This is a world of lost fathers and redemptive con men, of meth tweakers on desperate odysseys and men committing suicide by fishing.In "Thief," an aluminum worker turns unlikely detective to solve the mystery of which of his kids is stealing from the family vacation fund. In "We Live in Water," a lawyer returns to a corrupt North Idaho town to find the father who disappeared thirty years earlier. In "Anything Helps," a homeless man has to "go to cardboard" to raise enough money to buy his son the new Harry Potter book. In "Virgo," a local newspaper editor tries to get back at his superstitious ex-girlfriend by screwing with her horoscope. Also included are the stories "Don't Eat Cat" and "Statistical Abstract of My Hometown, Spokane, Washington," both of which achieved a cult following after publication online.

    Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields-and fields of victory-that exist in seemingly harmless spaces, in kitchens and living rooms and cars. Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children, and explore the moral quandaries of love, family, and friendship. A ranch hand falls for a recent law school graduate who appears unexpectedly- and reluctantly-in his remote Montana town. A young father opens his door to find his dead grandmother standing on the front step. Two women weigh love and betrayal during an early snow. Throughout the book, Meloy examines the tensions between having and wanting, as her characters try to keep hold of opposing forces in their lives: innocence and experience, risk and stability, fidelity and desire.Knowing, sly, and bittersweet, Both Ways Is the Only Way I Want It confirms Maile Meloy's singular literary talent. Her lean, controlled prose, full of insight and unexpected poignancy, is the perfect complement to her powerfully moving storytelling.

    But if she can't find a way to bring more money into the struggling shelter, the sacrifices she's made will all be for nothing.Then her brother leaves her with an inheritance, with two stipulations: she must work with her estranged mother to host a successful charity event and find a loving home for Peter's dog, Kiwi.But Leslie's not sure she can forgive the woman who cowered in a corner while Leslie's father hit her.Kiwi was severely abused before Peter adopted her. No matter where Leslie places Kiwi, the nervous cockapoo keeps showing up on her doorstep. She seems determined to stay with Leslie, no matter what.Even though Kiwi is terrified of everything, the sweet little dog makes Leslie feel braver. With Kiwi by her side, can Leslie save the shelter, face down the demons of her past, and take the risk of forgiving the mother who let her down when Leslie needed her most?The Kiwi To My Heart is the sixth and final book in the Soul Mutts series, heartwarming stories of lost dogs finding new homes with the humans they were born to heal.

     Gina Moss is proud of herself: she's just had the most amicable divorce ever. No arguments, no fuss, no drama. It means she has plenty of time and energy for her thriving childminding business too. Welcome Cottage is both home and workplace for Gina. It sits just on the edge of The Evergreens - a grand if slightly run-down Victorian residence to three octogenarians who have far too much fun for their age: Violet, Delphine and Bing.But a tragedy puts her older friends at risk of eviction - and Gina in charge of the battle to save them. It might be her first fight, but it's one that Gina is determined not to lose... A Patchwork Family is a heart-warming novel told in four parts, following the challenges and triumphs faced by Gina Moss as she swaps an easy life for a happy one. This is the first part. ***** Praise for Cathy Bramley from some of your other favourite authors: 'Delightful!' Katie Fforde'A page-turner of a story' Milly Johnson'Delightfully warm with plenty of twists and turns' Trisha Ashley'The perfect romantic tale, to warm your heart and make you smile' Ali McNamara

    What is art? What’s true courage? I could not put it down.’ —Melissa Ashley,bestselling author of THE BIRDMAN’S WIFELotti lives under the shadow of a genius: her father George Coates is a brilliant and celebrated Australian painter.When Lotti meets the outcast waif Kyla at a suburban Canberra school, two worlds are set to collide. Slowly Kyla is drawn into the orbit of the Coates family. Or is it the other way around?As Lotti and Kyla navigate their way towards adulthood, dark secrets start to unravel, with devastating consequences …WE WERE NEVER FRIENDS is unforgettable novel about friendship, the pursuit of a creative life and the legacies we leave behind.‘Margaret Bearman’s intimate, unsettling novel of family dysfunction perfectly captures the ambivalent passions of girlhood while offering an incisive critiqueof the cult of artistic genius. Sharp and subtle at the same time, refusing any easy certainties, WE WERE NEVER FRIENDS is a haunting portrait of the humancapacity for cruelty and love in equal measure.’ —Kirsten Tranter, bestselling author of THE LEGACY

    But my Karma won’t let me, I have to compensate for what I’ve done.”Kolkata, 2008 Driven by a crazed love, Dev, our next door shy software engineer commits the biggest mistake of his life. Over 72 marathon hours, he loses his education, career, love, and life by a single act of madnes.Bengaluru 2012 Years later, Dev reaches Bengaluru in search of a better life. Destiny brings him face to face with his first love once again. He chases the same impossible dream only to find himself burning and failing in love. On the verge of losing everything that mattered, Dev fights his sense of practicality and his crazy, but limitless ‘Love’.Let’s find out who wins!Error Code Love takes you on an epic journey through the roads of friendship, jealousy, obsession, mistakes, redemption and love. It raises questions allied to grey areas of teen emotions and lets you find the answers within.

    With a fluency of tone and a gifted eye, he examines the dark and unfathomable moments in the most committed relationships; the small distances that stretch into miles between generations and couples when long-buried secrets tumble out into the light; or the eccentricities that may label us as odd yet mark us as unique. Capturing the bewilderment and tenderness in failed connections or missed moments, his characters stand vivid in their human frailty and we warm to them almost despite ourselves. A lonely wife determined to gather her far-flung family for a reunion invents the perfect lie to persuade them; an old woman recalls how she once trained a black crow the art of thieving; and the off-duty small-town cop on his last round of the evening who does a distressed family a great service when he summons the courage to shoot their gravely injured dog.These poignant tales reveal the subtleties in love and indifference or the strange, sad, breathtaking tricks of chance that can change a life in a second. As Lychack moves among these characters with all their virtues and failings, he observes the inevitable disparity between their realities and their dreams even while investing their stories with wit, humility, and a large measure of grace. That he succeeds so remarkably in transferring it all to the page is evidence of his prodigious talent.

    The 12 tales in this book vary in setting from a Polaris base in Scotland to a frail remnant of hippy "happiness" in Tasmania, and in subject-matter from male gynaecologists' interference with female organs to a rich woman confessing to the night sea that she has lied and cheated and "murdered".

    Now the stories alone are available for the first time in trade paperback.

    Whether in New Delhi or Manhattan, the characters face the universal quandaries of human experience.

    In the aftermath of one tragic afternoon, they are all forced to look at themselves and face up to the observation that the truth does not change according to our ability to stomach it.Crippled by lupus at twenty-five, celebrated author Flannery O'Connor was forced to leave New York City and return home to Andalusia, her family farm in Milledgeville, Georgia. Years later, as Flannery is finishing a novel and tending to her menagerie of peacocks, her mother drags her to the wedding of a family friend. Cookie Himmel embodies every facet of Southern womanhood that Flannery lacks: she is revered for her beauty and grace; she is at the helm of every ladies' organization in town; and she has returned from her time in Manhattan with a rich fiancé, Melvin Whiteson. Melvin has come to Milledgeville to begin a new chapter in his life, but it is not until he meets Flannery that he starts to take a good hard look at the choices he has made. Despite the limitations of her disease, Flannery seems to be more alive than other people, and Melvin is drawn to her like a moth to a candle flame. Melvin is not the only person in Milledgeville who starts to feel that life is passing him by. Lona Waters, the dutiful wife of a local policeman, is hired by Cookie to help create a perfect home. As Lona spends her days sewing curtains, she is given an opportunity to remember what it feels like to be truly alive, and she seizes it with both hands. Heartbreakingly beautiful and inescapably human, these ordinary and extraordinary people chart their own courses through life. In the aftermath of one tragic afternoon, they are all forced to look at themselves and face up to Flannery's observation that "the truth does not change according to our ability to stomach it."

    Abbott, "Cheever's true heir, our major American short story writer" (William Harrison).Here are stories about fathers and sons, stories about men and women, and stories about the relationships between men by one of our most gifted story writers. The narrator of "The Who, the What and the Why," begins breaking into his own house as a sort of therapy after his daughter dies. In "The Human Use of Inhuman Beings," the main character realizes that his closest relationship is to an angel, who appears to him only to announce the death of loved ones. All Things, All at Once reminds us why Lee K. Abbott is to be treasured: his perfect pitch for tales of hapless Southwesterners, his way with sympathetic irony, his eye that skillfully notes the awkward humiliations—common heartbreak, fractured families—and records it all in lyrical, affectionate language. In tales new and from previous collections Abbott examines lived life and the lies we necessarily tell about it.

    shirt makers; tying a Windsor knot to making a pot of tea; Victoria sponge to fish pie, and the rules of cricket to Gilbert and Sullivan operas.