Beierle brings to life characters at once unthinkably foreign and utterly real. Frank and fearless, sexy and witty, First Person Plural is a masterfully rendered, powerfully imaginative work, as complex and as extraordinary as the bonds of love. Owen and Porter Jamison are conjoined twins inhabiting one body with two heads, one torso, and two very different hearts. As children, they're seen as a single entity--Owenandporter, or more often, Porterandowen. As they grow to adulthood, their differences become more pronounced: Porter is outgoing and charismatic while Owen is cerebral and artistic. When Porter becomes a high school jock hero, complete with cheerleader girlfriend, a greater distinction emerges, as Owen gradually comes to realize that he's gay.Owen, a reluctant romantic, is content at first to settle for unrequited crushes. Porter's unease with his brother's sexuality leaves Owen feeling increasingly alienated from his twin, especially when Porter falls in love with Faith, and Owen becomes the unwilling third side of a complicated love triangle. When Owen finally begins to explore his own desires, the rift grows deeper.As Porter and Owen's carefully balanced arrangement of give-and-take, sacrifice and selfishness, is irrevocably shattered, each twin is left fighting for his relationship--and his future--in a battle of wills where winning seems impossible, and losing unthinkable. . .Andrew W. M. Beierle has been a journalist for more than thirty years. He has studied at the Bread Loaf, Sewanee, Napa Valley, and Kenyon Review writers' workshops.

    George is enthralled by Cecil, and soon his sixteen-year-old sister, Daphne, is equally besotted by him and the stories he tells about Corley Court, the country estate he is heir to. But what Cecil writes in Daphne's autograph album will change their and their families' lives forever: a poem that, after Cecil is killed in the Great War and his reputation burnished, will become a touchstone for a generation, a work recited by every schoolchild in England. Over time, a tragic love story is spun, even as other secrets lie buried - until, decades later, an ambitious biographer threatens to unearth them.Rich with Hollinghurst's signature gifts - haunting sensuality, delicious wit and exquisite lyricism - The Stranger's Child is a tour de force: a masterly novel about the lingering power of desire, how the heart creates its own history, and how legends are made.

    A riveting, first-person tale in the tradition of Go Ask Alice and Lucy in the Sky.The author of this fictional diary began writing for a class assignment, but soon it became much more to him. As the star player of his high school football team, he faces a lot of pressure and expectation. Not to mention the secret that he’s harboring inside. The secret that could change everything.And as David quickly learns, nothing stays secret forever.His innermost thoughts and feelings are chronicled in the diary he left behind.

    There he meets Mitko, a charismatic young hustler, and pays him for sex. He returns to Mitko again and again over the next few months, drawn by hunger and loneliness and risk, and finds himself ensnared in a relationship in which lust leads to mutual predation, and tenderness can transform into violence. As he struggles to reconcile his longing with the anguish it creates, he’s forced to grapple with his own fraught history, the world of his southern childhood where to be queer was to be a pariah. There are unnerving similarities between his past and the foreign country he finds himself in, a country whose geography and griefs he discovers as he learns more of Mitko’s own narrative, his private history of illness, exploitation, and disease.What Belongs to You is a stunning debut novel of desire and its consequences. With lyric intensity and startling eroticism, Garth Greenwell has created an indelible story about the ways in which our pasts and cultures, our scars and shames can shape who we are and determine how we love.

    The meteoric rise and sudden, dramatic fall of a young gay male porn star.

    Here are the highpoints (and some low points) that chart any good relationship: from the first blush of romance; to meeting the in-laws; to forgetting your pants at your own wedding; to figuring out in those first years that "life as a couple is all about discovering just how many things you can approach differently without actually killing each other"; and finally, of sharing that first great love, a child. Poignant and smart, these notes from a same-sex marriage will strike a chord with anyone who has ever known just how outrageous, challenging, and maddeningly wonderful the ties of love can be, no matter what configuration your family.

    Like the work of Truman Capote and Tennessee Williams, his stories have been overshadowed by the author's triumphs writing in other genres. Still, Vidal's short fiction offers us a portrait of the young artist in the 1940s and 1950s. His subtle and comic tales often center on adolescence and homosexual themes. In Three Stratagems, a middle-aged gay man encounters a male prostitute while vacationing in Key West. In The Zenner Trophy, the star athlete at an elite boys school is expelled for sexual relations with a classmate. These stories were gathered along with five others into a 1956 volume, A Thirsty Evil, and for decades were thought to comprise Vidal's complete short fiction.

    An unforgettable story of coming of age in America, it is also an essential milestone in the movement of American fiction, from a novelist who has become one of the most important and enduring voices of this generation.

    He only has one friend, Harry, and school is...Well, it's pure HELL. Why can't Noah be normal, like everyone else at school? Maybe if he struck up a romantic relationship with someone - maybe Sophie, who is perfect and lovely - he'd be seen in a different light? But Noah's plans for romance are derailed when Harry kisses him at a party. That's when things go from bad to worse utter chaos.

    Beginning in 1949 and moving to the present day, Mordden puts a unique and innovating spin on modern history. An adventurous, adroit, and fascinating novel by one of the finest gay writers of our time.

    In less than twenty-four hours he’s going to graduate from high school. His parents and friends have always given him their full support and unconditional love. He’s always had plenty of friends in school, he’s attractive, always gotten good grades, and he’s headed into a new chapter of life—university after his last summer of working at a local ice cream joint. His life has been…blessed.There’s just one thing. He’s never had a boyfriend. Never gotten laid. Never even been kissed. Well, not like that, anyway. So, life has been good, but it’s been boring. When he came out, Dustin imagined his own rom-com, teenage, coming-of-age scenario playing out, finding a boyfriend in high school, and being crowned dual Kings of the Prom.Nothing ever works out the way he imagines, though, and he’s getting pretty tired of it.On the night of his graduation, Dustin and his friend, Miguel, come up with a plan while sharing a few beers swiped from the neighborhood barbecue. If you can’t get laid through skill and swagger of your own, you can always turn to a professional. All you need is the internet and a device.So, buzzed from the beers, Dustin logs onto Briefly Buddies to find the perfect guy to help him achieve his first real gay experience.And that’s where everything really started to go wrong…

    A timely and important contribution to the body of recovery literature, Cruise Control provides understanding, empathy and encouragement to gay men seeking healthy sexual expression.

    Unlike Frédéric Moreau in Flaubert's L'Éducation sentimentale (to which this book owes no meagre debt), Piet is magnificently gifted, not only "extremely attractive to most women and to many men," but also a fine pianist, draughtsman and lover. We first meet him interviewing for the role of tutor to the son of the wealthy hotelier, Maarten Vermeulen-Sickerts. All is not well in his gilded household. Egbert, the son, is agoraphobic. The matriarch, Jacobina, hasn't been touched by her husband in almost a decade. Into this highly strung atmosphere comes Piet, charged with the task of freeing Egbert from his paralysing fear of the outside world. We soon realise, however, that Egbert isn't the only one in need of help. Piet sets about liberating the libidos of the repressed family through music – championing bawdy Bizet over abstract Bach – and oral sex. While the setting is Dutch, the influences are French – think Bel-Ami, Les Liaisons dangereuses and Gide's L'Immoraliste.

    Gagliano & Son has been a barber shop fixture in South Philly for decades. Frankie and Michael Gagliano’s Italian immigrant father—Luigi to his customers, Papa to his sons—presides over the store, enlisting his children as soon as they’re big enough to wield a broom. On their mother’s deathbed, eight-year-old Frankie swears that he and his little brother will always take care of each other, a vow he endeavors to keep through their father’s violent outbursts and the string of wives who try to take their mother’s place.After their father’s death, Frankie takes over the shop, transforming it to fit in with the gentrifying neighborhood. Michael becomes a successful prosecutor with a rising political career, still close to his big brother despite the differences between them. Then comes an unthinkable, impulsive act that will force Michael to choose between risking his comfortable life and keeping a sacred oath—made before he knew how powerful a promise can be.The Boys from Eighth and Carpenter is a stunning evocation of working-class Italian-American life—a story of brotherhood, loyalty, and the contradictory, unpredictable nature of family love.

    But Robert can't resist Michael, even though the man's motto is Money Can Buy Happiness. And reformed megaslut Michael can't resist strapping southerner Max Crawford, who has agreed to marry him in a wedding that promises to be New York's ultimate gay event.While Michael busies himself booking the First Church of Christ, Scientist, Homosexual �and ordering enough exotic flowers to strip a tropical rainforest, Robert commiserates with Monette, who shares his envy of Michael, his affinity for practical jokes, and his inability to find a lasting same-sex love. Little do they know that what lies in store for Michael is far from wedded bliss.The big day finds Michael, Robert, and Monette mingling with hundreds of Michael's closest friends, plus a crowd of drag queens in rustling taffeta. Curiously, the groom's husband-to-be is nowhere to be found... and neither is Michael's priceless Matisse painting.What's a jilted lover to do? Purchase the finest rifle money can buy and vow to kill the SOB, that's what. With a reluctant Robert in tow, Michael tracks Max all the way to Provincetown, where, amidst throngs of beautiful thong-clad boys, Max turns up dead before Michael can shoot him. Primary suspects Michael and Robert swiftly go into full Hardy Boys mode, accompanied by their own personal Nancy Drew, Monette. When the clues indicate that the culprit is a murderous Bette Davis impersonator, Robert must endure the ultimate test of friendship. Does he dare go undercover with Michael in a drag revue to smoke out the real killer? Does he dare not to? Before you can say, "accessory to murder," Robert and Michael have made their drag debut in heels, sequins, and enough makeup to make Joan Collins look pasty, determined to find the real killer before the killer� and the cops� find them!