Its creator started out as an obscure writer of disposable horror fiction who decided to change the world—one mind at a time. Now its adherents rule Hollywood while obeying their leader's every command.That's almost all anyone knows about the movement—or is it a cult?—founded by reclusive guru Astrid Mueller. But reporter Chloe Pierce is sure that there's something deeper hiding behind Honest World's facade. Her fiancé was a devoted follower of Mueller, right up to the moment when he blew his brains out while holding a copy of her book. Now Chloe wants answers from the woman whose words command the loyalty of millions—and she's ready to storm the top-secret sanctuary known as the Clean Room to get them.But there's more to Astrid Mueller than Chloe could ever imagine—and the truth that she's about to discover is more astonighing than any of Astrid's accomplishments, and more terrifying than any of her novels.From the mind of superstar writer Gail Simone and gifted artisti Jon Davis-Hunt comes CLEAN ROOM, VOL. 1: IMMACULATE CONCEPTION—a new vision of horror that takes you inside the locked chambers of sex, violence, celebrity, and the supernatural.Collectis issues #1-6

    He forms relationships with his inanimate surroundings and muses to a dead audience, specifically his bear rug Phillippe. His own tales eventually become entangled with that of the legendary Paul Bunyan, and the two become indirectly intertwined, illuminating the discrepancy between the character of the storyteller and the character within his stories. The lives of both Paul and Pete encounter such things as the questionable origin of an ocean and the desire for preservation of everything from a fallen bird to an overused expression that has strayed a stone's throw from its original meaning.

    Unfortunately, the first place his search takes him is the bottom of a bottle as he careens from one off-kilter encounter to another in search of himself.

    It also includes book 0, Bad Dreams, translated into English for the first time: the very first adventures of our two heroes, published after City and retroactively numbered. Finally, linking the volumes of this collection together, a long, exclusive interview with the authors and director Luc Besson is illustrated with new art as well as numerous sketches, studies and photographs from the latter's upcoming big-screen adaptation.

    It's also why she doesn't know that Rocher is supposed to be dead. Turns out, Rocher faked his death years ago to escape his critics, and has been making a killing releasing his new work as "lost manuscripts," in cahoots with his editor/ex-wife Agathe. Neither of them would have invited a crass party girl like Zoe into their literary conspiracy of two, but now that she's there anyway. . . . Zoe doesn't know Balzac from Batman, but she's going to have to wise up fast... because she's sitting on the literary scandal of the century!

    Strange, Osborn) present the collected opening arc of their surprise-hit series that marries the magical realism of Sandman with the western brutality of Preacher. Death's daughter rides the wind on a horse made of smoke and her face bears the skull marks of her father. Her origin story is a tale of retribution as beautifully lush as it is unflinchingly savage. "It's a perfect match for the gorgeous, dizzying artwork in a sumptuous palette-overlaid panels add intricate choreography to fight scenes, and detailed, whirling splash pages beg for long-lingering looks. Couple that, along with a handful of Eisner nominations, with a multicultural cast of tough-as-nails women who all fight for their own honor, and this is a series to watch out for." - Booklist"It's ambitious and challenging (two qualities that are not often valued, but that probably should be), under a façade of violence and sacrifice. Rio's art is lush and detailed, and is more than capable of keeping up with the far-reaching story." - PW

    We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." Having proved himself peerless in the arena of reinterpreting superheroes, Alan Moore turned his ever-incisive eye to the squalid, enigmatic world of Jack the Ripper and the Whitechapel murders of 1888. Weighing in at 576 pages, From Hell is certainly the most epic of Moore's works and remarkably and is possibly his finest effort yet in a career punctuated by such glorious highlights as Watchmen and V for Vendetta. Going beyond the myriad existing theories, which range from the sublime to the ridiculous, Moore presents an ingenious take on the slaughter. His Ripper's brutal activities are the epicentre of a conspiracy involving the very heart of the British Establishment, including the Freemasons and The Royal Family. A popular claim, which is transformed through Moore's exquisite and thoroughly gripping vision, of the Ripper crimes being the womb from which the 20th century, so enmeshed in the celebrity culture of violence, received its shocking, visceral birth. Bolstered by meticulous research that encompasses a wide spectrum of Ripper studies and myths and coupled with his ability to evoke sympathies in such monstrous characters, Moore has created perhaps the finest examination of the Ripper legacy, observing far beyond society's obsessive need to expose Evil's visage. Ultimately, as Moore observes, Jack's identity and his actions are inconsequential to the manner in which society embraced the Fear: "It's about us. It's about our minds and how they dance. Jack mirrors our hysterias. Faceless, he is the receptacle for each new social panic." Eddie Campbell's stunning black and white artwork, replete with a scratchy, dirty sheen, is perfectly matched to the often-unshakeable intensity of Moore's writing. Between them, each murder is rendered in horrifying detail, providing the book's most unnerving scenes, made more so in uncomfortable, yet lyrical moments as when the villain embraces an eviscerated corpse, craving understanding; pleading that they "are wed in legend, inextricable within eternity". Though technically a comic, the term hardly begins to describe From Hell's inimitable grandeur and finesse, as it takes the medium to fresh heights of ingenuity and craftsmanship. Moore and Campbell's autopsy on the emaciated corpse of the Ripper myth has divulged a deeply disturbing yet undeniably captivating masterpiece. —Danny Graydon

    Chemistry major, Elliot Torres has been unable to keep a steady job and eventually accepts a job by a rumored mad scientist Dr. Vlad Stein. Humorous hijinks ensue as their collaboration becomes epic.

    What if you can leap tall buildings and defeat alien monsters with your bare hands, but you buy your capes at secondhand stores, and have a weakness for kittens, and a snarky comment from Skeptical Guy can ruin a whole afternoon? Cartoonist Faith Erin Hicks brings her skills in character design and sharp, charming humor to the trials and tribulations of a young, superhero battling monsters both supernatural and mundane in an all-too-ordinary world.

    The hit comic book series based on Dan Harmon and Justin Roiland's hilarious [adult swim] animated show Rick & Morty is now available in its first collection! Join the excitement as depraved genius Rick Sanchez embarks on insane adventures with his awkward grandson Morty across the universe and across time. Caught in the crossfire are his teenage granddaughter Summer, his veterinary surgeon daughter Beth, and his hapless son-in-law Jerry. This collection features the first five issues of the comic book series, including "The Wubba Lubba Dub Dub of Wall Street," "Mort-Balls!" and more, along with hilarious mini-comics showcasing the whole family.

    But Marv doesn't care. There's an angel in the room. She says her name is Goldie. A few hours later, Goldie's dead without a mark on her perfect body, and the cops are coming before anyone but Marv could know she's been killed. Somebody paid good money for this frame . . . With a new look generating more excitement than ever before, this third edition is the perfect way to attract a whole new generation of readers to Frank Miller's masterpiece!

    An epic love story so grand that one medium cannot contain it, Aronofsky's feature film - released by Warner Bros, Pictures and Regency Enterprises - stars Tony Award-winner Hugh Jackman (The Boy from Oz, X-Men) and Oscar-winner Rachel Weisz (The Constant Gardener, The Mummy). The Fountain graphic novel is a sister-project to the film, using the same story as its seed, but stretched instead upon the limitless canvas of the comics medium. Already earning Williams the Eisner nomination for Best Painter, The Fountain graphic novel provides an alternative interpretation wholly unique yet still intimately tied to the movie, in what can be considered the ultimate "director's cut".

    Always feeling apart, even among his species, Jomny feels at home for the first time among the earthlings he meets. There is a bear tired of other creatures running in fear, an egg struggling to decide what to hatch into, a turtle hiding itself by learning camouflage, a puppy struggling to express its true feelings, and many more.The characters are unique and inventive—bees think long and hard about what love means, birds try to eat the sun, nothingness questions its own existence, a ghost comes to terms with dying, and an introverted hedgehog slowly lets Jomny see its artistic insecurities. At the same time, Jomny’s curious presence allows these characters to open up to him in ways they were never able to before, revealing the power of somebody who is just there to listen.Everyone’s a Aliebn When Ur a Aliebn Too is also the story behind the widely-shared and typo-filled @jonnysun twitter account. Since the beginning, Sun intentionally tweeted from an outsider’s perspective, creating a truly distinct voice. Now, that outsider has taken shape in the character of Jomny, who observes Earth with the same intelligent, empathetic, and charmingly naïve voice that won over his fans on social media. New fans will find it organic, and old fans will delight at seeing the clever words that made them fans in the first place.Through this story of a lost, lonely and confused Alien finding friendship, acceptance, and love among the animals and plants of Earth, we will all learn how to be a little more human. And for all the earth-bound creatures here on this planet, we will all learn how sometimes, it takes an outsider to help us see ourselves for who we truly are.

    This is the first of a series of new Hellblazer editions starring Vertigo’s longest running antihero, John Constantine, England’s chain-smoking, low-rent magus.This first collection is a loosely connected series of tales of John’s early years where Constantine was at his best and at his worst, all at the same time.Collecting: Hellblazer 1–9; material from Swamp Thing 76-77

    8.It’s the end of second year for best mates Susan, Daisy, and Esther, and cracks are appearing in the foundation of this unshakeable trio. Between (irritating) new loves, (secretive) old loves, (unlikely) new friendships and (terrible) old houses, they’ll be lucky to make it to third year alive!John Allison (Bad Machinery, Scary Go Round) and illustrators Max Sarin and Liz Fleming shepherd us through another action-packed semester in Giant Days Volume 8, which collects Issues #29-32 of the Eisner Award-nominated series.