An encounter with young Sydney tattoo artist Kira leaves him with a permanent tribute to the soldier, but it is a meeting that will change the course of his life. What he isn’t expecting is a campaign of retribution from the soldiers who blame him for the ambush and threaten his career. With his marriage also on the brink, his life spirals out of control. Years later, Phelan is surprised when Kira re-enters his life seeking refuge from her own troubles and with a young son in tow. She finds a way to help him make peace with his past, but she is still on the run from her own. The War Artist is a timely and compelling novel about the legacy of war, the power of art and the possibility of redemption.

    He attends the same private tuitions as his classmate, Shirodkar, just for a glimpse of her, and follows her back home every day. Sadly, she has not a clue that he is pining away for her, because in their society, boys and girls don't interact freely, much less talk about love. When he's not negotiating the tricky alleys of love, Mukund sits around the school field or loafs about town with his close friends, Surya, Chitre and Phawdya, railing against the education system, and debating ideas such as discipline and Bohemianism. Set in a small Maharashtrian town during the Emergency of 1975, Shala is a heart-warming, nuanced novel about the adolescent struggles that are as tortuous in real time as they are amusing in retrospect.

    The girls live in a terrible situation: they depend on an unstable mother that has never recovered from her husband's murder, their stepfather beats them regularly, and they must forage on their own for food. Stop here and you have a story told many times before, as fiction and nonfiction in tales like Ellen Foster, or I Know Why the Caged Bird Sings --stories in which a young girl reveals the horrors of her childhood. Me & Emma differentiates itself with a spectacular finish, shocking the reader and turning the entire story on its head. Through several twists and turns the reader learns that things are not quite the way our narrator led us to believe and everything crescendos in a way that (like all good thrillers) immediately makes you want to go back and read the whole book again from the start.

    The mighty black river, after which the town is named, is now no more than a trickle. People have begun to listen to weather forecasts on the radio rather than looking out of the window to see if it’s going to rain. The jackfruit tree in the middle of town has suddenly started fruiting. And, most seismic of all, Paachu Yemaan, the Inspector of Police, who has terrorized the town for decades has retired. Desperate to find him something to do, his wife, Sharada, and the good-hearted Barber Sureshan decide that ex-Inspector Paachu’s post retirement project will be the reforming of the town drunk, Joby. What the two good Samaritans haven’t counted on is the chain of extraordinary events that their project is about to set in motion.

    

    Nancy Butterworth and Abbie Kerrigan, lifelong residents of the place, tried to befriend Dee Chatterton, but her mother wants her to have nothing to do with such rough children. The Burgess family looks forward to the arrival of their young cousin Sean from Dublin, and Nancy is not the first to lose her heart to the Irish charmer.In 1914 things are to change dramatically, and the families are to find that money and social position mean nothing when the horrors of the First World War invade their lives and take away their sons...

    She knew how. Mildred could breathe the word no to a second cup of ice cream. Could resist drinking too much champagne. But when it came right down to a friend needing a favor, she might say no first, but if someone really needed her—really needed her! —she always said yes. That’s how Mildred ended up with strangers camped out in her spare bedroom, helping her friend Fran to start a new business at the antique emporium, and walking around the empty church with a dust rag in her hand even though she hated to dust. She couldn’t say no to dust for long either. The only real no Mildred had said in recent history was to a man who loved her. Hugh wasn’t the first man to pursue her. But he was the most recent. And she had been flattered but not interested—not in the way he wanted her to be interested. Hugh didn’t give up right away. He lodged himself near her at church. Found her in the church kitchen after a fellowship supper to aid in the clean-up. And finally, her would-be lover had just asked her outright. That was the moment when Mildred had to say no. Until then Millie had been artfully dodging him. Only her best friend Fran understood. Fran said when Mildred finally felt the regretful effects of that no, “We’re all of us such fools.” But they aren’t fools. Mildred Budge and her friends are just people trying to live inside the faith released from heaven through the One who didn’t say no. This is the first novel in the series about Mildred Budge and her friends—just ordinary people trying to live out an extraordinary hope available to anyone who realizes what kind of help he or she really needs. That hope has a name, and Mildred Budge knows it. Need hope? Need a friend. Mildred Budge is a very good friend. If you like spending time with people who are just ordinary but extraordinarily hopeful, then you’ll love this story. Get a copy of this first novel in the series and find out for yourself what church ladies really think. About the author: Daphne Simpkins is an Alabama writer who writes about a variety of subjects and often on the secret lives of church ladies. Befriend her on Facebook, Twitter, or Linkedin.com.

    Told from multiple perspectives, set against the backdrop of the vibrant multilingual Jaipur Literature Festival, diverse stories of lost love and regret, self-doubt, and new beginnings come together in a narrative that is as varied as India itself.Partly a love letter to the greatest literary show on earth, partly a satire about the glittery set that throngs this literary venue year on year, and partly an ode to the millions of aspiring writers who wander the earth with unsubmitted manuscripts in their bags, Jaipur Journals is a light-footed romp that showcases in full form Gokhale's unsparing eye for the pretensions and the pathos of that loneliest tribe of them all: the writers.

    Parents themselves, they were determined to figure out how to help their children get along. The result was Siblings Without Rivalry. This wise, groundbreaking book gives parents the practical tools they need to cope with conflict, encourage cooperation, reduce competition, and make it possible for children to experience the joys of their special relationship. With humor and understanding—much gained from raising their own children—Faber and Mazlish explain how and when to intervene in fights, provide suggestions on how to help children channel their hostility into creative outlets, and demonstrate how to treat children unequally and still be fair. Updated to incorporate fresh thoughts after years of conducting workshops for parents and professionals, this edition also includes a new afterword.

    Rendering is used in the preparation of drawings for engineers, designers and manufacturers, and in advertising and industry generally.

    dissertation. Instead, he comes home with a bride named Viji, an Indian woman he barely knows. This seemingly unlikely pair eventually wind up in Sacramento, where they buy a ranch house and give birth to triplets.In this new American world of shag carpets and pudding pops, Viji seeks consolation in her prayer room, which she visits frequently to gossip, sass, and seek advice from the framed portraits of her dead relatives. It is here where Viji feels most herself and where these deceased family members feel “as real to her as she’d been to them.”A hilarious and heartfelt debut, The Prayer Room re-examines the meaning of family—the people who live down the hall, the people who exist only in our memories, and the people who roll their eyes at you from within their picture frames.

    Although she's had her ups and downs, life is good now: she lives with her twin brother, Onyx, and another friend in an artsy community in Cincinnati and is pursuing a master's degree in psychology. An avid reader, Ophelia likes everything to be orderly, including her job at a nearby bookstore. But when a good-looking stranger ends up in her apartment-invited to crash on their couch by her brother-her life begins to change forever.Brax Smith arrives to Cincinnati with nothing other than his van, having left Florida to start a new life, escaping the memories of losing his mother to cancer and dealing with his drunk father. A recovering alcoholic himself, Brax meets two guys at a group session in an eclectic area of Cincinnati when he gets to town. He feels grateful to have a place to stay but also comes face-to-face with the sister of one of his new friends, who is less than excited to have an additional roommate. Can he win her over, despite the fact that she has no interest in being his friend?In this novel, the lives of two struggling people collide and take them on a roller-coaster journey of good times and bad, ultimately leading to true love, devotion, and tragedy.

    As if to highlight those expectations, Taylor periodically interrupts her third-person narrative with Greek chorus-type commentary from the Scranton-based Isabelle Lumley Bible Class, including excerpts from a 1929 sex manual for women. The overall result is a thought-provoking book club discussion cornucopia."-- Booklist , Starred review"Set in the 1930s, Taylor's suspenseful and intricate follow-up to Sing in the Morning, Cry at Night tells the story of sisters Violet and Lily Morgan...Taylor delivers startling plot twists and incisive commentary on the social unrest of a coal-mining town during the Great Depression. Covering a six-year span, the novel reveals the consequences of arduous labor and widespread sterilizations that came with the eugenics movement. Among the prostitutes, mobsters, and miners is a web of interconnected lives that come together for a breathtaking ending in Taylor's fine sequel."-- Publishers Weekly "A good selection for book clubs, All Waiting Is Long is set in Pennsylvania coal country in the 1930s, a time of tumultuous change and social unrest, including the rise of the eugenics movement. Barbara Taylor’s characters—a cast of nuns and prostitutes, mobsters and miners, social activists and church busybodies—reflect the varying pressures and expectations of small-town life with rich, insightful prose and dialogue that rings true to each character’s voice. Will the web of lies the two sisters weave around themselves survive? You’ll have to read it yourself to find out. Recommended."-- Historical Novel Review "Barbara J. Taylor has created another suspenseful page-turner . . . revealing shocking details of enlightened thinking in the 1930s against the backdrop of political corruption, unions, rampant prostitution, coal mine strikes, and judgmental Christians. But it’s Taylor’s finely honed characters and plot twists that make “All Waiting Is Long” an unforgettable novel."-- BookMark on WPSU "In this richly populated community, old ties are either torn or tightened, and the characters left behind when the sisters went off are nicely fleshed out...Ms. Taylor writes with total mastery of her craft. Her similes and metaphors are born of a highly developed abstractive sensitivity, and her dialogues are unerringly true to their respective speakers."--BookPleasuresThe latest novel in Akashic's Kaylie Jones Books imprint.All Waiting Is Long tells the stories of the Morgan sisters, a study in contrasts. In 1930, twenty-five-year-old Violet travels with her sixteen-year-old sister Lily from Scranton, Pennsylvania, to the Good Shepherd Infant Asylum in Philadelphia, so Lily can deliver her illegitimate child in secret. In doing so, Violet jeopardizes her engagement to her longtime sweetheart, Stanley Adamski. Meanwhile, Mother Mary Joseph, who runs the Good Shepherd, has no idea the asylum's physician, Dr. Peters, is involved in eugenics and experimenting on the girls with various sterilization techniques.Five years later, Lily and Violet are back home in Scranton, one married, one about to be, each finding her own way in a place where a woman's worth is tied to her virtue. Against the backdrop of the sweeping eugenics movement and rogue coal mine strikes, the Morgan sisters must choose between duty and desire. Either way, they risk losing their marriages and each other.The novel picks up sixteen years after the close of Barbara J. Taylor's debut novel, Sing in the Morning, Cry at Night--a Publishers Weekly Best Summer Book of 2014--and continues her Dickensian exploration of the Morgan

    Written flawlessly with tenderness and fury, heartbreak and acceptance, give your heart a break is the story of Addya, a flamboyant, confident woman, leading a carefree life. That is, until the day she gets married, and her life suddenly takes a turn for the worse. Caught in a steadily deteriorating relationship, Addya is stretched to her limits as she tries to cope. Through it all, she has her brother Agastya standing by her side like a rock, vowing to avenge his sister. Will Addya be able to survive unscathed? Will Agastya succeed in seeking justice? Or will he succumb to the wounds of his past? Can the love of his life, Tarjani, provide him succour? Inspired by a true story, this is an incredible tale of abuse and vulnerability, of the exhilaration of romance, of an unshakeable sibling bond that is at once unique and universal. Above all, this is Anuj Tiwari’s unsparing account of love and loss, capturing the grit and courage of a woman trapped in a loveless relationship.

    Its disillusioned and darkly funny narrator is an Irish oncologist, who is searching for a scientific breakthrough in the lab of a New York hospital while struggling with his failing marriage and his growing alienation within the city's urban spaces. Tending to the health of his laboratory mice, he finds comfort in work that is measurable, results that are quantifiable.But life is every bit as persistent as the illness he studies. As he starts a new treatment on his mice, he meets a beautiful but elusive Russian translator at the hospital, his estranged wife begins to call, his neighbours are acting strangely and his supervisor pressures him to push ahead professionally. And always there is the pull of family; of the place he considers home.Shot through with Duffy's haunting, beautiful descriptions of the science underlying cancer, which starkly illustrate the paradox of an illness at whose heart is a persistent and deadly life force, This Living and Immortal Thing shows how the cruelty of the disease is a price we pay for the joy and complexity of being in the world.