prison system, tracking down a chameleon con artist in Europe, or riding in a cyclone-tossed skiff with a scientist hunting the elusive giant squid, David Grann revels in telling stories that explore the nature of obsession and that piece together true and unforgettable mysteries.Each of the dozen stories in this collection reveals a hidden and often dangerous world and, like Into Thin Air and The Orchid Thief, pivots around the gravitational pull of obsession and the captivating personalities of those caught in its grip. There is the world's foremost expert on Sherlock Holmes who is found dead in mysterious circumstances; an arson sleuth trying to prove that a man about to be executed is innocent, and sandhogs racing to complete the brutally dangerous job of building New York City's water tunnels before the old system collapses. Throughout, Grann's hypnotic accounts display the power-and often the willful perversity-of the human spirit.Compulsively readable, The Devil and Sherlock Holmes is a brilliant mosaic of ambition, madness, passion, and folly.

    Twenty years later S. R. Reynolds connects the dots and finds herself caught up in a real-life drama. Justice can come in many forms.  When the girl went missing in 1987, Reynolds, then a clinical social worker, warned the DA and police that the case was being mishandled. Michelle's classmates and her mother were unanimous in saying she had no reason to run away. A decade later, after having moved from Knoxville, Tennessee to another state, Reynolds learns from a cold case TV program that Michelle’s skeletal remains had been found two years after she went missing.Through a synchronistic meet-up with her former professor, famed forensic anthropologist Dr. William (Bill) Bass, who had been interviewed on the TV program and who is the founder of the University of Tennessee's Body Farm, Reynolds's curiosity suddenly becomes a commitment when Bass offers to send her his files. It begins a saga in which she travels extensively to seek out and meet with surviving victims, the murdered girl’s mother, and former police and FBI investigators who worked on the case after the girl’s remains had been found. As Reynolds presses neglected pieces of the puzzle into place, she unearths a string of brutal kidnappings and rapes across the South, crimes that span decades. A picture forms and patterns appear. All evidence points to one man: convicted sex offender Larry Lee Smith. But Larry Lee is about to be released from a Georgia prison where he is serving time for a related crime—a similar transaction. We find that prison means nothing more to Larry Lee than waiting until he can repeat his actions.During the seven years of pursuing this case, Reynolds joins with the former victims and the mother to form The Band of Sisters to seek Justice for Michelle's murder. As a result, the police department reopens the long cold-case of Michelle Anderson’s murder. A savvy prosecutor enters the scene as they join together in this true life saga. Similar Transactions is the recipient of the eLit Gold Award for True Crime, IAN True Crime Book of the Year, and is among the top five books named The Best of Everything Nonfiction by author, critic, and screenwriter Emilio Corsetti III.

    At nineteen, Jake Adelstein went to Japan in search of peace and tranquility. What he got was a life of crime . . . crime reporting, that is, at the prestigious Yomiuri Shinbun. For twelve years of eighty-hour workweeks, he covered the seedy side of Japan, where extortion, murder, human trafficking, and corruption are as familiar as ramen noodles and sake. But when his final scoop brought him face to face with Japan’s most infamous yakuza boss—and the threat of death for him and his family—Adelstein decided to step down . . . momentarily. Then, he fought back.In Tokyo Vice, Adelstein tells the riveting, often humorous tale of his journey from an inexperienced cub reporter—who made rookie mistakes like getting into a martial-arts battle with a senior editor—to a daring, investigative journalist with a price on his head. With its vivid, visceral descriptions of crime in Japan and an exploration of the world of modern-day yakuza that even few Japanese ever see, Tokyo Vice is a fascination, and an education, from first to last.

    As oil boom money poured into Anchorage, the city quickly became a prime destination for the seedier elements of society: prostitutes, pimps, con men, and criminals of all breeds looking to cash in. However, something even worse lurked in their midst.   To all who knew him, Robert Hansen was a typical hardworking businessman, husband, and father. But hidden beneath the veneer of mild respectability was a monster whose depraved appetites could not be sated. From 1971 to 1983, Hansen was a human predator, stalking women on the edges of Anchorage society—women whose disappearances would cause scant outcry, but whose gruesome fates would shock the nation. After his arrest, Hansen confessed to seventeen brutal murders, though authorities suspect there were more than thirty victims.   Alaska State Trooper Walter Gilmour and writer Leland E. Hale tell the story of Hansen’s twisted depredations—from the dark urges that drove his madness to the women who died at his hand and finally to the authorities who captured and convicted the killer who came to be known as the “Butcher Baker.”

    Jewelry and valuables were left in plain sight, bodies were piled together, faces covered with cloth. Some of these cases, like the infamous Villasca, Iowa, murders, received national attention. But few people believed the crimes were related. And fewer still would realize that all of these families lived within walking distance to a train station.When celebrated baseball statistician and true crime expert Bill James first learned about these horrors, he began to investigate others that might fit the same pattern. Applying the same know-how he brings to his legendary baseball analysis, he empirically determined which crimes were committed by the same person. Then after sifting through thousands of local newspapers, court transcripts, and public records, he and his daughter Rachel made an astonishing discovery: they learned the true identity of this monstrous criminal. In turn, they uncovered one of the deadliest serial killers in America.Riveting and immersive, with writing as sharp as the cold side of an axe, The Man from the Train paints a vivid, psychologically perceptive portrait of America at the dawn of the twentieth century, when crime was regarded as a local problem, and opportunistic private detectives exploited a dysfunctional judicial system. James shows how these cultural factors enabled such an unspeakable series of crimes to occur, and his groundbreaking approach to true crime will convince skeptics, amaze aficionados, and change the way we view criminal history.

    But when U.S. Secret Service agents finally arrested him, they were met with more than just phony bills. They found that their counterfeiter led a shocking double life…ONLY TO DISCOVER A HOUSE OF HORRORS.DeBardeleben's home was littered with drugs, bondage gear, and a collection of audio tapes in which he recorded the abuse of his countless victims. As the evidence mounted, a terrifying profile emerged of a man who forced women to be his accomplices, practiced sadism, even dressed up in women's clothes—a serial killer whose depraved fantasies led to a spree of violence that would last as long as eighteen years…and would end in a sentence of almost 400 years in prison. As terrifying as it is true, this is the story of a man who proved to be, beyond the shadow of a doubt, BEYOND CRUEL .

    In 1980, beautiful Gina Renee Hall, a Radford University freshman, went to a Virginia Tech nightclub on a Saturday night. She was never seen again. Her abandoned car was found parked beneath a railroad trestle bridging the New River, with blood in the trunk. The investigation led police to a secluded cabin on Claytor Lake, where there was evidence of a violent attack.Former Virginia Tech football player, Stephen Epperly, was charged with murder, despite the fact that Gina’s body was never found. In Virginia’s “trial of the century”, prosecutor Everett Shockley presented an entirely circumstantial case. Key witnesses against Epperly included his best friend, his mother, and a tracking dog handler later believed by many to be a fraud. Three former Virginia Tech football players testified, including a Hokies quarterback once featured on the cover of Sports Illustrated.Would Epperly become the first person in Virginia history convicted of murder without the victim’s body, an eyewitness, or a confession? And would authorities ever find the body of Gina Renee Hall?

    To that mix, add glamorous personalities, prominent Texas businessmen, gangland reprobates, and a whole parade of medical experts. At once a documentary account of events and a novelistic reconstruction of encounters among the cast of colorful characters, this anatomy of murder first chronicles the suspicious circumstances surrounding the death in 1969 of Joan Robinson--the pampered daughter of a Texas oil millionaire and the wife of plastic surgeon Dr. John Hill--then examines the bizarre consequences that followed it. For in 1972, having been charged by his father-in-law with Joan's death and having survived a mistrial, John Hill himself was killed, supposedly by a robber. So was the robber, by a cop, supposedly for resisting arrest. From the exclusive haunts of Houston's super-rich to the city's seamy underworld of prostitutes, pimps, and punks, author and investigative journalist Thomas Thompson tracks down all the leads and clues. And in a brutal tale of blood and money he uncovers some shocking and bitter truths.

    And yet Kermit Gosnell was no obvious criminal. The abortion doctor was a pillar of his community, an advocate for women’s “reproductive health,” and a respected member of Philadelphia’s professional elite. His Women’s Medical Society Clinic looked like admirable community outreach by a brave doctor committed to upholding women’s rights. Meanwhile, inside the filthy building, Gosnell was casually murdering born-alive infants, butchering women, and making a macabre collection of severed babies’ feet. His accomplices in crime were a staff of dropouts, drug addicts, and unlicensed medical professionals posing as doctors. But even more important to his decades-long crime spree were his enablers in the outside world—from the state bureaucrats who had copious evidence that Gosnell was breaking the law but did nothing to the politicians whose fervent support for abortion rights kept health inspectors away. The “pro-choice” political, bureaucratic, and media establishment smiled on Gosnell—and gave him carte blanche to kill. Even law enforcement seemed to not care. Philadelphia Police Homicide Unit received a complaint about Gosnell years before he was caught, gave it a cursory look, and ignored the evidence. Two women and hundreds of babies died after they closed the case. Luckily, Detective Jim Wood—a narcotics detective—opened a drug case against Gosnell. What he found when he served his warrant left even the most grizzled members of the police force stunned. Now Ann McElhinney and Phelim McAleer, the veteran investigative journalists and filmmakers behind FrackNation, dig into Gosnell’s crimes. A record-breaking crowdfunding campaign financed their Gosnell movie starring young Superman Dean Cain, but in the research for the film, McElhinney and McAleer uncovered fascinating and previously unreported revelations that couldn’t be included in the film. Gosnell: The Untold Story of America’s Most Prolific Serial Killer contains the full results of their investigation.

    By the end of the decade Britain's inner cities were in the midst of a crack epidemic. Narrated by the leader of the Harginey Drugs Squad, 'Crack House' describes a series of breathtaking raids as well as arrests, beatings, stabbings and shootings.

    But before the suit could be settled, Avery was arrested again--this time for the brutal murder of Teresa Halbach--and, through the office of a special prosecutor, convicted once more.When the saga exploded onto the public consciousness with the airing of Making a Murderer, Michael Griesbach, a prosecutor and member of Wisconsin's Innocence Project who had been instrumental in Avery's 2003 exoneration, was targeted on social media, threatened--and plagued by doubt. Now, in this suspenseful, thorough narrative, he recounts his own re-examination of the evidence in light of the whirlwind of controversy stirred up by the blockbuster true-crime series.As Griesbach carefully reviews allegations of tampering and planted evidence, the confession by Avery's developmentally disabled nephew, Brendan Dassey, and statements by Avery's former girlfriend Jodi Stachowski, previously sealed documents deemed inadmissible at trial by Judge Patrick L. Willis--and a little-known, plausible alternate suspect--Griesbach shows how the filmmakers' agenda, the accused man's dramatic backstory, and sensational media coverage have clouded the truth about Steven Avery.Now as Avery's defense counsel files an appeal and prepares to do battle in the courtroom once more, Griesbach fights to set the record straight, determined that evidence should be followed where it leads and justice should be served--for as surely as our legal system should not send an innocent man to prison, neither should it let a guilty man walk free. Includes 16 pages of photos

    There was nothing surprising about men turning up dead in the Second City. Life was cheaper than a quart of illicit gin in the gangland capital of the world. But two murders that spring were special - worthy of celebration. So believed Maurine Watkins, a wanna-be playwright and a "girl reporter" for the Chicago Tribune, the city's "hanging paper." Newspaperwomen were supposed to write about clubs, cooking and clothes, but the intrepid Miss Watkins, a minister's daughter from a small town, zeroed in on murderers instead. Looking for subjects to turn into a play, she would make "Stylish Belva" Gaertner and "Beautiful Beulah" Annan - both of whom had brazenly shot down their lovers - the talk of the town. Love-struck men sent flowers to the jail and newly emancipated women sent impassioned letters to the newspapers. Soon more than a dozen women preened and strutted on "Murderesses' Row" as they awaited trial, desperate for the same attention that was being lavished on Maurine Watkins's favorites. In the tradition of Erik Larson's The Devil in the White City and Karen Abbott's Sin in the Second City, Douglas Perry vividly captures Jazz Age Chicago and the sensationalized circus atmosphere that gave rise to the concept of the celebrity criminal. Fueled by rich period detail and enlivened by a cast of characters who seemed destined for the stage, The Girls of Murder City is crackling social history that simultaneously presents the freewheeling spirit of the age and its sober repercussions.

    But the years would uncover a more sinister story. Up till that night, the Park family seemed to have it all. For fifty years they owned and published The Press Argus newspaper. Hugh was well-connected politically and his wife, Ruie Ann, was the local historian, journalist, and teacher. They had a brilliant son and a shy adopted daughter. They built a beautiful home on top of Logtown Hill with a vista overlooking the Arkansas River, but their idyllic life ended with divorce. Ruie Ann stayed in the home, becoming more bitter and more demanding of the daughter who couldn't match up to her beloved son. The son, Sam Hugh, had a promising legal career but his fondness for young boys, alcohol, and drugs doomed what should have been a successful law practice in his hometown. The daughter, Linda, graduated from college, married an attorney, and moved away to a small town near Little Rock. The police were baffled. Who was smart enough to hide all evidence and pass the lie-detector test? And who would want to bludgeon this mother to death?

    Then he discovered that the olive grove in front of their 14th century farmhouse had been the scene of the most infamous double-murders in Italian history, committed by a serial killer known as the Monster of Florence. Preston, intrigued, meets Italian investigative journalist Mario Spezi to learn more.This is the true story of their search for—and identification of—the man they believe committed the crimes, and their chilling interview with him. And then, in a strange twist of fate, Preston and Spezi themselves become targets of the police investigation. Preston has his phone tapped, is interrogated, and told to leave the country. Spezi fares worse: he is thrown into Italy's grim Capanne prison, accused of being the Monster of Florence himself. Like one of Preston's thrillers, The Monster of Florence, tells a remarkable and harrowing story involving murder, mutilation, and suicide—and at the center of it, Preston and Spezi, caught in a bizarre prosecutorial vendetta.

    Sensing a break in the case that has paralyzed the city of Boston, the police track down a black man, Roy Smith, who cleaned the victim's house that day and left a receipt with his name on the kitchen counter. Smith is hastily convicted of the Belmont murder, but the terror of the Strangler continues.On the day of the murder, Albert DeSalvo—the man who would eventually confess in lurid detail to the Strangler's crimes—is also in Belmont, working as a carpenter at the Jungers' home. In this spare, powerful narrative, Sebastian Junger chronicles three lives that collide—and ultimately are destroyed—in the vortex of one of the first and most controversial serial murder cases in America.