Prompted by the prophecies of three mysterious witches and goaded by his ambitious wife, the Scottish thane Macbeth murders Duncan, King of Scotland, in order to succeed him on the throne. This foul deed soon entangles the conscience-stricken nobleman in a web of treachery, deceit and more murders that ultimately spells his doom.

    Lyly took up the story of two young women, Galatea (or Gallathea) and Phillida who are dressed up in male clothes by their fathers so that they can avoid the requirement of the god Neptune that every year "the fairest and chastest virgin in all the country be sacrificed to a sea-monster." Hiding together in the forest, the two maidens fall in love, each supposing the other to be a young man. "Galatea" has become the subject of considerable feminist critical study in recent years. "Midas" (1590) uses mythology in quite a different way, dramatizing two stories about King Midas in such a way as to fashion a satire of King Philip of Spain (and of any tyrant like him) for colossal greediness and folly. In the wake of the defeat of Philip's Armada fleet and its attempted invasion of England in 1588, this satire was calculated to win the approval of Queen Elizabeth and her court.

    At the foot of Mount Fuji, behind screen walls and amidst curls of incense smoke Iwajiro chants the Tenjin Sutra, an act of devotion learned from his beloved mother. On the side of the same mountain, twenty years on, he will sit in perfect stillness as the summit erupts, spitting fire and molten rock onto the land around him. This is not the first time he has seen hell. This man will become Hakuin, one of the greatest teachers in the history of Zen. His quest for truth will call on him to defy his father, to face death, to find love and to lose it. He will ask, what is the sound of one hand clapping? And he will master his greatest fear. Night Boat is the story of his tremendous life.

    This play which won the author a Pulitzer Prize and a Tony award presents the lead character, Willy Loman (played over time by Lee J Cobb, George C Scott, Dustin Hoffman, and Brian Dennehy, among others), who has come to represent the middle-class struggle.

    Unfortunately, a stint at the airport lounge's tea vending machine does not seem to be getting her any closer to her dreams. To pass the time she daydreams, chats with air-hostesses and takes part in mock anti-terrorist drills. At home, she studies her English, fights with her twin and engages in a secret love affair with her cousin and neighbour, Eza. But when a scandal threatens her tenuous happiness, she must pull out all stops on her overactive imagination, and seek a terrible revenge.

    Some of them were entirely lost…a great chastening is upon them unlike any the ancient Christian world has ever seen.” - Alcuin of York, Letter to Arno King Horic is dead. The oaths that once bonded the Danes and Northmen in the islands of Aquitaine have broken. Hasting's new land is imperiled by fearsome challengers and old foes alike. A rumor from the continent will shatter the brittle veneer of his strength and expose his deepest wound from the past. His greatest trial will not be fought with a sword, ax, or shield, but with his heart. A supposed son of Ragnar Lodbrok, and referred to in the Gesta Normannorum as the Scourge of the Somme and Loire, his life exemplified the qualities of the ideal Viking. Join author and historian C.J. Adrien on an adventure that explores the early life and adventures of the Viking Hasting and his crew.

    Offers a selecttion of the master of human comedy's short stories from the 1930s and 1940s.

    It is the third of three plays written over twelve years (1957-1969) meant to symbolize the different stages of life, usually shown together. The first, representing birth, is "The Suitcase". The second, "The Cliff of Time," represents life itself, or "The Process," and the third, "The Man who Turned into a Stick," is death.This play has been considered as a main example of the current of Magic Realism in Japanese Literature. Other Japanese authors with considerable literary contributions to this genre are: Yasunari Kawabata, Oe Kenzaburo and Yasushi Inoue.

    1 Sunday Times bestsellers.BIRTHDAYS FOR THE DEAD: Detective Constable Ash Henderson has a dark secret…Five years ago his daughter, Rebecca, went missing on the eve of her thirteenth birthday. A year later the first card arrived: home-made, with a Polaroid picture stuck to the front – Rebecca, strapped to a chair, gagged and terrified. Every year another card: each one worse than the last.The tabloids call him ‘The Birthday Boy’. He’s been snatching girls for twelve years, always in the run-up to their thirteenth birthday, sending the families his home-made cards showing their daughters being slowly tortured to death.But Ash hasn’t told anyone about Rebecca’s birthday cards – they all think she’s just run away from home – because if anyone finds out, he’ll be taken off the investigation. And he’s sacrificed too much to give up before his daughter’s killer gets what he deserves…A SONG FOR THE DYING: He’s back…Eight years ago, ‘The Inside Man’ murdered four women and left three more in critical condition – all of them with their stomachs slit open and a plastic doll stitched inside.And then the killer just … disappeared.Ash Henderson was a Detective Inspector on the initial investigation, but a lot can change in eight years. His family has been destroyed, his career is in tatters, and one of Oldcastle’s most vicious criminals is making sure he spends the rest of his life in prison.Now a nurse has turned up dead on a patch of waste ground, a plastic doll buried beneath her skin, and it looks as if Ash might finally get a shot at redemption. At earning his freedom.At revenge.

    How did he become Glasgow's most feared gangster, deemed a risk to national security?Arthur Thompson, Godfather of the crime world and senior partner of the Krays, recruited young Ferris as a bagman, debt collector and equaliser. Feared for his capacity for extreme violence, respected for his intelligence, Ferris was the Godfather's heir apparent. But when gang warfare broke, underworld leaders traded in flesh, colluding with their partners - the police. Disgusted, Ferris left the Godfather and stood alone. They gave him weeks to live.While Ferris was caged in Barlinnie Prison's segregation unit accused of murdering Thompson's son, Fatboy, his two friends were shot dead the night before the funeral and grotesquely displayed in a car on the cortége's route. Acquitted against all the odds, Ferris moved on, determined to make an honest living.They would not let him.The National Crime Squad, MI5, the police and two of the country's most powerful gangsters saw to that. A maximum-security prisoner, Ferris is known as 'Lucky' because he is still alive.This is one man's unique insight into Britain's crime world and the inextricable web of corruption - a revealing story of official corruption and unholy alliances.

    Brant’s writing [is] taut, terse and concentrated on exposing the fissures that open in the heroine’s confidence and sense of honor... Grounded has a grimly fresh topicality." - New York Times"Propulsive drama... A fascinating exploration of personality, Grounded is, of course, all the more interesting because the subject of drone warfare is so much in the news... Thought-provoking." - Washington Post"Brant’s sharp-eyed, timely script... lets no one off easy; it forces the audience into a greater awareness of our own complicity in America’s drifts. Clap all you want at the end of the play—and you’ll want to clap a lot—but the game stays with you." - Time Out New York"Brant's drama is ready for prime time... Compelling and provocative." - San Francisco Chronicle"I was blown away... Grounded powerfully focuses on the human element... Don't miss it." - The Nation"Gripping... A play that challenges us to consider the moral and mortal conflict that is so much a part of our dangerous world... Delivers quite the gut punch... Grounded could not be much more timely." - Baltimore SunSeamlessly blending the personal and the political, Grounded tells the story of a hot-rod F16 fighter pilot whose unexpected pregnancy ends her career in the sky. Repurposed to flying remote-controlled drones in the Middle East from an air-conditioned trailer near Vegas, the Pilot struggles through surreal twelve-hour shifts far from the battlefield, hunting terrorists by day and being a wife and mother by night. A tour de force play for one actress, Grounded flies from the heights of lyricism to the shallows of workaday existence, targeting our assumptions about war, family, and the power of storytelling.Winner of the 2012 Smith Prize, a 2013 Scotsman Fringe First Prize, and Shortlisted for the Amnesty International Freedom of Expression Award 2013 at the Edinburgh Fringe Festival, 2013.

    Snatches of calypso compete with hymn tunes, drums and street cries as neighbours drink, brawl, pass judgment, make love, look out for each other and crave a better life. But Ephraim is no dreamer and nothing, not even the seductive Rosa, is going to stop him escaping his dead-end job for a fresh start in England.Set as returning troops from the Second World War fill the town with their raucous celebrations, Erroll John's Moon on a Rainbow Shawl depicts a vibrant, cosmopolitan world that is as harsh as it is filled with colour and warmth.

    He has come to detest his boring job and the petty superior he must defer to; his marriage is falling apart; he feels betrayed by his friends, he disdains the young student who offers him the passion and sense of wonder he once derived from his wife; and he seems concerned only with his annual hunting trip which, he hopes, will restore a purpose and identity to his life. But events continue to frustrate him: his wife aborts the child who might have saved their relationship; the new apartment they have wrested from the grudging bureaucracy seems more a tomb than a home; and ultimately, suicide appears to be Zilov's only alternative. But, in the end, emboldened by vodka and defying the persistent bad weather, Zilov does go hunting for the will to live is stronger than the desire to give up, and hope remains, even in the gray sameness of an existence gone stale.

    A quick-witted and vastly entertaining novel that takes Douglas Skelton into the crime fiction big league.” Alex Gray“If you like your humour black and your detective novels hard boiled, The Dead Don’t Boogie is a cut above the rest.” Theresa Talbot“A white-knuckle, wisecracking thriller.” Caro Ramsay A missing teenage girl should be an easy job for Dominic Queste – after all, finding lost souls is what he does best. But sometimes it’s better if those souls stay lost. Jenny Deavers is trouble, especially for an ex-cokehead like Queste. Some truly nasty characters are very keen indeed to get to Jenny, and will stop at nothing... including murder. 
As the bodies pile up, Queste has to use all his street smarts both to protect Jenny and to find out just who wants her dead. The trail leads him to a vicious world of brutal gangsters, merciless hitmen, dark family secrets and an insatiable lust for power in the highest echelons of politics.