One legendary music venue. We all know the old cliché: Sex, drugs and rock and roll. Now, add demons, other dimensions, monsters, revenge, human sacrifice, and a dash of the truly inexplicable. This is the story of the (fictional) San Francisco music venue, The Shantyman.In Welcome to the Show, seventeen of today's hottest writers of horror and dark fiction come together in devilish harmony to trace The Shantyman's history from its disturbing birth through its apocalyptic encore.Featuring stories by Brian Keene, John Skipp, Mary SanGiovanni, Robert Ford, Max Booth III, Glenn Rolfe, Matt Hayward, Bryan Smith, Matt Serafini, Kelli Owen, Jonathan Janz, Patrick Lacey, Adam Cesare, Alan M Clark, Somer Canon, Rachel Autumn Deering and Jeff Strand.Compiled by Matt Hayward. Edited by Doug Murano.Bring your curiosity, but leave your inhibitions at the door. The show is about to begin…TOC: Alan M Clark – What Sort of Rube Jonathan Janz – Night and Day and in Between John Skipp – In the Winter of No Love Patrick Lacey – Wolf with Diamond Eyes Bryan Smith – Pilgrimage Rachel Autumn Deering – A Tongue like Fire Glenn Rolfe – Master of Beyond Matt Hayward – Dark Stage Kelli Owen – Open Mic Night Matt Serafini – Beat on the Past Max Booth III – True Starmen Somer Canon – Just to be Seen Jeff Strand – Parody Robert Ford – Ascending Adam Cesare – The Southern Thing Brian Keene – Running Free Mary SanGiovanni – We Sang in Darkness Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depths.

    This collection contains lyrical tales, bloody tales and hilariously funny and ripely bawdy stories from countries all around the world - from the Arctic to Asia - and no dippy princesses or soppy fairies. Instead, we have pretty maids and old crones; crafty women and bad girls; enchantresses and midwives; rascal aunts and odd sisters.

    A VINTAGE TRADE PAPER ORIGINAL.In The Small Hand, antiquarian bookseller Adam Snow is returning from a client visit when he takes a wrong turn and stumbles across a derelict Edwardian house with a lush, overgrown garden. Approaching the door, he is startled to feel the unmistakable sensation of a small cold hand creeping into his own, almost as though a child had taken hold of it. Plagued by nightmares, he returns with the intention of figuring out its mysteries, only to be troubled by further, increasingly sinister visits. In Dolly, orphan Edward Cayley is sent to spend the summer with his forbidding Aunt Kestrel at Iyot House, her decaying home in the damp, lonely fens. With him is his spoiled, spiteful cousin, Leonora. And when Leonora's birthday wish for a beautiful doll is denied, she unleashes a furious rage which will haunt Edward for years afterward.

    In the award-winning title story, the narrator recounts the events of an expedition to the Belgian Congo in 1928 to collects gorillas for the Louisville Museum of Natural History. A mother invents a fairy-tale world for her son in 'Halfway People'. Twin sisters backpacking through Europe receive a mysterious invitation. A rebellious teenager is sent to a brutal reform school hidden away in paradise. A young woman inherits the family submarine. In 'The Dark', a researcher tracking plague outbreaks finds himself in the Viet Cong tunnels of Vietnam. A mystery writer visits an archaeological dig in Egypt and sets a curse in motion. In two stories, 'Booth's Ghost' and 'Standing Room Only', Fowler explores the circumstances of Lincoln's assassination from the perspectives of John Wilkes Booth's family and friends.Fowler, perhaps best known for her novels, is a master of the short story form: the secret history, the account of first contact, the murderous, ordinary tensions of family life. She draws on fairy tales, historical narratives, and war reportage, measuring the human capacities for hope and despair, brutality and kindness in the fantastic tradition of writers such as Shirley Jackson, T.H. White, Karen Russell, and Ursula K. Le Guin.

    The New Voices of Fantasy tethers some of the fastest-rising talents of the last five years. Their tales were hand-picked by the legendary Peter S. Beagle (The Last Unicorn) and genre expert Jacob Weisman (The Treasury of the Fantastic).So go ahead, join the Communist revolution of the honeybees. The new kids got your back.

       When Mrs. Sorensen’s husband dies, she rekindles a long-dormant love with an unsuitable mate in “Mrs. Sorensen and the Sasquatch.” In “Open the Door and the Light Pours Through,” a young man wrestles with grief and his sexuality in an exchange of letters with his faraway beloved. “Dreadful Young Ladies” demonstrates the strength and power—known and unknown—of the imagination.  In “Notes on the Untimely Death of Ronia Drake,” a witch is haunted by the deadly repercussions of a spell. “The Insect and the Astronomer” upends expectations about good and bad, knowledge and ignorance, love and longing. The World Fantasy Award–winning novella The Unlicensed Magician introduces the secret magical life of an invisible girl once left for dead—with thematic echoes of Barnhill’s Newbery Medal–winning novel, The Girl Who Drank the Moon.

    His traps and machinations are the stuff of legends. His faces are legion. No matter what face the devil wears, Sympathy for the Devil has them all. Edited by Tim Pratt, Sympathy for the Devil collects the best Satanic short stories by Neil Gaiman, Holly Black, Stephen King, Kage Baker, Charles Stross, Elizabeth Bear, Jay Lake, Kelly Link, China Mieville, Michael Chabon, and many others, revealing His Grand Infernal Majesty, in all his forms. Thirty-five stories, from classics to the cutting edge, exploring the many sides of Satan, Lucifer, the Lord of the Flies, the Father of Lies, the Prince of the Powers of the Air and Darkness, the First of the Fallen... and a Man of Wealth and Taste. Sit down and spend a little time with the Devil.

    Please be advised that all emergency exits have been locked for this special nostalgia-curdled premiere of death. From crinkling celluloid to ferocious flesh—from the silver screen to your hammering heart—behold as a swarm of werewolves, serial killers, Satanists, Elder Gods, aliens, ghosts, and unclassifiable monsters are loosed upon your auditorium. Relax, and allow our ushers to help with your buckets of popcorn—and blood; your ticket stubs—and severed limbs; your comfort candy—and body bags. Kick back and scream as you settle into a fate worse than Hell. Tonight's director's cut is guaranteed to slash you apart.Edited by Joshua ViolaProduced in collaboration with the Colorado Festival of HorrorCover art by AJ Nazzaro and Joshua ViolaStory art by Xander SmithHeader art by Aaron LovettContents:FOREWORDBret and Jeanni SmithINTRODUCTIONPaul CampionALIEN PARASITES FROM OUTER SPACEWarren HammondRETURN OF THE ALIEN PARASITES FROM OUTER SPACEAngie HodappNEGATIVE CREEPAlvaro Zinos-AmaroHELLULOIDDayton Ward and Kevin DilmoreRISE, YE VERMIN!Betty RocksteadyTHE CRONENBERG CONCERTOKeith FerrellCREATURE FEATUREGary JonasINVISIBLEMario AcevedoSCREEN HAUNTOrrin GreyTHE DEVIL'S REELSean Eads and Joshua ViolaON THE ROCKSK. Nicole DavisCOMING ATTRACTIONSStephen Graham JonesLATE SLEEPERSSteve Rasnic TemSPECIAL MAKEUPKevin J. Anderson

    Wise, the acclaimed author of Wendy, Darling, comes a brand new collection of horror stories, The Ghost Sequences."A haunting is a moment of trauma, infinitely repeated. It extends forward and backward in time. It is the hole grief makes. It is a house built by memory in-between your skin and bones."A lush and elegant collection of tales—many having appeared in various "Best Of..." anthologies—teeming with frightful and tragic events, yet profoundly and intimately human. These chilling tales will engross and enthrall.For readers of Kelly Link, Carmen Maria Machado, and Angela Carter, this is a must have collection of ghostly tales set to deliver a frisson of terror and glee.

    Here before you lie several tales involving bone collectors, pagan witches, werewolves, skeletal bison, and cloned children. It is up to you to decipher between fact and fiction as the author has woven historical facts into his narratives. With his debut horror collection, Cheyenne & Arapaho author Shane Hawk explores themes of family, grief, loneliness, and identity through the lens of indigenous life.Early copies of this book were 104 pages.New copies of this book are 140 pages.I increased font and line spacing to give the book enough space for spine text so people can enjoy it on their shelves.Pages aren't important, though, what matters is word count:This work has 21k~ words.

    His short stories present a brilliantly dark and audaciously weird realm where cosmic nightmares collide with all-too-human characters and apocalypses of all shapes and sizes loom ominously. In “Persistence Hunting,” a lonely distance runner is seduced into a brutal life of crime with an ever-narrowing path for escape. In “When Susurrus Stirs,” an unlucky pacifist must stop a horrifying parasite from turning his body into a sentient hive. Running through all of Johnson’s work is a hallucinatory vision and deeply-felt empathy, earning the author a reputation as one of today’s most daring and thrilling writers.Featuring the best of his previously independently-published short fiction, as well as an exclusive, never-before-published novella “The Sleep of Judges”—where a father’s fight against the denizens of a drug den becomes a mind-bending suburban nightmare—Entropy in Bloom is a perfect compendium for avid fans and an ideal entry point for adventurous readers seeking the humor, heartbreak, and terror of JRJ’s strange new worlds.

    From the battlefields of a Vietnam veteran's memory to an old-time movie hero's search for a serial killer, from Halloween in a special town--where the rules of trick-or-treat are written in blood--to a Texas road where a wrong turn leads to a nest of evil, horror master McCammon is at his terrifying best in this collection of stories.

    It's the one thing Walter will never be. But what if he could play white, the way so many others seem to do? Would it bring him privilege or simply deny the pain? The title story in this collection asks those questions, and then moves on to challenge notions of race, privilege, personal choice, and even life and death with equal vigor. From the spectrum spanning despair and hope in "What She Saw When They Flew Away" to the stark weave of personal struggles in "Chocolate Park," Let's Play White speaks with the voices of the overlooked and unheard. "I Make People Do Bad Things" shines a metaphysical light on Harlem's most notorious historical madame, and then, with a deft twist into melancholic humor, "Cue: Change" brings a zombie-esque apocalypse, possibly for the betterment of all mankind.

     Mariana Enriquez has been critically lauded for her unconventional and sociopolitical stories of the macabre: populated by unruly teenagers, crooked witches, homeless ghosts, and hungry women, they walk the uneasy line between urban realism and horror. The stories in her next collection are as terrifying as they are socially conscious, and press into being the unspoken -- fetish, illness, the female body, the darkness of human history -- with unsettling urgency. A woman is sexually obsessed with the human heart; a lost, rotting baby crawls out of a backyard and into a bedroom; a pair of teenage girls can't let go of their idol; an entire neighborhood is cursed to death by a question of morality they fail to answer correctly.Written against the backdrop of contemporary Argentina, and with resounding tenderness towards those in pain, in fear, and in limbo, this new collection from one of Argentina's most exciting writers finds Enriquez at her most sophisticated, and most chilling.

    He quickly realizes he’s made a mistake when it becomes clear that he's replacing another actor who quit after seeing the script—a script the director now claims doesn’t exist. The movie is over budget. The production team seems headed for a breakdown. The air is so wet that the celluloid film disintegrates.But what the actor doesn’t realize is that the greatest threat might be the town itself, and the mysterious shadow economy that powers this remote jungle outpost. Entrepreneurial Americans, international drug traffickers, and M-19 guerrillas are all fighting for South America’s future—and the groups aren’t as distinct as one might think. The actor thought this would be a role that would change his life. Now he’s worried he won't survive it.Inspired by a true story from the annals of 1970's Italian horror film, We Eat Our Own is a journey behind the scenes of a shocking film and a thoughtful commentary on violence and its repercussions.