Who has it. Who doesn’t. How you get it. How you don’t.In Refund, Bender creates an award-winning collection of stories that deeply explore the ways in which money and the estimation of value affect the lives of her characters. The stories in Refund reflect our contemporary world—swindlers, reality show creators, desperate artists, siblings, parents — who try to answer the question: What is the real definition of worth?In “Theft,” an eighty-year-old swindler, accustomed to tricking people for their money, boards a cruise ship to see if she can find something of true value—a human connection. In “Anything for Money,” the creator of a reality show is thrown into the real world when his estranged granddaughter reenters his life in need of a new heart; and in the title story, young artist parents in downtown Manhattan escape the attack on 9/11 only to face a battle over their subletted apartment with a stranger who might have lost more than only her deposit.Set in contemporary America, these stories herald a work of singular literary merit by an important writer at the height of her power.

    His tryst with destiny begins when his father becomes the victim of political violence. He is suddenly the man of the house. In trying to bring together his breaking family, and win back their family home, he experiences life through encounters with some incredible women. Rhea helps inculcate a sense of purpose in his life. Kavya is vivacious, Flirty and sensuous, who makes him bolder. Priya teaches him lessons none else could have, and Ahana is an innocent poet at heart, who makes him shed the garb of the hermit. Till we meet again is a story of a sleepy neighbourhood, which transforms into a modern-day ghetto of gated communities, riding the real estate juggernaut. A story of resilience and determination, it’s a heady cocktail of familial bonds, hope, deceit, vengeance and love.

    If she didn’t marry the man her parents had chosen for her, they would lose everything. Nandini wasn’t willing to sacrifice her life for the sake of paying her father’s gambling debts. And the groom, while handsome and very successful, was not the kind her parents would ever pick under ideal circumstances. In fact, he would be the most unsuitable groom since he didn't have a long line of royal ancestors like Nandini's family. But something about the groom’s proposal touched Nandini's heart. Will Nandini agree to marry the man her parents had picked? Find out in—The Proposal Note: This is a fictional short story with an approximate length of 4500 words or 25 pages. It is a lighthearted and clean romance that is meant for entertainment purposes only.

    Interwoven with themes of brutality and faith, guilt and fear, helplessness and survival, the characters in these stories struggle to make meaning out of chaos. In "Redeployment", a soldier who has had to shoot dogs because they were eating human corpses must learn what it is like to return to domestic life in suburbia, surrounded by people "who have no idea where Fallujah is, where three members of your platoon died." In "After Action Report", a Lance Corporal seeks expiation for a killing he didn't commit, in order that his best friend will be unburdened. A Morturary Affairs Marine tells about his experiences collecting remains - of U.S. and Iraqi soldiers both. A chaplain sees his understanding of Christianity, and his ability to provide solace through religion, tested by the actions of a ferocious Colonel. And in the darkly comic "Money as a Weapons System", a young Foreign Service Officer is given the absurd task of helping Iraqis improve their lives by teaching them to play baseball. These stories reveal the intricate combination of monotony, bureaucracy, comradeship and violence that make up a soldier's daily life at war, and the isolation, remorse, and despair that can accompany a soldier's homecoming. Redeployment is poised to become a classic in the tradition of war writing. Across nations and continents, Klay sets in devastating relief the two worlds a soldier inhabits: one of extremes and one of loss. Written with a hard-eyed realism and stunning emotional depth, this work marks Phil Klay as one of the most talented new voices of his generation.

    Tobey Danville isn't about to turn down a cute, curvy blonde who offers sizzling-hot sex in a commercial refrigerator at his best friend's wedding reception. But the next day, when Callie discovers that Tobey is the consultant she has hired to save her store, they find it difficult to concentrate on business. Especially when giving and getting pleasure in each other's arms is so much more fun!

    Adulterer. Divorced. That is Lord Davis Rathbone’s history. His future? He vows to never marry or fall in love again—repeating his past mistakes, not worth the risk. Then he meets Magnolia Blume, and filling his days penning poetry no longer seems an alternative to channel his pent-up feelings. With God’s help, surely he can keep this rare treasure and make it work this time? Magnolia Blume’s life is perfect, except for one thing—Davis Rathbone is everything she’s not looking for in a man. He doesn’t strike her as one prone to the sentiments of family, or religion, but her judgments could be premature. Magnolia must look beyond the gossip, Davis’s past, and their differences to find her perfect match, because, although flawed, Davis has one redeeming quality—he is a man after God’s own heart.

    It's a place where high school kids drink and get into the kind of trouble high school kids have always gotten into. It's the place where Pete Simmons goes when his older brother, who's supposed to be looking out for him, heads off to the gravel pit to play "paratroopers over the side." Pete, armed only with the magnifying glass he got for his tenth birthday, finds a discarded bottle of vodka in the boarded up burger shack and drinks enough to pass out. Not much later, a mud-covered station wagon (which is strange because there hadn't been any rain in New England for over a week) veers into the Mile 81 rest area, ignoring the sign that says "closed, no services." The driver's door opens but nobody gets out.Doug Clayton, an insurance man from Bangor, is driving his Prius to a conference in Portland. On the backseat are his briefcase and suitcase and in the passenger bucket is a King James Bible, what Doug calls "the ultimate insurance manual," but it isn't going to save Doug when he decides to be the Good Samaritan and help the guy in the broken down wagon. He pulls up behind it, puts on his four-ways, and then notices that the wagon has no plates.Ten minutes later, Julianne Vernon, pulling a horse trailer, spots the Prius and the wagon, and pulls over. Julianne finds Doug Clayton's cracked cell phone near the wagon door—and gets too close herself. By the time Pete Simmons wakes up from his vodka nap, there are a half a dozen cars at the Mile 81 rest stop. Two kids—Rachel and Blake Lussier—and one horse named Deedee are the only living left. Unless you maybe count the wagon...

    Contained within are a condemned king's final secrets.

    Greenie Duquette, openhearted yet stubborn, devotes most of her passionate attention to her Greenwich Village bakery and her four–year–old son, George. Her husband, Alan, seems to have fallen into a midlife depression, while Walter, a traditional gay man who has become her closest professional ally, is nursing a broken heart.It is at Walter’s restaurant that the visiting governor of New Mexico tastes Greenie’s coconut cake and decides to woo her away from the city to be his chef. For reasons both ambitious and desperate, she accepts—and finds herself heading west without her husband. This impulsive decision will change the course of several lives within and beyond Greenie’s orbit. Alan, alone in New York, must face down his demons; Walter, eager for platonic distraction, takes in his teenage nephew. Yet Walter cannot steer clear of love trouble, and despite his enforced solitude, Alan is still surrounded by women: his powerful sister, an old flame, and an animal lover named Saga, who grapples with demons all her own. As for Greenie, living in the shadow of a charismatic politician leads to a series of unforeseen consequences that separate her from her only child. We watch as folly, chance, and determination pull all these lives together and apart over a year that culminates in the fall of the twin towers at the World Trade Center, an event that will affirm or confound the choices each character has made—or has refused to face.Julia Glass is at her best here, weaving a glorious tapestry of lives and lifetimes, of places and people, revealing the subtle mechanisms behind our most important, and often most fragile, connections to others. In The Whole World Over she has given us another tale that pays tribute to the extraordinary complexities of love.

    Her only concern is to get through the holiday without making her family worry while taking in all she can. But when her ex heads home she's forced to feel things she thought she was over. At the top of the things she thought she was over is Ramir Patterson. Ramir Patterson has been successful in every avenue of his life but love. After failing twice at it he's decided to focus on his business and making a legacy that would hopefully out live him. But the more time goes on he's starting to face the fact that the life he dreamed of with the woman he's dreamed of sharing it with may never happen. That's until Valencia crosses his path again. Now that Ramir and Valencia are back on each other's radar can the love they once shared be rekindled or will life end everything where it stands? Find out in The Last Christmas: A Mistletoe Miracle.

    You’re thirteen now. I was eight when I got married. You’ll never look this beautiful ever again.”“I will Ammi, when I wear a school uniform.”If you like thrillers, this micro tale is for you-I always assumed that my neighbour’s daughter knew the word ‘Eight’ only until my dog went missing and she said ‘Nine’.And if you like six-word stories, this tale is for you-Woke up in hospital. Failed again.In fact, there are 100 such small tales that will have a big impact on you.So what are you waiting for? Scroll to the top of this page, buy the book and start reading today.Rafaa's micro tales are absolute gems. The journey is short but its impact is everlasting. This one deserves to be read by all.Sanhita BaruahAuthor of ‘The Art of Grieving’ and ‘The Art of Letting Go’Are you interested in unconventional storytelling? How about a story where the beginning, middle and the end are on the same page? A narrative that makes you frown on page 1, nod in agreement on page 2 and chuckle on page 3?How about reading short fiction then? I highly recommend Small is Big by Rafaa Dalvi. The long and short of fiction in endearing small portions!Rickie KhoslaAuthor of ‘The Imperative Subterfuge’ and ‘Pretty Vile Girl’The book has something for everyone. It has humor – a few of slap stick variety, playing on puns, it has punch where you get a most unexpected twist, it has philosophy, it has romance and it has horror – stories that chill your spine.T.F. CarthickAuthor of ‘Carthick’s Unfairy Tales’ and ‘More Unfairy Tales’About the Author:Rafaa Dalvi tries to escape from the mundane with words and contemplates about befriending the voices in his head. He dreams about changing the world, one smile at a time.Already published numerous times, his stories can be read in the anthologies – Curtain Call (editor), Kaleidoscope, Myriad Tales, and many more. He has also written three volumes of ‘Small is Big’, which is a collection of 100 micro tales. He’s the recipient of Indian Bloggers League Booker Prize 2013.

    

    In it abides a young woman, perhaps the most beautiful Giovanni has ever seen. Yet as he looks out from an upstairs window, he soon learns that, far from stemming from the gentle hand of Mother Nature, the garden - and the matchless Beatrice - are in fact the result of a monstrous abomination of creativity. Part fairy tale, part Gothic horror story, Hawthorne's 'Rappaccini's Daughter' is an inspired tale of creation and control, and an ingenious biblical parody. Its fantastical element is brilliantly echoed in the two other short stories contained in this volume: 'Young Goodman Brown' sees one of Salem's townsmen introduced to a dark ceremony of diabolic intent, whilst 'A Select Party' tells of a magical party, set in a castle in the sky, and attended by a host of glittering guests. Read together, these three short stories exemplify Hawthorne's key thematic concerns, and display all his art as a storyteller. --front flap

    A medical procedure reveals an object of worship. A carnivorous reptile divides and cauterizes a town. Amelia Gray’s curio cabinet expands in Gutshot, where isolation and coupling are pushed to their dark and outrageous edges. These singular stories live and breathe on their own, pulsating with energy and humanness and a glorious sense of humor. Hers are stories that you will read and reread—raw gems that burrow into your brain, reminders of just how strange and beautiful our world is. These collected stories come to us like a vivisected body, the whole that is all the more elegant and breathtaking for exploring its most grotesque and intimate lightless viscera.

    But it's Zikora's demanding, self-possessed mother, in town for the birth, who makes Zikora feel like a lonely little girl all over again. Shunned by the speed with which her ideal life fell apart, Zikora turns to reflecting on her mother's painful past and struggle for dignity. Preparing for motherhood, Zikora begins to see more clearly what her own mother wants for her, for her new baby, and for herself.©2020 Chimamanda Ngozi Adichie (P)2020 Brilliance Publishing, Inc, all rights reserved.