This alarmed authorities, who feared certain "over-sexed" women could destroy civilization if allowed to reproduce and pass on their defects. Set against this backdrop, The Unfit Heiress chronicles the fight for inheritance, both genetic and monetary, between Ann Cooper Hewitt and her mother Maryon.In 1934, aided by a California eugenics law, the socialite Maryon Cooper Hewitt had her "promiscuous" daughter declared feebleminded and sterilized without her knowledge. She did this to deprive Ann of millions of dollars from her father's estate, which contained a child-bearing stipulation. When a sensational court case ensued, the American public was captivated. So were eugenicists, who saw an opportunity to restrict reproductive rights in America for decades to come.

    When the festival director picked them up at the airport she asked Mike if he would perform at the storytelling night. She said, "The theme of the stories is jealousy."Jen quipped, "You're jealous of Oona. You should talk about that." And so Mike began sharing some of his darkest and funniest thoughts about the decision to have a child. Jen and Mike revealed to each other their sides of what had gone down during Jen's pregnancy and that first year with their child. Over the next couple years, these stories evolved into a Broadway show, and the more Mike performed it the more he heard how it resonated -- not just with parents but also people who resist all kinds of change. So he pored over his journals, dug deeper, and created this book: The New One: Painfully True Stories From a Reluctant Dad. Along with hilarious and poignant stories he has never shared before, these pages are sprinkled with poetry Jen wrote as she navigated the same rocky shores of new parenthood.So here it is. This book is an experiment -- sort of like a family.

    For young Michael, this freedom to be yourself—despite being bullied and ostracized at school—felt liberating. By the time Leviton was 29 years old, he had told three (what most people would consider) lies in his entire life.   But his parents’ enthusiasm for “just being honest” bordered on extreme. After Michael graduated high school and left home, truth telling—in job interviews, on dates, in social interactions—slowly lost its luster. When the only woman who ever appreciated his honesty brought this radical approach to truth into their relationship, Michael decided it was time to embrace the power of lying. To Be Honest is a quirky, tender, and wry story of a man discovering what it means and how it feels to lie in one’s daily life.

    But playing tennis, avoiding coffee mornings and being a perfect wife and mother in the Middle East is not enough. Charlotte convinces a local veterinary clinic to employ her and throws herself into assisting the vets, overcoming her fear of birds and rehoming hundreds of stray cats and dogs. Cyclones, earthquakes, transvestites, unwanted paramours, cultural differences, tears and laughter follow as seven years flash by. Will Charlotte stay, or gather up the motley crew of pets she has collected and head for home? Charlotte was born, raised and lived in West Sussex, UK, with her children, animals, Aga and husband until 2006. She dreamed of spending time with Colin Firth, or Gordon Ramsey, and couldn't wait for Christmas to come around for Love Actually to be on the TV. But then she was dragged off to live in Oman, in the heart of the Middle East, where coffee mornings and sets of tennis soon gave way to a life of animal rescue and re-homing. Her first book, Paw Prints in Oman, is full of wonderful stories and unique insights into her life in this mystical land.

    Sara Wickham, author, midwifery lecturer, and consultant   Kim Osterholzer, a midwife who's caught over 500 babies since 1993, ushers readers behind the doors of Amish homes as she recounts her lively and life-changing adventures learning the heart and craft of midwifery. In A Midwife in Amish Country, Kim chronicles the escapades of her nine-year apprenticeship grappling with the joys and struggles of homebirth as she tags along with the woman who helped her birth her own children at home. With drama and insight, she recounts the beauty and painstaking effort of those early years spent catching babies next to crackling woodstoves, under lantern light, and in farmhouses powered by windmills for running water and with outhouses for bathrooms. Some births kept her from home for days on end; others she missed by heart-pounding seconds. Yet every birth enthralled her, whether she was halting hemorrhages, blowing air into tiny lungs, or bouncing through wild rides in ambulances. Too many times to count, Kim stumbled home feeling overwhelmed and inadequate—yet as she strained against her misgivings, self-doubts, and seemingly insurmountable challenges, those sacred moments transformed her into a woman of power and conviction. Her experiences taught her the heart of true midwifery—stroking, smoothing, wiping, tidying, nourishing, comforting, hearing, encouraging, validating, and witnessing. Slowly, steadily, Kim learned to play her part as midwife to the Amish—women unflagging in their passion to welcome new lives—and at last, tried and tested, took her rightful place among them.

    For no apparent reason, she's singled out from her siblings, blamed for her family's problems and targeted for unspeakable abuse. The loving environment she's come to know becomes an endless nightmare of twisted punishments as she's forced to confront the dark cruelty lurking inside the mother she idolizes. Based on a true story, Call Me Tuesday recounts, with raw emotion, a young girl's physical and mental torment at the mercy of the monster in her mother's clothes--a monster she doesn't know how to stop loving. Tuesday's painful journey through the hidden horrors of child abuse will open your eyes, and her unshakable love for her parents will tug at your heartstrings.

    Now Stolz returns to themes of childhood and coming of age in a poignant novel about twin sisters. In beautifully rendered detail, Stolz reveals the pleasure of freshly laundered dresses and homemade fudge, the terror of childhood illness and quarrels, and the magical connection that only twins possess. Set against the backdrop of St. Louis during the Great Depression, twins Fanny and Sue tell their charming story in alternating voices. Infused with humor and warmth, Stolz's latest novel is certain to charm readers eager to experience life the way it used to be.

    It’s a national obsession. But what does that really mean when your child wants to play on a team? As a former varsity athlete and university instructor teaching sport literature, novelist Angie Abdou is no stranger to sports obsession, but she finds herself conflicted when faced with the reality of the struggles, joys, and strains of having a child in amateur hockey. In Home Ice, Abdou charts a full season of life as an Atom-level hockey mom, from summer hockey camp to end-of-season tournaments. With equal parts humour and anguish, she offers a nuanced portrait of today’s hockey parent. Her revealing stories and careful research of an often troubling sport culture offer a compellingly honest and complex insider’s view of parenting today’s young athlete in a competitive and high-pressure culture.

    On social networks and dating sites, his image and identity—a forty-year-old straight white male—had been used to hook countless women into believing in lies of love and romance. Was it all an ironic cosmic joke? Almost a decade prior, William himself had been living a lie that had lasted for more than twenty years. His secret? He was a gay man, a fact he hid from his wife and two daughters for almost as long as he had hidden it from himself.In this emotional and unflinchingly honest memoir of coming out of the closet late in life, owning up to the past, and facing the future, William Dameron confronts steroid addiction, the shame and homophobia of his childhood, the sledgehammer of secrets that slowly tore his marriage apart, and his love for a gay father of three that would once again challenge the boundaries of trust. At the true heart of The Lie is a universal story about turning self-doubt into self-acceptance and about pain, anger, and the long journey of both seeking and giving forgiveness.

      When Laura Prepon first became a mother, she felt blindsided.   Between skyrocketing stress levels, sleepless nights, and the complete rearrangement of her priorities, Prepon barely recognized her new maternal self. She sought out resources to help navigate this huge life transition, but found only books about childcare and almost nothing on the shelves about momcare. So she decided to write the book she was looking for.   You and I, as Mothers: A Feel-Good, Live-Well Guide for Moms is a practical handbook for mothers of any age, at any stage of motherhood. At once deeply personal and universal, the book includes topics such as self-care, stress reduction techniques, protecting one’s partnership, asking for help, and getting a global perspective on maternity, as well as a selection of easy and delicious recipes, among many other things.    Laura shares humbling moments and anecdotes from her own journey as a mother, interweaving insights from her Mom Squad: an eclectic group of mothers, including a world-renowned survival expert, a top neuroscientist, creator of Orange Is the New Black Jenji Kohan, actress Mila Kunis, author and activist Amber Tamblyn, and chef Daphne Oz, among other inspiring moms. Laura encourages readers to acknowledge their challenges, embrace their strengths, and celebrate their victories as we navigate the greatest adventure of all . . . Motherhood.

    Nightingale Tales is a peek into that transition, as told by a nurse who lived it. Each chapter is a stand-alone story depicting the ridiculous mores nurses have been subjected to over the years, the archaic equipment they've had to struggle with, and the changes in the profession, brought about by time, the feminist movement, and advances in technology. Told with humor and compassion, the stories of Nightingale Tales provides an unusual--and highly entertaining--window into the world of medicine from the mid-twentieth century to the present.

    After college, they married and drove to Amherst, Massachusetts, where Straight met her teacher and mentor, James Baldwin, who encouraged her to write. Once back in Riverside, at weekly driveway barbecues and fish fries with the large, close-knit Sims family, Straight―and eventually her three daughters―learned the stories of Dwayne’s ancestors. Some women escaped violence in post-slavery Tennessee, some escaped murder in Jim Crow Mississippi, and some fled abusive men. Straight’s mother-in-law, Alberta Sims, is the descendant at the heart of this memoir. Susan’s family, too, reflects the hardship and gumption of women pushing onward―from Switzerland, Wisconsin, Canada, and the Colorado Rockies to California.A Pakistani word, biraderi, is one Straight uses to define a complex system of kinship and clan―those who become your family. She and Sims divorced after their third daughter was born, but he lives nearby and the family has remained close. Of her three girls, now grown and working in museums and the entertainment industry, Straight writes, “The daughters of our ancestors carry in their blood at least three continents. We are not about borders. We are about love and survival.” In the Country of Women is a valuable social history and a personal narrative that reads like a love song to America and indomitable women.

    . . reminding us of the fragility of childhood and the costs it exacts upon the adults we become.”—The Washington PostThe hardcover publication of this unflinching memoir resulted in the arrest of an alleged child molester and the following headline: “Author’s Writing on Abuse Brings New Victims Forward.” In a new afterword to this tenth-anniversary edition from New Rivers Press, Richard Hoffman writes about the events his book set in motion, the cries for help he received from men across the country, and the talk he had with an 11-year-old boy who thanked him “for making it stop.”But this autobiography, about a blue-collar family struggling to care for two terminally ill children as the third child, the author, is subjected at age 10 to sexual abuse by his coach, is also a moving work of literature and a testament to the healing power of truthtelling. It is a “spare, poignant” memoir (TIME) that “offers heartening evidence . . . of the human capacity to endure and prevail” (The Washington Post).Richard Hoffman’s work, both prose and verse, has appeared in numerous literary reviews and anthologies. Half the House was awarded the Boston Athenaeum Readers’ Prize in 1996. His most recent book is Without Paradise (Cedar Hill), a collection of poems. He is currently writer-in-residence in the Department of Writing, Literature, and Publishing at Emerson College; he also serves on the faculty of the Teachers as Scholars Program at the Harvard Graduate School of Education and is currently a Massachusetts Cultural Council fellow in fiction.

    She would like to tell the whole, freaking queer as hell story. Her story. Not the sidebar to a straight person's rebirth-she doesn't give a makeover or plan a wedding or get a couple back together. This isn't a queer tragedy. She doesn't die at the end of this book, having finally decided to kiss the girl. It's the sexy, honest, bumpy and triumphant dyke's tale her younger, theology major self needed to read. Because there was a long time when she thought she wouldn't make it. Not as a comic, but as a human.SAVE YOURSELF is full of funny and insightful recollections about everything from coming out (at a Catholic college where being gay can get you expelled) to how joining the circus can help you become a better comic (so much nudity) to accepting yourself for who you are--even if you're an awkward tween with an eyepatch (which Cameron was). Packed with heart, humor, and cringe-worthy stories anyone who has gone through puberty can relate to, Cameron's memoir is for that timid, fenced-in kid in all of us--and the fearless standup yearning to break free.

    At home, she is treated as a maid and suffers punishment for doing her homework at night. Her mother wants to teach her a lesson: she is Chinese, not American, and such is their tough path in their new country. But instead of acquiescing, Qu alerts the Office of Children and Family Services, an act with consequences that impact the rest of her life.Nearly twenty years later, estranged from her mother and working at a Manhattan start-up, Qu requests her OCFS report. When it arrives, key details are wrong. Faced with this false narrative, and on the brink of losing her job as the once-shiny start-up collapses, Qu looks once more at her life's truths, from abandonment to an abusive family to seeking dignity and meaning in work.Traveling from Wenzhou to Xi'an to New York, Made in China is a fierce memoir unafraid to ask thorny questions about trauma and survival in immigrant families, the meaning of work, and the costs of immigration.