A short critical essay which considers the significance of the title.

    All the Fizzles are included in the collection The Complete Short Prose 1929-1989(description from Wikipedia)

    Michael Robinson's highly performable translations are based on the authoritative texts of the new edition of Strindberg's collected works in Sweden and include the Preface to Miss Julie, Strindberg's manifesto of theatrical naturalism

    600+ pages of exciting reading all in one convenient low-priced. package. OUTBACK HEARTS (#1) Sam never thought she'd actually be chosen for a reality show--but the next thing she knew, she was whisked away to Australia. Dealing with a producer willing to do whatever he had to do make the show a hit, other women ready to cheat and lie to gain the attention of the bachelor, and a camera operator ready to catch her at her worst every time she turned around, absolutely nothing was as simple as it seemed on TV. Sam wasn't sure she was going to make it through filming most days--never mind find true love. Alex never thought he'd be on a reality show, but how hard could being surrounded by beautiful women be? A lot harder than he'd thought. The producer changed the rules of the show behind his back, the women were nearly clawing at each other for this attention--and then there was that one contestant he couldn't get off his mind. Can two people who are meant to be together manage to fight catty contestants, a crazy producer and find true love on a reality show in the Australian Outback? FLAMING HEARTS (#2) Becky is on a reality show in Arizona, but instead of having the single men compete with each other for her affections, she has to compete with another woman for theirs. While on a disastrous double date for the show, Becky meets a wonder man, too bad she's not allowed to talk to him. Dean finds the one woman he knows is meant to be his, but there's a problem, she's a contestant on a reality show. Working with his brother, who just happens to be a cameraman on the show, they put together a scheme to get Dean access to the set. Now all he has to do is convince Becky to choose him. Their relationship blossoms, but when trouble arises, Becky has to decide if she can trust Dean enough to help her, or if she's better off alone. Dean would do anything for the woman he loves, but first he has to find her. FROZEN HEARTS (#3) Working as a camper operator for a hard-nosed producer isn't all fun and games. Kina is seriously thinking about making this reality show her last. She's known as being 'cold-as-ice' when it comes to men, which is appropriate since they're filming in Alaska. Before she can figure out what she wants to do with her life she had to make it through this show. The Alaskan reality show is Jonathan's last gig before he goes to work in security with his brother. The shoot would be completely miserable except for the fact that the one woman in the world who is meant to be his is also a camera operator on the show. Fighting boredom and drama within the crew, hiking across glaciers, and camping in the Alaskan wilderness isn't as safe as it seems on television. An injury on the set will either bring Jonathan and Kina together, or tear them apart for good.

    

    Years later he's still stranded here, soaked in cheap gin and haunted by a past love. But the arrival of another lost soul brings one last chance of freedom...Inspired by the book The Man Who Fell to Earth by Walter Tevis and its cult film adaptation starring David Bowie, Lazarus brings the story of Thomas Newton to its devastating conclusion.Written by Bowie with the playwright Enda Walsh, and incorporating some of Bowie's most iconic songs, Lazarus was first performed at New York Theatre Workshop in 2015, starring Michael C. Hall and directed by Ivo Van Hove. The production transferred to London in 2016.‘Ice-bolts of ecstasy shoot like novas through the fabulous muddle and murk of Lazarus, the great-sounding, great-looking and mind-numbing new musical built around songs by David Bowie’- Ben Brantley New York Times‘Wild, fantastical, eye-popping. A surrealistic tour de force’ - Rolling Stone Data Lookups Explore 'I'm a dying man who can't die.' Thomas Newton came to Earth seeking water for his drought-ridden planet. Years later he's still stranded here, soaked in cheap gin and haunted by a past love. But the arrival of another lost soul brings one last chance of freedom...Inspired by the book The Man Who Fell to Earth by Walter Tevis and its cult film adaptation starring David Bowie, Lazarus brings the story of Thomas Newton to its devastating conclusion.Written by Bowie with the playwright Enda Walsh, and incorporating some of Bowie's most iconic songs, Lazarus was first performed at New York Theatre Workshop in 2015, starring Michael C. Hall and directed by Ivo Van Hove. The production transferred to London in 2016.‘Ice-bolts of ecstasy shoot like novas through the fabulous muddle and murk of Lazarus, the great-sounding, great-looking and mind-numbing new musical built around songs by David Bowie’- Ben Brantley New York Times‘Wild, fantastical, eye-popping. A surrealistic tour de force’ - Rolling Stone

    It won the 1995 Evening Standard Award for Best Comedy and, the Writers' Guild for Best West End Play."An exceptionally accomplished first play . . . though I know nothing about poker, I testify to the compulsive grip this play exerts and to the accumulation of meanings it ignites in your head."—Financial Times"Patrick Marber's enthralling close-up of the demons which drive compulsive gamblers is among the finest new plays in many a year."—Daily Mail

    As a blizzard rages outside, a lonely figure, Henry Harry, lies sleeping under a heap of blankets. Suddenly, he is awakened by the insistent knocking of an unexpected visitor who turns out to be Rosannah DeLuce, a distraught young woman who has fled all the way from Arizona to escape her impending marriage, and who bursts into the cabin dressed in full bridal regalia. Exhausted, she throws herself on Henry's mercy, but after sleeping for two days straight, her vigor and combativeness return. Both characters, it develops, have been wounded and embittered by life, and both are refugees from so-called civilization. Thrown together in the confines of the snowbound cabin, they alternately repel and attract each other as, in theatrically vivid exchanges, they explore the pain of the past and, in time, consider the possibilities of the present. In the end their very isolation proves to be the catalyst that allows them to break through the web of old griefs and bitter feelings that beset them both and to reach out for the solace and sanctuary that only hard-won understanding, self-awareness and compassion for the plight of others can bestow.

    Traditionally seen as either the pawn of an ambitious family maneuvered into the King's bed or as a predator manipulating her way to power, Anne—and her ghost—are seen in a very different light in Howard Brenton's epic play.

    An eminent—and initially unsympathetic—QC takes on the case, and the boy has to withstand the full might of the Royal Naval Establishment seeking to discredit him.

    Based on Carlo Goldoni's classic Italian comedy The Servant of Two Masters, in this new English version by prize-winning playwright Richard Bean, sex, food, and money are high on the agenda.

    Now, in "Dancing with Joy," he assembles 99 poems from 69 poets that celebrate the many colors of joy. Anything can be a catalyst for joy, these poems reveal. For Wislawa Szymborska, the catalyst is a dream; for Robert Bly, being in the company of his ten-year-old son; for Gerald Stern, it is a grapefruit at breakfast; for Billy Collins, a cigarette. "Dancing with Joy" includes English and Italian classical and romantic works; early Chinese and Persian verse; and poets from Chile, France, Sweden, Poland, Russia, Turkey, and India, plus a range of contemporary American and English poets. Whether inspiration is what you need, or an affirmation of what is already joyful in life, "Dancing with Joy" is a welcome treat for Housden s numerous fans, as well as anyone looking for sheer happiness, marvelously expressed."

    An unprepared actor in an unnamed play is forced to take the place of a leading actor.

    Frank Rich in "The New York Times" wrote about "Prelude," "It is rare to find a play so suffused with sorrow that sends one home so high." Also included are "Missing Persons," "a truly intelligent play, one that is literary and heartfelt, beautifully written...a well-crafted, moving story, a dramatic rarity in these or any times "("New York Post"), and "Three Postcards," an offbeat and uniquely imaginative free form musical play. Craig Lucas is also the author of "Reckless and Blue Window" and "What I Mean Was." He lives in Putnam Valley, New York.

    Jorge Huerta of the University of California-San Diego. Luis Valdez, the most recognized and celebrated Hispanic playwright of our times, is the director of the famous farm-worker theater, El Teatro Campesino.