The resonance of this image grows through each section of the book as Hahn skillfully employs theme and variation, counterpoint and mirroring techniques. The ibis first appears as part of an illusion, the disappearing object in a magician’s trick, which then evokes the greatest disappearing act of all—death—where there are no tricks to bring about a reappearance. The rich complexity multiplies as the second section focuses on a disappearing lady and a dramatic final section brings together the bird and the lady in their common plight—both caged by their mortality, their assigned time and role.  All of the illusions fall away during this brilliant denouement as the two voices share a dialogue on the power of metaphor as the very essence of poetry. bird trick iv It’s all about disappearance. About a bird in a cagewith a mirror, a simple twiston the handle at the sidethat makes it come and go at the magician’s insistence. It’s all about innocence.It’s all about acceptance.It’s all about compliance.It’s all about deference.It’s all about silence. It’s all about disappearance.

    The popularity of the book is so great that it has run into forty two impressions ever since it was originally published in the year 1951

    This book contains the complete novels of Jane Austen.- Lady Susan- Sense and Sensibility- Pride and Prejudice- Mansfield Park- Emma- Persuasion- Northanger Abbey- Love And Friendship And Other Early Works

    This collection brings together some of the most well known stories of M T Vasudevan Nair, fairly representative of his literary works. Written over a broad span of time from 1962 to 2000, the stories collected here reflect the built-in variety of his fictional concerns and the changing tones of his narration.

    This selection features twenty-one of the very best stories from the region.Here, the reader will find one of Rabindranath Tagore’s most revered stories ‘The Kabuliwallah’ in a glinting new translation, memorable studies of ordinary people from Tarashankar and Bibhutibhushan Bandyopadhyay, the iconic Sarat Chandra Chattopadhyay’s wrenching study of Bengali society, ‘Mahesh’, as well as over a dozen other astounding stories by some of the greatest practitioners of the form—Buddhadeva Bose, Ashapurna Debi, Premendra Mitra, Satyajit Ray, Ritwik Ghatak, Mahasweta Devi, Sunil Gangopadhyay and Nabarun Bhattacharya, among others. These are stories of anger, loss, grief, disillusionment, magic, politics, trickery, humour and the darkness of mind and heart. They reimagine life in ways that make them unforgettable.

    Circling themes of intimacy and time, they return to the urgency of conversation: that fragile bridge across the frozen attitudes that divide our world. But at the heart of the collection is a deeper preoccupation, with those blurry places where humans might walk with gods, where the body might touch the beyond, where the enchanted might intersect effortlessly with the everyday. Where one stumbles upon what the poet simply calls ‘love without a story’.

    Nobles at the court of Awadh, the chess-addicts Mir and Mirza, move to an undisclosed location to play undisturbed as their kingdom falls around them..Shorts stories were the inspiration for fourteen of master filmmaker Satyajit Ray's movies, every one of them a classic - Devi, Jalsaghar and Shatranj Ke Khiladi, among them. This book brings together all of those stories in one volume. These tales, by the likes of Rabindranath Tagore, Tarashankar Bandopadhyay, Prabhat Kumar Mukhopadhyay, Rajshekhar Basu and Premchand, are milestones in Indian literature quite apart from their cinematic glory. The anthology also contains two stories by Ray himself -Atithi and Pikoor Diary, that illustrate his own craft as a writer. From the dramatic to the starkly real, the humorous to the dark, the lyrical to the prosaic, Fourteen Stories... sparkles with narrative brilliance. Read together, these stories also provide us with the context for a new insight into the mind of one of India's most loved and revered filmmakers.

    The stories in this book have their roots in the Indian culture but express universal emotions that are experienced across the boundaries of regions, caste, and creed. Varied emotions of love, heartbreak, aloofness, anxiety, fear, and longing are expressed in this book.There is one story in which movie star Dilip Kumar breaks the heart of a young girl. There is another where a man pushes off another from a moving train. Raavi Paar also tells the story of a Muslim man whose wish is to be cremated after death and not be buried. There is also a story about a married woman who realises that the only reason for her husband to marry her was to use her as cheap labour.The title of this book is an incident from the author’s own life. During the India-Pakistan partition, the author was mistakenly claimed as their own child by another family. Raavi Paar consists of stories which will touch the reader’s hearts due to the simplicity and intricacy of emotions portrayed by the author.

    The original version of the Dhammapada is in the Khuddaka Nikaya, a division of the Pali Canon of Theravada Buddhism.The Buddhist scholar and commentator Buddhaghosa explains that each saying recorded in the collection was made on a different occasion in response to a unique situation that had arisen in the life of the Buddha and his monastic community. His commentary, the Dhammapada Atthakatha, presents the details of these events and is a rich source of legend for the life and times of the Buddha.

    Celebrated as one of the most popular and path-breaking novels of its time, it has received continual critical acclaim: the Rabindra Puraskar (the Tagore Prize) in 1966 and the Bharitiya Jnanpith, India’s highest literary award, in 1977. Spanning the late eighteenth and early twentieth centuries, Ashapurna tells the story of the struggles and efforts of women in nineteenth-century, colonial Bengal in a deceptively easy and conversational style. The charming eight-year old heroine, Satyabati is a child bride who leaves her husband’s village for Calcutta, the capital of British India where she is caught in the social dynamics of women’s education, social reform agendas, modern medicine and urban entertainment. As she makes her way through this complex maze, making sense of the rapidly changing world around her, Satyabati nurtures hopes and aspirations for her daughter. But the promises held out by modernity turn out to be empty, instigating Satyabati to break away from her inherited world and initiate a quest that takes her to the very heart of tradition.Indira Chowdhury’s confident translation, with its conscious choice of Indian English equivalents over British and American colloquialisms, carries across the language divide the flavour of Ashapurna’s unique idiomatic style. This edition also includes the translator’s reflections on the process of translation itself.

    Kapalik want to sacrifice Kapalkundla to the goddess kali to get the magical power. But Kapalkundla escaped from his hands with marrying a young man Navkumar. Story goes in the family life of Vestal (sadhvi) Kapalkundla with navkumar and spoiled after entry of Kapalik and Navkumar previous wife Motibai. A classic Story By Bankim Chandra Chattopadhya

    Imagine the craftsmanship to explain an idea in one line. These stories that encompass a line or a paragraph are called Siyah Hashiye.

    An inconsolable Moti sends Jagat out to bring the boy's spirit home. On the journey, the prince becomes involved with a beautiful and mysterious young American woman. Thus begins the fatal attraction between Eastern and Western ways, one bound by rigid custom, the other temptingly ripe with freethinking.

    The writers included here are familiar names in India – writers such as Amrita Pritam, Saadat Hasan Manto, Khwaja Ahmed Abbas, and also two new women writers, Ajeet Caur and Usha Mahajan – among others.

    Kaye weaves a vast, rich and vibrant tapestry of love and war. Spanning 25 of the 19th century's most turbulent years, it is a story of hatred and bitter combat; of courage, cowardice and sacrifice; of the star-crossed wedding of East and West; and, above all, of a love that transcends time and place."One of the great literary triumphs of 20th century letters and the screen. Stands with the Forsyth Saga and other great narrative epics of our era. Unconditionally recommended." (B-O-T Editorial Review Board)