek in his 1920 play R.U.R. (Rossum's Universal Robots), Asimov's story "Liar!" contains the first recorded use of the word "robotics" according to the Oxford English Dictionary. In 1969 "Liar" was adapted into an episode of the British television series Out of the Unknown, although only a few short clips of this episode are known to exist. The events of this short story are also mentioned in the novel The Robots of Dawn written by the same author.

    John W. Campbell Jr.)The Weapon Makers, Part 1 of 3 (Weapon Shops of Isher #) / A.E. van Vogt; interior artwork by Frank Kramer In Times to Come / essay by unknownFlight into Darkness / Webb Marlowe (i.e. J. Francis McComas); interior artwork by Frank KramerMimsy Were the Borogoves / Lewis Padgett (i.e. Henry Kuttner and C.L. Moore); interior artwork by KollikerThe Man in the Moon / Henry A. Norton; interior artwork by KollikerGod's Footstool / essay by Malcolm JamesonThe Analytical Laboratory: December 1942 / essay by The Editor (i.e. John W. Campbell Jr.)Blue Ice (Probability Zero series) / Henry KuttnerProbability Zero! / essay by L. Sprague de Camp and Fox B. Holden and Colin Keith and Henry KuttnerEfficiency (Probability Zero series) / Colin Keith (i.e. Malcolm Jameson)Noise is Beautiful! (Probability Zero series) / Fox B. HoldenThe Anecdote of the Movable Ears (Probability Zero series) / L. Sprague de CampBrass Tacks / essay by The Editor (i.e. John W. Campbell Jr.)Opposites—React!, Part 2 of 2 (Seetee serial) / Willi Stewart (i.e. Jack Williamson); interior artwork by Kolliker

    The book begins with the ferryman Charon being startled & annoyed by the arrival of a houseboat on the Styx. At first afraid that the boat will put him out of business, he later finds out that he is actually to be appointed its janitor. What follows are 11 more stories which are set on the houseboat. There's no central theme. The purpose appears to be as a literary thought experiment to see what would happen if various famous dead people were put in the same room with each other. Each chapter is a short story featuring various souls from history & mythology. In the 12th chapter the houseboat disappears, leading into a sequel, Pursuit of the House-Boat. The book sold for $1.25 in 1895.

    Le Guin has created a profound and transformational literature. The award-winning stories in A Fisherman of the Inland Sea range from the everyday to the outer limits of experience, where the quantum uncertainties of space and time are resolved only in the depths of the human heart. Astonishing in their diversity and power, they exhibit both the artistry of a major writer at the height of her powers and the humanity of a mature artist confronting the world with her gift of wonder still intact.A Fisherman of the Inland Sea containsAnother Story or A Fisherman of the Inland Sea • [Hainish]Dancing to Ganam • [Hainish] Introduction: On Not Reading Science Fiction Newton's Sleep The Ascent of the North FaceThe First Contact with the GorgonidsThe KerastionThe Rock That Changed ThingsThe Shobies' Story • [Hainish]

    He didn't want to use the weapon, but feared he might anyhow. This was a justifiable assumption, for Caswell was a homicidal maniac.It was a gentle, misty spring day and the air held the smell of rain and blossoming-dogwood. Caswell gripped the revolver in his sweaty right hand and tried to think of a single valid reason why he should not kill a man named Magnessen, who, the other day, had commented on how well Caswell looked.What business was it of Magnessen's how he looked? Damned busybodies, always spoiling things for everybody....Caswell was a choleric little man with fierce red eyes, bulldog jowlsand ginger-red hair. He was the sort you would expect to find perchedon a detergent box, orating to a crowd of lunching businessmen andamused students, shouting, "Mars for the Martians, Venus for theVenusians!"But in truth, Caswell was uninterested in the deplorable social conditions of extraterrestrials. He was a jetbus conductor for the New York Rapid Transit Corporation. He minded his own business. And he was quite mad.Fortunately, he knew this at least part of the time, with at least half of his mind........

    In this story, George O'Kelly, an aspiring engineer turned insurance salesman, fights to recapture the love of Jonquil Cary. When George receives a letter from Jonquil that sounds "nervous" George quits his insurance job and heads down to Tennessee to convince Jonquil of his love for her. Upon arriving, George finds Jonquil in the company of two younger boys and he knows that something is wrong. After their break-up, George leaves Tennessee to pick up the pieces of his life. We return to George over a year later as he comes back to see Jonquil again. The years have been good to George - he is tan, well dressed and successful. When the two reunite, things have changed.

    P. Lovecraft was one of the greatest horror writers of all time. His seminal work appeared in the pages of legendary Weird Tales and has influenced countless writer of the macabre. This is one of those stories.It was first published in The Scot, a Scottish amateur fiction magazine, in June 1920.

    FoxMars Is Heaven! / Ray Bradbury; artwork by Herman VestalPreview of Peril / A. Bertram Chandler; artwork by Alden McWilliamsAgainst the Stone Beasts / James Blish; artwork by DonelBrooklyn Project / William Tenn; artwork by Herman VestalSynthetic Hero / Erik Fennel; artwork by Herman VestalValkyrie from the Void / Basil WellsCartoon: "Here we are the masters!" ; Cartoon: "Er---any trees on the moon?" / artwork by E. P.

    Here’s the correct version, as published in Omni, 1990." -- Terry Bisson

    One of the copies of Cater-Zimmermann, Paolo Venetti, arrives at Orpheus; a water-world inhabited by floating mats that perform as a Turing machine.

    Vonnegut’s absolute familiarity with science fiction tropes and his mocking contempt for them are well displayed in a story which shifts between tragic cartoon and straightforward projection. His highly evolved humans in an indeterminate future have become body-transcending spirits and Vonnegut handles this vaporous situation with deadpan comedy suspended over unspeakable loss, a characteristic technique. In its fluidity--the story is parody masked as extrapolation; no, it is a horror story in the form of a parody. This kind of cross-category narrative attack was often used by Vonnegut and makes him difficult to label; he is too serious to be funny, too absurd (as in jailbreak or as in the concept of Billy Pilgrim’s alien Tralmalfadorians) to be taken as realism. Vonnegut when he wrote this story at 30 was still trying to find his voice, identify his material; as a laboratory of his enveloping subject matter and technique UNREADY TO WEAR is particularly interesting and disturbing, demonstrating that Vonnegut could have gone in any number of directions and perhaps by deliberately failing to make a decision, found his voice through indeterminacy. It is as a poet of indeterminacy then that Vonnegut went on to write his most famous novel, SLAUGHTERHOUSE-FIVE.ABOUT THE AUTHORKurt Vonnegut (1922-2007) is one of the most beloved American writers of the twentieth century. Vonnegut's audience increased steadily since his first five pieces in the 1950s and grew from there. His 1968 novel Slaughterhouse-Five has become a canonic war novel with Joseph Heller's Catch-22 to form the truest and darkest of what came from World War II.Vonnegut began his career as a science fiction writer, and his early novels--Player Piano and The Sirens of Titan--were categorized as such even as they appealed to an audience far beyond the reach of the category. In the 1960s, Vonnegut became closely associated with the Baby Boomer generation, a writer on that side, so to speak.Now that Vonnegut's work has been studied as a large body of work, it has been more deeply understood and unified. There is a consistency to his satirical insight, humor and anger which makes his work so synergistic. It seems clear that the more of Vonnegut's work you read, the more it resonates and the more you wish to read. Scholars believe that Vonnegut's reputation (like Mark Twain's) will grow steadily through the decades as his work continues to increase in relevance and new connections are formed, new insights made.ABOUT THE SERIESHorace Gold led GALAXY magazine from its first issue dated October 1950 to science fiction’s most admired, widely circulated and influential magazine throughout its initial decade. Its legendary importance came from publication of full length novels, novellas and novelettes. GALAXY published nearly every giant in the science fiction field.The Galaxy Project is a selection of the best of GALAXY with new forewords by some of today’s best science fiction writers. The initial selections in alphabetical order include work by Ray Bradbury, Frederic Brown, Lester del Rey, Robert A. Heinlein, Damon Knight, C. M. Kornbluth, Walter M. Miller, Jr., Frederik Pohl, Robert Scheckley, Robert Silverberg, William Tenn (Phillip Klass) and Kurt Vonnegut with new Forewords by Paul di Filippo, David Drake, John Lutz, Barry Malzberg and Robert Silverberg. The Galaxy Project is committed to publishing new work in the spirit GALAXY magazine and its founding editor Horace Gold.

    The administrator can’t in good conscience send another volunteer to look for them, so he transforms himself and his faithful dog into Lopers.

    Rarely do they even leave their own rooms, in which all of their needs are met by the Machine. The Machine allows the humans to communicate "ideas" with one another, which is essentially their only activity. It doesn't stop them from leaving their rooms, but they have little desire to do so anyway. They've started to believe the Machine is omnipotent and omniscient, not to be questioned. And when it begins to malfunction, they trust that it knows what it's doing--forgetting they invented it in the first place . . .From the author of A Passage to India, A Room with a View, and other classic novels, and a sixteen-time nominee for the Nobel Prize in Literature, this remarkable science fiction story, which was included in a Science Fiction Hall of Fame anthology, was published in 1909--yet becomes more relevant and thought-provoking with each passing day of the twenty-first century.