Do you run away and hide, or start planning your revenge?THE TOP 5 SUNDAY TIMES BESTSELLER AND THE PERFECT READ FOR VALENTINE'S DAY . . . 'A deftly plotted, witty tale of revenge. It's a romcom with attitude' Mail on Sunday Best friend, soulmate, confidante . . . backstabber. Amy thought she knew everything there was to know about her best friend Melissa. Then again, Amy also thought she was on the verge of the wedding of her dreams to her long-distance fiancé.Until she pays a surprise trip home to London. Jack is out, but it's clear another woman has been making herself at home in their flat.There's something about her stuff that feels oddly familiar . . . and then it hits Amy. The Other Woman is Melissa.Amy has lost her home, her fiancé and her best friend in one disastrous weekend - but instead of falling apart, she's determined to get her own back.Piecing her life back together won't be half as fun as dismantling theirs, after all.'I've just finished this . . . it's FABALISS. I was SO GRIPPED' Marian Keyes'Barbed, twisty and full of deliciously dry wit, this is smart stuff to race through' Sunday Mirror'Brilliant, original, edgy and compulsively readable' Daily Mail

    It’s always been easier for Cara Hargraves to bury herself in the past than confront the present, which is why working with a gruff but brilliant antiques dealer is perfect. While clearing out an estate, she pries open an old tin that holds the relics of a lost relationship: among the treasures, a World War II-era diary and a photograph of a young woman in uniform. Eager to find the author of the hauntingly beautiful, unfinished diary, Cara digs into this soldier’s life, but soon realizes she may not have been ready for the stark reality of wartime London she finds within the pages. In 1941, nineteen-year-old Louise Keene’s life had been decided for her—she’ll wait at home in her Cornish village until her wealthy suitor returns from war to ask for her hand. But when Louise unexpectedly meets Flight Lieutenant Paul Bolton, a dashing RAF pilot stationed at a local base, everything changes. And changes again when Paul’s unit is deployed without warning. Desperate for a larger life, Louise joins the women’s branch of the British Army in the anti-aircraft gun unit as a Gunner Girl. As bombs fall on London, she and the other Gunner Girls relish in their duties to be exact in their calculations, and quick in their identification of enemy planes during air raids. The only thing that gets Louise through those dark, bullet-filled nights is knowing she and Paul will be together when the war is over. But when a bundle of her letters to him are returned unanswered, she learns that wartime romance can have a much darker side. Illuminating the story of these two women separated by generations and experience, Julia Kelly transports us to World War II London in this heartbreakingly beautiful novel through forgotten antique treasures, remembered triumphs, and fierce family ties.

    She’s spending the next four and half weeks traveling through Europe with her childhood best friend, Leela. Their plans include Eiffel-Tower selfies, eating cocco gelato, and making out with très hot strangers. Her plans do not include Leela’s cheating ex-boyfriend showing up on the flight to London, falling for the cheating ex-boyfriend’s très hot friend, monitoring her mother’s spiraling mental health via texts, or feeling like the rope in a friendship tug-of-war. As Sydney zigzags through Amsterdam, Switzerland, Italy, and France, she must learn when to hold on, when to keep moving, and when to jump into the Riviera…wearing only her polka-dot underpants.

    Actual opening line of the novel is: "To J. Halford, Esq. Dear Halford, when we were together last..."This is the story of a woman's struggle for independence. Helen "Graham" has returned to Wildfell Hall in flight from a disastrous marriage. Exiled to the desolate moorland mansion, she adopts an assumed name and earns her living as a painter.

    Beautiful and ambitious Eva Harlow and her American best friend, Precious Dubose, are trying to make their way as fashion models. When Eva falls in love with Graham St. John, an aristocrat and Royal Air Force pilot, she can’t believe her luck – she’s getting everything she ever wanted. Then the Blitz devastates her world, and Eva finds herself slipping into a web of intrigue, spies and secrets. As Eva struggles to protect everything she holds dear, all it takes is one unwary moment to change their lives forever.London, 2019. American journalist Maddie Warner travels to London to interview Precious about her life in pre-WWII London. Maddie, healing from past trauma and careful to close herself off to others, finds herself drawn to both Precious and to Colin, Precious’ enigmatic surrogate nephew. As Maddie gets closer to her, she begins to unravel Precious’ haunting past – and the secrets she swore she’d never reveal …

    Now in her thirties and fresh out of a failed marriage, Val feels a nagging disenchantment with her life--and knows she is still heartbroken over her mother's abandonment.In a bittersweet twist of fate, Val receives word that Eloise has passed away, leaving Val her Primrose Hill apartment and the deed to a bookshop Val never knew she'd owned. Though the news is devastating, Val finds herself more determined than ever to discover who her mother truly was. She jets across the Atlantic, departing Seattle for a new life in charming London.Slowly but surely, Val begins to piece together Eloise's life in the UK, falling in love with her pastel-colored flat, cozy neighborhood, and tucked-away storefront. But when she discovers that The Book Garden is in danger of going under, Val must work with its eccentric staff to get it in working order. In the process, she learns more about Eloise than she ever thought possible. And as Val races to save the shop, Eloise's own story unfolds, leading both mother and daughter to unearth revelatory truths.

    In a world not quite like this one, two lovers will be tested beyond their understanding.Machines Like Me occurs in an alternative 1980s London. Charlie, drifting through life and dodging full-time employment, is in love with Miranda, a bright student who lives with a terrible secret. When Charlie comes into money, he buys Adam, one of the first batch of synthetic humans. With Miranda’s assistance, he co-designs Adam’s personality. This near-perfect human is beautiful, strong and clever – a love triangle soon forms. These three beings will confront a profound moral dilemma. Ian McEwan’s subversive and entertaining new novel poses fundamental questions: what makes us human? Our outward deeds or our inner lives? Could a machine understand the human heart? This provocative and thrilling tale warns of the power to invent things beyond our control.

    Feminine form of flâneur [flanne-euhr], an idler, a dawdling observer, usually found in cities.That is an imaginary definition.'If the word flâneur conjures up visions of Baudelaire, boulevards and bohemia – then what exactly is a flâneuse?In this gloriously provocative and celebratory book, Lauren Elkin defines her as ‘a determined resourceful woman keenly attuned to the creative potential of the city, and the liberating possibilities of a good walk’. Part cultural meander, part memoir, Flâneuse traces the relationship between the city and creativity through a journey that begins in New York and moves us to Paris, via Venice, Tokyo and London, exploring along the way the paths taken by the flâneuses who have lived and walked in those cities.From nineteenth-century novelist George Sand to artist Sophie Calle, from war correspondent Martha Gellhorn to film-maker Agnes Varda, Flâneuse considers what is at stake when a certain kind of light-footed woman encounters the city and changes her life, one step at a time.

    Seventy years later, released by widowhood, and to the dismay of her pompous children, she abandons the family home for a tiny house in Hampstead. Here she recollects the dreams of youth, and revels in her newfound freedom with her odd assortment of companions: Genoux, her French maid; Mr. Bucktrout, her house agent; and a coffin maker who pictures people dead in order to reveal their true characters. And then there's Mr. FitzGeorge, an eccentric millionaire who met and loved her in India when she was young and very lovely. It is here in this world of her own that she finds a passion that comes only with the freedom to choose, and it is this, her greatest gift, that she passes on to the only one who can understand its value. First published in 1931, Vita Sackville-West's masterpiece is the fictional companion to her great friend Virginia Woolf's A Room of One's Own.

    Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax, and a coda that casts shifting perspectives on all that has preceded.

    She knows about tiny cobbled streets in Paris, which she has never visited. And every night she dreams about an unknown little girl with blonde hair.Justin Hitchcock is divorced, lonely and restless. He arrives in Dublin to give a lecture on art and meets an attractive doctor, who persuades him to donate blood. It's the first thing to come straight from his heart in a long time.When Joyce leaves hospital after a terrible accident, with her life and her marriage in pieces, she moves back in with her elderly father. All the while, a strong sense of déjà vu is overwhelming her and she can't figure out why …

    'There once was a man who, one night between the main course and the sweet at a dinner party, went upstairs and locked himself in one of the bedrooms of the house of the people who were giving the dinner party . . .' As time passes by and the consequences of this stranger's actions ripple outwards, touching the owners, the guests, the neighbours and the whole country, so Ali Smith draws us into a beautiful, strange place where everyone is so much more than they at first appear.There but for the was hailed as one of the best books of 2011 by Jeanette Winterson, A.S. Byatt, Patrick Ness, Sebastian Barry, Boyd Tonkin, Erica Wagner and Nick Barley. 'Dazzlingly inventive' A.S. Byatt 'Whimsically devastating. Playful, humorous, serious, profoundly clever and profoundly affecting' Guardian 'A real gem' Erica Wagner, The Times 'Eccentric, adventurous, intoxicating, dazzling. This is a novel with serious ambitions that remains huge fun to read' Literary Review 'If you liked Smith's earlier fiction, you will know that she enjoys setting up a situation before chucking in a literary Molotov cocktail then describing what happens' Sunday Express 'Wonderful, word-playful, compelling' Jeanette Winterson 'Smith can make anything happen, which is why she is one of our most exciting writers today' Daily Telegraph 'I take my hat off to Ali Smith. Her writing lifts the soul' Evening Standard

    She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going.Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it.By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.

    Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of the local mill workers and develops a passionate sense of social justice. This is intensified by her tempestuous relationship with the mill-owner and self-made man, John Thornton, as their fierce opposition over his treatment of his employees masks a deeper attraction.In North and South, Elizabeth Gaskell skillfully fuses individual feeling with social concern, and in Margaret Hale creates one of the most original heroines of Victorian literature.

    He has sold Jonah’s ship for what appears to be a mermaid.As gossip spreads through the docks, coffee shops, parlours and brothels, everyone wants to see Mr Hancock’s marvel. Its arrival spins him out of his ordinary existence and through the doors of high society, where he meets Angelica Neal, the most desirable woman he has ever laid eyes on... and a courtesan of great accomplishment. This meeting will steer both their lives onto a dangerous new course.What will be the cost of their ambitions? And will they be able to escape the legendary destructive power a mermaid is said to possess?