Over 30 years out-of-print, Perfidy is back, with murder, conspiracy and deep betrayal at its disturbing core. Playwright and historian of public conscience, Ben Hecht chronicles one of the most sensational yet least remembered stories in the history of Israel.

    Since his father, King Salman, ascended to the throne in 2015, Mohammed bin Salman has leveraged his influence to restructure the kingdom’s economy, loosen its strict Islamic social codes, and confront its enemies around the region, especially Iran. That vision won him fans at home and on Wall Street, in Silicon Valley, in Hollywood, and at the White House, where President Trump embraced the prince as a key player in his own vision for the Middle East. But over time, the sheen of the visionary young reformer has become tarnished, leaving many struggling to determine whether MBS is in fact a rising dictator whose inexperience and rash decisions are destabilizing the world’s most volatile region. Based on years of reporting and hundreds of interviews, MBS reveals the machinations behind the kingdom’s catastrophic military intervention in Yemen, the bizarre detention of princes and businessmen in the Riyadh Ritz-Carlton, and the shifting Saudi relationships with Israel and the United States. And finally, it sheds new light on the greatest scandal of the young autocrat’s rise: the brutal killing of journalist Jamal Khashoggi by Saudi agents in Istanbul, a crime that shook Saudi Arabia’s relationship with Washington and left the world wondering whether MBS could get away with murder. MBS is a riveting, eye-opening account of how the young prince has wielded vast powers to reshape his kingdom and the world around him.

    This powerful account of brutality against women in the Muslim world remains as shocking today as when it was first published, more than a quarter of a century ago. It was the horrific female genital mutilation that she suffered aged only six, which first awakened Nawal el Saadawi's sense of the violence and injustice which permeated her society. Her experiences working as a doctor in villages around Egypt, witnessing prostitution, honour killings and sexual abuse, inspired her to write in order to give voice to this suffering. She goes on explore the causes of the situation through a discussion of the historical role of Arab women in religion and literature.Saadawi argues that the veil, polygamy and legal inequality are incompatible with the just and peaceful Islam which she envisages.

    While rugs are found in most Western homes, the story of religious, political, and tribal strife behind their creation is virtually unknown. In "The Carpet Wars, award-winning journalist Christopher Kremmer chronicles his fascinating ten-year journey along the ancient carpet trade routes that run through the world's most misunderstood and volatile regions -- Afghanistan, Iran, Iraq, India, Pakistan, and the former Soviet republics of Central Asia.Christopher Kremmer's odyssey through the crescent of Islamic nations began in the early 1990s, when he arrived in Afghanistan to meet the communist-backed president, Mohammed Najibullah. On the outskirts of Kabul, mujahideen rebels were massing while the carpet dealers of the old city continued to ply their timeless trade. Kremmer was in Kabul when the mujahideen turned their guns on one another after ridding the country of the hated communists. He was there when the Taliban came and the army of religious students -- aided by the wealthy Arab radical Osama bin Laden -- emerged from the scorched earth to implement their vision of "a pure Islamic state."Traveling through these territories, Kremmer chronicles Islamic societies as they were convulsed by dictatorship and greed and as refugees sought asylum in the West. He cemented lifelong friendships and met an unforgettable cast of characters, from nomads toiling on portable handlooms to shady merchants and leaders of the syndicates that control the bazaars. In the remote Hindu Kush, he celebrated Eid with the late Afghan guerrilla legend Ahmad Shah Massoud. In Kandahar, he took tea with Taliban leaders and went hunting for Osamabin Laden. He watched as a new generation questioned the power of the mullahs in Iran, while in Iraq the populace chafed under the weight of sanctions and Saddam Hussein's cult of personality."The Carpet Wars takes readers into a world where even the simplest motif on a rug can be filled with religious, tribal, and political significance, places where life bustles with bargaining and gossip in bazaars and teahouses, while nations crumble, leaders fall, and the final confrontation between freedom and terror looms.An edge-of-the-chair travel memoir, "The Carpet Wars offers a personal, vivid, and revealing look at Islam's human face, wracked by turmoil but sustained by friendship, industry, and humor. It is also a historical snapshot of countries at the center of global confrontation that exploded onto the homefront on September 11, 2001.

    

    The spotlight will inevitably be on Erdogan the powerful leader of the country - whose increasingly bizarre and authoritarian regime has increased tensions enormously both within and outside the country. His crackdown has been brutal and consistent thousands of journalists arrested, academics officially banned from leaving the country, university deans fired and three quarters of highest ranking army officers arrested.In some senses, this coup has given Erdogan the license to make good on his repeated promise to bring order and stability under a strongman . Here, leading Turkish expert Soner Cagaptay will look at where Erdogan comes from in Turkish history, what he believes in, how he has cemented his rule will assess the threats he faces from the liberal youth to the Gulen movement, the army plotters and the Kurdish question."

    Little did he know, as he kissed her good-bye, that he would spend the next three months in Iran’s most notorious prison, enduring brutal interrogation sessions at the hands of a man he knew only by his smell: Rosewater.For the Bahari family, wars, coups, and revolutions are not distant concepts but intimate realities they have suffered for generations: Maziar’s father was imprisoned by the shah in the 1950s, and his sister by Ayatollah Khomeini in the 1980s. Alone in his cell at Evin Prison, fearing the worst, Maziar draws strength from his memories of the courage of his father and sister in the face of torture, and hears their voices speaking to him across the years. He dreams of being with Paola in London, and imagines all that she and his rambunctious, resilient eighty-four-year-old mother must be doing to campaign for his release. During the worst of his encounters with Rosewater, he silently repeats the names of his loved ones, calling on their strength and love to protect him and praying he will be released in time for the birth of his first child. A riveting, heart-wrenching memoir, Rosewater offers insight into the past seventy years of regime change in Iran, as well as the future of a country where the democratic impulses of the youth continually clash with a government that becomes more totalitarian with each passing day. An intimate and fascinating account of contemporary Iran, it is also the moving and wonderfully written story of one family’s extraordinary courage in the face of repression.Now a major motion picture directed by Jon Stewart - Previously published as Then They Came for Me.

    It was a revolution as swift as it was explosive. For eighteen days, anger, defiance, and resurgent national pride reigned in the streets---protestors of all ages struck back against police and state security, united toward the common goal of liberation. But the revolution was more than a spontaneous uprising. It was the end result of years of mounting tension, brought on by a state that shamelessly abused its authority, rigging elections, silencing opposition, and violently attacking its citizens. When revolution bloomed in the region in January 2011, Egypt was a country whose patience had expired---with a people suddenly primed for liberation. As a journalist based in Cairo, Ashraf Khalil was an eyewitness to the perfect storm that brought down Mubarak and his regime. Khalil was subjected to tear gas alongside protestors in Tahrir Square, barely escaped an enraged mob, and witnessed the day-to-day developments from the frontlines. From the halls of power to the back alleys of Cairo, he offers a one-of-a-kind look at a nation in the throes of an uprising. Liberation Square is a revealing and dramatic look at the revolution that transformed the modern history of one of the world’s oldest civilizations.

    Going beyond the headlines, he describes in vivid detail a series of key turning points in Arab history – from the mission of the Prophet Muhammad and the expansion of Islam to the region’s interaction with Western ideas and the rise of Islamism.Now fully updated to cover the tumultuous years since the Arab Spring, this lucidly told history reveals how the Arab world came to have its present form and illuminates the choices that lie ahead.John McHugo is a Senior Fellow at the Centre for Syrian Studies at St Andrews University. A board member of the Council for Arab British Understanding and the British Egyptian Society, he is also an advisor to Tim Farron, leader of the Liberal Democrats, on peace in the Middle East. McHugo’s writing has featured in History Today, The World Today, Jewish Quarterly and on the BBC News and Al Jazeera websites. His other publications include Syria: A Recent History. He lives in London.

    The Heart of the story Fiasco has to tell, which has never been told before, is that of a Military occupation whose leaders failed to see a blooming insurgency for what it was and as a result lead their soldiers in such a way that the insurgency became inevitable.

    Out of the heart of China into the mountains of Central Asia, across northern Afghanistan and the plains of Iran and into Kurdish Turkey, Colin Thubron covers some seven thousand miles in eight months. Making his way by local bus, truck, car, donkey cart and camel, he travels from the tomb of the Yellow Emperor, the mythic progenitor of the Chinese people, to the ancient port of Antioch—in perhaps the most difficult and ambitious journey he has undertaken in forty years of travel.The Silk Road is a huge network of arteries splitting and converging across the breadth of Asia. To travel it is to trace the passage not only of trade and armies but also of ideas, religions and inventions. But alongside this rich and astonishing past, Shadow of the Silk Road is also about Asia today: a continent of upheaval.One of the trademarks of Colin Thubron's travel writing is the beauty of his prose; another is his gift for talking to people and getting them to talk to him. Shadow of the Silk Road encounters Islamic countries in many forms. It is about changes in China, transformed since the Cultural Revolution. It is about false nationalisms and the world's discontented margins, where the true boundaries are not political borders but the frontiers of tribe, ethnicity, language and religion. It is a magnificent and important account of an ancient world in modern ferment.

    One of the world’s longest-lived religious rites, having continued without break for fourteen hundred years, it is, like all things Islamic, shrouded in mystery for Westerners. In The Hadj, Michael Wolfe, an American who converted to Islam, recounts his own journey a pilgrim, and in doing so brings readers close to the heart of what the pilgrimage means to a member of the religion that claims one-sixth of the world’s population. Not since Sir Richard Burton’s account of the pilgrimage to Mecca over one hundred years ago has a Western writer described the Hadj in such fascinating detail.

    Hirst, former Middle East correspondent of the Guardian, traces the origins of the terrible conflict back to the 1880s to show how Arab violence, although often cruel and fanatical, is a response to the challenge of repeated aggression. The Gun and the Olive Branch is an absorbing, potentially controversial, history of the Middle Eastern conflict that is indispensable to anyone with an interest in world politics and by partisans of both sides. This classic and controversial account of the origins of the Middle East conflict returns to print updated with a lengthy introduction that reflects on the course of recent Middle Eastern history -- especially the abortive Israeli-Palestinian peace process and 9/11.

    He witnessed the events leading to the rise of Islamic State, and in June 2013, he was himself captured by ISIS and spent ten months in captivity with James Foley and others who were beheaded soon after Hénin was released. Those barbarities, and the first strikes against Islamic State, prompted Hénin to present in Jihad Academy what he knows IS to be, in contrast to the misperceptions he sees perpetuated on an ongoing basis.Hénin sees Islamic State as a political entity, having arisen out of a sense of injustice and lack of hope, and as the natural result of the Western inability to support Syrian democracy activists. The West, however, sees IS only as a terrorist organization, ignoring its political message and goals; by doing so, we act as a recruitment agent for Islamic State and largely overlook the greatest victims of IS violence--civilians on the ground. IS will only be ultimately defeated, he argues, by the people of the region, just as others have overthrown groups that practiced political violence on their people.

    . . Never had mayhem brought more peace. All our lives we had been taught the virtues of behaving, and now we were discovering the importance of misbehaving. Too much fear had tainted our days. Too many afternoons had passed in silence, listening to a fanatic’s diatribes. We were rebelling because we were not evil, we had not sinned, and we knew nothing of the apocalypse. . . . This was 1979, the year that showed us we could make our own destinies. We were rebelling because rebelling was all we could do to quell the rage in our teenage veins. Together as girls we found the courage we had been told was not in us.”In Journey from the Land of No Roya Hakakian recalls her childhood and adolescence in prerevolutionary Iran with candor and verve. The result is a beautifully written coming-of-age story about one deeply intelligent and perceptive girl’s attempt to ï¬?nd an authentic voice of her own at a time of cultural closing and repression. Remarkably, she manages to re-create a time and place dominated by religious fanaticism, violence, and fear with an open heart and often with great humor.Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its grip. It is with the innocent confusion of youth that Roya describes her discovery of a swastika—“a plus sign gone awry, a dark reptile with four hungry claws”—painted on the wall near her home. As a schoolgirl she watched as friends accused of reading blasphemous books were escorted from class by Islamic Society guards, never to return. Only much later did Roya learn that she was spared a similar fate because her teacher admired her writing.Hakakian relates in the most poignant, and at times painful, ways what life was like for women after the country fell into the hands of Islamic fundamentalists who had declared an insidious war against them, but we see it all through the eyes of a strong, youthful optimist who somehow came up in the world believing that she was different, knowing she was special. At her loneliest, Roya discovers the consolations of writing while sitting on the rooftop of her house late at night. There, “pen in hand, I led my own chorus of words, with a melody of my own making.” And she discovers the craft that would ultimately enable her to find her own voice and become her own person.A wonderfully evocative story, Journey from the Land of No reveals an Iran most readers have not encountered and marks the debut of a stunning new talent.