It created a sensation when it was first published in 1937, and has lost none of its immediacy or its power to move the reader.   Having suffered a nervous breakdown after her brother’s death in a car accident, Harriet Demuth is committed to a mental hospital, but her doctor’s Freudian nostrums do little to make her well. Convinced that she and she alone can refashion her life, Harriet makes a daring escape from the hospital—hopping a train by night and riding the rails into the vastness of New York City in the light of the rising sun. It is the middle of the Great Depression, and at first Harriet is lost among the city’s anonymous multitudes. She pawns her jewelry and lives an increasingly hand-to-mouth existence until she meets John, a machine-shop worker. Slowly Harriet begins to recover her sense of self; slowly she and John begin to fall in love. The story of that emerging love, told with the lyricism of Virginia Woolf and the realism of Theodore Dreiser, is the heart of Millen Brand’s remarkable book.

    Published in 1884, Jewett’s first novel, A Country Doctor, is a luminous portrayal of rural Maine and a semiautobiographical look at her world. In it, Nan’s struggle to choose between marriage and a career as a doctor, between the confining life of a small town and a self-directed one as a professional, mirrors Jewett’s own conflicts as well as eloquently giving voice to the leading women’s issues of her time. Perhaps even more important, Jewett’s perfect details about wild flowers and seaside wharfs, farm women knitting by the fireside and sailors going upriver to meet the moonlight, convey a realism that has seldom been surpassed and stamp her writing with her signature style. A contemporary and friend of Willa Cather, Harriet Beecher Stowe, and Julia Ward Howe, Sarah Orne Jewett is widely recognized as a pathfinder in American literary history, courageously pursuing a road less traveled that led the way for other women to follow.

    In addition to a new essay by Wootton, this unit features his new translation of Constant's 1819 essay "On Ancient and Modern Liberty". Other changes include expanded selections from Machiavelli's Discourses on Livy and a new Hegel selection, all of which strengthen an already excellent anthology.

    What should have been an easy victory for the larger American force quickly descended into a quagmire of arguing, disobedience, and failed strategy. In the end, not only did the British retain their stronghold, but the entire flotilla of American vessels was lost in what became the worst American naval disaster prior to Pearl Harbor.In the inevitable finger-pointing that followed the debacle, the already-famous Lieutenant Colonel Paul Revere, commissioned as the expedition's artillery commander, was shockingly charged by fellow officers with neglect of duty, disobeying orders, and cowardice. Though he was not formally condemned by the court of inquiry, rumors still swirled around Boston concerning his role in the disaster, and so the fiery Revere spent the next several years of his life actively pursuing a court-martial, in an effort to resuscitate the one thing he valued above all--his reputation.The single event defining Revere to this day is his ride from Charlestown to Lexington on the night of April 18, 1775, made famous by Longfellow's poem of 1860. Greenburg's is the first book to give a full account of Revere's conduct before, during, and after the disastrous Penobscot Expedition, and of his questionable reputation at the time, which only Longfellow's poem eighty years later could rehabilitate. Thanks to extensive research and a riveting narrative that brings the battles and courtroom drama to life, The Court-Martial of Paul Revere strips away the myths that surround the Sons of Liberty and reveals the humanity beneath. It is a must-read for anyone who yearns to understand the early days of our country.

    The Death of Jim Loney is no exception. Jim Loney is a mixed-blood, of white and Indian parentage. Estranged from both communities, he lives a solitary, brooding existence in a small Montana town. His nights are filled with disturbing dreams that haunt his waking hours. Rhea, his lover, cannot console him; Kate, his sister, cannot penetrate his world. In sparse, moving prose, Welch has crafted a riveting tale of disenfranchisement and self-destruction.

    A Mad Love offers a spirited and indispensable tour of opera's eclectic past and present, beginning with Monteverdi's L'Orfeo in 1607, generally considered the first successful opera, through classics like Carmen and La Boheme, and spanning to Brokeback Mountain and The Death of Klinghoffer in recent years. Musician and critic Vivien Schweitzer acquaints readers with the genre's most important composers and some of its most influential performers, recounts its long-standing debates, and explains its essential terminology.Today, opera is everywhere, from the historic houses of major opera companies to movie theaters and public parks to offbeat performance spaces and our earbuds. A Mad Love is an essential book for anyone who wants to appreciate this living, evolving art form in all its richness.

    Because the Wright brothers worked in secrecy, word of their first flights had not reached Europe when Santos-Dumont took to the skies in 1906. The dashing, impeccably dressed inventor entertained Paris with his airborne antics--barhopping in a little dirigible that he tied to lampposts, circling above crowds around the Eiffel Tower, and crashing into rooftops. A man celebrated, even pursued by the press in Paris, London, and New York, Santos-Dumont dined regularly with the Cartiers, the Rothschilds, and the Roosevelts. But beneath his lively public exterior, Santos-Dumont was a frenzied genius tortured by the weight of his own creation.Wings of Madness chronicles the science and history of early aviation and offers a fascinating glimpse into the mind of an extraordinary and tormented man, vividly depicting the sights and sounds of turn-of-the-century Paris. It is a book that will do for aviation what The Man Who Loved Only Numbers did for mathematics.

    Sassy. Daring. Exotic. Eclectic. Sexy. And influential. One could call them the first divas--and they ran absolutely wild. Poets, actresses, singers, artists, journalists, publishers, baronesses, and benefactresses, they were thinkers and drinkers. They eschewed the social conventions expected of them--to be wives and mothers--and decided to live on their own terms. In the process, they became the voices of a new, fierce feminine spirit.There's Mina Loy, a modernist poet and much-photographed beauty who traveled in pivotal international art circles; blues divas Bessie Smith and Ethel Waters; Edna St. Vincent Millay, the lyric poet who, with her earthy charm and passion, embodied the '20s ideal of sexual daring; the avant-garde publishers Margaret Anderson and Jane Heap; and the wealthy hostesses of the salons, A'Lelia Walker and Mabel Dodge. Among the supporting cast are Emma Goldman, Isadora Duncan, Ma Rainey, Margaret Sanger, and Gertrude Stein.Andrea Barnet's fascinating accounts of the emotional and artistic lives of these women--together with rare black-and-white photographs, taken by photographers such as Berenice Abbott and Man Ray--capture the women in all their glory. This is a history of the early feminists who didn't set out to be feminists, a celebration of the rebellious women who paved the way for future generations.

    This particularly poignant work, set in the first half of 1815 and largely in Paris, is told from two perspectives, that of Napoleon himself and that of the lowly, devoted palace laundress Angelica—an unlucky creature who deeply loves him. In The Hundred Days, Roth refracts the deep sorrow of their intertwined fates.Roth's signature lyrical elegance and haunting atmospheric details sing in The Hundred Days. "There may be," as James Wood has stated, "no modern writer more able to combine the novelistic and the poetic, to blend lusty, undamaged realism with sparkling powers of metaphor and simile."

    They brought their dogs, sporting guns, valets, and all the attitudes and prejudices of their class. Prairie Fever explores why the West had such a strong romantic appeal for them at a time when their inherited wealth and passion for sport had no American equivalent.In fascinating and often comic detail, the author shows how the British behaved—and what the fur traders, hunting guides, and ordinary Americans made of them—as they crossed the country to see the Indians, hunt buffalo, and eventually build cattle empires and buy up vast tracts of the West. But as British blue bloods became American landowners, they found themselves attacked and reviled as “land vultures” and accused of attempting a new colonization. In a final denouement, Congress moved against the foreigners and passed a law to stop them from buying land.

    Absorbing and complex, it chronicles the family’s saga from the economic panic of 1873 through the dramatic rise of American industry and trade unionism, through waves of immigration, class conflict, natural disaster, World War I, and Pearl Harbor. In 1945 it was made into a major motion picture starring Greer Garson and Gregory Peck.             This reissue features a new foreword by noted steel industry historian John Hoerr, author of And the Wolf Finally Came, who places the novel in context as a classic depiction of twentieth-century America.

    Its people, for three thousand years under the thumb of one invader after another, hold tightly onto a culture so unique that they remain emotionally and culturally distinct, viewing themselves first as Sicilians, not Italians. Many of these islanders, carrying considerable DNA from Arab and Muslim ancestors who ruled for 250 years and integrated vast numbers of settlers from the continent just ninety miles to the south, say proudly that Sicily is located north of Africa, not south of Italy.Seeking Sicily explores what lies behind the soul of the island's inhabitants. It touches on history, archaeology, food, the Mafia, and politics and looks to nineteenth- and twentieth-century Sicilian authors to plumb the islanders' so-called Sicilitudine. This "culture apart" is best exemplified by the writings of one of Sicily's greatest writers, Leonardo Sciascia. Seeking Sicily also looks to contemporary Sicilians who have never shaken off the influences of their forbearers, who believed in the ancient gods and goddesses.Author John Keahey is not content to let images from the island's overly touristed villages carry the story. Starting in Palermo, he journeyed to such places as Arab-founded Scopello on the west coast, the Greek ruins of Selinunte on the southwest, and Sciascia's ancestral village of Racalmuto in the south, where he experienced unique, local festivals. He spent Easter Week in Enna at the island's center, witnessing surreal processions that date back to Spanish rule. And he learned about Sicilian cuisine in Spanish Baroque Noto and Greek Siracusa in the southeast, and met elderly, retired fishermen in the tiny east-coast fishing village of Aci Trezza, home of the mythical Cyclops and immortalized by Luchino Visconti's mid-1940s film masterpiece, La terra trema. He walked near the summit of Etna, Europe's largest and most active volcano, studied the mountain's role in creating this island, and looked out over the expanse of the Ionian Sea, marveling at the three millennia of myths and history that forged Sicily into what it is today.

    From a tale of Viking raiders to a story set during the Oka crisis, the authors tackle a wide range of issues and events, taking us into the unknown, while also bringing the familiar into sharper focus.Our Story brings together an impressive array of voices — Inuk, Cherokee, Ojibway, Cree, and Salish to name just a few — from across the country and across the spectrum of First Nations. These are the novelists, playwrights, journalists, activists, and artists whose work is both Aboriginal and uniquely Canadian.Brought together to explore and articulate their peoples’ experience of our country’s shared history, these authors’ grace, insight, and humour help all Canadians understand the forces and experiences that have made us who we are.Maria Campbell • Tantoo Cardinal • Tomson Highway • Drew Hayden Taylor • Basil Johnston • Thomas King • Brian Maracle • Lee Maracle • Jovette Marchessault • Rachel Qitsualik