Pip is good at English, like his mother; but Pip′s father wants him to be a soccer star like Nick, Pip′s brother, and to win at any cost. When Pip′s English teacher challenges her students to learn how to juggle three balls, Pip is determined that he will do better than that. He sets his sights high and finally learns how to juggle not three balls, but five mandarins. Along the way, he also finds the courage to confront his father and express his anger and resentment - to publicly claim the right to be his own person and live his life on his own terms. Juggling with Mandarins is a novel about growing up. It asserts the importance of living life on your own terms, and of competing for enjoyment rather than reward. It explores the complex love-hate relationship between a father and son, and the sometimes painful process of realising that parents are, after all, only human.

    Here the lives of rich and poor, white and coloured are tightly interwoven. Various characters roam here, each with their own story. As Oom Kêppies says: “He’s like the sea, like a wave. You think you’ve got him, but his foam line on the sand is all that’s left.” But even before the line of foam is all that remains on the sand, the calm life cycle of the “salt of the earth” is suddenly threatened.,

    Every day on her spy route she "observes" and notes down anything of interest to her:I BET THAT LADY WITH THE CROSS-EYE LOOKS IN THE MIRROR AND JUST FEELS TERRIBLE.PINKY WHITEHEAD WILL NEVER CHANGE. DOES HIS MOTHER HATE HIM? IF I HAD HIM I'D HATE HIM.IF MARION HAWTHORNE DOESN'T WATCH OUT SHE'S GOING TO GROW UP INTO A LADY HITLER.But when Harriet's notebook is found by her schoolmates, their anger and retaliation and Harriet's unexpected responses explode in a hilarious way.

    She has crazy red pigtails, no parents to tell her what to do, a horse that lives on her porch, and a flair for the outrageous that seems to lead to one adventure after another!

    When she arrives at Winchesterfield-Downsfordvale Academy for Proper Young Ladies, the adventure begins . . . only not quite as Alice-Miranda expects. The minute she sets foot on the school's manicured grounds, she senses that something is wrong: Miss Grimm, the headmistress, is nowhere to be seen, the gardens have no flowers, and a mysterious stranger seems to be hiding out on the premises. But that's not all. Some girls are mean and spoiled, like Alethea Goldsworthy. Can Alice-Miranda defeat Alethea in one of three difficult tests she must pass to remain at school? Will she discover Winchesterfield-Downsfordvale's big secret--and make things right? Well, if anyone can, it's spunky Alice-Miranda!

    She has a brand-new sister, and her family has moved to a small town, leaving behind everything she knows. She is sure that she will be miserable – but a mysterious old lady, a curious boy and an amazing garden prove her wrong. A story about friendship, hope, and the healing power of nature and art.

    Penguin's award-winning art director Paul Buckley presents Penguin Threads, a series of Penguin Classics Deluxe Editions inspired by the aesthetic of handmade crafts with specially commissioned cover art. Jillian Tamaki's embroidered artwork appears on The Secret Garden by Frances Hodgson Burnett, Emma by Jane Austen, and Black Beauty by Anna Sewell. This latest set features three beloved classics for both adults and children with cover art by painter and illustrator Rachell Sumpter. Sketched in a traditional illustrative manner, the final covers are sculpt embossed and present full front and reverse hand-stitched designs. Through story, style and texture, the Penguin Threads is an exciting chapter in Penguin's long history of excellence in book design, for true lovers of the book, design, and handcrafted beauty.This fully annotated volume collects three of Baum's fourteen Oz novels in which he developed his utopian vision and which garnered an immense and loyal following. The Wizard of Oz (1900) introduces Dorothy, who arrives from Kansas and meets the Scarecrow, the Tin Woodman, the Cowardly Lion, and a host of other characters. The Emerald City of Oz (1910) finds Dorothy, Aunt Em, and Uncle Henry coming to Oz just as the wicked Nome King is plotting to conquer its people. In Baum's final novel, Glinda of Oz (1920), Dorothy and Princess Ozma try to prevent a battle between the Skeezers and the Flatheads. Tapping into a deeply rooted desire in himself and his loyal readers to live in a peaceful country which values the sharing of talents and gifts, Baum's imaginative creation, like all great utopian literature, holds out the possibility for change. Also included is a selection of the original illustrations by W. W. Denslow and John R. Neill.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    When they arrive in Charleston, a gold-mining ghost town, he is almost afraid to hope this might finally be the place. But things aren't as they seem, and he finds himself caught up in mysterious events. Suggested level: intermediate, junior secondary.

    Strange things were happening in the dead of night. Children would put a tooth under their pillow for the tooth fairy, but in the morning they would wake up to find… a dead slug; a live spider; hundreds of earwigs creeping and crawling beneath their pillow.Evil was at work. But who or what was behind it…?

    Skirl has a house within a house and it teems with terrifying creatures.This is the domain of the ageless Alba Hockmuth, who glides with demonic ease between the dead and the living, the past and the present, and is hellbent on Kim's demise.But help arrives in the most unusual form of Iggy Ma-tuu Clava. In a race against time, he and Kim must discover the secrets of the curse which lies in a painting by the Master of the Fallen Chairs.This is to say nothing - well, as little as possible - about the Great Auk, the last and undoubtedly the most indignant of her species, who somehow manages to remain alive and flipping in the strange conditions of the House at Skirl.

    But when Joe's father loses his job, Lassie must be sold. Three times she escapes from her new owner, and three times she returns home to Joe, until finally she is taken to the remotest part of Scotland—too far a journey for any dog to make alone.But Lassie is not just any dog.First published in 1940, Lassie Come-Home has become one of the best-loved dog stories in the world. This beautiful edition showcases the original text and illustrations within a striking new jacket.

    One day he tumbles over, lands in a sort of cave, and meets' somebody with shaggy hair wearing a rabbit-skin and speaking in grunts. He names him Stig. They together raid the rubbish dump at the bottom of the pit, improve Stig's cave dwelling, and enjoy a series of adventures.

    Carrie and Nick are billeted in Wales with old Mr Evans, who is so mean and cold, and his timid mouse of a sister, Lou, who suddenly starts having secrets. Their friend Albert is luckier, living in Druid's Bottom with warm-hearted Hepzibah Green and the strange Mister Johnny, who can talk to animals but not to human beings. Carrie and Nick visit him there whenever they can for Hepzibah makes life exciting and enticing with her stories and delicious cooking. Gradually they begin to feel more at ease in their war-time home, but then, in trying to heal the rift between Mr Evans and his estranged sister, and save Druid's Bottom, Carrie does a terrible thing which is to haunt her for years to come. Carrie revisits Wales as an adult and tells the story to her own children.

    Christina discovers a passion for horses and riding but finds herself part of a strange household, divided by emotional undercurrents and cruelty.

    It’s not enough that his mother has sent him away from home to learn magic. It’s not enough that everyone at his new school calls him Thornmallow because he’s “prickly on the outside, squishy within.” It’s not enough that the only talent he shows at Wizard’s Hall is an ability to make messes of even the simplest spells. Now, when Wizard’s Hall is threatened by a cruel sorcerer’s fearsome beast, it is up to Henry--er, Thornmallow--to figure out how to save not only his new friends but also the entire school for wizards.