The "Handmaid's Tale" by Margaret Atwood (York Notes Advanced - NOT THE NOVEL)

    Professor Baker has also written two new chapters in which he discusses Hemingway's two posthumously published books, A Movable Feast and Islands in the Stream.CONTENTS: Introduction. I. The Slopes of Montparnasse. II. The Making of Americans. III. The Way It Was. IV. The Wastelanders. V. The Mountain and the Plain. VI. The First Forty-Five Stories. VII. The Spanish Earth. VIII. The Green Hills of Africa. IX. Depression at Key West. X. The Spanish Tragedy. XI. The River and the Trees. XII. The Ancient Mariner. XIII. The Death of the Lion. XIV. Looking Backward. XV. Islands in the Stream.

    The subjects are wide-ranging and various -- curious childhood loyalties, long-hidden memories, newly discovered joys, startling secrets, dislocated relationships, overwhelming, thrilling passions. In prose which is vivid and fresh, Patrick Gale explores the subtle boundaries that shift between the fantastic and shockingly real. With characteristic insight and wit and with consummate ease, he draws the reader into lives both familiar and strange, revealing a world that shines with possibilities and will never fail to delight.

    Len Deighton, author of the classic espionage novel 'The Ipcress File', knew both sides intimately. An acquaintance of Ian Fleming’s (who had praised Deighton’s debut novel in the 'Sunday Times') Deighton was also close to the man who was to become Fleming’s nemesis – Kevin McClory, a veteran of the British film industry. The history of Bond’s development under the arc lights becomes, in Deighton’s expert hands, a saga-like story of inflated egos and poisonous vendettas, exotic locations and claustrophobic courtooms, all involving household names. As an eye witness to the protracted disputes that complicated Bond’s depiction both on screen and on the page, Deighton is in a unique position to tell what he saw. Candid, comical, always steely-eyed, this hefty slice of cinematic memoir reads with all the high-powered pace of a Len Deighton thriller.

    When Robert Creeley died in March 2005, he was working on what was to be his final book of poetry. In addition to more than thirty new poems, many touching on the twin themes of memory and presence, this moving collection includes the text of the last paper Creeley gave—an essay exploring the late verse of Walt Whitman. Together, the essay and the poems are a retrospective on aging and the resilience of memory that includes tender elegies to old friends, the settling of old scores, and reflective poems on mortality and its influence on his craft. On Earth reminds us what has made Robert Creeley one of the most important and affectionately regarded poets of our time.

    W. Norton in 1993, now out of print. In Walking Light, Dunn discusses the relationship between art and sport, the role of imagination in writing poetry, and the necessity for surprise and discovery when writing a poem. Humorous, intelligent and accessible, Walking Light is a book that will appeal to writers, readers, and teachers of poetry.Stephen Dunn is the author of eleven collection of poetry. He teaches writing and literature at the Richard Stockton College in Pomona, New Jersey, and lives in Port Republic, New Jersey.

    All the essays in the collection focus on storytelling. Warm, funny and entertaining, they discuss Philip's own stories, the craft of writing, other storytellers and the importance of stories in our culture.

    He has just one thing with which to begin his investigation: the three women’s DNA, one of whom is his half-aunt. With just six days of research time available to him, his investigation uncovers some shocking revelations and troubling links to his own grandfather; and Morton finds that, for the first time in his career, he is advising his clients not to read his concluding report.

    The classic account of modern British journalism, now updated and re-issued.

    With a new epilogue. Working his way out of a life of street crime and numbers running - and jail time for manslaughter - King rose to become a powerhouse in the fight game, outnegotiated corporate giants, fleeced the treasuries of entire countries, and amassed a vast personal fortune while ruining the lives and careers of some of boxing's greatest champions. The dying words of the man King stomped to death on the streets of Cleveland in 1966 - Don, I'll pay you the money! - became the motif for Don King's ascendancy.

    Vicious, funny stuff."—Andrew Klavan, author of Hunting Down AmandaCyrus is a millionaire recluse. Oh, and a serial killer who preys upon apartment hunters in New York City. Armstead Maupin meets Carl Hiaasen in a brilliant black comedy that traces the paths of disparate characters floating through New York, about to collide in a treacherous story that will make you think twice about ever answering a classified ad.Chris Niles was born in New Zealand, and currently resides in New York. She is the author of a series of mysteries featuring radio reporter Sam Ridley: Spike It, Run Time and Crossing Live.

    Sarah's birthday plan was to taste her first drink and lose her virginity on the same night. When her boyfriend lets her down, she goes ahead with the drink and is mistaken for a call girl!It is the most thrilling night of her life and leads Sarah into regular secret liaisons in top hotels with strange and exciting men, for cash. And Sarah finds she has a natural talent for satisfying her kinky clients' fetishes.All is well until a sexy, dominant client ignites her deepest desire and then shows up as a professor at her college. Life, already complicated for this student call girl, becomes a heady mix of love and lust as she learns her lessons both in the classroom and over the knee.

    

    Taking his title from the wounded cry of the once great Max Bialystock in The Producers -- “Look at me now! Look at me now! I’m wearing a cardboard belt!” -- Epstein gives us his largest and most comprehensive collection to date.Writing as a memoirist, polemicist, literary critic, and amused observer of contemporary culture, he uses to deft and devastating effect his signature gifts: wide-ranging erudition, sparkling humor, and a penetrating intelligence. In personally revealing essays about his father and about his years as a teacher, in deeply considered examinations of writers from Paul Valery to Truman Capote, and in incisive take-downs of such cultural pooh-bahs as Harold Bloom and George Steiner, this remarkable collection presents us with the best work of our country’s most singular talent, engaged with the richness and variety of life, witty in his response to the world, and always entertaining.

    Her election marked a decisive break with the past and her premiership transformed not just her country, but the nature of democratic leadership. Simon Jenkins analyses this revolution from its beginnings in the turmoil of the 1970s through the social and economic changes of the 1980s. Was Thatcherism a mere medicine for an ailing economy or a complete political philosophy? And did it eventually fall victim to the dogmatism and control which made it possible? This is the story of the events, personalities, defeats and victories which will be familiar to all those who lived through them, but seen through a new lens. It is also an argument about how Thatcher’s legacy has continued down to the present. Not just John Major, but Tony Blair and Gordon Brown are her heirs and acolytes. And as the Conservative party reinvents itself as a viable political force once again, is the age of Thatcher finally over?