She loved pink and dressing up as a mermaid and didn't feel like herself in boys' clothing. This confused her family, until they took her to a doctor who said that Jazz was transgender and that she was born that way. Jazz's story is based on her real-life experience and she tells it in a simple, clear way that will be appreciated by picture book readers, their parents, and teachers.

    The ghostwriter will probably cut it all, but hey, it’s the principle of the thing.Dr. Cadence Mbella is the world's most celebrated scholar of the atargati: sentient, intelligent deep-water beings who are most definitely not mermaids. When Cadence decides to release a captive atargati from scientific experimentation and interrogation, she knows her career and her life is forfeit. But she still yearns for the atargati--there is still so much to know about their physiology, their society, their culture. And Cadence would do anything to more fully understand the atargati... no matter what the cost.

    We meet his future wife, chanting Hai Rams for Gandhiji and choosing education over marriage. On one side of the line divides this book, we follow them as their homeland splits in two and they are drawn together, moving to Canada and raising their children in mining towns and in crowded city apartments. And when we turn the book over, we find the daughter's tale—we see how the rupture of Partition, the asymmetry of a father's leg, the virus of a mother's rage, makes its way to the next generation.Told through the lenses of biology, physics, history and poetry, this is a memoir that defies form and convention to immerse the reader in the feeling of what remains when we've heard as much of the truth as our families will allow, and we're left to search for ourselves among the pieces they've carried with them.

    Johnson explores his childhood, adolescence, and college years in New Jersey and Virginia. From the memories of getting his teeth kicked out by bullies at age five, to flea marketing with his loving grandmother, to his first sexual relationships, this young-adult memoir weaves together the trials and triumphs faced by Black queer boys.Both a primer for teens eager to be allies as well as a reassuring testimony for young queer men of color, All Boys Aren't Blue covers topics such as gender identity, toxic masculinity, brotherhood, family, structural marginalization, consent, and Black joy. Johnson's emotionally frank style of writing will appeal directly to young adults.

    A loner by nature, she didn't mind the seclusion of the Sierra Nevada Mountains. Jessie Stone, a successful but reclusive writer, is haunted by memories of her childhood and finally returns to Sierra City after sixteen years of estrangement from her mother. The odd assortment of residents of this small mountain town brings them together but it is Annie Stone, a woman Chris has grown to admire and a woman Jessie still feels hatred for, that binds the two. Through lies and deception, they still cannot deny the growing attraction that will brighten both their lives...if only they will allow it. As Chris fights for her life in a winter blizzard, Jessie comes to terms with her past and her mother, finally accepting the love that Chris willingly offers her.

    She tells no one, but their hum follows her as she struggles to survive against the Institute’s cold and damaging methods, as she meets an outspoken and unapologetic fellow patient named Sheffield Schoeffler, and as they run away, toward the freewheeling and accepting glow of 1960s Greenwich Village, where they create their own kind of family among the artists and wanderers who frequent the jazz bars and side streets.As Gloria tries to outrun her past, experiencing profound love—and loss—and encountering a host of unlikely characters, including her Uncle Eddie, a hard-drinking former boyfriend of her mother’s, to Madame Zelda, a Coney Island fortune teller, and Jacob, the man she eventually marries but whose dark side threatens to bring disaster, the bees remain. It’s only when she needs them most that Gloria discovers why they’re there.Moving from the suburbs of New Jersey to the streets of New York to the swamps of North Carolina and back again, Lost in the Beehive is a poignant novel about the moments that teach us, the places that shape us, and the people who change us.

    This new edition—including a new introduction and three new essays—remains a testament of Moraga's coming-of-age as a Chicana and a lesbian at a time when the political merging of those two identities was severely censured.Drawing on the Mexican legacy of Malinche, the symbolic mother of the first mestizo peoples, Moraga examines the collective sexual and cultural wounding suffered by women since the Conquest. Moraga examines her own mestiza parentage and the seemingly inescapable choice of assimilation into a passionless whiteness or uncritical acquiescence to the patriarchal Chicano culture she was raised to reproduce. By finding Chicana feminism and honoring her own sexuality and loyalty to other women of color, Moraga finds a way to claim both her family and her freedom.Moraga's new essays, written with a voice nearly a generation older, continue the project of "loving in the war years," but Moraga's posture is now closer to that of a zen warrior than a street-fighter. In these essays, loving is an extended prayer, where the poet-politica reflects on the relationship between our small individual deaths and the dyings of nations of people (pueblos). Loving is an angry response to the "cultural tyranny" of the mainstream art world and a celebration of the strategic use of "cultural memory" in the creation of an art of resistance.Cherríe Moraga is the co-editor of the classic feminist anthology This Bridge Called My Back and the author of The Last Generation. She is Artist-in-Residence at Stanford University.

    Shapland recognizes herself in the letters’ language―but does not see Carson as history has portrayed her.And so, Shapland is compelled to undertake a recovery of the full narrative and language of Carson's life: She wades through the therapy transcripts; she stays at Carson’s childhood home, where she lounges in her bathtub and eats delivery pizza; she relives Carson’s days at her beloved Yaddo. As Shapland reckons with the expanding and collapsing distance between her and Carson, she see the way Carson’s story has become a way to articulate something about herself. The results articulate something entirely new not only about this one remarkable, walleyed life, but about the way we tell queer love stories.In genre-defying vignettes, Jenn Shapland interweaves her own story with Carson McCullers’s to create a vital new portrait of one of America’s most beloved writers, and shows us how the writers we love and the stories we tell about ourselves make us who we are. In genre-defying vignettes, Jenn Shapland interweaves her own story with Carson McCullers’s to create a vital new portrait of one of America’s most beloved writers, and shows us how the writers we love and the stories we tell about ourselves make us who we are.

    He's also transgender, and was born female. He's been living as a male for the past few years and he has recently started his physical transition.Throughout this book, Alex will share what it means to be in his shoes, as well as his personal advice to other trans teens. Above all, he will show you that every step in his transition is another step towards happiness. This is an important and positive book, a heart-warming coming-of-age memoir with a broad appeal.

    Thirty years ago, his parents welcomed him into the world as what they thought was their daughter. As a child, he preferred the toys and games our society views as masculine. He kept his hair short and wore boys’ clothing. They called him a tomboy. That’s what he called himself.By high school, when he showed no interest in flirting, his parents thought he might be lesbian. At twenty, he wondered if he was asexual. At twenty-three, he surgically removed his breasts. A year later, he began taking the hormones that would lower his voice and give him a beard—and he announced his new name and pronouns.Once a Girl, Always a Boy is Jeremy’s journey from childhood through coming out as transgender and eventually emerging as an advocate for the transgender community. This is not only Jeremy’s story but also that of his family, told from multiple perspectives—those of the siblings who struggled to understand the brother they once saw as a sister, and of the parents who ultimately joined him in the battle against discrimination. This is a story of acceptance in a world not quite ready to accept.

    She’s worked too hard over the years to have it snatched away because of one tiny indiscretion that ended with a giant lawsuit. After five months of writing mind-numbing articles about current events, her boss agrees to let her get back to reporting on the rich and famous after one last story. A born and bred city girl, Kennedy is sent to cover fishing in Alaska, which has her feeling just like a fish out of water. When Brynn Coleman, director of Alaska’s Wildlife Rescue and Sanctuary, comes to her rescue time after time, Kennedy can’t help but lower her guard and open herself up to Brynn’s standoffish charm. Falling for the sexy ranger is one thing, but is the possibility of love worth giving up a career she’s always dreamed of?Cover Artist: Kris Bryant and Sheri HalalGenres: Contemporary / RomanceWords: 68,400

    Now, in this funny and necessary book, he turns round to look at men with a clear eye and ask, what sort of men would make the world a better place, for everyone?What would happen if we rethought the old, macho, outdated version of manhood, and embraced a different idea of what makes a man? Apart from giving up the coronary-inducing stress of always being 'right' and the vast new wardrobe options, the real benefit might be that a newly fitted masculinity will allow men to have better relationships - and that's happiness, right?Grayson Perry admits he's not immune from the stereotypes himself - as the psychoanalysts say, 'if you spot it, you've got it' - and his thoughts on everything from power to physical appearance, from emotions to a brand new Manifesto for Men, are shot through with honesty, tenderness and the belief that, for everyone to benefit, upgrading masculinity has to be something men decide to do themselves. They have nothing to lose but their hang-ups.

    citizenship, Talusan found childhood comfort from her devoted grandmother, a grounding force as she was treated by others with special preference or public curiosity.As an immigrant to the United States, Talusan came to be perceived as white. An academic scholarship to Harvard provided access to elite circles of privilege but required Talusan to navigate through the complex spheres of race, class, sexuality, and her place within the gay community. She emerged as an artist and an activist questioning the boundaries of gender. Talusan realized she did not want to be confined to a prescribed role as a man, and transitioned to become a woman, despite the risk of losing a man she deeply loved.Throughout her journey, Talusan shares poignant and powerful episodes of desirability and love that will remind readers of works such as Call Me By Your Name and Giovanni's Room. Her evocative reflections will shift our own perceptions of love, identity, gender, and the fairness of life.

    of photos.

    With a disparate group of adult learners as the backdrop, Frank examines, with warmth and wit, the relationship between education and gender, class, and racial identity. With Crybaby Butch, Judith Frank creates a deeply human, bravely unsentimental story while at the same time investigating the meaning of butch identity as it reinvents itself from one generation to the next. ~ Carol Anshaw Fearless and unflinching, Crybaby Butch rigorously explores butch/femme dynamics over two generations. Judy Frank's debut novel is searing and memorable. ~ Claire Messud