His incisive writings on individual filmmakers define film culture as a diverse and ever-evolving practice, unpredictable yet subject to analyses just as diversified as his own discriminating tastes. For Rosenbaum, there is no high or low cinema, only more interesting or less interesting films, and the pieces collected here, from an appreciation of Marilyn Monroe’s intelligence to a classic discussion on and with Jean-Luc Godard, amply testify to his broad intellect and multi-faceted talent. Goodbye Cinema, Hello Cinephilia gathers together over fifty examples of Rosenbaum’s criticism from the past four decades, each of which demonstrates his passion for the way we view movies, as well as how we write about them. Charting our changing concerns with the interconnected issues that surround video, DVDs, the Internet, and new media, the writings collected here also highlight Rosenbaum’s polemics concerning the digital age. From the rediscovery and recirculation of classic films, to the social and aesthetic impact of technological changes, Rosenbaum doesn’t disappoint in assembling a magisterial cast of little-known filmmakers as well as the familiar faces and iconic names that have helped to define our era. As we move into this new decade of moviegoing—one in which Hollywood will continue to feel the shockwaves of the digital age—Jonathan Rosenbaum remains a valuable guide. Goodbye Cinema, Hello Cinephilia is a consummate collection of his work, not simply for fans of this seminal critic, but for all those open to the wide variety of films he embraces and helps us to elucidate.

    Not exactly the picture of a war correspondent. But when his boss asks him if he would like to go to Iraq, he doesn't have the guts to say no. After signing a 1 million dollar life-insurance policy, studying a tutorial on repairing severed limbs, and spending 20 thousand dollars in camping gear (only to find out that his bright yellow tent makes him a sitting duck), Ayres is embedded with a battalion of gung ho Marines who either shun him or threaten him when he files an unfavorable story. As time goes on, though, he begins to understand them (and his inexplicably enthusiastic fellow war reporters) more and more: Each night of terrifying combat brings, in the morning, something more visceral than he has ever experienced -- the thrill of having won a fight for survival.In the tradition of MASH, Catch-22, and other classics in which irreverence springs from life in extremis, War Reporting for Cowards tells the story of Iraq in a way that is extraordinarily honest, heartfelt, and bitterly hilarious.

    Now, based on the upcoming film, is a terrifying new novelization novel written by Jonathan Maberry, based on the screenplay by Andrew Kevin Walker and David Self Based on a motion picture screenplay by Curt SiodmakLawrence Talbot's childhood ended the night his mother died.  After he left the sleepy Victorian hamlet of Blackmoor, he spent decades recovering and trying to forget.  But when his brother's fiancée tracks him down to help find her missing love, Talbot returns home to join the search.  He learns that something with brute strength and insatiable bloodlust has been killing the villagers, and that a suspicious Scotland Yard inspector has come to investigate.As Talbot pieces together the gory puzzle, he hears of an ancient curse that turns the afflicted into werewolves when the moon is full.  Now, if he has any chance at ending the slaughter and protecting the woman he has grown to love, Talbot must destroy the vicious creature that stalks the woods surrounding Blackmoor.  But as he hunts for the nightmarish beast, a simple man with a tortured past will uncover a primal side to himself . . . one he never imagined existed.

    With violence and intimidation they were the kings of London. They sipped champagne with celebrities and rubbed shoulders with politicians. They were untouchable. Until they weren’t. After an undercover operation, the Kray twins were found guilty of murder and were sentenced to life in prison. They were just 35 years old. But once inside, the twins were determined to make their stay truly historic. The Twins began earning more money inside than they ever did on the streets. They sold branded t-shirts and memorabilia and they allowed books and films to be published about their lives. They didn't stop. Whilst locked up, their mother died as did their brother Charlie, and their associates and friends all fell away. But while Britain changed as a nation, the brothers continued to operate as the gangsters they once were. Their violence ingrained so deep that they couldn’t leave it behind. The Krays: The Prison Years explores the fascinating and largely untold story of the Kray twins following their imprisonment.

    Following on from the success of his thriller, Ex Machina, Alex Garland returns to cerebral sci-fi with his adaptation of Jeff VanderMeer's cult novel -a tale of a biologist attempting to uncover the mystery of her husband's disappearance into a restricted zone.What she and her fellow scientists discover is a world populated by mysterious life forms that might offer answers, but which exposes them to madness and death.Beside the screenplay, the book also includes 20 pages of behind-the-scenes photos.

    Yet many may be surprised to learn that the true story behind the making of the film is as captivating as the film itself. In The Making of Slap Shot, veteran sports writer Jonathon Jackson lets fans not only relive just how the film was made, but brings to light surprising facts (i.e., Al Pacino was the first choice for the role of Reggie Dunlop; almost every scene-even the absurd and unbelievable ones-depicts a real life event). With access to those involved in the making of the film, he brings to life some of the magic behind the creation of memorable scenes and characters, especially the Charleston Chiefs, one of the most popular fictional sports teams in history. Based on interviews with over 50 cast members, production staff, and anyone of note involved in the film's creation Destined to be a collectible and keepsake (along with the jerseys, bobbleheads, and other paraphernalia associated with the film), The Making of Slapshot is a must for fans eager to learn even more about their favorite film.

    In 2006, she had just signed her first record deal and, after placing as first runner-up for Miss World, was a sought-after fashion model and icon within the Iranian dissident community. But one afternoon, she received an email that would change the course of her life. The subject of that email—a Kurdish girl named Nazanin Fatehi—was facing execution in Iran, as punishment for stabbing a man who had tried to rape her. Afshin-Jam quickly came to Fatehi's defence, striding into the world of international diplomacy and confronting the dark side of the country of her birth, with its honour killings, violence against women and state-sanctioned executions of children. While Fatehi languished in prison, experiencing conditions so deplorable she attempted to end her own life, Afshin-Jam worked desperately on the campaign to save her. The Tale of Two Nazanins weaves together the lives of two women—one leading a life of opportunity, the other living in abject poverty—and a fight for justice that, if only for a moment, brought the Iranian regime to its knees. An inspiring story about the bonds of sisterhood, this extraordinary book speaks to the power of every individual to foster positive change in the world.

    Fully illustrated with great photographs.

    Complete with a giant octopus, a hungry shark, and dolphins to the rescue, this Magic Tree House book delivers an underwater adventure kids can dream about. Ghost Town at Sundown Morgan le Fay has promised to make Jack and Annie masters of the tree house if they can solve four riddles. In Ghost Town at Sundown, the Magic Tree House whisks Jack and Annie back to a ghost town in the Wild West of the 1880s. There, they meet a mustang herder named Slim as they search for the answer to the second riddle.

    His endlessly touching and romantic films -- always tinged by a touch of reflective sadness -- made him one of France's favorite and most successful directors. This book traces Truffaut's career and includes rare images drawn from his archives.

    It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve.Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast array of examples from Western film criticism. Following an introductory chapter that sets out the terms and scope of the argument, Bordwell goes on to show how critical institutions constrain and contain the very practices they promote, and how the interpretation of texts has become a central preoccupation of the humanities. He gives lucid accounts of the development of film criticism in France, Britain, and the United States since World War II; analyzes this development through two important types of criticism, thematic-explicatory and symptomatic; and shows that both types, usually seen as antithetical, in fact have much in common. These diverse and even warring schools of criticism share conventional, rhetorical, and problem-solving techniques--a point that has broad-ranging implications for the way critics practice their art. The book concludes with a survey of the alternatives to criticism based on interpretation and, finally, with the proposal that a historical poetics of cinema offers the most fruitful framework for film analysis.

    Now in its second edition, the text has been completely revised and expanded to meet the needs of today's students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analyzed with depth and clarity. Entries include: * auteur theory* Blaxploitation* British New Wave* feminist film theory* intertextuality* method acting* pornography* Third World Cinema* Vampire movies.

    This edition features a new and expanded colour section, completely updated DVD information, and several brand new reviews of Takashi Miike films that were unavailable for coverage at the time of the book's initial production.

    To celebrate (survive) their union on Friday, the Twenty-First of December, Two Thousand Eighteen at Four-Twenty-Three p.m. Destination: Peculiar, Missouri. The only thing Chavvah wants more than to marry Billy Bob is to have his baby, but since that ship has sailed thanks to prior trauma, she's happy just to get down the aisle with him and make their life together official. The date is set for the Winter Solstice, marking the longest night of year, but a challenge from an unexpected guest, is turning her special day into a fight-club nightmare. And after having postponed the wedding twice already, Chav is starting to think fate hates her guts. On top of that, there are almost forty werewolves camped out on Billy Bob's property, claiming that Chav and Billy Bob are their new leaders. But when Chav tries to get her spirit guide, Brother Wolf, to cough up answers, he ignores her. Worst, the silent deity is sending her BFF Sunny visions that are taking a physical toll on her human friend's all too frail body. Throw in Billy Bob's manipulative father, Chav's pushy mother, and other surprise guests, these two furry lovebirds may never make it to "I do!" Peculiar Mysteries series from USA Today bestselling author Renee George are laugh-out-loud, grip the edge of your seat, and swoon as you fall in love tales of mystery, humor, and romance that take place in the small (fictional-not the actual) Ozark shifter town of Peculiar, Missouri.

    In this short read of approximately 75 pages, Jinx, Tori, and the gang head out to spend their first Christmas in the magical Valley of Shevington, a place where anything is possible. Everything seems perfect, but on Christmas night, Jinx finds herself at the base of the Mother Tree thinking about the one thing she can’t have . . . or can she?