Mel and Abi were best friends back in the day, sharing the highs and lows of student life, until Mel’s unplanned pregnancy made her drop out of her studies.Now, seventeen years later, Mel and Abi’s lives couldn’t be more different. Mel is happily married, having raised her son on her own before meeting her husband, Ben. Now they share gorgeous girls and have a chaotic but happy family home, with three children.Abi, meanwhile, followed her lover to LA for a glamorous life of parties, celebrity and indulgence. Everything was perfect, until she discovered her partner had been cheating on her. Seventeen years wasted, and nothing to show for it. So what Abi needs now is a true friend to lean on, to share her grief over a glass of wine, and to have some time to heal. And what better place than Mel’s house, with her lovely kids, and supportive husband…This dark, unsettling tale of the reunion of long-lost friends is thoroughly gripping exploration of wanting what you can’t have, jealousy and revenge from Sunday Times bestseller Adele Parks.

    Here Lauren and her older brother, Alex, thought they were safe.But one morning, six-year-old Lauren and eight-year-old Alex awoke after a night spent in their tree house to discover their mother’s body and their beloved father arrested for the murder.Years later, Lauren is surrounded by uncertainty. Her one constant is Alex, always her protector, still trying to understand the unraveling of his idyllic childhood. But Lauren feels even more alone when Alex reveals that he’s been in contact over the years with their imprisoned father—and that he believes he and his sister have yet to learn the full story of their mother’s death.Then Alex disappears. As Lauren is forced to peek under the floorboards of her carefully constructed memories, she comes to question the version of her history that she has clung to so fiercely. Lauren’s search for the truth about what happened on that fateful night so many years ago is a riveting tale that will keep readers feverishly turning pages.

    Left to their own devices, the inseparable sisters spend their days studying record jackets, concocting elaborate fantasies about the life of the mysterious neighbor who moves in down the street, and playing dangerous games on the mountain that rises up behind their house.When young women start showing up dead on the mountain, the girls' father is charged with finding the man responsible, known as The Sunset Strangler. Seeing her father's life slowly unravel when he fails to stop the murders, Rachel embarks on her most dangerous game yet: setting herself up as bait to catch the killer, with consequences that will destroy her father's career and alter the lives of everyone she loves. It is not until thirty years later that Rachel, who has never given up hope of vindicating her father, finally smokes out the killer, bringing her back to the territory of her childhood, and uncovering a long-buried family secret. As with her novel Labor Day, Maynard's newest work is part thriller, part love story. Loosely inspired by the Trailside Killer case that terrorized Marin County in the late seventies, her tale delves deep into the alternately thrilling and terrifying landscape of a young girl's first explorations of adult sexuality and the loss of innocence, the bond between sisters - and into a daughter's tender but damaged relationship with her father, and what it is to finally trust a man.

    After her daughter disappeared and left her with her granddaughter Sissy to raise on her own, Odette has managed to stay under the radar of the welfare authorities who are removing fair-skinned Aboriginal children from their families. When a new policeman arrives in town, determined to enforce the law, Odette must risk everything to save Sissy and protect everything she loves.In The White Girl, Miles-Franklin-shortlisted author Tony Birch shines a spotlight on the 1960s and the devastating government policy of taking Indigenous children from their families.

    How on earth could this happen?All Malia needed was a single litre of milk and now she's surrounded by police and Zach has disappeared. Detective Ali Greenberg knows that this is not the best case for her, not with her history - but she of all people knows what Malia is going through and what is at stake.Edna is worried about the new residents at the boarding house. She knows Mary would turn in her grave if she knew the kinds of people her son was letting in.And then there is someone else. Someone whose heart is broken. Someone who feels she has been unfairly punished for her mistakes. Someone who wants what she can't have.What follows is a heart-stopping game of cat-and-mouse and a race against the clock. As the hours pass and the day heats up, all hope begins to fade.A gripping, haunting family drama shot through with emotion and suspense.

    In his earlier, award-winning novels, Dominic Smith demonstrated a gift for coaxing the past to life. Now, in The Last Painting of Sara de Vos, he deftly bridges the historical and the contemporary, tracking a collision course between a rare landscape by a female Dutch painter of the golden age, an inheritor of the work in 1950s Manhattan, and a celebrated art historian who painted a forgery of it in her youth.In 1631, Sara de Vos is admitted as a master painter to the Guild of St. Luke's in Holland, the first woman to be so recognized. Three hundred years later, only one work attributed to de Vos is known to remain--a haunting winter scene, At the Edge of a Wood, which hangs over the bed of a wealthy descendant of the original owner. An Australian grad student, Ellie Shipley, struggling to stay afloat in New York, agrees to paint a forgery of the landscape, a decision that will haunt her. Because now, half a century later, she's curating an exhibit of female Dutch painters, and both versions threaten to arrive. As the three threads intersect, The Last Painting of Sara de Vos mesmerizes while it grapples with the demands of the artistic life, showing how the deceits of the past can forge the present.

    The ship's comforts and possibilities seem infinite. The children - two eleven-year-olds, an eight-year-old, and a six-year-old—love the nonstop buffet and the independence they have at the Kids' Club. But when they all go ashore in beautiful Central America, a series of minor misfortunes leads the families farther and farther from the ship's safety. One minute the children are there, and the next they're gone. What follows is a riveting, revealing story told from the perspectives of the adults and the children, as the once-happy parents - now turning on one another and blaming themselves - try to recover their children and their lives. Celebrated for her ability to write vivid, spare, moving fiction, Maile Meloy shows how quickly the life we count on can fall away, and how a crisis changes everyone's priorities. The fast-paced, gripping plot of Do Not Become Alarmed carries with it an insightful, provocative examination of privilege, race, guilt, envy, the dilemmas of modern parenthood, and the challenge of living up to our own expectations.

    Petersburg––taking with her a secret that could upend the lives of her best friends, fellow dancers Lindsay and Margaux. Now 36 years old, Delphine has returned to her former home and to the legendary Palais Garnier Opera House, to choreograph the ballet that will kickstart the next phase of her career––and, she hopes, finally make things right with her former friends. But Delphine quickly discovers that things have changed while she's been away...and some secrets can't stay buried forever. Moving between the trio's adolescent years and the present day, The Ballerinas explores the complexities of female friendship, the dark drive towards physical perfection in the name of artistic expression, the double-edged sword of ambition and passion, and the sublimated rage that so many women hold inside––all culminating in a twist you won't see coming, with magnetic characters you won't soon forget.

    You can't keep the secret.You can't tell the truth.You can't escape the past...Marianne was seventeen when she fled her home in Nusstead – leaving behind her family, her boyfriend, Jesse, and the body they buried. Now, thirty years later, forced to return to in order to help care for her sick mother, she can feel the past closing around her. And Jesse, who never forgave her for leaving in the first place, is finally threatening to expose the truth.Marianne will do anything to protect the life she's built, the husband and daughter who must never know what happened all those years ago. Even if it means turning to her worst enemy for help... But Marianne may not know the whole story – and she isn't the only one with secrets they'd kill to keep.

    But then an unexpected gift wins him a scholarship to an exclusive boys’ school, and his life will never be the same again.As he enters into adulthood, Harry finally learns how his father really died, but the awful truth only leads him to question, was he even his father? Is he the son of Arthur Clifton, a stevedore who spent his whole life on the docks, or the firstborn son of a scion of West Country society, whose family owns a shipping line?This introductory novel in Archer’s ambitious series The Clifton Chronicles includes a cast of colorful characters and takes us from the ravages of the Great War to the outbreak of the Second World War, when Harry must decide whether to take up a place at Oxford or join the navy and go to war with Hitler’s Germany. From the docks of working-class England to the bustling streets of 1940 New York City, Only Time Will Tell takes readers on a journey through to future volumes, which will bring to life one hundred years of recent history to reveal a family story that neither the reader nor Harry Clifton himself could ever have imagined.

    Not with his mother's new family. Not as a weekend guest with his father and his father's wife. Not at school, where he's an outcast. After his best friend moves away, Raymond has only two real connections: to the feral cat he's tamed and to a blind ninety-two-year-old woman in his building who's introduced herself with a curious question: Have you seen Luis Velez?Mildred Gutermann, a German Jew who narrowly escaped the Holocaust, has been alone since her caretaker disappeared. She turns to Raymond for help, and as he tries to track Luis down, a deep and unexpected friendship blossoms between the two.Despondent at the loss of Luis, Mildred isolates herself further from a neighborhood devolving into bigotry and fear. Determined not to let her give up, Raymond helps her see that for every terrible act the world delivers, there is a mirror image of deep kindness, and Mildred helps Raymond see that there's hope if you have someone to hold on to.

    Emerson Knight is introverted, eccentric, and has little to no sense of social etiquette. Good thing he's also brilliant, rich, and (some people might say) handsome, or he'd probably be homeless.Riley Moon has just graduated from Harvard Business and Harvard Law. Her aggressive Texas spitfire attitude has helped her land her dream job as a junior analyst with mega-bank Blane-Grunwald. At least Riley Moon thought it was her dream job, until she is given her first assignment: babysitting Emerson Knight.What starts off as an inquiry about missing bank funds in the Knight account leads to inquiries about a missing man, missing gold, and a life-and-death race across the country. Through the streets of Washington, D.C., and down into the underground vault of the Federal Reserve in New York City, an evil plan is exposed. A plan so sinister that only a megalomaniac could think it up, and only the unlikely duo of the irrepressibly charming Emerson Knight and the tenacious Riley Moon can stop it.

    Grace is also the author of You Should Have Known, a book in which she castigates women for not valuing their intuition and calls upon them to examine their first impressions of men for signs of serious trouble later on. But weeks before the book is published, a chasm opens in her own life: a violent death, a missing husband, and, in the place of a man Grace thought she knew, only a chain of terrible revelations. Left behind in the wake of a spreading and very public disaster and horrified by the ways in which she has failed to heed her own advice, Grace must dismantle one life and create another for her child and herself.

    Wise-cracking Kerry Salter is part of an Aboriginal family living on the mid-north coast of New South Wales. She has spent a lifetime avoiding two things - her hometown and prison. But now her Pop is dying and she's an inch away from the lockup, so she heads south on a stolen Harley. Kerry plans to spend 24 hours, tops, over the border.She quickly discovers, though, that Bundjalung country has a funny way of grabbing on to people. Old family wounds open as the Salters fight to stop the development of their beloved river. And the unexpected arrival on the scene of a good-looking dugai fella intent on loving her up only adds more trouble - but then trouble is Kerry's middle name. Gritty and darkly hilarious, Too Much Lip offers redemption and forgiveness where none seemed possible.

    On death row for murdering her infant son, her last breath will be taken on February 15 at 12:01 a.m. Eleven years, five months, and twenty-seven days separate her from the last time she heard her precious daughter’s voice and the final moment she’d heard anyone call her Mom. Out of appeals, she can focus on only one thing, reconnecting with her daughter and making sure she knows the truth.Secrets lurk behind Sophie Logan’s big house and even bigger bank account. Every day when she kisses her husband good-bye, she worries her fabricated life is about to come crumbling down. No one knows the unforgivable things her mother did to tear her family apart—not her husband, who is a prominent plastic surgeon, or her “synthetic” friends who live in her upscale neighborhood. Grace’s looming execution date forces Sophie to revisit the traumatic events that haunted her childhood. When she returns to her hometown, she discovers new evidence about her baby brother William’s death seventeen years ago, proof that might set her mother free but shatter her marriage forever.Sophie must quickly decide if her mother is the monster the prosecutor made her out to be or the loving mother she remembers—the one who painted her toenails glittery pink and plastered Post-it notes with inspiring quotes (“100 percent failure rate if you don't try”) all over Sophie’s bathroom mirror—before their time runs out.