Mother. Breadwinner. Penelope Ruiz-Kar is doing it all—and barely keeping it together. Meanwhile, her best friend, Jenny Sweet, appears to be sailing through life. As close as the two women are, Jenny’s passionate marriage, pristine house, and ultra-polite child stand in stark contrast to Penelope’s underemployed husband, Sanjay, their unruly brood, and the daily grind she calls a career.Then a shocking tragedy reveals that Jenny’s life is far from perfect. Reeling, Penelope vows to stop keeping the peace and finally deal with the issues in her relationship. So she and Sanjay agree to a radical proposal: both will write a list of changes they want each other to make—then commit to complete and total honesty.What seems like a smart idea quickly spirals out of control, revealing new rifts and even deeper secrets. As Penelope stares down the possible implosion of her marriage, she must ask herself: When it comes to love, is honesty really the best policy?

    Checking into a quaint boardinghouse for the summer, she hopes to put her life into perspective. In her fellow lodgers, she finds a friendly company of strangers: the frail Alice, cared for by a married couple with a heartbreaking story of their own; LuAnn, the eccentric and lovable owner of the inn; and Dominic, an unsettlingly handsome man inked from head to toe in mesmerizing tattoos.But in this inviting refuge, where a century of souls has passed, a mystery begins to swirl. Alice knows things about Brynn, about all of them, that she shouldn’t. Bad dreams and night whispers lure Brynn to a shuttered room at the end of the hall, a room still heavy with a recent death. And now she’s become irresistibly drawn to Dominic—even in the shadow of rumors that wherever he goes, suspicious death follows.In this chilling season of love, transformation, and fear, something is calling for Brynn. To settle her past, she may have no choice but to answer.

    When its reclusive owner dies intestate the Spanish House is left to his city-dwelling niece. For the recently-widowed Isabel, the house is a potential lifeline. For her neighbour Matt McCarthy, the house is revenge.

    But illness shakes her out of her comfort zone when her mother is diagnosed with breast cancer. At her mother's bedside, she meets someone whose presence seems to fill a void in her, a void she wasn't even aware existed. Robert is happily convinced he's going to spend his life alone until he meets Mia, who makes him question everything. As a surgeon, he's helped many women put their lives back together. And despite his compelling feelings about Mia, he doesn't want to make hers fall apart.

    Stephanie, suspicious of her father’s motives, declines her father’s invitation. After his departure, Stephanie discovers the diamond necklace she borrowed from her aunt is missing. Racing through a raging thunderstorm, Stephanie drives to the lodge to reclaim the stolen item. But when she arrives, Stephanie finds her father dead, her aunt’s diamond necklace gone, and a pair of handcuffs fitted just for her. Stephanie’s claims of innocence fail to sway the local sheriff, who produces several pieces of evidence linking her to the murder. With a shaky alibi and a vindictive stepmother, Stephanie turns to a lodge employee for help. But will Brad Wilson’s assistance lead Stephanie to the real killer or prove to be her undoing? Like a gathering storm on a warm summer evening, Stephanie’s world darkens until she’s forced to turn to the one true source of knowledge. But what she learns about her father, family, and her own inner demons is more horrifying than the lies she’s come to believe. The truth can set you free. It can also kill you.

    Make way for Charlie Smithers.The time is the nineteenth century. The place, the Serengeti Plain, where one Charlie Smithers – faithful manservant to the arrogant bone-head, Lord Brampton (with five lines in Debrett, and a hopeless shot to boot) – becomes separated from his master during an unfortunate episode with an angry rhinoceros, thereby launching Charlie on an odyssey into Deepest Darkest Africa, and subsequently into the arms of the beautiful Loiyan…and that’s where the trouble really begins.Maasai warriors, xenophobic locals, or evil Arab slavers, the two forbidden lovers encounter everything that the unforgiving jungle can throw at them."A truly engaging read that will keep anyone’s attention from the hilarious beginning until the last word. I highly recommend this 5 star novel." ~ Chapters & Chats

    This collection includes 8 traditional British mystery novels: A COIN OF EDWARD VII THE SOLITARY FARM HAGAR OF THE PAWN-SHOP RED MONEY THE BISHOP'S SECRET THE GREEN MUMMY THE MYSTERY OF A HANSOM CAB THE MYSTERY QUEEN

    But the truth can’t stay hidden for long.Emma is a loving wife, a devoted mother…and an involuntary killer. For years she’s been hiding the dead body of the teacher who seduced her as a teen.It’s a secret that might have stayed buried if only her life had been less perfect. A promotion for Emma’s husband, Alex, means they can finally move to a bigger home with their young son. But with a buyer lined up for their old house, Emma can’t leave without destroying every last trace of her final revenge…Returning to the shallow grave in the garden, she finds it empty. The body is gone.Panicked, Emma confesses to her husband. But this is only the beginning. Soon, Alex will discover things about her he’ll wish he’d learned sooner. And others he’ll long to forget.

    

Carter Crow has been wandering the country for years, denying and fleeing from the terrors of PTSD. When the retired Marine rolls into the quiet mountain town of Lupine, he doesn't expect it to be more than a temporary distraction. However, after meeting the strong and beautiful Lila Milam, his carefully controlled guard begins to drop. A tentative bond starts to kindle between them, but Crow's troubles and Lila's own struggles threaten to smother the flame just as quickly.

Something about Lila and the people of the peaceful town tugs at Crow, but he's driven to run again, escaping the grief and pain that stalks him. This time, however, he's unexpectedly confronted with a stark choice: accept the love and support being offered, or let the trauma of his past finally engulf him.

Don McQuinn explores the difficult subject of post-traumatic stress disorder with the skill of a great writer and the depth of understanding of a retired US Marine. If this book can help just one person whose life has been touched by PTSD, then he has accomplished his mission as an author.

     But when the police look inside they find something they never expected. A mysterious, ornate, but apparently ancient coffin. And what appears to be an Egyptian Mummy. Detective Inspector Ray Wilson is about to be thrown into the most baffling case of his career. And the most dangerous. He has to find out where it came from and where it was going. And more importantly why would anyone smuggle an Egyptian Mummy across the UK? Out of his depth, he turns for help to Cambridge’s world famous Fitzwilliam Museum and its curator of Egyptology, Karen Bowen. As a romance blossoms between Wilson and Bowen, the pair find themselves embroiled in a deadly conspiracy. As other identical Mummies are found around the world the trail leads back to a Turkish people smuggler - and a man with links to an evil trade that stretches back thousands of years. It will be the biggest case of Wilson's career - but one that may end his life. 'Dead Harvest' is a gripping detective thriller that introduces a memorable new detective. It is the first gripping installment in the Ray Wilson Thriller series. It is certain to appeal to fans of Peter James, Ian Rankin and Peter Robinson. "A brilliant page-turner." - Tom Kasey, best-selling author of Trade-Off. "Chilling and realistic. A five-star read." - Robert Foster, best-selling author of The Lunar Code. Andrew Leatham is a former national newspaper and television journalist, turned public relations consultant. He lives in Lancashire. Endeavour Press is the UK's leading independent publisher of digital books.

    Tragedy forces her to flee but when she discovers that her husband, a property developer, is cheating on her she returns. But the fair has gone, the land, brought by her husband, is now covered by luxury flats. Going back can be painful but this is just the start of the Helter Skelter for Vanessa. While she feels her life is spiralling ever downwards, there are the strong arms of a passion from her past to catch her at the end.

    . .It’s 1981. Eleven-year-old Sadie adores her beautiful and vibrant mother, Connie, whose dreams of making it big as a singer fill their tiny house in Leeds. It’s always been just the two of them. Until the unthinkable happens.Jean hasn’t seen her good-for-nothing daughter Connie since she ran away from the family home in Harlow – or Pram Town as its inhabitants affectionately call it – aged seventeen and pregnant.But in the wake of the Royal Wedding, Jean gets a life-changing call: could she please come and collect the granddaughter she’s never met?We all know how Charles and Diana turned out, and Jean and Sadie are hardly a match made in heaven – but is there hope of a happy ending for them?Written in Joanna Nadin’s trademark dazzling prose, The Talk of Pram Town tells the story of three generations of Earnshaws and asks whether it always has to be like mother, like daughter . .

    By getting pregnant and married way too young, Morgan put her own dreams on hold. Clara doesn’t want to follow in her mother’s footsteps. Her predictable mother doesn’t have a spontaneous bone in her body.With warring personalities and conflicting goals, Morgan and Clara find it increasingly difficult to coexist. The only person who can bring peace to the household is Chris—Morgan’s husband, Clara’s father, and the family anchor. But that peace is shattered when Chris is involved in a tragic and questionable accident. The heartbreaking and long-lasting consequences will reach far beyond just Morgan and Clara.While struggling to rebuild everything that crashed around them, Morgan finds comfort in the last person she expects to, and Clara turns to the one boy she’s been forbidden to see. With each passing day, new secrets, resentment, and misunderstandings make mother and daughter fall further apart. So far apart, it might be impossible for them to ever fall back together.

    Terrible things. My mind is in a whorl, confused as to what I should relate first. Where to begin? I must describe my cell. After all, it has become my world. Strange, that I who once had the entire globe to choose from, am now confined within a twelve feet by twelve feet boundary." So writes Philip Calder. He is being kept a prisoner, alone, on a remote Scottish island. His life is shrunk to the stifling confines of his small room, a courtyard surrounded by high walls, and the sterile company of two uniformed guards whom he ironically names Morcambe and Wise. He is only allowed a pen and paper to break the monotony. So he writes. He writes about how he came to be there, starting at the beginning, when Maxwell Stone first came into his world.He relates how his world was altered forever when Connie Stone and her ten year old son Max moved into the small mining town of Overthorpe. It's the 1960s, and Connie causes a stir amongst the locals, for wearing bright lipstick, short skirts, and, the worst of all, being a single mother. Calder is at once captivated by her. Philip becomes friends with her son, but it is a strange, volatile relationship. Max is unfathomable, unpredictable, often violent, and as they grow older both Philip and Max vie for one young woman's attention - Ruby. But it's Max's strange fascination with wanting to be Philip Calder, to have his life, his identity, that triggers a series of unpredictable events that will lead to Calder's imprisonment.Gavin Miller is a successful author. He is in possession of Calder's manuscript, having been handed it by the manager of a nursing home called Overton Hall. He knows he must destroy it, because in it is laid bare his own dark secret. In it lies the seeds of his own ruin and why he is irrevocably tied emotionally and physically to the enigmatic Mrs Randolf.But who exactly is Gavin Miller? Who is Mrs Randolf? What is the truth behind Philip Calder's bizarre imprisonment on a remote Scottish island?Max is a brooding novel that twists and turns through the decades to explore the dark workings of a troubled friendship, a diseased mind, and the jealousies and hatred that leads ultimately to madness, deceit and murder.

    The All-Girl Filling Station's Last Reunion compares the contrasting worlds of present-day Southern life and Midwestern immigrant cities during World War II. After learning that she was adopted, Sookie is filled with questions of self-doubt and becomes determined to learn the truth behind her roots. Fannie Flagg depicts adventurous and courageous women as WASPs during WWII as she tells the story of the Jurdabralinski sisters. These roles contradict Sookie's upbringing in Alabama where society is ruled by social norms and status. The All-Girl Filling Station's Last Reunion offers an inspirational tale with accurate historical details that are presented through an engaging plot. This review of Flagg's novel gives you a broader view of the author and her writing style. Read quotes from literary critics to discover the book's appeal, or lack thereof. Sookie counters a cast of larger-than-life characters as she finds adventure and realizes her underlying identity. The All-Girl Filling Station's Last Reunion captures a journey of self-discovery mixed with realism and humor to delight all readers.