No more traffic gridlock or getting stuck on the tube in tunnels (you’re claustrophobic); now you’ve got an iconic Thames view, fresh air ?— a whole lifestyle upgrade. You’ve made new friends onboard — led by your hedonistic young neighbour, Kit ?— and just had your first ‘water rats’ Christmas drinks. But the first day back after Christmas, Kit isn’t on the morning boat. The river landmarks are all the same, but something’s off. You disembark to find the police waiting. Kit’s wife, Melia, has reported him missing and another passenger witnessed the two of you arguing on the last boat home after your drinks. Police say you had a reason to lash out at him. To kill him.You protest. You and Kit are friends ?— ask Melia, she’ll vouch for you. And who exactly is this other passenger pointing the finger? What do they know about your private lives? No, whatever coincidences might have occurred that night, you are innocent, totally innocent.Aren’t you?

    “We are always telling a story to ourselves, about ourselves,” Dustin Tillman likes to say. It’s one of the little mantras he shares with his patients, and it’s meant to be reassuring. But what if that story is a lie?A psychologist in suburban Cleveland, Dustin is drifting through his forties when he hears the news: His adopted brother, Rusty, is being released from prison. Thirty years ago, Rusty received a life sentence for the massacre of Dustin’s parents, aunt, and uncle. The trial came to symbolize the 1980s hysteria over Satanic cults; despite the lack of physical evidence, the jury believed the outlandish accusations Dustin and his cousin made against Rusty. Now, after DNA analysis has overturned the conviction, Dustin braces for a reckoning.Meanwhile, one of Dustin’s patients gets him deeply engaged in a string of drowning deaths involving drunk college boys. At first Dustin dismisses talk of a serial killer as paranoid thinking, but as he gets wrapped up in their amateur investigation, Dustin starts to believe that there’s more to the deaths than coincidence. Soon he becomes obsessed, crossing all professional boundaries—and putting his own family in harm’s way.From one of today’s most renowned practitioners of literary suspense, Ill Will is an intimate thriller about the failures of memory and the perils of self-deception. In Dan Chaon’s nimble, chilling prose, the past looms over the present, turning each into a haunted place.

    Small and blond, from a distance she looked vulnerable and slight. . . the perfect bait to catch a killer. But as Quinn got older, she realised she needed to find a protegee, a younger field agent to take her place. So Quinn trains a twenty-two year old and lets her loose in the field. The plan works. Until the Route 66 killer not only takes the bait, but kills the bait too.Years on, Quinn is trying to move past the fact that she has a young woman's death on her conscience. She's now the perfect Stepford Wife - until she gets a knock on her door. The girl's body has finally been discovered. Quinn is pulled back into the case and the more she learns about the killer the more she comes to believe, despite the overwhelming forensic evidence to hand, that they have the wrong man.

    But something goes terribly wrong on their way home, and the last time Zoë sees her, Holli is in the clutches of a sadistic killer. Zoë flees with her life, changed forever.A year later and still tortured with guilt, Zoë latches on to a police investigation where the crime eerily resembles her abduction. Along with a zealous detective, she retraces the steps of that fateful night in the desert, hoping that her memory will return and help them find justice for Holli. Her abductor—labeled the “Tally Man” by a fascinated media—lies in wait for Zoë. For him, she is not a survivor but simply the one that got away.With an unforgettable heroine, a chillingly disturbed psychopath, and a story that moves at breakneck speed, The One That Got Away is thriller writer Simon Wood at his finest.

    Before he dies in her arms, he gasps a few cryptic words about a vast conspiracy to hide an awesome historical artifact and tells Dilara that the only person who can help her is a decorated former Army combat engineer named Tyler Locke.Two days later, Locke is consulting on a North Atlantic oil platform when a ferry helicopter carrying Dilara suffers a mechanical failure and goes down next to the rig. With only minutes before the survivors freeze to death in the frigid waters, the quick-thinking Locke manages to rescue everyone on board, including Dilara. She tells him that the helicopter crash was no accident. Someone wants to stop her from finding Noah’s Ark.A second attempt on Dilara’s life convinces a skeptical Locke that there is truth to her story. When a movie star’s private jet crashes into the Mojave desert, it proves to be another link to the conspiracy. Locke and Dilara head to Arizona, and their investigation reveals a chilling discovery. A group of religious fanatics has recovered a weapon from the Ark that will let them recreate the effects of the biblical flood and mold the remnants of humanity according to their leader’s twisted vision.Now Locke and Dilara have just seven days to find the Ark and the secret hidden inside before it is used to wipe out civilization again…

    Hubert airfield, he does so without looking back. For Sime, the 850-mile journey ahead represents an opportunity to escape the bitter blend of loneliness and regret that has come to characterise his life in the city.Travelling as part of an eight-officer investigation team, Sime's destination lies in the Gulf of St. Lawrence. Only two kilometres wide and three long, Entry Island is home to a population of around 130 inhabitants - the wealthiest of which has just been discovered murdered in his home.The investigation itself appears little more than a formality. The evidence points to a crime of passion: the victim's wife the vengeful culprit. But for Sime the investigation is turned on its head when he comes face to face with the prime suspect, and is convinced that he knows her - even though they have never met.Haunted by this certainty his insomnia becomes punctuated by dreams of a distant past on a Scottish island 3,000 miles away. Dreams in which the widow plays a leading role. Sime's conviction becomes an obsession. And in spite of mounting evidence of her guilt he finds himself convinced of her innocence, leading to a conflict between the professonal duty he must fulfil, and the personal destiny that awaits him.

    No note, no trace, no return. Ever. Now, twenty-five years later, she'll learn the devastating truthSometimes better not to know. . . Cynthia is happily married with a young daughter, a new family. But the story of her old family isn't over. A strange car in the neighborhood, untraceable phone calls, ominous gifts, someone has returned to her hometown to finish what was started twenty-five years ago. And no one's innocence is guaranteed, not even her own. By the time Cynthia discovers her killer's shocking identity, it will again be too late . . . even for goodbye.

    Branded as a loose cannon by his higher-ups, Billy spent years enduring one dead-end posting after another. Now in his early forties, he has somehow survived and become a sergeant in Manhattan Night Watch, a small team of detectives charged with responding to all post-midnight felonies from Wall Street to Harlem. Mostly, his unit acts as little more than a set-up crew for the incoming shift, but after years in police purgatory, Billy is content simply to do his job.Then comes a call that changes everything: Night Watch is summoned to the four a.m. fatal slashing of a man in Penn Station, and this time Billy's investigation moves beyond the usual handoff to the day tour. And when he discovers that the victim was once a suspect in the unsolved murder of a twelve-year-old boy-a savage case with connections to the former members of the Wild Geese-the bad old days are back in Billy's life with a vengeance, tearing apart enduring friendships forged in the urban trenches and even threatening the safety of his family.Razor-sharp and propulsively written, The Whites introduces Harry Brandt-a new master of American crime fiction.

    How do you move on when the world won’t let you?12:46: Claire Bingley stands alone at a bus stop12:47: Ted Conkaffey parks his car beside her12:52: The girl is missing . . .Six minutes in the wrong place at the wrong time—that’s all it took to ruin Sydney detective Ted Conkaffey’s life. Accused but not convicted of a brutal abduction,Ted is now a free man—and public enemy number one. Maintaining his innocence, he flees north to keep a low profile amidst the steamy, croc-infested wetlands of Crimson Lake.There, Ted’s lawyer introduces him to eccentric private investigator Amanda Pharrell, herself a convicted murderer. Not entirely convinced Amanda is a cold-blooded killer, Ted agrees to help with her investigation, a case full of deception and obsession, while secretly digging into her troubled past. The residents of Crimson Lake are watching the pair's every move... and the town offers no place to hide.

    The perfect house. The perfect life. All gone now.What could cause a man, when all the stars of fortune are shining upon him, to suddenly snap and destroy everything he has built? This is the question that haunts Sergeant Ryan DeMarco after the wife and children of beloved college professor and bestselling author Thomas Huston are found slaughtered in their home. Huston himself has disappeared and so is immediately cast as the prime suspect. DeMarco knows—or thinks he knows—that Huston couldn't have been capable of murdering his family. But if Huston is innocent, why is he on the run? And does the half-finished manuscript he left behind contain clues to the mystery of his family's killer? A masterful new thriller by acclaimed author Randall Silvis, Two Days Gone is a taut, suspenseful story that will break your heart as much as it will haunt your dreams.

    The crime is eerily similar to a twenty-year-old cold case: another victim, brutally murdered, found in the Delaware River. Lead detective Parker Reed is intent on connecting the two murders, but the locals are on lockdown, revealing nothing.The past meets the present when Becca Kingsley, who returns to Portland to be with her estranged but dying father, runs into Parker, her childhood love. As the daughter of the former police chief, Becca's quickly drawn into the case. Coming home has brought something ominous to the surface - memories long buried, secrets best kept hidden. Becca starts questioning all her past relationships, including one with a man who's watched over her for years. For the first time, she wonders if he's more predator than protector.In a small town where darkness hides in plain sight, the truth could change Becca's life - or end it.

    Now living off the grid and trusting no one, she uses her hacking skills to stay anonymous and alone. But when she wakes up on a table in a warehouse with an IV in her arm and no memory of how she got there, Noa starts to wish she had someone on her side.Enter Peter Gregory. A rich kid and the leader of a hacker alliance, Peter needs people with Noa’s talents on his team. Especially after a shady corporation threatens his life in no uncertain terms. But what Noa and Peter don’t realize is that Noa holds the key to a terrible secret, and there are those who’d stop at nothing to silence her for good.

    He sends his wife, Kristin, and young daughter off to his mother-in-law's for the weekend, and he opens his Westchester home to his brother's friends and their hired entertainment. What he does not expect is this: bacchanalian drunkenness, a dangerously intimate moment in his guest bedroom, and two naked women stabbing and killing their Russian bodyguards before driving off into the night. In the aftermath, Richard's life rapidly spirals into a nightmare. The police throw him out of his home, now a crime scene; his investment banking firm puts him on indefinite leave; and his wife finds herself unable to forgive him for the moment he shared with a dark-haired girl in the guest room. But the dark-haired girl, Alexandra, faces a much graver danger. In one breathless, violent night, she is free, running to escape the police who will arrest her and the gangsters who will kill her in a heartbeat. A captivating, chilling story about shame and scandal, The Guest Room is a riveting novel from one of our greatest storytellers.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.

    A yacht. And a disappearance-at-sea that turns paradise into a chilling nightmare. Lana and her best friend Kitty leave home looking for freedom—and that’s exactly what they find when they are invited onto The Blue, a fifty-foot yacht making its way from the Philippines to New Zealand. The crew is made up of a group of young travellers bitten by wanderlust, and it doesn’t take long for Lana and Kitty’s dream of sea-bound romance to turn into reality.Both women fall under the hypnotic spell of The Blue, spending their days exploring remote islands and their rum-filled nights relaxing on deck beneath the stars. But when one of their friends disappears overboard after an argument with another crewmember, the dark secrets that brought each of them aboard start to unravel.At turns gorgeously scenic and entirely haunting, The Blue is a page-turning thriller about friendship, freedom and wanting to leave the past behind.