First published in 1955 by Hodder, "The Making Of The English Landscape" is a classic of English history. It was the first book to study, literally, the history of the landscape, and also the first to explode the myth that the English landscape was 'formed by enclosures'. Instead W. G. Hoskins traces the beauty and oddities of the English landscape further back, from pre-Roman times to the seventeenth century and beyond. Hoskins explains the layers of history in the landscape by taking the reader with him along Devonshire lanes, past lost villages in Lincolnshire, and through the pastures of upland Northamptonshire. This is a delightful book, readable and scholarly, which has been much-loved by readers for the past fifty years.

    It has a church, some pubs, the Grand Union Canal, a First World War Memorial - and many centuries of recorded history. In the thirteenth century the village was bought by William de Merton, who later founded Merton College, Oxford, with the result that documents covering 750 years of village history are lodged at the college. Building on this unique archive, and enlisting the help of the current inhabitants of Kibworth, with a village-wide archeological dig, with the first complete DNA profile of an English village and with use of local materials like family memorabilia, Michael Wood tells the extraordinary story of one English community over fifteen centuries, from the moment that the Roman Emperor Honorius sent his famous letter in 410 advising the English to look to their own defences to the village as it is today. The story of Kibworth is the story of England itself, a 'Who Do You Think You Are?' for the entire nation. It is the subject of a six-part BBC tv series to be shown in autumn 2010.

    The depth below is hot, much warmer than the surface and this book tunnels down through the geological layers, meeting the creatures that dwell in darkness, real and fictional -- rats and eels, monsters and ghosts. There is a bronze-age trackway under the Isle of Dogs, Wren found Anglo-Saxon graves under St Paul's, and the monastery of Whitefriars lies beneath Fleet Street. In Kensal Green cemetery there was a hydraulic device to lower bodies into the catacombs below -- "Welcome to the lower depths". A door in the plinth of statue of Boadicea on Westminster Bridge leads to a huge tunnel, packed with cables -- gas, water, telephone. When the Metropolitan Line was opened in 1864 the guards asked for permission to grow beards to protect themselves against the sulphurous fumes, and called their engines by the names of tyrants -- Czar, Kaiser, Mogul -- and even Pluto, god of the underworld.Going under London is to penetrate history, to enter a hidden world. "The vastness of the space, a second earth," writes Peter Ackroyd, "elicits sensations of wonder and of terror. It partakes of myth and dream in equal measure."

    Going right up to the present day, and including both natural and man-made features, it demonstrates the sometimes subtle, sometimes radical ways in which people, flora, fauna, climate, soils, and other physical conditions have played a role in shaping the landscape. "...quirky and rewarding...full of answers to questions that others have not had the wit to ask."--Economist. "One thing is certain: no one would be wise to write further on our natural history...without thinking very hard about what is contained in these authoritative pages."--Country Life.

    The way in which their stories intersect with real places offers potential for a richly textured narrative. By drawing together narrative history, new academic research and first-hand experience, Tom Williams offers a vital evocation of a forgotten world, its echoes in later history and its implications for the present.A Viking Britain truly existed, and its historical and cultural footprint is in many ways broader and deeper than Rome’s. Between the conventional beginning of the Viking Age in the late eighth century and its close in the eleventh, Scandinavian people and culture were involved with Britain to a degree that has left a permanent impression on these islands. They came to plunder and, ultimately, to settle, to colonize and to rule. By the time of the Norman Conquest, much of Britain might justifiably be described as ‘Viking’, and in language, literature, place-names and folklore, the presence of Scandinavian settlers can still be felt. Indeed, the Vikings have been a powerful cultural force in modern times. Their representation in paintings, novels and operas – from the music of Elgar to the writing of Kipling, Morris and Tolkien – has had a profound impact on the British psyche. Much of what we imagine when we think of the Vikings – even the word ‘Viking’ itself – grew, not form the Viking Age itself, but from the political, literary and artistic currents of the nineteenth and early twentieth centuries. Here, too, a Viking Britain came alive.

    There has been human habitation in Britain, regularly interrupted by Ice Ages, for the best part of a million years. The last retreat of the glaciers 12,000 years ago brought a new and warmer age and with it, one of the greatest tsunamis recorded on Earth which struck the north-east of Britain, devastating the population and flooding the low-lying plains of what is now the North Sea. The resulting island became, in time, home to a diverse range of cultures and peoples who have left behind them some of the most extraordinary and enigmatic monuments in the world.Through what is revealed by the artefacts of the past, Neil Oliver weaves the epic story - half -a-million years of human history up to the departure of the Roman Empire in the Fifth Century AD. It was a period which accounts for more than ninety-nine per cent of humankind's presence on these islands.It is the real story of Britain and of her people.

    Here is the incredible truth about our ancestors' journey over millennia - and a glimpse of the future to see how it might continue.'A beautiful book on a fascinating subject, written by a world authority'  Richard Dawkins'Superlative ... Pure stimulation from beginning to end'  Bill Bryson'Every chapter contains something new, and throws up a fresh location that deserves to become famous'  Sunday Times'This important and eminently readable book pulls together all the best scientific work on the first humans to inhabit Britain'  Tony RobinsonChris Stringer is Britain's foremost expert on human origins and works in the Department of Palaeontology at the Natural History Museum. He also currently directs the Ancient Human Occupation of Britain project, aimed at reconstructing the first detailed history of how and when Britain was occupied by early humans. His previous books include African Exodus: The Origins of Modern Humanity, The Complete World of Human Evolution and most recently, Homo Britannicus, which was shortlisted for the Royal Society Science Book of the Year in 2007.

    Its site had been unknown for centuries. The quest had taken years of preparation followed by intensive archaeological study and almost no one had expected a result. As the astonishing story of the discovery emerged, millions watched around the world.First came the news that archaeologists were searching for a king in a parking lot. Next it was said they had located the church where Richard had been buried. Finally it was announced that a skeleton with a curved spine and battle wounds had been found and was thought to be that of Richard. Archaeologists urged caution as media frenzy led to questions in Parliament. The scientific consensus came early in 2013. All the studies, including analysis of anatomy, DNA, high-resolution scanning and a digital facial reconstruction, led to the conclusion that the skeleton was indeed Richard III, England's most disputed monarch and the probable murderer of the Princes in the Tower. The events of Richard III's reign and his death in 1485 at the Battle of Bosworth are known worldwide, made popular by Shakespeare's most performed, filmed and translated history play. Digging for Richard III is the page-turning story of how his grave was found and the people behind the discovery. It is the first complete narrative of a project that blended passion, science, luck and detection. Told by a noted archaeologist with access to all the parties involved, it follows the quest from an idea born in an Edinburgh bookshop to the day, fourteen years later, when two archaeologists carefully raised the bones from the parking lot in Leicester, and the scientific studies that resulted.The vivid tale of a king, his demise and his rediscovery, this is also an insider's gripping account of how modern archaeology, forensics and the meticulous analysis of clues can come together to create a narrative worthy of the finest detective fiction.

    It's both travelogue and natural history, and an exploration of the position of moorland in our literature, history and psyche. It's not merely an account of solitary wandering, but of encounters, busy with the voices of the moors, past and present - gamekeepers and ramblers, shepherds and huntsmen, miners and archaeologists, publicans and priests, meteorologists and dry-stone wallers, environmentalists and developers.The Moor is a journey into Britain's single most expansive natural habitat - and its most mysterious.

    Auden. What does Roman Britain mean to us now? How were its physical remains rediscovered and made sense of? How has it been reimagined, in story and song and verse?Charlotte Higgins has traced these tales by setting out to discover the remains of Roman Britain for herself, sometimes on foot, sometimes in a splendid, though not particularly reliable, VW camper van. Via accounts of some of Britain's most intriguing, and often unjustly overlooked ancient monuments, Under Another Sky invites us to see the British landscape, and British history, in an entirely fresh way: as indelibly marked by how the Romans first imagined, and wrote, these strange and exotic islands, perched on the edge of the known world, into existence.

    It is part journey, part history, and it concludes with awkward questions about the future of Britain's landscapes. Nick Crane's story begins with the melting tongues of glaciers and the emergence of a gigantic game-park tentatively being explored by a vanguard of Mesolithic adventurers who have taken the long, northward hike across the land bridge from the continent. The Iron Age develops into a pre-Roman 'Golden Era' and Nick Crane looks at what the Romans did (and didn't) contribute to the British landscape. Major landscape 'events' (Black Death, enclosures, urbanisation, recreation, etc.) are fully described and explored, and he weaves in the role played by geology in shaping our cities, industry and recreation, the effect of climate (and the Gulf Stream), and of global economics (the Lancashire valleys were formed by overseas markets). The co-presenter of BBC's Coast also covers the extraordinary benefits bestowed by a 6,000-mile coastline. The 10,000-year story of the British landscape culminates in the 21st century, which is set to be one of the most extreme centuries of change since the Ice Age.Nick Crane brilliantly illustrates how Britain and its landscapes became so wonderfully diverse.

    Considering their unique identity, language, and vibrant artistic culture, this chronicle examines the Picts’ legacy, including the monuments that still survive in modern Scotland’s landscape: standing stones decorated with incredible skill and covered with enigmatic symbols. Despite being absorbed by the kingdom of the Scots in the ninth century, the impact of the Picts is still evident today.

    Royal unions have always been the stuff of scintillating gossip, from the passionate Plantagenets to Henry VIII's alarming head count of wives and mistresses, to the Sapphic crushes of Mary and Anne Stuart right on up through the scandal-blighted coupling of Prince Charles and Princess Diana. Thrown into loveless, arranged marriages for political and economic gain, many royals were driven to indulge their pleasures outside the marital bed, engaging in delicious flirtations, lurid love letters, and rampant sex with voluptuous and willing partners. This nearly pathological lust made for some of the most titillating scandals in Great Britain?s history. Hardly harmless, these affairs have disrupted dynastic alliances, endangered lives, and most of all, fed the salacious curiosity of the public for centuries. Royal Affairs will satiate that curiosity by bringing this arousing history alive.

    The city is one giant grave, filled with the remains of previous eras. The Houses of Parliament sit on the edge of a former plague pit; St Paul's is built over human remains; Underground tunnels were driven through forgotten catacombs, thick with bones. A society can be judged by the way it treats its dead, and this is especially true of London. From Roman burial rites to the horrors of the plague, from the founding of the great Victorian cemeteries to the development of cremation and the cult of mourning that surrounded the death of Diana, Princess of Wales - Necropolis leaves no headstone unturned in its exploration of our changing attitudes towards the deceased among us.

    Today, ideas of our prehistoric origins are more likely based on ocean core samples, radio-carbon dating, and archeological artifacts. But as Barry Cunliffe reminds us in Britain Begins, an archaeologist writing of the past must be constantly aware that the past is, in truth, unknowable. Like the myth-making Celts, we too create stories about our origins, based on what we know today.Cunliffe here offers readers a vision of both worlds, looking at new myths and old, as he tells the fascinating story of the origins of the British and the Irish, from around 10,000 BC to the eve of the Norman Conquest. Using the most up-to-date archaeological evidence together with new work on DNA and other scientific techniques which help us to trace the origins and movements of these early settlers, Cunliffe offers a rich narrative account of the first islanders--who they were, where they came from, and how they interacted with one another. Underlying this narrative is the story of the sea, and Cunliffe paints a fascinating picture of early ships and sails and of the surprising sophistication of early navigation. The story told by the archaeological evidence is enhanced by historical texts, such as Julius Caesar's well-known if rather murky vision of Britain. Equally interesting, Cunliffe looks at the ideas of Britain's origins formed by our long-ago ancestors themselves, when they used what scraps there were, gleaned from Biblical and classical texts, to create a largely mythological origin for the British.