Richard Seaton acquires rights to his discovery from the government and commercializes it with the aid of his friend, millionaire inventor Martin Crane. When a former colleague tries to steal the invention, not only the future of Dr. Seaton and his allies, but ultimately the entire world hangs in the balance!The first of the great "space opera" science fiction novels, The Skylark of Space remains a thrilling tale more than 80 years after its creation."With the exception of the works of H. G. Wells, possibly those of Jules Verne -- and almost no other writer -- it has inspired more imitators and done more to change the nature of all the science fiction written after it than almost any other single work." -- Frederik Pohl

    than most people do all day. Threatened by an alien enemy, Earth's military sends Phule and his soldiers to a distant planet. But now, the aliens have chosen a new target of war . . . Phule's Company.

    Here we see, with all the vivid detail for which Pournelle is known, the Fall of the West, and how in its death throes it gave birth to a society that would conquer the stars themselves, as real people battle desperate odds, both for their own survival and for something more - for High Justice.

    It was waiting for him, just as he had left it. But where? He only knew he was in the center of a galaxy in a universe of galaxies. Within them lay endless varieties of the planet Earth. And there was only one way to find his Earth again: he would have to visit each one. And he would have to hurry--because his search for home had turned into a race with death.

    He was leaving Earth in an untested ship with a crew chosen by necessity and with nothing but faith to guide him. His only hope was to find habitable worlds in the unexplored reaches of space ahead.Thus began Man's first mission to the uncharted universe.Shore had no illusions. Before him lay danger, probable disappointment - even death. But nothing had prepared him for the nightmare he would have to face on the planet of the Gray-Furs...for the menace of the Golden People who had driven all other races from Galactic Center - or for what awaited him if he returned to the world he called home!

    She is employed by a man known to her only as "Boss." Operating from and over a near-future Earth, in which North America has become Balkanized into dozens of independent states, where culture has become bizarrely vulgarized and chaos is the happy norm, she finds herself on shuttlecock assignment at Boss' seemingly whimsical behest. From New Zealand to Canada, from one to another of the new states of America's disunion, she keeps her balance nimbly with quick, expeditious solutions to one calamity and scrape after another.

    Now, as faster-than-light drive opens the stars to exploration, humans are finding other relics of the race they call the Monument-Makers - each different, and each heartbreakingly beautiful. But except for a set of footprints on Jupiter's moon Iapetus, there is no trace of the enigmatic race that has left them behind. Then a team of scientists working on a dead world discover an ominous new image of the Monument-Makers. Somehow it all fits with other lost civilizations, and possibly with Earth's own future. And distant past. But Earth itself is on the brink of ecological disaster - there is no time to search for answers. Even to a question that may hold the key to survival for the entire human race...

    The Servants of Wrath have deified Carlton Lufteufel and re-christened him the Deus Irae. In the small community of Charlottesville, Utah, Tibor McMasters, born without arms or legs, has, through an array of prostheses, established a far-reaching reputation as an inspired painter. When the new church commissions a grand mural depicting the Deus Irae, it falls upon Tibor to make a treacherous journey to find the man, to find the god, and capture his terrible visage for posterity.

    There an enigmatic being known as the Caretaker kidnaps two crew members and transports them to a people known as the Ocampa. Captain Janeway must rescue her crew members, battle a hostile race called the Kazon-Ogla, and solve the mystery which surrounds the Caretaker, only to begin the fantastic voyage back to Earth.

    Clinging to its skin are the zones, a series of semi-autonomous city-states, each of which enjoys a different—and rigidly enforced—level of technology. Horsetown is pre-industrial; in Neon Heights they have television and electric trains . . .Following an infiltration mission that went tragically wrong, Quillon has been living incognito, working as a pathologist in the district morgue. But when a near-dead angel drops onto his dissecting table, Quillon's world is wrenched apart one more time, for the angel is a winged posthuman from Spearpoint's Celestial Levels—and with the dying body comes bad news.If Quillon is to save his life, he must leave his home and journey into the cold and hostile lands beyond Spearpoint's base, starting an exile that will take him further than he could ever imagine. But there is far more at stake than just Quillon's own survival, for the limiting technologies of the zones are determined not by governments or police, but by the very nature of reality—and reality itself is showing worrying signs of instability . . .Terminal World is a snarling, drooling, crazy-eyed mongrel of a book: equal parts steampunk, western, planetary romance, and far-future SF.

    But they are very good soldiers. And once a regiment is formed, it never recruits again; as its members fall in battle, it simply grows smaller to become a battalion, a company, a platoon, a squad . . . and then there are none. But before the last man of this regiment has flung himself into battle, the Federation of Worlds will never be the same.

    Their charter was for a Class III uninhabited planet, which Zarathustra was, and it meant they owned the planet lock stock and barrel. They exploited it, developed it and reaped the huge profits from it without interference from the Colonial Government. Then Jack Holloway, a sunstone prospector, appeared on the scene with his family of Fuzzies and the passionate conviction that they were not cute animals but little people.

    Thus, he and thousands of other scientists and their families are sentenced to permanent exile from Earth on a space station. But Lou and several others decide to escape--by converting the space station into a starship.

    A talented, elite cadre, they stepped out of the everyday human race...to enter their own!

    When the two college students develop a faster-than-light space drive in their homemade workshed, they decide to sneak it aboard their football team's airplane as a prank. The boyish plan backfires, however, and the boys find themselves, along with their crush Sally and the seemingly loveable school caretaker, Old John, hurtling through the solar system towards Titan—an icy moon of Saturn inhabited by hideous ice creatures. Titan and the 20th century are only square one as the foursome becomes embroiled in a vast, intergalactic, century-jumping battle.