McNally later adapted the script for the 1997 film of the same name.

    A sympathetic werewolf, a vampire and an Egyptian princess brought to life when her tomb is opened make this a comedy that has everything."Far and away the funniest two hours on a New York stage....What more meaningful gift could Ludlam bequeath [audiences

    Includes: 4 Jews in a Room Bitching * I'm Breaking Down * Marriage Proposal * March of the Falsettos * Making a Home * The Games I Play * I Never Wanted to Love You * Father to Son * The Baseball Game * A Day in Falsettoland * Everyone Hates His Parents * What More Can I Say? * Something Bad Is Happening * Holding to the Ground * Unlikely Lovers * You Gotta Die Sometime * What Would I Do.

    She was a tough-talking, wise-cracking vaudeville performer who made her way onto the Broadway stage and then into the hearts of the American public with a highly visible Hollywood film career. Rarely, however, do people think of Mae West as a writer even though she wrote eight scripts for the stage and her own dialogue for many of her films. In "Three Plays By Mae West, " Lillian Schlissel brings this underexplored part of West's career to the fore by offering for the first time in book form, three of the plays West wrote in the 1920s--"Sex" (1926), "The Drag" (1927) and "Pleasure Man" (1928). Schlissel's introduction offers insight to the life and early career of this legendary stage and screen actress. In her first starring role on Broadway, West played Margy LaMont in "Sex, " which had 375 continuous performances but was closed by the police after more than a year, when she was tried and convicted of corrupting the morals of youth. Set in a Montreal brothel, the play confronts the issue of women separated by class and attitudes of sexuality. West's character learns the painful lesson that women are not bound in sisterhood simply because they have both shared the betrayal of men. In "The Drag, " which opened in Bridgeport, Connecticut, but not in New York, West argued that, like sexuality in a woman, homosexuality had no class identification. In this play West used the theatricality of the drag "queens" who had become her friends and "sisters." "Pleasure Man" is once again set in the world of theatre, and is both a forerunner to "La Cage aux Folles" and a revenge fantasy in which a man is castrated after seducing and impregnating an innocent girl. "Pleasure Man" had two and a half performances in the city before it was closed by the police. While West won the legal right to have her play performed, its controversial nature marked the end of her box office success.

    --Hanoi to Hoboken: a round trip ticket --Living with other women --Take a lesbian to lunch --The last straw --The shape of things to come --Roxanne Dunbar --Gossip --Leadership vs. stardom --The last picture show --A manifesto for the feminist artist --Love song for feminists from Flamingo Park --I am a woman --The good fairy --It's all Dixie cups to me --The lady's not for burning.

    Now, after breaking up with his longtime boyfriend, Smith looks back to his painfully normal childhood to see where all the trouble really began. Like every other American kid, Bob's adolescence was marked by alternating moments of blissful ignorance, hazy confusion, and humiliating self-consciousness. And in these pages, Bob evokes his youth with a vividness that will make you shudder and howl with recognition.In these hysterically humorous pages, Bob Smith introduces readers to his comically unsympathetic grandmother, who makes light of his carsickness: "Bob only throws up because he's near the window and he can"; to his first teacher crush, whose "five-o'clock shadow could plunge a room into darkness"; and to his first brush with fame, when he fainted from his chair during a biology filmstrip ("Way to go, Smith!"). Sharp, observant, ingeniously ironic and wholly satisfying, this new Lambda Award-nominated collection is at once bittersweet nostalgic fun and a testament to the unquestionable gifts of a highly original comic writer.

    From the publisher's synopsis: "Jeffrey, a gay actor/waiter, has sworn off sex after too many bouts with his partners about what is "safe" and what is not. In gay New York, though, sex is not something you can avoid. Whether catering a ditzy socialite's "how-down for AIDS" or cruising at a funeral; at the gym or in the back rooms of an anonymous sex club; at the annual Gay Pride Parade, or in the libidinous hands of a father-confessor, Jeffrey finds the pursuit of love and just plain old physical gratification to be the number one preoccupation of his times - and the source of plenty of hilarity."

    "By a mile, the best new play of the season>"--John Heilpern, New York Observer.

    Despite the group’s warm welcome, Kina (Nayfack) prepares for her life-altering operation all alone. But a caring nurse (Ivory Aquino), a wise couple (Kate Bornstein and Annie Golden), and a karaoke-loving bellhop (Telly Leung) may be exactly who she needs to ignite her truest sense of self. WTF Associate Artistic Director Laura Savia directs this spirited comedy about a woman who tests the bonds of an unlikely sisterhood.The playwright wishes to thank The Drama League's Beatrice Terry Residency, Daryl Roth, Natasha Sinha, Beehive Dramaturgy Studio, Playwrights Horizons, Rachel Jett, Daryl Roth, and the Eugene O’Neill Theatre Center’s National Theatre Institute.Note: This play contains mature themes and language.

    Escaping into her research, Constance decodes the Gustav Manuscript, and discovers a pair of comedies that she believes are the source for Shakespeare's Othello and Romeo and Juliet. Transported into the world of her theory, she comes face-to-face with Desdemona and Juliet and discovers that, far from shrinking violets, they are hellions full of surprises. What follows is a riotous retelling of theatrical legend that brings Constance out of her gloom and straight into a new and confident self.

    Complete vocal score to the Broadway sensation with 11 songs: The Best of Times * I Am What I Am * A Little More Mascara * Look over There * Song on the Sand (La Da Da Da) * With You on My Arm * and more.

    "An unflaggingly witty and often moving slice of life . . . Poor Super Man explodes on to the stage like a bold comic strip, complete with snappy captions and hard, bright, witty dialogue," writes the Edmonton Journal.

    It has been produced and taught all over the world. Its companion play, The Destiny of Me, is the stirring story of an AIDS activist forced to put his life in the hands of the very doctor he has been denouncing.

     She's the ultimate career girl. Devoted to work, with no time for anything more than casual steamy encounters. But all that changes when the missing persons story leads her to the enigmatic Callie. Callie is a family friend of the missing girl and an invaluable lead. The attraction between the two women is immediate, all consuming. Does Callie hold the answers to the mysterious disappearance? And beyond that, is she the one woman who can hold Astrid's attention beyond a sensational story?

    Portraying the two critical moments in Oscar Wilde’s late life –– when he decides to stay in England and face imprisonment and the night after his release, two years later –– David Hare’s The Judas Kiss presents the consequences of taking an uncompromisingly moral position in a world defined by fear, expedience, and conformity.