The kids listen idly to rockabilly on the radio and waste their weekends at the Dairy Queen. And an undetected menace simmers under the heat that clings to the skin like molasses... For thirteen-year-old Stanley Mitchell, the end of innocence comes with his discovery of the mysterious long-ago demise of two very different young women. In his quest to unravel the truth about their tragic fates, Stanley finds a protector in Buster Lighthorse Smith, a black, retired Indian-reservation cop and a sage on the finer points of Sherlock Holmes, the blues, and life's faded dreams. But not every buried thing stays dead. And on one terrifying night of rushing creek water and thundering rain, an arcane, murderous force will rise from the past to threaten the boy in a harrowing rite of passage... Vintage Lansdale, A Fine Dark Line brims with exquisite suspense, powerful characterizations, and the vibrant evocation of a lost time.

    For many of the desert's inhabitants, Ben's visits are their only contact with the outside world, and the only landmark worth noting is a once-famous roadside diner that hasn't opened in years. Ben's routine is turned upside down when he stumbles across a beautiful woman named Claire playing a cello in an abandoned housing development. He can tell that she's fleeing something in her past - a dark secret that pushed her to the end of the earth - but despite his better judgment he is inexorably drawn to her. As Ben and Claire fall in love, specters from her past begin to resurface, with serious and life-threatening consequences not only for them both, but for others who have made this desert their sanctuary. Dangerous men come looking for her, and as they turn Route 117 upside down in their search, the long-buried secrets of those who've laid claim to this desert come to light, bringing Ben and the other locals into deadly conflict with Claire's pursuers. Ultimately, the answers they all seek are connected to the desert's greatest mystery - what really happened all those years ago at the never-open desert diner? In this unforgettable story of love and loss, Ben learns the enduring truth that some violent crimes renew themselves across generations. At turns funny, heartbreaking and thrilling, The Never-Open Desert Diner powerfully evokes an unforgettable setting and introduces readers to a cast of characters who will linger long after the last page.

    The United States teeters on the edge of war. The roundup of allegedly treasonous Japanese Americans is about to begin. And in L.A., a Japanese family is found dead. Murder or ritual suicide? The investigation will draw four people into a totally Ellroy-ian tangle: a brilliant Japanese American forensic chemist; an unsatisfiably adventurous young woman; one police officer based in fact (William H. "Whiskey Bill" Parker, later to become the groundbreaking chief of the LAPD), the other the product of Ellroy's inimitable imagination (Dudley Smith, arch villain of The Big Nowhere, L.A. Confidential, White Jazz). As their lives intertwine, we are given a story of war and of consuming romance, a searing exposé of the Japanese internment, and an astonishingly detailed homicide investigation. In Perfidia, Ellroy delves more deeply than ever before into his characters' intellectual and emotional lives. But it has the full-strength, unbridled story-telling audacity that has marked all the acclaimed work of the Demon Dog of American Crime Fiction.

    Jeff reveals that after that traumatic, galvanizing morning on the beach, he was compelled to learn more about the man whose life he had saved, convinced that their fates were now entwined. But are we agents of our fate—or are we its pawns? Upon discovering that the man is renowned art dealer Francis Arsenault, Jeff begins to surreptitiously visit his Beverly Hills gallery. Although Francis does not seem to recognize him as the man who saved his life, he nevertheless casts his legendary eye on Jeff and sees something worthy. He takes the younger man under his wing, initiating him into his world, where knowledge, taste, and access are currency; a world where value is constantly shifting and calling into question what is real, and what matters. The paths of the two men come together and diverge in dizzying ways until the novel’s staggering ending. Sly, suspenseful, and engrossing, Mouth to Mouth masterfully blurs the line between opportunity and exploitation, self-respect and self-delusion, fact and fiction—exposing the myriad ways we deceive each other, and ourselves.

    Nestled in a beautiful hollow of the Appalachians, his is a tight-knit community rife with secrets and suspicious of outsiders.Becky, a park ranger, arrives in this remote patch of North Carolina hoping to ease the anguish of a harrowing past. Searching for tranquility amid the verdant stillness, she finds solace in poetry and the splendor of the land. A vicious crime will plunge both sheriff and ranger into deep and murky waters, forging an unexpected bond between them. Caught in a vortex of duplicity, lies, and betrayal, they must navigate the dangerous currents of a tragedy that turns neighbor against neighbor—and threatens to sweep them all over the edge.

    But when the community of Carthage joins a father's frantic search for the girl, they discover instead the unlikeliest of suspects-a decorated Iraq War veteran with close ties to the Mayfield family. As grisly evidence mounts against the troubled war hero, the family must wrestle with the possibility of having lost a daughter forever.Carthage plunges us deep into the psyche of a wounded young Corporal, haunted by unspeakable acts of wartime aggression, while unraveling the story of a disaffected young girl whose exile from her family may have come long before her disappearance.Dark and riveting, Carthage is a powerful addition to the Joyce Carol Oates canon, one that explores the human capacity for violence, love, and forgiveness, and asks if it's ever truly possible to come home again.

    He falls in love and starts a family, and while the Tuckers don’t have much, they have the love of their home and each other. But when his family is threatened, Tucker is pushed into violence, which changes everything. The story of people living off the land and by their wits in a backwoods Kentucky world of shine-runners and laborers whose social codes are every bit as nuanced as the British aristocracy, Country Dark is a novel that blends the best of Larry Brown and James M. Cain, with a noose tightening evermore around a man who just wants to protect those he loves. It reintroduces the vital and absolutely distinct voice of Chris Offutt, a voice we’ve been missing for years.Chris Offutt is an outstanding literary talent, whose work has been called “lean and brilliant” (New York Times Book Review) and compared by reviewers to Tobias Wolff, Ernest Hemingway, and Raymond Carver. He’s been awarded the Whiting Writers Award for Fiction/Nonfiction and the American Academy of Arts and Letters Fiction Award, among numerous other honors. His first work of fiction in nearly two decades, Country Dark, is a taut, compelling novel set in rural Kentucky from the Korean War to 1970.

    A life he could have easily lost long ago.When a con man steals his houseful of possessions in a sophisticated moving-day scam, Peke wanders helplessly through his empty New England home, inevitably reminded of another helpless time: decades in Peke’s past, a cold and threadbare Stanislaw Shmuel Pecoskowitz eked out a desperate existence in the war-torn Polish countryside, subsisting on scraps and dodging Nazi soldiers. Now, the seventy-two-year-old Peke—who survived, came to America, and succeeded—must summon his original grit and determination to track down the thieves, retrieve his things, and restore the life he made for himself.Peke and his wife, Rose, trace the path of the thieves’ truck across America, to the wilds of Montana, and to an ultimate, chilling confrontation with not only the thieves but also with Peke’s brutal, unresolved past.

    . .All Denny Malone wants is to be a good cop.He is "the King of Manhattan North," a highly decorated NYPD detective sergeant and the real leader of "Da Force." Malone and his crew are the smartest, the toughest, the quickest, the bravest, and the baddest, an elite special unit given carte blanche to fight gangs, drugs, and guns. Every day and every night for the eighteen years he’s spent on the Job, Malone has served on the front lines, witnessing the hurt, the dead, the victims, the perps. He’s done whatever it takes to serve and protect in a city built by ambition and corruption, where no one is clean—including Malone himself.What only a few know is that Denny Malone is dirty: he and his partners have stolen millions of dollars in drugs and cash in the wake of the biggest heroin bust in the city’s history. Now Malone is caught in a trap and being squeezed by the Feds, and he must walk the thin line between betraying his brothers and partners, the Job, his family, and the woman he loves, trying to survive, body and soul, while the city teeters on the brink of a racial conflagration that could destroy them all.This is the great cop novel of our time and a book only Don Winslow could write: a haunting story of greed and violence, inequality and race, crime and injustice, retribution and redemption that reveals the seemingly insurmountable tensions between the police and the diverse citizens they serve. A searing portrait of a city on the edge and of a courageous, heroic, and deeply flawed man who stands at the edge of its abyss, The Force is a masterpiece of urban realism full of shocking and surprising twists, leavened by flashes of dark humor, a morally complex and utterly riveting dissection of modern American society and the controversial issues confronting us today.

    The St. Louis Post-Dispatch calls Leonard, “the world’s greatest cops ‘n’ robbers novelist.” The Seattle Times says, “Leonard is more than just one of the all-time greats of crime fiction. He’s fast becoming an authentic American icon.” No matter where you wish to place the man who created the character of U.S. Marshal Raylan Givens, lately of TV’s hit series Justified, in the pantheon of mystery and noir detective fiction demigods—John D. MacDonald, Dashiell Hammett, James M. Cain and the like—there is no denying that nobody does it better than the Grand Master Elmore Leonard!

    Guy Haines and Charles Anthony Bruno are passengers on the same train. Haines is a successful architect in the midst of a divorce, Bruno a mysterious smooth-talker with a sadistic proposal: he’ll murder Haines’s wife if Haines will murder Bruno’s father. As Bruno carries out his twisted plan, Guy finds himself trapped in Highsmith’s perilous world, where, under the right circumstances, ordinary people are capable of extraordinary crimes. The inspiration for Alfred Hitchcock’s classic 1951 film, Strangers on a Train launched Highsmith’s prolific career, proving her a master at depicting the unsettling forces that tremble beneath the surface of everyday life.

    For generations, the Burroughs clan has made its home on Bull Mountain in North Georgia, running shine, pot, and meth over six state lines, virtually untouched by the rule of law. To distance himself from his family’s criminal empire, Clayton took the job of sheriff in a neighboring community to keep what peace he can. But when a federal agent with the Bureau of Alcohol, Tobacco, and Firearms shows up at Clayton’s office with a plan to shut down the mountain, his hidden agenda will pit brother against brother, test loyalties, and could lead Clayton down a path to self-destruction.

    Now he's a drifter, on the run after escaping from a mental institution. One afternoon he meets Fay, a beautiful young widow. She is smart and decent -- at least when she's sober. Soon Collins finds himself involved in a kidnapping scheme that goes drastically wrong almost before it even begins. Because the kid they've picked up isn't like other kids: he's diabetic and without insulin, he'll die. Not the safest situation for Collins, a man for whom stress and violence have long gone hand-in-hand.

    Her father has skipped bail on charges that he ran a crystal meth lab, and the Dollys will lose their house if he doesn't show up for his next court date.Ree's father has disappeared before. The Dolly clan has worked the shadowy side of the law for generations, and arrests (and attempts to avoid them) are part of life in Rathlin Valley. But the house is all they have, and Ree's father would never forfeit it to the bond company unless something awful happened. With two young brothers depending on her and a mother who's entered a kind of second childhood, Ree knows she has to bring her father back, dead or alive, or else see her family turned out into the unforgiving cold.Sixteen-year-old Ree, who has grown up in the harsh poverty of the Ozarks, learns quickly that asking questions of the rough Dolly clan can be a fatal mistake. She perseveres past obstacles of every kind and finally confronts the top figures in the family's hierarchy.Along the way to a shocking revelation, Ree discovers unexpected depths in herself and in a family network that protects its own at any cost.

    But twenty years later, Heloise considers it a blessing to be a person who knows how to avoid attention. In the comfortable suburb where she lives, she's just a mom, the youngish widow with a forgettable job who somehow never misses a soccer game or a school play. In the state capitol, she's the redheaded lobbyist with a good cause and a mediocre track record.But in discreet hotel rooms throughout the area, she's the woman of your dreams—if you can afford her hourly fee.For more than a decade, Heloise has believed she is safe. She has created a rigidly compartmentalized life, maintaining no real friendships, trusting few confidantes. Only now her secret life, a life she was forced to build after the legitimate world turned its back on her, is under siege. Her once oblivious accountant is asking loaded questions. Her longtime protector is hinting at new, mysterious dangers. Her employees can't be trusted. One county over, another so-called suburban madam has been found dead in her car, a suicide. Or is it?Nothing is as it seems as Heloise faces a midlife crisis with much higher stakes than most will ever know.And then she learns that her son's father might be released from prison, which is problematic because he doesn't know he has a son. The killer and former pimp also doesn't realize that he's serving a life sentence because Heloise betrayed him. But he's clearly beginning to suspect that Heloise has been holding something back all these years.With no formal education, no real family, and no friends, Heloise has to remake her life—again. Disappearing will be the easy part. She's done it before and she can do it again. A new name and a new place aren't hard to come by if you know the right people. The trick will be living long enough to start a new life.