Unlike other leading abolitionists, however, Douglass embraced the U.S. Constitution, insisting that it was an essentially anti-slavery document and that its guarantees for individual rights belonged to all Americans, of whatever race. As the nation pauses to remember Douglass on his bicentennial, Frederick Douglass: Self-Made Man gives us an insightful glimpse into the mind of one of America’s greatest thinkers.

    The one-act play invites listeners into Sharon's unorthodox childhood, growing up in an apartment on the top floor of the St. Agnes Branch of the New York Public Library, where her father served as the building's custodian. A love of literature and boundless imagination helped the playwright as a young woman persevere over dragons of all forms.Directed by Maria Mileaf, Feeding the Dragon premiered at City Theatre in Pittsburgh and was subsequently produced by Hartford Stage and Primary Stages.©2018 Sharon Washington (P)2018 AO Media, LLC.

    At that time, it was the largest contract ever given to a pitcher. He was at the top of his game, in peak physical condition, and had the kind of financial security most people can only dream of.He was also miserable. And it began to show. Zito’s career declined over the next few years until he hit rock bottom—watching from the bench as his team won the World Series in 2010. In the months that followed, Zito came face-to-face with the destructiveness of his own ego—his need to be viewed as the best. He also came face-to-face with God and with the truth that he was loved no matter what he achieved.In Curveball, Zito shares his story with honesty and transparency. The ups and the downs. The wins and losses. By sharing his experiences as a man who had everything except happiness, Zito offers readers a path through adversity and toward a life defined by true success.

    But Cooper shows us that there is more to the story than that. Black women’s eloquent rage is what makes Serena Williams such a powerful tennis player. It’s what makes Beyoncé’s girl power anthems resonate so hard. It’s what makes Michelle Obama an icon.Eloquent rage keeps us all honest and accountable. It reminds women that they don’t have to settle for less. When Cooper learned of her grandmother's eloquent rage about love, sex, and marriage in an epic and hilarious front-porch confrontation, her life was changed. And it took another intervention, this time staged by one of her homegirls, to turn Brittney into the fierce feminist she is today. In Brittney Cooper’s world, neither mean girls nor fuckboys ever win. But homegirls emerge as heroes. This book argues that ultimately feminism, friendship, and faith in one's own superpowers are all we really need to turn things right side up again.

    Laura Coates bleeds for justice on the page.” —Ibram X. Kendi, National Book Award–winning author of Stamped from the Beginning and How to Be an AntiracistWhen Laura Coates joined the Department of Justice as a prosecutor, she wanted to advocate for the most vulnerable among us. But she quickly realized that even with the best intentions, “the pursuit of justice creates injustice.” Through Coates’s experiences, we see that no matter how fair you try to fight, being Black, a woman, and a mother are identities often at odds in the justice system. She and her colleagues face seemingly impossible situations as they teeter between what is right and what is just. On the front lines of our legal system, Coates saw how Black communities are policed differently; Black cases are prosecuted differently; Black defendants are judged differently. How the court system seems to be the one place where minorities are overrepresented, an unrelenting parade of Black and Brown defendants in numbers that belie their percentage in the population and overfill American prisons. She also witnessed how others in the system either abused power or were abused by it—for example, when an undocumented witness was arrested by ICE, when a white colleague taught Coates how to unfairly interrogate a young Black defendant, or when a judge victim-blamed a young sexual assault survivor based on her courtroom attire. Through these revelatory and captivating scenes from the courtroom, Laura Coates explores the tension between the idealism of the law and the reality of working within the parameters of our flawed legal system, exposing the chasm between what is right and what is lawful.

    Many black residents were poor sharecroppers, but others owned their own farms and the land on which they’d founded the county’s thriving black churches.But then in September of 1912, three young black laborers were accused of raping and murdering a white girl. One man was dragged from a jail cell and lynched on the town square, two teenagers were hung after a one-day trial, and soon bands of white “night riders” launched a coordinated campaign of arson and terror, driving all 1,098 black citizens out of the county. In the wake of the expulsions, whites harvested the crops and took over the livestock of their former neighbors, and quietly laid claim to “abandoned” land. The charred ruins of homes and churches disappeared into the weeds, until the people and places of black Forsyth were forgotten.National Book Award finalist Patrick Phillips tells Forsyth’s tragic story in vivid detail and traces its long history of racial violence all the way back to antebellum Georgia. Recalling his own childhood in the 1970s and ’80s, Phillips sheds light on the communal crimes of his hometown and the violent means by which locals kept Forsyth “all white” well into the 1990s.Blood at the Root is a sweeping American tale that spans the Cherokee removals of the 1830s, the hope and promise of Reconstruction, and the crushing injustice of Forsyth’s racial cleansing. With bold storytelling and lyrical prose, Phillips breaks a century-long silence and uncovers a history of racial terrorism that continues to shape America in the twenty-first century.

    What do you have to lose? This question, posed by then-presidential candidate Donald Trump to potential black voters, was mocked and dismissed by the mainstream media. But for Candace Owens and many others, it was a wake-up call. A staunch Democrat for all of her life, she began to question the left’s policies toward black Americans, and investigate the harm they inflict on the community. In Blackout, social media star and conservative commentator Owens addresses the many ways that liberal policies and ideals are actually harmful to African Americans and hinder their ability to rise above poverty, live independent and successful lives, and be an active part of the American Dream. Weaving in her personal story that brought her from the projects to 1600 Pennsylvania Avenue, she demonstrates how she overcame her setbacks and challenges despite the cultural expectation that she should embrace a victim mentality. Owens argues that government assistance is a double-edged sword, that the left dismisses the faith so important to the black community, that Democratic permissiveness toward abortion disproportionately affects the black babies, that the #MeToo movement hurts black men, and much more. Well-researched and intelligently argued, Blackout lays bare the myth that all black people should vote Democrat—and shows why turning to the right will leave them happier, more successful, and more self-sufficient.

    She engages with such wide-ranging topics as race, parenthood, love, mental illness, poverty, sexual assault, gentrifcation, writing and representation, and in the process makes connections both large and small between the past and present, the personal and political--from overcoming a years-long battle with head lice to the way Native writers are treated within the Canadian literary industry; her unplanned teenage pregnancy to the history of dark matter and how it relates to racism in the court system; her childhood diet of Kraft Dinner to how systemic oppression is directly linked to health problems in Native communities.With deep consideration and searing prose, Elliott provides a candid look at our past, an illuminating portrait of our present and a powerful tool for a better future.

    And fresh off the Warriors' third NBA championship in the last four years, his game has never been stronger.Off the court, Iguodala has earned respect, too--for his successful tech investments, his philanthropy, and increasingly for his contributions to the conversation about race in America. It is no surprise, then, that in his first book, Andre--with his cowriter Carvell Wallace--has pushed himself to go further than he ever has before about his life, not only as an athlete but about what makes him who he is at his core.The Sixth Man traces Andre's journey from childhood in his Illinois hometown to his Bay Area home court today. Basketball has always been there. But this is the story, too, of his experience of the conflict and racial tension always at hand in a professional league made up largely of African American men; of whether and why the athlete owes the total sacrifice of his body; of the relationship between competition and brotherhood among the players of one of history's most glorious championship teams. And of what motivates an athlete to keep striving for more once they've already achieved the highest level of play they could have dreamed.On drive, on leadership, on pain, on accomplishment, on the shame of being given a role, and the glory of taking a role on: This is a powerful memoir of life and basketball that reveals new depths to the superstar athlete, and offers tremendous insight into most urgent stories being told in American society today.

    Before she gets the reunion her father promised her, war breaks out in Liberia. The family is forced to flee their home on foot, walking and hiding for three weeks until they arrive in the village of Lai. Finally, a rebel soldier smuggles them across the border to Sierra Leone, reuniting the family and setting them off on yet another journey, this time to the United States.Spanning this harrowing journey in Moore’s early childhood, her years adjusting to life in Texas as a black woman and an immigrant, and her eventual return to Liberia, The Dragons, the Giant, the Women is a deeply moving story of the search for home in the midst of upheaval. Moore has a novelist’s eye for suspense and emotional depth, and this unforgettable memoir is full of imaginative, lyrical flights and lush prose. In capturing both the hazy magic and the stark realities of what is becoming an increasingly pervasive experience, Moore shines a light on the great political and personal forces that continue to affect many migrants around the world, and calls us all to acknowledge the tenacious power of love and family.

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    They know his father, Jack Buck, is a broadcasting legend and that he was beloved in his adopted hometown of Saint Louis.   Yet they have no idea who Joe really is. Or how he got here. They don't know how he almost blew his career. They haven't read his funniest and most embarrassing stories or heard about his interactions with the biggest sports stars of this era.They don't know how hard he can laugh at himself—or that he thinks some of his critics have a point. And they don't know what it was really like to grow up in his father's shadow. Joe and Jack were best friends but it wasn't that simple. Jack gave Joe his broadcasting start but it wasn't that easy. And Joe's childhood as the son of a famous broadcaster was not as idyllic as it seemed. In Lucky Bastard, Joe takes the reader into the broadcast booth and into his childhood home. Hilarious and occasionally heartbreaking, this is a book that any sports fan will love.

    Her mother, deciding she couldn't raise a child, placed an ad for foster care in Nursery World. A response soon came from a woman in rural Sussex, and Precious, three months old, was handed off in a basket.Nan, Precious's new foster mother, was sixty years old and white, and prided herself on being "color blind." But she might also have been shortsighted about the difficulties her black daughter would encounter. At her all-white school, Precious was taunted and ostracized, and Nan struggled to understand her daughter's troubles. Precious's birth mother would visit occasionally, providing glimpses of a different world, but eventually turned critical of a daughter who had become "too white."Retreating into her imagination, Precious forged her own identity. She emerged from the disillusionment and self-destructiveness of her teen years with a fierce resolve not to let circumstance, class, or color determine her future. Precious Williams tells her extraordinary story in Color Blind, brightly, bravely grappling with issues of identity, motherhood, and race.

    But after eleven grueling years in the minors, a spot on a major-league roster still seemed just out of his reach–until that fateful call came from the Philadelphia Phillies in May 2006. At age thirty-three (“going on eighty”), Coste was finally heading to the big time.The 33-Year-Old Rookie is like a real-life Rocky, an unforgettable and inspirational story of one man’s unwavering pursuit of a lifelong goal. Beginning in a single-parent home in Fargo, North Dakota, and ending behind home plate on the flawless diamond of the Phillies’ Citizens Bank Park–where fans and teammates call him “Chris Clutch” because of his knack for getting timely hits–this intimate account of Coste’s baseball odyssey is a powerful story of determination, perseverance, and passion. For eleven seasons, Coste hustled, fought, and gritted his way to his breakthrough–and never lost faith in his abilities. Along the way, he gained the affection and admiration of baseball fans from Ottawa and Scranton to various Mexican and Venezuelan cities. Battered by years spent behind a catcher’s mask, and faced with bracing realities–there were bills to pay, and his young daughter was entering first grade–Coste decided to give it one last shot in 2006. But that year, during the Phillies’ major-league spring training, Coste was demoted to the minors at the last minute to make room for a utility outfielder, despite having hit a blistering .463 and earning the trust of the team’s pitchers. Later that season, though, Coste finally got the call-up, and he hit .364 during the Phillies’ furious battle to nail down the final postseason berth.Coste takes us through the 2006 spring training season–with its pulse-quickening moments and close calls–and into his first season as a major-league catcher with the Phillies. From tense stretch-run games that kept Phillies’ fans on the edge of their seats to moments of intimate personal reflection, Coste’s saga offers baseball aficionados an inside look at a remarkable life and career. In this stirring, wry, and candid look at the life of a professional baseball nomad who never surrendered his dream, we savor the sometimes bittersweet fruits of victory against seemingly insurmountable odds.From the Hardcover edition.

    . . . Abu-Jamal offers expert and well-reasoned commentary on the justice system. . . . His writings are dangerous." –Village Voice"Resonates with the moral force of Martin Luther King, Jr.'s Letter From Birmingham Jail." –Boston GlobeAfter twenty years on death row, Mumia Abu-Jamal has been released from his death sentence . . .but not the conviction. This once prominent radio reporter was convicted for the murder of Philadelphia police officer Daniel Faulkner in 1982, after a trial many have criticized as profoundly biased. Live from Death Row is a collection of his prison writings--and impassioned yet unflinching account of the brutalities and humiliations of prison life, and a scathing indictment of racism and political bias in the American judicial system.