She is beautiful and a talented free-spirit who is happiest when lost in the world of her art, painting. There are several local men who would love to marry her, as there is a serious shortage of women in Bozeman, MT in the 1890's. Elizabeth has seen her own brothers send for mail-order brides. Emma was the first young woman to move East from Boston to marry Ethan. Several of Emma's friends followed, Julia, Colleen, Brianna, Maeve and Fiona. But Elizabeth is in no hurry to marry either of the local men. No one has captured her heart in the same way that her childhood neighbor Julian did. Theirs was an innocent, but strong love and their future seemed all but certain to Elizabeth, until something terrible happened. No one has ever said exactly what he supposedly did, but Julian was sent away, when Elizabeth was just thirteen. Her family said it was for the best, given what happened and it was made clear to her that should he ever return, Elizabeth would be strictly forbidden from having anything to do with him. Elizabeth thought she'd put Julian out of her mind, considered him gone and part of her past. But when he suddenly returns, all the familiar feelings surface and what she is finally told that he has done, doesn't reconcile with the person standing before her. Elizabeth is determined to uncover the truth, to prove that Julian is the man she believes him to be.

    But once they return to their normal lives, secrets from their pasts threaten to tear them apart. They are thrown into a web of temptations, lies and deceit, testing their fragile connection. Challenging Love is a novella in KaLyn Cooper’s popular Black Swan series of active duty military women and the men who dare to love them. If you enjoy books by Susan Stoker, Elle James and Cristin Harber, you’ll enjoy this fast read.

    When her mother dies unexpectedly, Brinay seizes the opportunity to put some distance between herself and her painful past. A change of scenery seems to be just the cure Brinay needed as she soon finds herself on the path to real happiness-excelling in medical school with the man of her dreams by her side? Her life is shaping up to be picture perfect-until she discovers just how much love her man has to give. Skylar has always been a daddy’s girl, and when Brinay pops up as the prettier and more likeable outside child of her parent’s marriage, Skylar makes sure to let Brinay know that she’s a non-factor, just like her side-piece mother had been for their father. Skylar is the epitome of spoiled; she moves through life flaunting her wealth and looking down her nose at anyone that she feels is beneath her–that is, until she meets Dontie, who’s the complete opposite of her upscale lifestyle. Despite his thuggish ways, Skylar can’t resist the sexiest man in Miami, so she jumps at the chance to be his wife. Little does she know, he takes “keeping it in the family,” to a whole new level. My Sister’s Husband takes the reader on a wild ride and shows how some familial ties can never be broken, even between sworn enemies.

    As relevant as when it was first published in 1968, groundbreaking director and cofounder of the Royal Shakespeare Company Peter Brook draws on a life in love with the stage to explore the issues facing a theatrical performance—of any scale. He describes important developments in theatre from the last century, as well as smaller scale events, from productions by Stanislavsky to the rise of Method Acting, from Brecht’s revolutionary alienation technique to the free form happenings of the 1960s, and from the different styles of such great Shakespearean actors as John Gielgud and Paul Scofield to a joyous impromptu performance in the burnt-out shell of the Hamburg Opera just after the war. Passionate, unconventional, and fascinating, this book shows how theatre defies rules, builds and shatters illusions, and creates lasting memories for its audiences.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    To a classicist however, the word brings to mind the masterpieces of Sophocles, Shakespeare, and Racine; beautiful dramas featuring romanticized torment. What has tragedy been made to mean by dramatists, storytellers, philosophers, politicians, and journalists over the last two and a half millennia? Why do we still read, re-write, and stage these old plays? This lively and engaging work presents an entirely unique approach which shows the relevance of tragedy to today's world, and extends beyond drama and literature into visual art and everyday experience. Addressing questions about belief, blame, mourning, revenge, pain, and irony, noted scholar Adrian Poole demonstrates the age-old significance of our attempts to make sense of terrible suffering.

    s/t: An entertainment in conversation and verse

    So when the British Secret Service asks him to become their ‘man in Havana’ he can’t afford to say no. There’s just one problem…he doesn’t know anything! To avoid suspicion, he begins to recruit nonexistent sub-agents, concocting a series of intricate fictions. But Wormold soon discovers that his stories are closer to the truth than he could have ever imagined… In Clive Francis’ adaptation, Graham Greene’s classic satirical novel becomes a wonderfully funny and fast-moving romp.

    7/7/2005: Ben Morgan, a cybersecurity specialist with the Metropolitan police, starts another day at work. It will be the last normal day he ever has.The Present: In Hong Kong, a crime overlord is offered a deal by shadowy agents from Beijing: his life for a new kind of operation in London. Morgan, now a part of an off the books cyber-terrorism prevention unit, must do everything to stop its spread.This is a new kind of war: different goals, tactics, rules, stakes. And Morgan is caught right in the centre... A pulse-pounding thriller rooted in reality, perfect for fans of Frederick Forsyth, Andy McNab and James Deegan.

    

    Monsters provide a key to understanding the culture that spawned them. So argue the essays in this wide-ranging and fascinating collection that asks the question, What happens when critical theorists take the study of monsters seriously as a means of examining our culture? aIn viewing the monstrous body as a metaphor for the cultural body, the contributors to Monster Theory consider beasts, demons, freaks, and fiends as symbolic expressions of cultural unease that pervade a society and shape its collective behavior. Through a historical sampling of monsters, these essays argue that our fascination for the monstrous testifies to our continued desire to explore difference and prohibition. Contributors: Mary Baine Campbell, Brandeis U; David L. Clark, McMaster U; Frank Grady, U of Missouri, St. Louis; David A. Hedrich Hirsch, U of Illinois; Lawrence D. Kritzman, Dartmouth College; Kathleen Perry Long, Cornell U; Stephen Pender; Allison Pingree, Harvard U; Anne Lake Prescott, Barnard College; John O'Neill, York U; William Sayers, George Washington U; Michael Uebel, U of Virginia; Ruth Waterhouse. "

    If you find the original Shakespearean language rather cryptic then this is for you.

    But she never took any short cuts to become happier, wiser, healthier and more compassionate. She had to find rays of hope where the dark tunnel seemed unending, and identify shade in life's burning path. She found little pearls of wisdom in chasing her dreams, in spreading laughter, in learning from scriptures and philosophers, and even at one point in almost ending her life. More than Kiara's story and the wisdom she achieves through the various dramatic and hilarious experiences, this book is a motion picture with you in the lead role. You as the 'hero' who can beat the most stubborn of villains — most of which lie deep within us…our fear, unkindness, selfish interests, negative thoughts and jealousy. You as the 'heroine' who is sharp and witty in talking, selfless and caring in love, and charming and beautiful inside out, like none other (perhaps a 2.0 version of you). Walk with Kiara to find a better you, because It Doesn't Hurt to be Nice.

    Hephaestus Books represents a new publishing paradigm, allowing disparate content sources to be curated into cohesive, relevant, and informative books. To date, this content has been curated from Wikipedia articles and images under Creative Commons licensing, although as Hephaestus Books continues to increase in scope and dimension, more licensed and public domain content is being added. We believe books such as this represent a new and exciting lexicon in the sharing of human knowledge. This particular book contains chapters focused on Don Quixote, Works inspired by Don Quixote, and Characters in Don Quixote. More info: (;, see spelling and pronunciation below), fully titled The Ingenious Hidalgo Don Quixote of La Mancha, is a novel written by Spanish author Miguel de Cervantes. Cervantes created a fictional origin for the story by inventing a Moorish chronicler for Don Quixote named Cide Hamete Benengeli. Published in two volumes a decade apart (in 1605 and 1615), Don Quixote is the most influential work of literature from the Spanish Golden Age in the Spanish literary canon. As a founding work of modern Western literature, it regularly appears high on lists of the greatest works of fiction ever published.

    The Lost Coast is a six-part novella, written to accompany the six episodes of the second season of Homecoming, an audio series starring Catherine Keener, David Schwimmer, and Oscar Isaac.The two works are designed to be read in alternating installments - Episode One of the podcast, then Chapter One of the book, then Episode Two, and so on - but other sequences are probably fine too.