But none of the apartments she sees are affordable or feel safe. Until One Folgate Street. The house is an architectural masterpiece: a minimalist design of pale stone, plate glass, and soaring ceilings. But there are rules. The enigmatic architect who designed the house retains full control: no books, no throw pillows, no photos or clutter or personal effects of any kind. The space is intended to transform its occupant - and it does.JaneAfter a personal tragedy, Jane needs a fresh start. When she finds One Folgate Street, she is instantly drawn to the space - and to its aloof but seductive creator. Moving in, Jane soon learns about the untimely death of the home's previous tenant, a woman similar to Jane in age and appearance. As Jane tries to untangle truth from lies, she unwittingly follows the same patterns, makes the same choices, crosses paths with the same people, and experiences the same terror as the girl before.

    Although she is reluctant to track down a woman who may not want to be found, Gray's search for Isabel Lincoln becomes more complicated and dangerous with every new revelation about the woman's secrets and the truth she's hidden from her friends and family.Featuring two complicated women in a dangerous cat and mouse game, And Now She's Gone explores the nature of secrets -- and how violence and fear can lead you to abandon everything in order to survive.

    Her husband, Mark, says he knows nothing of her whereabouts. She went to work and just never came home. Their family is shattered.Kai Janssen: married to wealthy Dutch businessman Daan and vanishes the same week. Kai left their luxurious penthouse and glamorous world without a backward glance. She seemingly evaporated into thin air. Daan is distraught. Detective Clements knows that people disappear all the time—far too frequently. Most run away from things, some run toward, others are taken but find their way back. A sad few never return. These two women are from very different worlds. Their disappearances are unlikely to be connected. And yet, at a gut level, the detective believes they might be. How could these women walk away from their families, husbands and homes willingly? Clements is determined to unearth the truth, no matter how shocking and devastating it may be. #1 Sunday Times bestselling author Adele Parks returns with her most provocative, compelling book to date.

    The Morrows keep to themselves, and it’s served them well so far. When girls go missing off the side of the highway, the cops don’t knock on their door. Which is a good thing, seeing as to what’s buried in the Morrows’ backyard. But nineteen-year-old Michael Morrow isn’t like the rest of his family. He doesn’t take pleasure in the screams that echo through the trees. Michael pines for normalcy, and he’s sure that someday he’ll see the world beyond West Virginia. When he meets Alice, a pretty girl working at a record shop in the small nearby town of Dahlia, he’s immediately smitten. For a moment, he nearly forgets about the monster he’s become. But his brother, Rebel, is all too eager to remind Michael of his place…

    She was allergic to everything, used a wheelchair and practically lived at the hospital. Neighbors did all they could, holding fundraisers but no matter how many doctors, tests, or surgeries, no one could figure out what was wrong with Rose Gold.Turns out her mom, Patty Watts, was just a really good liar.After serving five years in prison, Patty begs her daughter to take her in. The entire community is shocked when Rose Gold says yes. And Rose Gold is no longer her weak little darling...And she's waited such a long time for her mother to come home.

    Beth Soames is fourteen years old when her aunt takes her to stay at Raven Hall, a rambling manor in the isolated East Anglian fens. The Averells, the family who lives there, are warm and welcoming, and Beth becomes fast friends with their daughter, Nina. At times, Beth even feels like she's truly part of the family...until they ask her to help them with a harmless game--and nothing is ever the same.2019. Sadie Langton is an actress struggling to make ends meet when she lands a well-paying gig to pretend to be a guest at a weekend party. She is sent a suitcase of clothing, a dossier outlining the role she is to play, and instructions. It's strange, but she needs the money, and when she sees the stunning manor she'll be staying at, she figures she's got nothing to lose.In person, Raven Hall is even grander than she'd imagined--even with damage from a fire decades before--but the walls seem to have eyes. As day turns to night, Sadie starts to feel that there's something off about the glamorous guests who arrive, and as the party begins, it becomes chillingly apparent their unseen host is playing games with everyone...including her.

    After a cursory investigation, the death is declared a suicide and the case is quietly closed.Over a year later Detective Inspector Hulda Hermannsdóttir of the Reykjavík police is forced into early retirement at 64. She dreads the loneliness, and the memories of her dark past that threaten to come back to haunt her. But before she leaves she is given two weeks to solve a single cold case of her choice. She knows which one: the Russian woman whose hope for asylum ended on the dark, cold shore of an unfamiliar country. Soon Hulda discovers that another young woman vanished at the same time, and that no one is telling her the whole story. Even her colleagues in the police seem determined to put the brakes on her investigation. Meanwhile the clock is ticking.Hulda will find the killer, even if it means putting her own life in danger.

    When Elly Swift, an agitated passenger beside her on a train, leaves a locket in Anna’s bag before jumping onto the tracks, Anna starts asking awkward questions. But everything points to suicide and the police close the case. Anna, however, believes Elly’s fears for Toby, her young nephew, missing since being snatched from St Stephen’s church six months ago, fail to explain the true reason behind Elly’s distress. Through a series of cryptic clues Elly left behind, Anna starts asking awkward questions, embarking on a dangerous crusade to track down Toby and find Elly’s killer. But nothing is as it seems and Anna opens a can of worms that throws into question the death of her husband, five years earlier - before the threads of the mystery converge in an astonishing conclusion.

    Felix and Tilda seem like the perfect couple: young and in love, a financier and a beautiful up-and-coming starlet. But behind their flawless facade, not everything is as it seems. Callie, Tilda's unassuming twin, has watched her sister visibly shrink under Felix's domineering love. She has looked on silently as Tilda stopped working, nearly stopped eating, and turned into a neat freak, with mugs wrapped in Saran Wrap and suspicious syringes hidden in the bathroom trash. She knows about Felix's uncontrollable rages, and has seen the bruises on the white skin of her sister's arms. Worried about the psychological hold that Felix seems to have over Tilda, Callie joins an Internet support group for victims of abuse and their friends. However, things spiral out of control and she starts to doubt her own judgment when one of her new acquaintances is killed by an abusive man. And then suddenly Felix dies--or was he murdered? A page-turning work of suspense that announces a stunning new voice in fiction, White Bodies will change the way you think about obsession, love, and the violence we inflict on one another--and ourselves.

    One witness—a fifteen year old girl from the wrong side of the tracks, one known for lying and her own brushes with the law.Is it any surprise no one believed her?Officer Miranda Rader of the Harmony, Louisiana PD is known for her honesty, integrity, and steady hand in a crisis—but that wasn’t always so. Miranda comes from the town of Jasper, a place about the size of a good spit on a hot day, and her side of the tracks was the wrong one. She’s worked hard to earn the respect of her coworkers and the community.When Miranda and her partner are called to investigate the murder of one of the town’s most beloved college professors, they’re unprepared for the brutality of the scene. This murder is unlike any they’ve ever investigated, and just when Miranda thinks she’s seen the worst of it, she finds a piece of evidence that chills her to the core: a faded newspaper clipping about that terrible night fifteen years ago. The night she’d buried, along with her past and the girl she’d been back then. Until now that grave had stayed sealed…except for those times, in the deepest part of the night, when the nightmares came: of a crime no one believed happened and the screams of the girl they believed didn’t exist.Then another man turns up dead, this one a retired cop. Not just any cop—the one who took her statement that night. Two murders, two very different men, two killings that on the surface had nothing in common—except Miranda.

    But is he a killer? Even liars tell the truth... sometimes.Twenty-six-year-old Cat Kinsella overcame a troubled childhood to become a Detective Constable with the Metropolitan Police Force, but she's never been able to banish these ghosts. When she's called to the scene of a murder in Islington, not far from the pub her estranged father still runs, she discovers that Alice Lapaine, a young housewife who didn't get out much, has been found strangled.Cat and her team immediately suspect Alice's husband, until she receives a mysterious phone call that links the victim to Maryanne Doyle, a teenage girl who went missing in Ireland eighteen years earlier. The call raises uneasy memories for Cat--her family met Maryanne while on holiday, right before she vanished. Though she was only a child, Cat knew that her charming but dissolute father wasn't telling the truth when he denied knowing anything about Maryanne or her disappearance. Did her father do something to the teenage girl all those years ago? Could he have harmed Alice now? And how can you trust a liar even if he might be telling the truth?Determined to close the two cases, Cat rushes headlong into the investigation, crossing ethical lines and trampling professional codes. But in looking into the past, she might not like what she finds...

    Except one person. Someone who knows Aimee very well—and what she’s done. . .When Aimee comes home and discovers her husband is missing, she doesn’t seem to know what to do or how to act. The police think she’s hiding something and they’re right, she is—but perhaps not what they thought. Aimee has a secret she’s never shared, and yet, she suspects that someone knows. As she struggles to keep her career and sanity intact, her past comes back to haunt her in ways more dangerous than she could have ever imagined.