And she's sinking fast. Hobie's certain 4B will never be so lucky. Their regular fourth grade teacher, Mr. Star, is as healthy as a horse. The very next day, though, Mr. Star rushes out of the room -- "indisposed," the principal says -- and Hobie and his classmates hear "s-u-b." They are prepared. No stranger could possibly withstand the volley from their vast arsenal of sub sinkers. Except, perhaps, Miss Ivanovitch. It soon becomes clear that it might not be the sub who sinks -- this time, it might just be the students.

    Ted and Kat watch their cousin Salim get on board the London Eye. He turns and waves and the pod rises from the ground.Monday, 24 May, 12.02 p.m. The pod lands and the doors open. People exit in all shapes and sizes – but where is Salim?Ted and his older sister Kat become sleuthing partners since the police are having no luck. Despite their prickly relationship, they overcome their differences to follow a trail of clues across London in a desperate bid to find their cousin. And ultimately it comes down to Ted, whose brain runs on its own unique operating system, to find the key to the mystery.In Spring 2009. the Unicorn Theatre adapted The London Eye Mystery for the stage. The story was adapted by Unicorn Artistic Associate Carl Miller, directed by Rosamunde Hutt and performed by the Unicorn ensemble and received a host of rave reviews.

    Which kind of monster is Sophie?Sophie is a monster expert. Thanks to her Big Book of Monsters and her vivid imagination, Sophie can identify the monsters in her school and neighborhood. Clearly, the bullies are trolls and goblins. Her nice neighbor must be a good witch, and Sophie’s new best friend is obviously a fairy. But what about Sophie? She’s convinced she is definitely a monster because of the “monster mark” on her face. At least that’s what she calls it. The doctors call it a blood tumor. Sophie tries to hide it but it covers almost half her face. And if she’s a monster on the outside, then she must be a monster on the inside, too.Being the new kid at school is hard. Being called a monster is even harder. Sophie knows that it’s only a matter of time before the other kids, the doctors, and even her mom figure it out. And then her mom will probably leave — just like her dad did.Because who would want to live with a real monster?

    He knows he should have—Jasmine cried, Mum cried, Dad still cries. Roger didn't, but then he is just a cat and didn't know Rose that well, really.Everyone kept saying it would get better with time, but that's just one of those lies that grown-ups tell in awkward situations. Five years on, it's worse than ever: Dad drinks, Mum's gone and Jamie's left with questions that he must answer for himself.This is his story, an unflinchingly real yet heart-warming account of a young boy's struggle to make sense of the loss that tore his family apart.

    And guess what? It's. Getting. On. Her. Nerves.Carly wants to be real, and she's always counted on her little sister, Anna, to love her and support her—and tell her how right she is. But when Anna turns "hot" over the course of a single summer, everything goes weird. Suddenly Anna's swimming in the deep end with the big girls—while Carly watches, hurt, from the kiddie pool. And of course there are boys involved, complicating things as boys always do.

    She's also pretty lonely, until she meets Jennifer. Jennifer is...well, different. She's read Macbeth. She never wears jeans or shorts. She never says please or thank you. And she says she is a witch. It's not always easy being friends with a witch, but it's never boring. At first an apprentice and then a journeyman witch, Elizabeth learns to eat raw ends and how to cast small spells. And she and Jennifer collaborate on cooking up an ointment that will enable them to fly. That's when a marvelous toad, Hilary Ezra, enters their lives. And that's when trouble starts to brew.

    In fact, everything about Heidi and her mentally disabled mother's past is a mystery. When a strange word in her mother's vocabulary begins to haunt her, Heidi sets out on a cross-country journey in search of the secrets of her past.Far away from home, pieces of her puzzling history come together. But it isn't until she learns to accept not knowing that Heidi truly arrives.

    So when a new family moves into the house across the street, Betsy hopes they will have a little girl she can play with. Sure enough, they do—a little girl named Tacy. And from the moment they meet at Betsy's fifth birthday party, Betsy and Tacy become such good friends that everyone starts to think of them as one person—Betsy-Tacy.Betsy and Tacy have lots of fun together. They make a playhouse from a piano box, have a sand store, and dress up and go calling. And one day, they come home to a wonderful surprise—a new friend named Tib.Ever since their first publication in the 1940's, the Betsy-Tacy stories have been loved by each generation of young readers.

    They are the "goats." The kids at camp think it's a great joke, just a harmless old tradition. But the goats don't see it that way. Instead of trying to get back to camp, they decide to call home. But no one can come and get them. So they're on their own, wandering through a small town trying to find clothing, food, and shelter, all while avoiding suspicious adults—especially the police. The boy and the girl find they rather like life on their own. If their parents ever do show up to rescue them, the boy and the girl might be long gone. . . .

    She lives alone, quietly weaving baskets with creative flair under the floor boards of the Oakley Plantation. However, Celeste’s world turns upside down with the arrival of the great naturalist John James Audubon and his assistant Joseph, who have come to study and paint the birds of the Louisiana bayou. Their arrival coincides with Celeste’s sudden displacement from her home below to a guest room upstairs. There she watches young Joseph struggle to create the backgrounds for Audubon’s bird paintings. As the two homesick souls strike up a friendship, the mouse secretly puts her artistic skills to good use; she simultaneously helps Joseph improve his compositions while aiding the wounded birds that Audubon captures for his studies. Nearly every page of author-illustrator Henry Cole's fine novel combines text and remarkable drawn images to tell the story of a mouse in need of a home of her own from the tiny creature's unique vantage point.

    Days will be spent at a boring job in the library, evenings will be filled with vocabulary drills for the SATs, and spare time will be passed with her mother, the two of them sharing a silent grief at the traumatic loss of Macy's father.But sometimes, unexpected things can happen—things such as the catering job at Wish, with its fun-loving, chaotic crew. Or her sister's project of renovating the neglected beach house, awakening long-buried memories. Things such as meeting Wes, a boy with a past, a taste for Truth-telling, and an amazing artistic talent, the kind of boy who could turn any girl's world upside down. As Macy ventures out of her shell, she begins to question her sheltered life.

    The meanness gland in her heart and the crevices full of questions in her brain make running away from Hard Pan, California (population 43), the rock-bottom only choice she has. It's all Brigitte's fault -- for wanting to go back to France. Guardians are supposed to stay put and look after girls in their care! Instead Lucky is sure that she'll be abandoned to some orphanage in Los Angeles where her beloved dog, HMS Beagle, won't be allowed. She'll have to lose her friends Miles, who lives on cookies, and Lincoln, future U.S. president (maybe) and member of the International Guild of Knot Tyers. Just as bad, she'll have to give up eavesdropping on twelve-step anonymous programs where the interesting talk is all about Higher Powers. Lucky needs her own -- and quick. But she hadn't planned on a dust storm. Or needing to lug the world's heaviest survival-kit backpack into the desert.

    True, there were no other recorded female survivors from the shipwreck which left baby Sophie floating in the English Channel in a cello case, but Sophie remembers seeing her mother wave for help. Her guardian tells her it is almost impossible that her mother is still alive, but that means still possible. You should never ignore a possible. So when the Welfare Agency writes to her guardian threatening to send Sophie to an orphanage, she takes matters into her own hands and flees to Paris to look for her mother, starting with the only clue she has - the address of the cello maker. Evading the French authorities, she meets Matteo and his network of rooftoppers - urchins who live in the sky. Together they scour the city for Sophie's mother before she is caught and sent back to London, and most importantly before she loses hope.

    She has never known her mother, and her relationship with her father is filled with misunderstanding and tears. The young girl learns to depend wholly upon her faith in her heavenly father.

    Fix things before they get too big for fixing. Custodial wisdom: Mattie Breen writes it all down. She has just one week to convince Uncle Potluck to take her on as his custodial apprentice at Mitchell P. Anderson Elementary School. One week until school starts and she has to be the new girl again. But if she can be Uncle Potluck’s apprentice, she’ll have important work to do during lunch and recess. Work that will keep her safely away from the other fifth graders. But when her custodial wisdom goes all wrong, Mattie’s plan comes crashing down. And only then does she begin to see how one small, brave act can lead to a friend who is hound dog true.