It’s been four years since Rudy’s brother Edgar went missing in war-torn France. Still deep in mourning and grappling with unanswered questions, Rudy and his mother struggle to move on. When the enigmatic Mariette arrives unexpectedly at the family’s manor claiming to be Edgar’s widow, and the mother of his child, Rudy urges her to stay, hoping she’ll shed light on the missing pieces.Captivated by Mariette, Rudy finds that their mutual loss and grief bind them…as does the possibility of new love. But Mariette’s revelations bring more questions than answers about Edgar’s death. Suspicions threaten to divide Rudy’s already fractured family, setting him on a quest for the truth that takes him from England to France and beyond.In his search, Rudy is forced to confront the tragedies of war and the realities of the brother he’s lost and the woman he’s found. Will the truth set him free to find peace, or will it forever shadow his future?

    In one of her most ambitious novels, Anya Seton here created one of her most memorable heroines, and one of her most varied tales.

    After living wild in the forests for years, carrying a terrible secret, all Silvana knows is that she and Aurek are survivors. Everything else is lost. Waiting in Ipswich is Silvana's husband Janusz, who has not seen his wife and son for six years. He has found his family a house and works hard planting a proper English garden to welcome them. But the six years apart have changed them all. To make a real home, Silvana and Janusz will have to come to terms with what happened during the war, accept that each is different, and allow their beloved but wild son Aurek to be who he truly is.

    An only child, he lives alone with Emilie, the mother he adores but who treats him with bitter severity. He begins an intense friendship with a Jewish boy his age, talented and mercurial Anton Zweibel, a budding concert pianist. Moving backward to the war years and the painful repercussions of an act of conscience, and forward through the lives and careers of two men, The Gustav Sonata explores the passionate love of childhood friendship as it is lost, transformed, and regained over a lifetime. Moving between the 1930s and the 1990s, this fierce and beautifully orchestrated novel explores the vast human issues of racism and tolerance, flight and refuge, cruelty and tenderness. It is a powerful and deeply moving addition to the beloved oeuvre of one of our greatest contemporary novelists.

    Nightly air raids become grimly mundane. The tightening vice of rationing curtails every comfort. Men leave to fight and die. And five women forge an unlikely bond of friendship that will change their lives forever.Alice Osbourne, the stolid daughter of the late vicar, is reeling from the news that Richard Fairfax broke their engagement to marry Evangeline Fontaine, an American girl from the Deep South. Evangeline’s arrival causes a stir in the village—but not the chaos that would ensue if they knew her motives for being there. Scrappy Elsie Pigeon is among the poor of London who see the evacuations as a chance to escape a life of destitution. Another new arrival is Tanni Zayman, a young Jewish girl who fled the horrors of Europe and now waits with her newborn son, certain that the rest of her family is safe and bound to show up any day. And then there’s Frances Falconleigh, a madcap, fearless debutante whose father is determined to keep her in the countryside and out of the papers.As the war and its relentless hardships intensify around them, the same struggles that threaten to rip apart their lives also bring the five closer together. They draw strength from one another to defeat formidable enemies—hunger, falling bombs, the looming threat of a Nazi invasion, and a traitor in their midst—and find remarkable strength within themselves to help their friends. Theirs is a war-forged loyalty that will outlast the fiercest battle and endure years and distance.When four of the women return to Crowmarsh Priors for a VE Day celebration fifty years later, television cameras focus on the heartwarming story of these old women as war brides of a bygone age, but miss the more newsworthy angle. The women’s mission is not to commemorate or remember—they’ve returned to settle a score and avenge one of their own.

    In The Space Between Jamie Fraser's step-daughter Joan is on her way to an abbey in Paris to become a nun - but when she meets the Comte St Germain, a wealthy French aristocrat rumoured to to deal in the occult - she discovers her destiny lies on a quite different path.In The Custom of the Army Lord John Grey is summoned as a witness in a court martial in the wilds of Acadia, only to find himself playing a crucial role in the Battle of Quebec. In A Leaf on the Wind of All Hallows a WW2 Spitfire pilot called Jerry MacKenzie crashes near a stone circle and wakes up in the eighteenth century. Can the strange man he meets - who impossibly seems to know him - help him return to his wife and baby son before a terrible fate overtakes them?

    Two strangers unite in this novel of family secrets. When London journalist Eleanor-Rigby Donovan receives an anonymous letter alluding to a crime committed by her deceased mother, her life is turned upside down. It points her to a bar on the Baltimore Harbor, where she finds a stranger who has received the same mysterious letter about his own mother. Together, Eleanor-Rigby and this young man, George-Harrison Collins, embark on a quest through the shadowy past of the Stanfields, a moneyed Maryland family full of unimaginable secrets. These secrets will transport them back decades, across continents, and to a mysterious crime long buried…until now.

    Catherine and Rob Allen, siblings two years apart, grow up in a world of shameful secrets. Their mother creates a public outcry, abandoning her family for a bohemian life on the Continent. Their father, whose mental state always has been slightly precarious, is committed to an asylum in the country. The children are sealed off with their grandfather in a crumbling country estate accompanied by their sturdy and well-loved servant, Kate, and the predatory tutor, Miss Gallagher. In true gothic fashion, terror, violence and eroticism collect beneath every dark surface. Against this strange and secretive backdrop, Cathy and Rob develop a closeness so fierce that it eventually threatens to smother them both. Kate makes the first crack in their hermetically sealed world, which World War I eventually bursts wide open. With Kate's departure for Canada and Rob's for the front, destitute times at home force Cathy into self-reliance. It's only after she's redeemed by hardship that she's given a second chance to be redeemed by love.

    To escape the endless quarrel, the romantically disappointed mother spends half the night reading novels in the railway station, while the melancholy father weeps in front of the radio. The fifteen-year-old daughter sneaks off after dark to meet a German P.O.W. in the woods, and her brother, Alan, through whom we experience the domestic nightmare, suffers the family he tries to ignore and cannot alter, at least not until it has been destroyed.

    When George and Sabine Harwood arrive in Trinidad from England, George is immediately seduced by the beguiling island, while Sabine feels isolated, heat-fatigued, and ill-at-ease. As they adapt to new circumstances, their marriage endures for better or worse, despite growing political unrest and racial tensions that affect their daily lives. But when George finds a cache of letters that Sabine has hidden from him, the discovery sets off a devastating series of consequences as other secrets begin to emerge.

    Not just for herself, but for her two young daughters and for her mother-in-law, for whom she cares while her husband is away fighting. What she does not expect is that she will fall in love with one of the enigmatic German soldiers who take up residence in the house next door to her home. As their relationship intensifies, so do the pressures on Vivienne. Food and resources grow scant, and the restrictions placed upon the residents of the island grow with each passing week. Though Vivienne knows the perils of her love affair with Gunther, she believes that she can keep their relationship and her family safe. But when she becomes aware of the full brutality of the Occupation, she must decide if she is willing to risk her personal happiness for the life of a stranger.

    Badly wounded, he found refuge in a ruined monastery and in the arms of Sofia Bartoli. But the love that kindled between them was shaken by an irreversible betrayal.Nearly thirty years later, Hugo’s estranged daughter, Joanna, has returned home to the English countryside to arrange her father’s funeral. Among his personal effects is an unopened letter addressed to Sofia. In it is a startling revelation.Still dealing with the emotional wounds of her own personal trauma, Joanna embarks on a healing journey to Tuscany to understand her father’s history—and maybe come to understand herself as well. Joanna soon discovers that some would prefer the past be left undisturbed, but she has come too far to let go of her father’s secrets now…

    Linked by a 500-year-old mystery… The secrets of the past are irresistible—and dangerous. 1500: Born during a time wracked by war and plague, Renaissance-era artist Mira grows up in a Pyrenees convent believing she is an orphan. When tragedy strikes, Mira learns the devastating truth about her own origins. But does she have the strength to face those who would destroy her? 2015: Centuries later, art scholar Zari unearths traces of a mysterious young woman named Mira in two 16th-century portraits. Obsessed, Zari tracks Mira through the great cities of Europe to the pilgrim’s route of Camino de Santiago—and is stunned by what she finds. Will her discovery be enough to bring Mira’s story to life? A powerful story and an intriguing mystery, The Girl from Oto is an unforgettable novel of obsession, passion, and human resilience. Perfect for fans of Kristin Hannah and Anthony Doerr. Author Interview: Q: Why did you write The Girl from Oto? A: During travels with my family through Europe in 2010-11, I was thrilled by museum visits but my two young daughters were not. I wished more of the art they saw was relevant to them. We wandered through great halls of medieval and Renaissance-era paintings, and I mourned the lack of female artists. Meanwhile, my girls stared at portraits of frozen-in-time people in their gilt frames and were unmoved. I wished we knew more about the stories behind those portraits. Then I visited Oxford University and saw a 500-year-old painting of a mysterious woman, attributed to female portrait artist Caterina van Hemessen. I was floored. So there were women painters in those days! I began to dig into history, and the idea for The Girl from Oto was born. I would bring one of those mysterious old portraits to life, and I would create a place in history for its maker. Along the way I learned that women have always been artists. Their work was often attributed to men or kept anonymous, but it exists. And more and more of these women are being rescued from history’s shadows. Q: What is the significance of the Camino de Santiago in the story? A: The action in Mira’s story takes place in the Pyrenees mountains along the pilgrim’s route of Camino de Santiago (also known as the Way of St. James or St. Jacques). From the middle ages onward, this also happened to be a major trade route between what is now Spain and the rest of Europe. The mountain communities evolved with the constant presence of traveling pilgrims, itinerant merchants and artisans, smugglers, refugees, and nomadic shepherds. This created a dramatic brew of tensions, culture clashes, religious differences, unlikely alliances, the spread of disease, and a constant flow of news. Add into the mix the looming presence of the mountains themselves, and it’s a writer’s dream come true! Q: Is there a sequel? A: Yes. I am currently writing the sequel, Mira’s Way, and it will be published in 2018. A third book will follow to complete the trilogy. A prequel novella is also in the works. Q: What kind of reader likes your writing? A: Fans of Pillars of the Earth tend to like my story. People who love history, art, travel, romance, and mystery will enjoy The Girl from Oto.

    Amid the revelry, all it takes is one fateful moment for the destiny of nine-year-old Salvatore Vassallo to change forever. When his twin brothers are killed playing with an unexploded mortar shell, Salvatore’s faith is destroyed. As the family unravels, and fear ignites among their neighbors that the Vassallo name is cursed, one tragedy begets another.Desperate to escape this haunting legacy, Salvatore accepts the help of an Italian soldier with fascist ties who ushers him and his sister, Nella, into a new beginning in America. In Middletown, Connecticut, in the immigrant neighborhood known as Little Melilli, these three struggle to build new lives for themselves. But a dangerous choice to keep their secrets hidden erupts in violence decades later. When Salvatore loses his inquisitive American-born son, David, they all learn too late the price sons pay for their fathers’ wars.Written with elegiac prose, How Fires End delves into the secret wars of men; the sins they cannot bury; and a life lived in fear of who will reveal them, who will survive them, and who will forgive them.

    He was on top of the world—until he nearly threw it all away. Meredith Perkins lived a life of luxury, courtesy of her husband’s hard work and diligence, but was isolated from the realities of the working world. Her days were spent decorating their spacious home, lunching with affluent friends, practicing yoga, and shopping in boutiques… Until her husband’s crime turned her world upside down. Meredith found herself hounded by the media, deserted by friends she had counted on for support, and struggling to reconstruct a life for her and her children…But her friends kept their own secrets...How much do you trust your spouse? Do you keep secrets from your partner? How much do you trust your friends? Is everything what it seems on the outside?