Ann and her two younger siblings fight constantly, as do their parents. When the doctors announce that Ann's only hope of survival is a heart transplant by the end of the summer, the Bennetts decide to wait for news of a donor at a family vacation home on the Oregon coast, near Haystack Rock. But rather than healing their differences, the time away only widens the rifts between them. That is, until they learn about The Winner's Game, a game their great grandparents invented to save their marriage decades ago. It doesn't work immediately, it takes some time to figure out the right way to play, but little by little things start to change. It seems everything might be okay, until the day tragedy strikes, and they are confronted with what it really means to love -- and to be a family.

     Even Mr. Leighton himself, though he did not alter the prudential tone with which he had done appropriate honor to this lengthy instrument, grinned dryly while reading the final paragraph. ‘And it is my further request that at eleven A.M., on the first Lord’s Day subsequent to her graduation from college, the said Barbara Breckenridge shall present herself, unaccompanied, at divine services in Trinity Cathedral, Chicago.’

    An explanation of reincarnation,metaphysics, karma, healing, and the reality of life, all rolled intothe most unusual love story ever told.

    Amos is no more than seven when he kills a Shadow Wolf and becomes a legend in Shiloh. He would be destined for great things were it not for the stories his father tells about a world beyond the Shadow and a time before the Shadow. Only madmen hold to such tales, and in Shiloh, they have always come to bad ends.Amos is fearless. He walks with easy confidence, certain that the Shadow cannot touch him. Even his family is in awe of him. His father marvels at his skill with the bow, his mother thanks the gods that he has all the courage she lacks, and his sister, Phebe, worships him for saving her from an attack of the Shadow Cats.On a trip to the village of Emmerich, Amos rescues the Magistrate’s son, Simeon, from the village bullies. Simeon, fair-skinned and pale-eyed like other Dreamers in Shiloh’s history, becomes Amos’s constant companion and dearest friend. Simeon becomes a part of Amos’s family, listening to fireside stories told in a way he’s never heard them before and learning to wield a bow and arrow.The year the boys turn twelve, they are itching to prove themselves. An impetuous plan to steal a beautiful lantern goes miserably awry, and the lantern’s owner prophecies that Amos will be devoured by the Shadow. For the first time, a seed of fear is planted in Amos’s mind, and when his father is killed by a Shadow Wolf on the last day of the Great Hunt, the fear takes hold. If so great and brave a man as his father could fall to the Shadow, what hope has he?This edition is no longer available and was replaced by ISBN:

    This radiant translation by W.S. Kuniczak restores the original glory and richness of master storyteller Henryk Sienkiewicz's epic tale.Set at a turning point in history (A.D. 54-68), as Christianity replaces the era of corruption and immorality that marked Nero's Rome, Quo Vadis abounds with compelling characters, including:Vinicius, the proud centurion who has fallen deeply in love with a mysterious young woman who disappears the night they meet;Ligia, the elusive beauty. Vinicius will not easily win her love, for she is a Christian, one of the group of dedicated believers led by the apostle Peter. Christians are rare in pagan, hedonistic Rome, and suffer great persecution;Petronius, uncle to Vinicius, an elegant, witty courtier who scoffs at love and religion but finds his nephew's passion charming; andNero himself, enemy of all Christians, a despotic emperor who plunges Rome deeper and deeper into depravity. The decadence of his banquets is staggering; and even worse, his mad laughter is heard echoing in the amphitheater as gladiators duel to the death.As Nero's appalling plans for the Christians become ever clearer, time appears to be running out for the young lovers. Vinicius must come to understand the true meaning of Ligia's religion before it is too late.Grand in scope and ambition, Quo Vadis explores the themes of love, desire and profound moral courage. Lavish descriptions, vivid dialogue and brilliantly drawn characters make this one of the world's greatest epics. Beloved by children and adults the world over, Quo Vadis has been the subject of five films, two of them in English.

    First published in 1927, this free verse poem has become an essential part of American literature.

    . . if the CIA, international arms dealers, and her best friend don’t stand in the way.Elisabeth Allen gave her heart to Jesus as a little girl and to Drew Marek as a teenager. When their wedding day finally arrives, it’s the happiest day of her life—until a bomb transforms her dream come true into a living nightmare.As Best Man at the wedding, Gabriel Di Salvo promises Drew—his best friend and CIA partner—he’ll look after Elisabeth, but he never dreams it will become necessary so soon. As Elisabeth struggles to put the pieces of her life back together without Drew, Gabe becomes her rock, and as they share their grief and begin to heal, their friendship gradually deepens into something more.Three years later, Gabe and Elisabeth are planning a future together when he receives a shocking call from the one man who can upend his happiness: Drew. Suspecting someone at the CIA is behind his abduction, Drew refuses to come home. Instead, he asks Gabe to bring Elisabeth to him. Now Gabe just has to figure out how to let her go.Drew and Elisabeth race across Europe, dodging international arms dealers and attempting to reclaim what was stolen from them. But years of captivity and torture have left their mark on Drew. He is no longer the same boy Elisabeth fell in love with, but he is still Elisabeth’s husband, and she is determined to build something new and not allow her relationship with Gabe to come between them.When their enemies close in and the threat of a terrorist attack escalates, Gabe may be the only person they can trust. Drew, Elisabeth, and Gabe are thrown into a fight for their lives—one that will test their loyalties to God, country . . . and each other.

    This beautifully bound work depicts life as a journey, reaching toward a beacon of hope in the City of the Great King. Beckoned by the King to travel the Splendid Way, the young knight must keep his armor on at all cost. All along the way he is challenged and tempted to take his armor off. Many try to convince him that the battle is not worth the fight. Only those who keep their armor on are able to see the real battle that rages before them, and only those with a pure heart will keep their armor on.

    The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    As the river of life dries up, with each passing moment, our dreams of childhood give way to the reality of life, which is not always pleasant or fair. There is so much we don’t control and can’t change. In these difficult and lonely moments, we wonder if there is anyone in this world or any other whom we can count on. If faith moves mountains, then how do we build such faith and how do we know it will work for us? What is faith, anyway? From a physicist to a physician, an injured bird to an erudite Brahmin, people from different walks of life and religions share their incredible stories of rapid transformation, all united by the common thread of faith in one person – Om Swami. Every story makes you think and dares you to see the world differently. The Book of Faith is unlike anything ever written in the modern times.NAVJOT GAUTAM is a postgraduate in Journalism and Mass Communication from Punjabi University, Patiala. She has worked with top organizations in the fields of health, education, IT and hospitality.SADHVI VRINDA OM is an award-winning poet and author. She graduated from Sophia College, Ajmer, and went on to pursue an MBA. The turning point of her life though was to pen a mesmerizing non-fiction, Om Swami: As We Know Him. It has been hailed transformational by readers.

    Such a man was John Lathrop, a minister in the King's church, who, at the peril of his life, fought for religious freedom. This is the astounding biographical account of Lathrop's struggle and his ultimate exile to America. Winner of the National Freedom's Foundation Award

    The basis for the film A Fantastic Fear of Everything.

    Robert Louis Balfour Stevenson (13 November 1850 - 3 December 1894) was a Scottish novelist, poet, essayist, and travel writer. His most famous works are Treasure Island, Kidnapped, and Strange Case of Dr Jekyll and Mr Hyde. A literary celebrity during his lifetime, Stevenson now ranks among the 26 most translated authors in the world. His works have been admired by many other writers, including Jorge Luis Borges, Bertolt Brecht, Arthur Conan Doyle, Cesare Pavese, Ernest Hemingway, Rudyard Kipling, Jack London, Vladimir Nabokov, J. M. Barrie, and G. K. Chesterton, who said of him that he "seemed to pick the right word up on the point of his pen, like a man playing spillikins.

    Is it for children, or for adults? Is it fantasy or a psychological novel? In its great range, it encompasses poetry and farce, comedy and tragedy -and sudden flights of schoolboy humour. White's `footnote to Malory' (his own phrase) resulted in the last major retelling of the story based on Malory's Morte Darthur, and Elisabeth Brewer explores the literary context of White's finest work as wellas considering his aims and achievement in writing it.White's story of Arthur begins with his `enfances', set in an imaginary medieval England, but it is far removed from the conventional historical novel. White was writing in wartime England, a country increasingly absorbed by a need to find an antidote to war. Through the medium of the Arthurian story he found his own voice, his unique contribution to keeping alive the flame of civilisation. Malory's chivalric virtues are rejected in favour of White's own twentieth-century values; the love affair of Lancelot and Guenever is interpreted in terms of modern psychology.The books which eventually made up The Once and Future Kingof 1958 appeared in distinctly different editions. In discussing these, Elisabeth Brewer looks at some of the ways in which White drew on his own personal experience at a deep psychological level, while also incorporating into his story material inspired by his antiquarian pursuits and by his years as a schoolmaster. She completes her study with an account of White's use of historical material, and the relationship of The Once and Future King to the Morte Darthur.ELISABETH BREWER lectured in English at Homerton College, Cambridge. She is the author of books and articles on Chaucer and the Arthurian legends

    Their lives burst into adventure when Digory's Uncle Andrew, who thinks he is a magician, sends them hurtling to...somewhere else. They find their way to Narnia, newborn from the Lion's song, and encounter the evil sorceress Jadis before they finally return home.