Before he became the revered master of science fiction, Rod Serling was a just a writer who had to fight to make his voice heard. He vehemently challenged the networks and viewership alike to expand their minds and standards―rejecting notions of censorship, racism and war. But it wasn’t until he began to write about real world enemies in the guise of aliens and monsters that people lent their ears. In doing so, he pushed the television industry to the edge of glory, and himself to the edge of sanity. Rod operated in a dimension beyond that of contemporary society, making him both a revolutionary and an outsider.

    Clarke created this cinematic masterpiece.Regarded as a masterpiece today, 2001: A Space Odyssey received mixed reviews on its 1968 release. Despite the success of Dr. Strangelove, director Stanley Kubrick wasn’t yet recognized as a great filmmaker, and 2001 was radically innovative, with little dialogue and no strong central character. Although some leading critics slammed the film as incomprehensible and self-indulgent, the public lined up to see it. 2001’s resounding commercial success launched the genre of big-budget science fiction spectaculars. Such directors as George Lucas, Steven Spielberg, Ridley Scott, and James Cameron have acknowledged its profound influence.Author Michael Benson explains how 2001 was made, telling the story primarily through the two people most responsible for the film, Kubrick and science fiction legend Arthur C. Clarke. Benson interviewed Clarke many times, and has also spoken at length with Kubrick’s widow, Christiane; with visual effects supervisor Doug Trumbull; with Dan Richter, who played 2001’s leading man-ape; and many others.A colorful nonfiction narrative packed with memorable characters and remarkable incidents, Space Odyssey provides a 360-degree view of this extraordinary work, tracking the film from Kubrick and Clarke’s first meeting in New York in 1964 through its UK production from 1965-1968, during which some of the most complex sets ever made were merged with visual effects so innovative that they scarcely seem dated today. A concluding chapter examines the film’s legacy as it grew into it current justifiably exalted status.

    The newly revised and expanded edition of this cult classic features photos and illustrations throughout, and adds the Lucifer Rebellion, the solar storm, and the final three breaths of the merkaba meditation. The author emphasizes the importance of meditation for promoting the understanding of and connection to the metaphysical.

    

    

    Michael Straczynski has been one of the most successful writers in Hollywood, one of the few to forge multiple careers in movies, television and comics. Yet there’s one story he’s never told before: his own.In this dazzling memoir, the acclaimed writer behind Babylon 5, Sense8, Clint Eastwood’s Changeling and Marvel’s Thor reveals how the power of creativity and imagination enabled him to overcome the horrors of his youth and a dysfunctional family haunted by madness, murder and a terrible secret.Joe's early life nearly defies belief. Raised by damaged adults—a con-man grandfather and a manipulative grandmother, a violent, drunken father and a mother who was repeatedly institutionalized—Joe grew up in abject poverty, living in slums and projects when not on the road, crisscrossing the country in his father’s desperate attempts to escape the consequences of his past. To survive his abusive environment Joe found refuge in his beloved comics and his dreams, immersing himself in imaginary worlds populated by superheroes whose amazing powers allowed them to overcome any adversity. The deeper he read, the more he came to realize that he, too, had a superpower: the ability to tell stories and make everything come out the way he wanted it. But even as he found success, he could not escape a dark and shocking secret that hung over his family’s past, a violent truth that he uncovered over the course of decades involving mass murder.Straczynski’s personal history has always been shrouded in mystery. Becoming Superman lays bare the facts of his life: a story of creation and darkness, hope and success, a larger-than-life villain and a little boy who became the hero of his own life. It is also a compelling behind-the-scenes look at some of the most successful TV series and movies recognized around the world.Featuring an introduction by Neil Gaiman.

    The Steampunk Bible is the first compendium about the movement, tracing its roots in the works of Jules Verne and H. G. Wells through its most recent expression in movies such as Sherlock Holmes. Its adherents celebrate the inventor as an artist and hero, re-envisioning and crafting retro technologies including antiquated airships and robots. A burgeoning DIY community has brought a distinctive Victorian-fantasy style to their crafts and art. Steampunk evokes a sense of adventure and discovery, and embraces extinct technologies as a way of talking about the future. This ultimate manual will appeal to aficionados and novices alike as author Jeff VanderMeer takes the reader on a wild ride through the clockwork corridors of Steampunk history.Praise for The Steampunk Bible:"The Steampunk Bible is an informed, informative and beautifully illustrated survey of the subject." -The Financial Times"The Steampunk Bible is far and away the most intriguing catalog of all things steam yet written." -The Austin Chronicle “It’s hard to imagine how VanderMeer and Chambers could have put together a stronger collection. Its publication marks a significant, self-conscious moment in the history of the movement.”—PopMatters.com

    This is called "initiation" or "vision quest" in many traditional societies and ... a dangerous variety of self-psychotherapy in modern terminology. I do not recommend it for everybody... the main thing I learned is that "reality is always plural and mutable." — From the Preface

    But for someone who should have been hailed as a pioneer in the genre there was little information available. For, as O’Meara soon discovered, Patrick’s contribution had been claimed by a jealous male colleague, her career had been cut short and she soon after had disappeared from film history. No one even knew if she was still alive.As a young woman working in the horror film industry, O’Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick’s contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney’s first female animators. And at last, O’Meara discovered what really had happened to Patrick after The Creature’s success, and where she went.A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O’Meara’s The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since.

    In 1981, years before he sat down to tackle On Writing, Stephen King decided to address the topic of what makes horror horrifying and what makes terror terrifying. Here, in ten brilliantly written chapters, King delivers one colorful observation after another about the great stories, books, and films that comprise the horror genre—from Frankenstein and Dracula to The Exorcist, The Twilight Zone, and Earth vs. The Flying Saucers.With the insight and good humor his fans appreciated in On Writing, Danse Macabre is an enjoyably entertaining tour through Stephen King’s beloved world of horror.

    He repeatedly attempts to engage and fire on unusual objects heading right toward his aircraft, but his missile control is locked and disabled. Witnessed from the ground, this dogfight becomes the subject of a secret report by the U.S. Defense Intelligence Agency. In Belgium, an Air Force colonel investigates a series of widespread sightings of unidentified triangular objects, and he sends F-16s to attempt a closer look. Many hundreds of eyewitnesses, including on-duty police officers, file reports, and a spectacular photograph of an unidentifiable craft is retrieved and analyzed. Here at home, a retired chief of the FAA’s Accidents and Investigations Division reveals the agency’s response to a thirty-minute encounter between an aircraft and a gigantic UFO over Alaska, which occurred during his watch and is documented on radar. Now all three of these distinguished men have written breathtaking, firsthand accounts about these extraordinary incidents. They are joined by Air Force generals and a host of high-level sources—including Fife Symington III, former governor of Arizona, and Nick Pope, former head of the British Defence Ministry’s UFO Investigative Unit—who have agreed to write their own detailed, personal stories about UFO encounters and investigations for the first time. They are coming forward now because of Leslie Kean, an investigative reporter who has spent the last ten years studying the still unexplained UFO phenomenon. Kean reviewed hundreds of government documents, aviation reports, radar data, and case studies with corroborating physical evidence. She carefully examined scientifically analyzed photographs and interviewed dozens of high-level officials and aviation witnesses from around the world. With the support of former White House chief of staff John Podesta, Kean draws on her research to separate fact from fiction and to lift the veil on decades of U.S. government misinformation. Throughout, she presents irrefutable evidence that unknown flying objects—metallic, luminous, and seemingly able to maneuver in ways that defy the laws of physics—actually exist. No one yet knows what these objects are, even though they affect aviation safety and possibly national security. The phenomenon has been officially acknowledged by numerous foreign governments. For these reasons and many others, Kean concludes that the UFO problem must be more widely recognized and ultimately solved through an unbiased scientific investigation. The material presented throughout this landmark book is sobering, unflinching, and undeniably awe-inspiring, and moves us toward a goal of properly addressing this worldwide mystery.From the Hardcover edition.

    Originally published in Paris, this is a collection of Hollywood's darkest and best kept secrets from the pen of Kenneth Anger, a former child movie actor who grew up to become one of America's leading underground film-makers.

    This is an exploration of her relationship with the literary form we have come to know as "science fiction,” a relationship that has been lifelong, stretching from her days as a child reader in the 1940s, through her time as a graduate student at Harvard, where she worked on the Victorian ancestor of the form, and continuing as a writer and reviewer.  This book brings together her three heretofore unpublished Ellmann Lectures from 2010: "Flying Rabbits," which begins with Atwood's early  rabbit superhero creations, and goes on to speculate about masks, capes, weakling alter egos, and Things with Wings; "Burning Bushes," which follows her into Victorian otherlands and beyond; and "Dire Cartographies," which investigates Utopias and Dystopias.  In Other Worlds also includes some of Atwood's key reviews and thoughts about the form. Among those writers discussed are Marge Piercy, Rider Haggard, Ursula Le Guin, Ishiguro, Bryher, Huxley, and Jonathan Swift. She elucidates the differences (as she sees them) between "science fiction" proper, and "speculative fiction," as well as between "sword and sorcery/fantasy" and "slipstream fiction." For all readers who have loved The Handmaid's Tale, Oryx and Crake, and The Year of the Flood, In Other Worlds is a must.  From the Hardcover edition.

    In Dimensions (1988), Vallee offered his basic UFO theory: that UFOs are not interstellar craft, but are unexplained consciousness-controlling mechanisms intruding from other dimensions. Here, he expands on that theory by reference to the cases he's explored during the past three decades, concluding that "UFOs represent a technology capable of harmful actions"--hence this book's provocative title rather than Whitley Strieber's more pacific Communion or Transformation. Before he details cases of UFO hostility, however, in order to erect a scientific framework for his findings he sifts thru cases that offer hard if inconclusive evidence about UFOs (sightings that have permitted readings of UFO megawatt output; manifestations that have left odd physical remnants in their wake), analyzes various UFO photos & reflects upon the ambiguous nature of UFO research. These discussions feature copious advice & suggested guidelines for fellow UFO researchers; of more interest to general readers will be his in-depth account of his '88 trip into the Amazon jungle to look into mass UFO sightings that involved "medical injuries," including deaths--e.g., that of hunter Raimundo Souza, allegedly seen by his companion to be caught in a UFO's beam, then found dead on the ground, his body covered with circular purple marks. He closes by presenting a series of relatively technical definitions, classifications & rating scales for future UFO research. A sort of personal appendix to Dimensions, partly slanted toward UFO investigators; &, as such, of limited appeal--tho his findings & speculations are a core curriculum for anyone with a serious interest in ufology.--Kirkus (edited)

    It centers on three editors, Harry Bates, F. Orlin Tremaine, and John W. Campbell, who created the magazine now known as Analog (until 1960 it was called Astounding Science Fiction). Clarke gives his reaction to the writers and illustrators who first aroused his interest in science fiction. The scientific ferment of the 1930s and the 1940s is related to the ideas of the period and to the author's work in rocketry and radar. A sweeping view of popular science and popular fiction.- Katherine Thorp, St. Louis Univ. Lib.Copyright 1990 Reed Business Information, Inc.