Returning home to her family’s farm in the Midwest for her Christmas wedding was never Beth Dean’s plan. But it’s the only way her beloved grandmother will be able to attend. And even her New York City friends will find the family’s old barn elegant. But when her fiancé’s family want her to sign a pre-nup, her hopes for her future marriage may be crumbling even as the guests arrive. Beth’s childhood friend, Jen Fitzgerald, has always dreamed of starting a wedding planning business. And when Beth decides to have her wedding back home, it’s the perfect chance for Jen to show everyone what she can do. But when the caterer cancels and a blizzard comes in through the barn door, Jen wonders if she’s bit off more than she can chew—and how she’s going to get through the wedding while seeing her old flame, Jared, for the first time in years. Meanwhile, Beth’s friend Destiny is trying to put on a brave face while she wonders why she never left home to follow her dreams like Beth. The groom’s parents are brought face to face with the tensions in their own marriage as they argue over their son’s. And Sylvia, a native New Yorker, is wondering how long she can survive in a town that doesn’t even have a Starbucks, while unexpected sparks fly with Winston, a gruff local tree surgeon with a heart of gold. But when a surprise snowstorm blankets the area, keeping the guests together on the farm, everyone learns to put aside their differences and enjoy their unexpected Christmas blessings.

    Claire, a former professional ballerina, has been a wonderful parent to Ethan, but he’s becoming increasingly curious about his father’s absence in his life. Claire is fiercely protective of her talented, vulnerable son—and of her own feelings. But when Ethan falls ill, tied to a tragic event that occurred during his infancy, her tightly-held world is split open. Thousands of miles away on the western coast of Australia, Mark is trying to forget about the events that tore his family apart, but an unexpected call forces him to confront his past and return home. When Ethan secretly intercepts a letter from Mark to Claire, he unleashes long-suppressed forces that—like gravity—pull the three together again, testing the limits of love and forgiveness. Told from the alternating points of view of Ethan and each of his parents, Relativity is a poetic and soul-searing exploration of unbreakable bonds, irreversible acts, the limits of science, and the magnitude of love.

    Not with his mother's new family. Not as a weekend guest with his father and his father's wife. Not at school, where he's an outcast. After his best friend moves away, Raymond has only two real connections: to the feral cat he's tamed and to a blind ninety-two-year-old woman in his building who's introduced herself with a curious question: Have you seen Luis Velez?Mildred Gutermann, a German Jew who narrowly escaped the Holocaust, has been alone since her caretaker disappeared. She turns to Raymond for help, and as he tries to track Luis down, a deep and unexpected friendship blossoms between the two.Despondent at the loss of Luis, Mildred isolates herself further from a neighborhood devolving into bigotry and fear. Determined not to let her give up, Raymond helps her see that for every terrible act the world delivers, there is a mirror image of deep kindness, and Mildred helps Raymond see that there's hope if you have someone to hold on to.

    She knows there is something wrong with her but she doesn't know what it is. Her husband Patrick thinks she is fine. He says everyone has something, the thing is just to keep going.Martha told Patrick before they got married that she didn't want to have children. He said he didn't mind either way because he has loved her since he was fourteen and making her happy is all that matters, although he does not seem able to do it.By the time Martha finds out what is wrong, it doesn't really matter anymore. It is too late to get the only thing she has ever wanted. Or maybe it will turn out that you can stop loving someone and start again from nothing - if you can find something else to want.

    Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense non-profit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter Clee can move into her house for a little while, Cheryl's eccentrically-ordered world explodes. And yet it is Clee--the selfish, cruel blond bombshell--who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual fantasies and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.

    Alice has begun having panic attacks whenever she thinks about how her life hasn't turned out the way she dreamed. Even the beloved honeybees she raises in her spare time aren't helping her feel better these days.In the grip of a panic attack, she nearly collides with Jake--a troubled, paraplegic teenager with the tallest mohawk in Hood River County--while carrying 120,000 honeybees in the back of her pickup truck. Charmed by Jake's sincere interest in her bees and seeking to rescue him from his toxic home life, Alice surprises herself by inviting Jake to her farm.And then there's Harry, a twenty-four-year-old with debilitating social anxiety who is desperate for work. When he applies to Alice's ad for part-time farm help, he's shocked to find himself hired. As an unexpected friendship blossoms among Alice, Jake, and Harry, a nefarious pesticide company moves to town, threatening the local honeybee population and illuminating deep-seated corruption in the community. The unlikely trio must unite for the sake of the bees--and in the process, they just might forge a new future for themselves.Beautifully moving, warm, and uplifting, The Music of Bees is about the power of friendship, compassion in the face of loss, and finding the courage to start over (at any age) when things don't turn out the way you expect.

    When Emerson tragically passes away, she leaves one final wish for her best friends: to conquer the fears they still carry as adults.For each of them, that means something different. For Marley, it's coming to terms with the survivor's guilt she's carried around since her twin sister's death, which has left her blind to the real chance for romance in her life. For Georgia, it's about learning to stop trying to live up to her mother's and brother's ridiculous standards, and learning to accept the love her ex-husband has tried to give her.But as Marley and Georgia grow stronger, the real meaning of Emerson's dying wish becomes truly clear: more than anything, she wanted her friends to love themselves.

    Her husband is delighted. “You think this baby is going to be like you, but it’s not like you at all,” she warns him. “This baby is an owl-baby.”When Chouette is born small and broken-winged, Tiny works around the clock to meet her daughter’s needs. Left on her own to care for a child who seems more predatory bird than baby, Tiny vows to raise Chouette to be her authentic self. Even in those times when Chouette’s behaviors grow violent and strange, Tiny’s loving commitment to her daughter is unwavering. When she discovers that her husband is on an obsessive and increasingly dangerous quest to find a “cure” for their daughter, Tiny must decide whether Chouette should be raised to fit in or to be herself—and learn what it truly means to be a mother.Arresting, darkly funny, and unsettling, Chouette is a brilliant exploration of ambition, sacrifice, perceptions of ability, and the ferocity of motherly love.

    In this peeled-paint coal town deep in Appalachia, Kevin quickly falls in with a half-wild hollow kid named Buzzy Fink who schools him in the mysteries and magnificence of the woods. The events of this fateful summer will affect the entire town of Medgar, Kentucky. Medgar is beset by a massive mountaintop removal operation that is blowing up the hills and back filling the hollows. Kevin's grandfather and others in town attempt to rally the citizens against the "company" and its powerful owner to stop the plunder of their mountain heritage. When Buzzy witnesses a brutal hate crime, a sequence is set in play that tests Buzzy and Kevin to their absolute limits in an epic struggle for survival in the Kentucky mountains.

    She can’t sleep, can’t work, and can’t bear to touch her beautiful baby girl. Her emotional state is whispering lies in Veronica’s ear: You’re a bad mother. Your baby would be better off without you. But not everything can be reasoned away by Veronica’s despair. Can it?After all, the break-in at her house happened. The disturbing sketches she found in her studio are real. So is the fear for her daughter’s safety—especially when Veronica comes home to a cold, silent nursery and a missing baby.As she turns from victim into primary suspect, Veronica realizes that only she can find her daughter. Authorities aren’t helping. They’re only watching. Veronica’s concerned mother has suddenly vanished from her life. And a new friend seems to be keeping secrets from her too. Now, reality is waiting for Veronica in a dark place—because someone’s mind games have only just begun.

    Haunted by memories and grief, Jess packs what’s left and heads for the small mountain town of Pine Lake, where she takes a position as caregiver to an eccentric old woman.A rumored clairvoyant, Lucy is strange but welcoming and immediately intuits Jess as a “loose end” in need of closure. But Jess isn’t the only guest in Lucy’s large Victorian home. There’s also Star, a teenage runaway with a secret too painful to share. And the little boy with heart-shaped stones, who comes with a hope for reconciliation—and a warning.Soon Jess learns that she’s not the only lost soul running from the ghosts of the past. She and Star have been brought together for a reason: to be saved by the very thing that destroyed them.

    On a frozen night in an affluent neighborhood of Minneapolis, a baby is abducted from her home after her teenage babysitter is violently assaulted. The parents are frantic, the police are baffled, and, with the perpetrator already in the wind, the trail is getting colder by the second.As family liaison officer with the Minneapolis P.D., it’s Afton Tangler’s job to deal with the emotional aftermath of terrible crimes—but she’s never faced a case quite as brutal as this. Each development is more heartbreaking than the last and the only lead is a collection of seemingly unrelated clues.But, most disturbing of all, Afton begins to suspect that this case is not isolated.  Whoever did this has taken babies before—and if Afton doesn’t solve this crime soon, more children are sure to go missing . . .

    But Dan doesn’t just want to save his failing bookstore and his family’s finances he wants to do something special.Dan is an obsessive list maker; his story unfolds entirely in his lists, which are brimming with Dan’s hilarious sense of humor, unique world-view, and deeply personal thoughts. When read in full, his lists paint a picture of a man struggling to be a man, a man who has reached a point where he’s willing to do anything for the love of his life.

    He’s the only person who understands her, and all Hanna wants is to live happily ever after with him. But Mommy stands in her way, and she’ll try any trick she can think of to get rid of her. Ideally for good.Meet Suzette.She loves her daughter, really, but after years of expulsions and strained home schooling, her precarious health and sanity are weakening day by day. As Hanna’s tricks become increasingly sophisticated, and Suzette's husband remains blind to the failing family dynamics, Suzette starts to fear that there’s something seriously wrong, and that maybe home isn’t the best place for their baby girl after all.

    She boldly embraces this calling after being told the shocking news that she can’t bear children, but as the country steers toward bloody civil war, Sarah faces difficult sacrifices that could put all she loves in peril.   Eden, a modern woman desperate to conceive a child with her husband, moves to an old house in the suburbs and discovers a porcelain head hidden in the root cellar—the remains of an Underground Railroad doll with an extraordinary past of secret messages, danger and deliverance.    Ingeniously plotted to a riveting end, Sarah and Eden’s woven lives connect the past to the present, forcing each of them to define courage, family, love, and legacy in a new way.