(“A leader,” writes Colonel Ellelloû, “is one who, out of madness or goodness, takes upon himself the woe of a people. There are few men so foolish.”) Colonel Ellelloû has four wives, a silver Mercedes, and a fanatic aversion—cultural, ideological, and personal—to the United States. But the U.S. keeps creeping into Kush, and the repercussions of this incursion constitute the events of the novel. Colonel Ellelloû tells his own story—always elegantly, and often in the third person—from an undisclosed location in the South of France.From the Trade Paperback edition.

    But his past life is a recurring nightmare—filth, desperation, and blackouts. And more trouble is only a hundred miles away. Darren and Alastair leave Liverpool, heading south in a rickety old car. They have been sent by their gang boss to wreak violent revenge, but they have only a rough idea of their quarry: a one-armed man.Interspersed between the scabrous banter and a pitch-perfect street dialect, Niall Griffiths offers stunning descriptions of the Welsh landscape and a dark, knowing humor. Despite the ever present drugs, violence, and anger, he reveals a fragile humanity. Graywolf is proud to introduce this striking, distinctive voice to American readers.

    I. Lonoff, he soon finds himself enmeshed in the great Jewish writer's domestic life, with all its complexity, artifice and drive for artistic truth. As Nathan sits in breathlessly awkward conversation with his idol, a glimpse of a dark-haired beauty through a closing doorway leaves him reeling. He soon learns that the entrancing vision is Amy Bellette, but her position in the Lonoff household - student? mistress? - remains tantalisingly unclear. Over a disturbed and confusing dinner, Nathan gleans snippets of Amy's haunting Jewish background, and begins to draw his own fantastical conclusions...

    That was my mammy's name, anyway. Jenny. You be Jenny from now on..." Cornelius Carson's mother cautioned him never to own slaves, but in 1830s Louisiana, land and slaves are proof of a man's worth. At 23 Cornelius is ambitious, and in love. He owns one elderly slave, Malachi, and a small cotton farm along Bayou Cocodrie. And he plans to marry Stephanie Coqterre, daughter of a wealthy Natchez planter. He needs another field-hand, but prices are high. So when a trader brings a coffle of smuggled slaves to Natchez, Cornelius buys a 10-year-old girl. She is mute and nameless, but she's all he can afford. He names her Jenny. It quickly becomes apparent that Jenny will change life on the Cocodrie as much as it changes her. The winds of ambition are blowing everywhere, both among the whites, who strive for wealth and status, and among the slaves, who yearn for freedom. But dangers are everywhere, too. As madness and treachery reach from Natchez to the Cocodrie to blast all their dreams, Cornelius struggles to find a way to salvage his life and the lives of Jenny and Malachi as well.

    It is 1953 and Pearlie, a dutiful housewife, finds herself living in the Sunset district of San Francisco, caring not only for her husband’s fragile health but also for her son, who is afflicted with polio. Then, one Saturday morning, a stranger appears on her doorstep and everything changes. All the certainties by which Pearlie has lived are thrown into doubt. Does she know her husband at all? And what does the stranger want in return for his offer of $100,000? For six months in 1953, young Pearlie Cook struggles to understand the world around her, most especially her husband, Holland. Pearlie’s story is a meditation not only on love but also on the effects of war—with one war just over and another one in Korea coming to a close. Set in a climate of fear and repression—political, sexual, and racial—The Story of a Marriage portrays three people trapped by the confines of their era, and the desperate measures they are prepared to take to escape it. Lyrical and surprising, The Story of a Marriage looks back at a period that we tend to misremember as one of innocence and simplicity.

    Legs, the inaugural book in William Kennedy’s acclaimed Albany cycle of novels, brilliantly evokes the flamboyant career of gangster Jack “Legs” Diamond.  Through the equivocal eyes of Diamond’s attorney, Marcus Gorman (who scraps a promising political career for the more elemental excitement of the criminal underworld), we watch as Legs and his showgirl mistress, Kiki Roberts, blaze their gaudy trail across the tabloid pages of the 1920s and 1930s.

    Irene, a lonely nineteen-year-old in rural North Carolina, works long nights at the local pool hall, serving pitchers and dodging drunks. One evening, her hilarious, magnetic coworker Luce invites her on a joy ride through the mountains to take revenge on a particularly creepy customer. Their adventure not only spells the beginning of a dazzling friendship, it seduces both girls into the mysterious world of pills and the endless hustles needed to fund the next high.Together, Irene and Luce run nickel-tossing scams at the county fair and trick dealers into trading legit pharms for birth-control pills. Everything is wild and wonderful until Luce finds a boyfriend who wants to help her get clean. Soon the two of them decide to move away and start a new, sober life in Florida—leaving Irene behind.Told in a riveting dialogue between the girls' addicted past and their hopes for a better future, Bewilderness is not just a brilliant, funny, heartbreaking novel about opioid abuse, it's also a moving look at how intense, intimate friendships can shape every young woman's life.

    Deeply stressed by an SEC investigation and by his three-year-old son's diagnosis of autism, he flees New York on a Greyhound bus in search of a simpler, more romantic life with his old college sweetheart. Meanwhile, his super-smart wife, Seema--a driven first-generation American who craved the picture-perfect life that comes with wealth--has her own demons to face. How these two flawed characters navigate the Shteyngartian chaos of their own making is at the heart of this piercing exploration of the 0.1 Percent, a poignant tale of familial longing and an unsentimental ode to what really makes America great.LONGLISTED FOR THE CARNEGIE MEDAL FOR EXCELLENCE IN FICTION

    They marry, and Eileen quickly discovers Ed doesn't aspire to the same, ever bigger, stakes in the American Dream. Eileen encourages her husband to want more: a better job, better friends, a better house, but as years pass it becomes clear that his growing reluctance is part of a deeper psychological shift. An inescapable darkness enters their lives, and Eileen and Ed and their son Connell try desperately to hold together a semblance of the reality they have known, and to preserve, against long odds, an idea they have cherished of the future. Through the Learys, novelist Matthew Thomas charts the story of the American Century, particularly the promise of domestic bliss and economic prosperity that captured hearts and minds after WWII. The result is a riveting and affecting work of art; one that reminds us that life is more than a tally of victories and defeats, that we live to love and be loved, and that we should tell each other so before the moment slips away. Epic in scope, heroic in character, masterful in prose, We Are Not Ourselves heralds the arrival of a major new talent in contemporary fiction.

    Michael Martone is its own appendix, comprising fifty “contributors notes,” each of which identifies in exorbitant biographical detail the author of the other forty-nine. Full of fanciful anecdotes and preposterous reminiscences, Martone’s self-inventions include the multiple deaths of himself and all his family members, his Kafkaesque rebirth as a giant insect, and his stints as circus performer, assembly-line worker, photographer, and movie extra. Expect no autobiographical consistency here. A note revealing Martone's mother as the ghost-writer of all his books precedes the note beginning, “Michael Martone, an orphan . . . “ We learn of Martone’s university career and sketchy formal education, his misguided caretaking of his teacher John Barth’s lawn, and his impersonation of a poor African republic in political science class, where Martone's population is allowed to starve as his more fortunate fellow republics fight over development and natural resource trading-cards. The author of Michael Martone, whose other names include Missy, Dolly, Peanut, Bug, Gigi-tone, Tony's boy, Patty's boy, Junior's, Mickey, Monk, Mr. Martone, and “the contributor named in this note," proves as Protean as fiction itself, continuously transforming the past with every new attribution but never identifying himself by name. It is this missing personage who, from first note to last, constitutes the unformed subject of Michael Martone.

    A novel about not just discovering but inventing oneself.The year is 1995, and email is new. Selin, the daughter of Turkish immigrants, arrives for her freshman year at Harvard. She signs up for classes in subjects she has never heard of, befriends her charismatic and worldly Serbian classmate, Svetlana, and, almost by accident, begins corresponding with Ivan, an older mathematics student from Hungary. Selin may have barely spoken to Ivan, but with each email they exchange, the act of writing seems to take on new and increasingly mysterious meanings.At the end of the school year, Ivan goes to Budapest for the summer, and Selin heads to the Hungarian countryside, to teach English in a program run by one of Ivan's friends. On the way, she spends two weeks visiting Paris with Svetlana. Selin's summer in Europe does not resonate with anything she has previously heard about the typical experiences of American college students, or indeed of any other kinds of people. For Selin, this is a journey further inside herself: a coming to grips with the ineffable and exhilarating confusion of first love, and with the growing consciousness that she is doomed to become a writer.

    Axie's story begins on the streets of 1860s New York. The impoverished child of Irish immigrants, she grows up to become one of the wealthiest and most controversial women of her day.In vivid prose, Axie recounts how she is forcibly separated from her mother and siblings, apprenticed to a doctor, and how she and her husband parlay the sale of a few bottles of 'Lunar Tablets for Female Complaint' into a thriving midwifery business. Flouting convention and defying the law in the name of women's reproductive rights, Axie rises from grim tenement rooms to the splendor of a mansion on Fifth Avenue, amassing wealth while learning over and over never to trust a man who says "trust me."When her services attract outraged headlines, Axie finds herself on a collision course with a crusading official, Anthony Comstock, founder of the Society for the Suppression of Vice. It will take all of Axie's cunning and power to outwit him in the fight to preserve her freedom and everything she holds dear.Inspired by the true history of an infamous female physician who was once called "the Wickedest Woman in New York," My Notorious Life is a mystery, a family saga, a love story, and an exquisitely detailed portrait of nineteenth-century America. Axie Muldoon's inimitable voice brings the past alive, and her story haunts and enlightens the present.

    Spurned by his wife at home and by superiors at work, Earl Summerfield hunkers down in his cramped San Francisco apartment and keeps a diary that is a scratched record of a world going to pieces. The words he overhears, the words he wants to say, swim in his head, turning into fantasies of ambition, love, and retribution. He is sorry for himself. He is angry at everyone. He takes to going out at night, slipping into other people's houses. He is looking for something, and he fixes on one woman.

    It is the story of Lassiter, a gunslinging avenger in black, who shows up in a remote Utah town just in time to save the young and beautiful rancher Jane Withersteen from having to marry a Mormon elder against her will. Lassiter is on his own quest, one that ends when he discovers a secret grave on Jane’s grounds. “[Zane Grey’s] popularity was neither accidental nor undeserved,” wrote Nye. “Few popular novelists have possessed such a grasp of what the public wanted and few have developed Grey’s skill at supplying it.”

    It is 1946, and city-bred Laura McAllan is trying to raise her children on her husband's Mississippi Delta farm - a place she finds foreign and frightening. In the midst of the family's struggles, two young men return from the war to work the land. Jamie McAllan, Laura's brother-in-law, is everything her husband is not - charming, handsome, and haunted by his memories of combat. Ronsel Jackson, eldest son of the black sharecroppers who live on the McAllan farm, has come home with the shine of a war hero. But no matter his bravery in defense of his country, he is still considered less than a man in the Jim Crow South. It is the unlikely friendship of these brothers-in-arms that drives this powerful novel to its inexorable conclusion. The men and women of each family relate their versions of events and we are drawn into their lives as they become players in a tragedy on the grandest scale. As Kingsolver says of Hillary Jordan, "Her characters walked straight out of 1940s Mississippi and into the part of my brain where sympathy and anger and love reside, leaving my heart racing. They are with me still."