Daneel Olivaw] • (1972) • short story by Isaac Asimov 231 • The Tercentenary Incident • (1976) • short story by Isaac Asimov 253 • First Law • [Mike Donovan] • (1956) • short story by Isaac Asimov 257 • Runaround • [Mike Donovan] • (1942) • novelette by Isaac Asimov 280 • Reason • [Mike Donovan] • (1941) • short story by Isaac Asimov 302 • Catch That Rabbit • [Mike Donovan] • (1944) • short story by Isaac Asimov 329 • Liar! • [Susan Calvin] • (1941) • short story by Isaac Asimov 350 • Satisfaction Guaranteed • [Susan Calvin] • (1951) • short story by Isaac Asimov 368 • Lenny • [Susan Calvin] • (1958) • short story by Isaac Asimov 385 • Galley Slave • [Susan Calvin] • (1957) • novelette by Isaac Asimov 427 • Little Lost Robot • [Susan Calvin] • (1947) • novelette by Isaac Asimov 459 • Risk • [Susan Calvin] • (1955) • novelette by Isaac Asimov 490 • Escape! • [Susan Calvin] • (1945) • short story by Isaac Asimov 518 • Evidence • [Susan Calvin] • (1946) • novelette by Isaac Asimov 546 • The Evitable Conflict • [Susan Calvin] • (1950) • novelette by Isaac Asimov 575 • Feminine Intuition • [Susan Calvin] • (1969) • novelette by Isaac Asimov 605 • ... That Thou Art Mindful of Him • (1974) • novelette by Isaac Asimov (variant of —That Thou Art Mindful of Him!) 635 • The Bicentennial Man • (1976) • novelette by Isaac Asimov 683 • A Last Word • (1982) • essay by Isaac Asimov THE COMPLETE ROBOT is the ultimate collection of timeless, amazing and amusing robot stories from the greatest science fiction writer of all time, offering golden insights into robot thought processes. Asimov's Three Laws of Robotics were programmed into real computers thirty years ago at the Massachusetts Institute of Technology - with surprising results. Readers of today still have many surprises in store...

    The volume also includes extracts and translations by the author from Babylonian, Coptic and Biblical texts alongside poems and fairy tales.The book’s cover features artwork by David and design by Ania Goszczyńska; the frontispiece also reproduces a painting by David.

    For the first time, these surviving stories have been collected in one anthology. These are stories that challenge expectations and reject the staid conventions of the genre. These are stories that don't compromise.Above all, what readers understood and appreciated was that these stories were about something. These are stories that, in the finest tradition of H.P. Lovecraft, Thomas Ligotti, Dennis Etchinson, and T.E.D. Klein, articulate what you'be always suspected: that life is a losing proposition.

    Campbell classic about an antarctic research camp that discovers and thaws the ancient, frozen body of a crash-landed alien. The creature revives with terrifying results, shape-shifting to assume the exact form of animal and man, alike. Paranoia ensues as a band of frightened men work to discern friend from foe, and destroy the menace before it challenges all of humanity! The story, hailed as "one of the finest science fiction novellas ever written" by the SF Writers of America, is best known to fans as THE THING, as it was the basis of Howard Hawks' The Thing From Another World in 1951, and John Carpenter's The Thing in 1982. With a new Introduction by William F. Nolan, author of Logan's Run, and his never-before-published, suspenseful Screen Treatment written for Universal Studios in 1978, this is a must-have edition for scifi and horror fans!

    Though known by many for novels like I Am Legend and his sixteen Twilight Zone episodes, Matheson truly shines in his chilling, masterful short stories. Since his first story appeared in 1950, virtually every major writer of science fiction, horror, and fantasy has fallen under his influence, including Stephen King, Neil Gaiman, Peter Straub, and Joe Hill, as well as filmmakers like Stephen Spielberg and J.J. Abrams. Matheson revolutionized horror by taking it out of Gothic castles and strange cosmos and setting it in the darkened streets and suburbs we recognize as our own. He infused tales of the fantastic and supernormal with dark explorations of human nature, delving deep into the universal dread of feeling alone and threatened in a dangerous world. The Best of Richard Matheson brings together his greatest hits as chosen by Victor LaValle, an expert on horror fiction and one of its brightest talents, marking the first major overview of Matheson's legendary career.

    One of them is Francis Orme, who earns his livelihood as a living statue. When not practicing “inner and outer stillness,” Francis steals the cherished possessions of others to add to his private museum. The other tenants are equally as odd: his mother and father, who haven’t interacted in years; a man who continually sweats and cries; a recluse who prefers television to reality; and a woman who behaves like a dog. When Anna Tapp arrives among them she stirs their souls, bringing long forgotten memories to the surface–and arousing fears that this new resident intends to provoke a metamorphosis.

    In two sketches, he experiments with tales transplanted from Europe, thereby creating the first classic American short stories, Rip Van Winkle, and The Legend of Sleepy Hollow. Based on Irving's final revision of his most popular work, this new edition includes comprehensive explanatory notes of The Sketch-Book's sources for the modern reader.

    Both sides of Bradbury's vaunted childhood nostalgia are also on display, in the celebratory "Uncle Einar," and haunting "The Lake," the latter a fine elegy to childhood loss. This edition features a new introduction by Bradbury, an invaluable essay on writing, wherein the author tells of his "Theater of Morning Voices," and, by inference, encourages you to listen to the same murmurings in yourself. And has any writer anywhere ever made such good use of exclamation marks!? (Illustrated by Joe Mugnaini.)Contents:· The Dwarf · ss Fantastic Jan/Feb ’54 · The Next in Line · nv Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Watchful Poker Chip of H. Matisse · ss Beyond Fantasy Fiction Mar ’54 · Skeleton · ss Weird Tales Sep ’45 · The Jar · ss Weird Tales Nov ’44 · The Lake · ss Weird Tales May ’44 · The Emissary · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · Touched with Fire [“Shopping for Death”] · ss Maclean’s Jun 1 ’54 · The Small Assassin · ss Dime Mystery Magazine Nov ’46 · The Crowd · ss Weird Tales May ’43 · Jack-in-the-Box · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Scythe · ss Weird Tales Jul ’43 · Uncle Einar · ss Dark Carnival, Arkham House: Sauk City, WI, 1947 · The Wind · ss Weird Tales Mar ’43 · The Man Upstairs · ss Harper’s Mar ’47 · There Was an Old Woman · ss Weird Tales Jul ’44 · The Cistern · ss Mademoiselle May ’47 · Homecoming · ss Mademoiselle Oct ’46 · The Wonderful Death of Dudley Stone · ss Charm Jul ’54

    The story Pages from a Young Girl's Journal won Aickman the World Fantasy Award in 1975. It was originally published in The Magazine of Fantasy & Science Fiction in 1973 before appearing in this collection.Cold Hand in Mine stands as one of Aickman's best collections and contains eight stories that show off his powers as a 'strange story' writer to the full, being more ambiguous than standard ghost stories. Throughout the stories the reader is introduced to a variety of characters, from a man who spends the night in a Hospice to a German aristocrat and a woman who sees an image of her own soul. There is also a nod to the conventional vampire story (Pages from a Young Girl's Journal) but all the stories remain unconventional and inconclusive, which perhaps makes them all the more startling and intriguing.• The Swords • The Real Road to the Church • Niemandswasser • Pages from a Young Girl's Journal• The Hospice • The Same Dog • Meeting Mr. Millar • The Clock Watcher

    No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth—musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies—the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children.Now, for the first time, this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and newly added second and third appendices.The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside.Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story—of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

    One particular summer, young Beau follows his cousin Sumter into a hidden shack in the woods—and christens this new clubhouse "Neverland."Neverland has a secret history, unknown to the children...The rundown shack in the woods is the key to an age-old mystery, a place forbidden to all. But Sumter and his cousins gather in its dusty shadows to escape the tensions at their grandmother's house. Neverland becomes the place where children begin to worship a creature of shadows, which Sumter calls "Lucy."All gods demand sacrifice...It begins with small sacrifices, little games, strange imaginings. While Sumter's games spiral out of control, twisting from the mysterious to the macabre, a nightmarish presence rises among the straggly trees beyond the bluffs overlooking the sea.And when Neverland itself is threatened with destruction, the children's games take on a horrifying reality—and Gull Island becomes a place of unrelenting terror.

    government rounded up the people of Innsmouth and took them to the desert, far from their ocean, their Deep One ancestors, and their sleeping god Cthulhu. Only Aphra and Caleb Marsh survived the camps, and they emerged without a past or a future.The government that stole Aphra's life now needs her help. FBI agent Ron Spector believes that Communist spies have stolen dangerous magical secrets from Miskatonic University, secrets that could turn the Cold War hot in an instant, and hasten the end of the human race.Aphra must return to the ruins of her home, gather scraps of her stolen history, and assemble a new family to face the darkness of human nature.

    It's the kind of place where the wrong people get hurt; hazard is everywhere and it doesn't play favorites. The complacent won't find refuge here on the threshold of the void. Nobody is safe and nothing is sacred. Enjoy the ride."– from the introduction by Laird Barron***BEHOLD THE VOID is nine stories of terror that huddle in the dark space between cosmic horror and the modern weird, between old-school hard-edged horror of the 1980's and the stylistic prose of today's literary giants.*** Praise for Behold the Void: SHORT STORY COLLECTION OF THE YEAR – This Is Horror “Fracassi…builds his horrific tales slowly and carefully…his powers of description are formidable; and he’s especially skillful at creating, and sustaining, suspense.” – The New York Times“…think vintage King at his best.” – Rue Morgue Magazine (“Dante’s Pick”) “…recalls the work of writers such as McCammon, King, and Bradbury.” – John Langan, LOCUS Magazine“With carefully drawn characters, vividly constructed situations, and deft description, Behold the Void offers the perfect blend of honest-to-goodness human nastiness and true supernatural creepiness. This is horror fiction at its best.” – Brian Evenson, author of A Collapse of Horses“Everything here is damned near perfect… a first-rate collection.” Black Static“Philip Fracassi is the next big horror writer to blow your mind. If you’re a fan of the horror genre at all, then this guy is a must-read.” – Lit Reactor“These stories are scary, yes, but more than that, they’re haunting– they get inside you and they don’t go away.” – Ben Loory, author of Tales of Falling and Flying“Fracassi’s Behold the Void is the perfect read for horror fans who expect authors to raise the bar and redefine what horror fiction means.” – Ronald Malfi, author of Bone White“Fracassi is quickly building a reputation as a superior storyteller of incredible talent…. an author we must surely now hail as a leading light in the dark field of horror fiction.” – This Is Horror

    P. Lovecraft, The Sea Dreams It Is the Sky examines life in a South American dictatorship. Centered on the journal of a poet-in-exile and his failed attempts at translating a maddening text, it is told by a young woman trying to come to grips with a country that nearly devoured itself.In My Heart Struck Sorrow, a librarian discovers a recording from the Deep South—which may be the musical stylings of the Devil himself.Breathtaking and haunting, A Lush and Seething Hell is a terrifying and exhilarating journey into the darkness, an odyssey into the deepest reaches of ourselves that compels us to confront secrets best left hidden.

    These Things have always been here. They predate you. They will outlast you. This book pays tribute to those Things. For We are the Children of Old Leech...and we love you.