Seriously injured, Hannes is evacuated to hospital and nursed back to health by Sister Rika, to whom he haltingly tells the story of his life: of his mother’s mysterious death, of his wild young wife, Aletta, and of the desolate island inhabited only by the lighthouse keepers and guano workers – two communities confined together, yet rigidly separated in one of the bleakest places on earth. With the arrival of a figure from Aletta’s past, her own secrets erupt into the present, just as the simmering tensions and injustices endured for so long by the guano workers erupt into a single, shocking act of violence.Written in the exquisite, haunting prose for which Marguerite Poland is renowned, The Keeper is the story of two generations of lighthouse keepers – men obsessed by their duty to the light – and the wives who accompany them into a life of frightening isolation.The Keeper is a novel about the power of secrets, the power of love, and the power of stories.

    Once you have been there, you will never be the same. Read 3 of the most important historical novels that will take you back to some of AFRICA’S most notable and captivating periods. The super addictive trilogy starts here. Ready for the ride? Book 1: Cry of the Fish Eagle Rupert’s family is happy and at peace. But a vulnerable future is ahead. Chaos is coming. The Rhodesian War is looming… Rupert escapes to Rhodesia from the bloody conflict that is terrorising Europe. His mission is not just duty-driven but a promise to look for an orphaned, young girl. It’s a futile search and with time running out he has no choice but to re-join the theatre of war. When peace returns Rupert travels back to Rhodesia to begin anew, to find the orphaned girl and to start a new life. But nothing can prepare him for what is next as we helplessly watch Rupert wade against a chaotic tide of nationalism. Book 2: Vultures in the Wind Luke was close to death. He had been beaten mercilessly and was unrecognisable. They wanted the names of his ANC accomplices. Matthew Gray and Luke Mbeki were born on the same day, spending a brief childhood on an African beach, blissfully ignorant of the outside world. But their youth is severed. Released into the real world, the two now face their future in a country deep in the throes of violent change. Can the rules and discipline of discrimination pull the men apart? Is there any mercy? And what happens when these two eventually cross paths? Book 3: Just the Memory of Love Will he ever find his love again or will she always just be a memory? The war is finally over and for the young and naïve Will Langton, his future is full of exciting adventure and happy dreams. Captivated by a brief, but innocent love affair on the rocks of Dancing Ledge, the romance is shattered in one single moment and she is lost to him. For Will, it's an unbearable pain that he cannot hope to escape from and the only means to assuage his sorrow is to run away… to Africa. “It was as if I was reading my own life, knowing all the areas. I loved it.” “Deeply moving and entertaining read.” “Peter Rimmer writes a very interesting story with good detail on what happened in Southern Africa prior to independence.” “A gripping story that will stay with you long after the end of the book....” Grab your copy today

    I am a volunteer fighter, committed to the struggle for justice. I place myself in the service of the people, The Movement and its allies. 13 August 1986, Angola Kimathi Tito has it all. As a child of the revolution, born in exile in Tanzania, he has steadily accumulated wealth and influence since arriving in South Africa in 1991. But even though everything appears just peachy from outside the walls of his mansion in Bassonia, things are far from perfect for Comrade Kimathi. After a messy divorce, accelerated by his gambling habit and infidelities, he is in danger of losing everything. And now, to top it all, he’s seeing ghosts. Sometimes what happens in exile doesn’t stay in exile. A caustic critique of South Africa’s political elite from the author of Dog Eat Dog and After Tears (both recently reissued).

    A skirmish in a world-famous restaurant leaves two men dead and the restaurant staff baffled. Why did the head waiter, a man who’s been living in France for many years, lunge at his patrons with a knife?As the man awaits trial, a journalist hounds his long-time friend, hoping to expose the true story behind this unprecedented act of violence.Gradually, the extraordinary story of Pitso Motaung, a young South African who volunteered to serve with the Allies in the First World War, emerges. Through a tragic twist of fate, Pitso found himself on board the ss Mendi, a ship that sank off the Isle of Wight in February 1917. More than six hundred of his countrymen, mostly black soldiers, lost their lives in a catastrophe that official history largely forgot. One particularly cruel moment from that day will remain etched in Pitso’s mind, resurfacing decades later to devastating effect.Dancing the Death Drill recounts the life of Pitso Motaung. It is a personal and political tale that spans continents and generations, moving from the battlefields of the Boer War to the front lines in France and beyond. With a captivating blend of pathos and humour, Fred Khumalo brings to life a historical event, honouring both those who perished in the disaster and those who survived.

    The chilling words are followed by a confession to a murder committed nearly 13 years earlier. The chance discovery of the letter on 31 March 2012 reawakens a case long considered to have run cold, and a hunt begins for the men who kidnapped and killed Betty Ketani – and were convinced they had gotten away with it. The investigation spans five countries, with a world-renowned DNA laboratory called in to help solve the forensic puzzle. The author of the confession letter might have feared death, but he is very much alive, as are others implicated in the crime.Betty Ketani, a mother of three, came to Johannesburg in search of better prospects for her family. She found work cooking at one of the city’s most popular restaurants, and then one day she mysteriously disappeared. Those out to avenge her death want to bring closure to Betty’s family, still agonising over her fate all these years later.The storyline would not be out of place as a Hollywood movie – and it’s all completely true. Written by the reporter who broke the story, Cold Case Confession goes behind the headlines to share exclusive material gathered in four years of investigations, including the most elusive piece of the puzzle: who would want Betty Ketani dead, and why?‘Wonderful, evocative and vivid writing. Eliseev is a very exciting new talent.’ – Peter James‘This case is like an Agatha Christie whodunnit: abduction, murder and a confession.’ – Carte Blanche‘A relentless search for truth and justice. Cold Case Confession is a story that inspires confidence in the system and affirms that, indeed, we are all equal before the law.’ – Thuli Madonsela

    His profound moral vision and unique ability to bring to the surface the turbulent undercurrents of South African politics and society have been hailed by reviewers of his much acclaimed novels such as A Dry White Season and A Chain of Voices. "No one writes of Africa with more visual power than Andre Brink," wrote the Chicago Tribune in its review of his most recent work, An Act of Terror. Now, in a provocative fable, Brink probes the fateful beginnings of his country's complex cultural situation, the arrival of the first Europeans, and the tormented love affair between a young African tribal leader and a white woman left behind by the sailors. This is a journey through landscapes that are rich in magic and allusion, and emotions that are powerful, primal, and eternal. Brink's novella has its origins in an act of rescue: What, he wondered, lay behind the fragments of myth that had been handed down about the mountains of the cape? Adamastor, the Titan whose body, legend has it, formed the rocks of the Peninsula, first appears in Western literature in the sixteenth century - much about the same time as the first known contact between the seagoing European explorers and the natives of southern Africa. How, Brink asks, would that meeting have looked from the landward side? What role would the visitors take in the mythology of an utterly different culture, with its own deities, its own accumulated story? In a startlingly fresh yet familiar form, Brink takes us to the heart of the ambivalent relationships that define South Africa's modern history. Cape of Storms is a work of ribald charm, mesmerizing beauty, and resounding importance. Brink has unearthed from the sun-carved land itself the missing meaning of a myth that has waited four centuries to be invented.

    The murder of a beautiful woman shatters the rural village peace of Alfredville, and her husband, the police station commander, is jailed as chief suspect. Her cousin Peter, a freelance writer in London, returns to South Africa for the first time in decades – unsettled, curious, but also in search of a career-defining story. On checking into the Queen’s Hotel he finds that things are not as straightforward as he imagined, and South Africa is not as he left it. His carefully ordered world is thrown into turmoil as his trip dredges up a long-abandoned past, forcing him to question the assumptions so easily held from the comfort of his London flat. He meets a mixture of locals, visitors, vagrants and migrants, but most momentously, Peter discovers that his bosom friend from school, Bennie Nienaber, is still in Alfredville – and is in fact now, acting station commander at the local police station. Peter re-establishes an awkward friendship with his erstwhile friend and the two warily circle each other, sharing reminiscences that hint at a bond much deeper than nostalgia. As Peter abandons the neatly patterned story he had planned and is forced to participate in a community that he once despised, he begins to reconsider his place in the world. In search of Desirée’s story, he now starts to rewrite his own – till events take an even more shocking turn….Lost Ground explores questions of xenophobia and prejudice, of national, sexual and personal identity, and what it means to be a foreigner wherever you go.Michiel Heyns is the author of four previous novels: The Children’s Day, The Reluctant Passenger, The Typewriter’s Tale and Bodies Politic. He is a translator and was professor of English at the University of Stellenbosch.

    But who is he and why is he so keen to spend time in a psychiatric hospital?When Mark is admitted, silent and naked, the staff are suspicious about his motives.Dealing with this, as well as the patients on the ward, Mark’s troubles really begin once he is Sectioned under the Mental Health Act. When decisions about his future are handed to Consultant Psychiatrist, Dr Giles Sharman, Mark’s life goes from bad to worse.  Drugged, abused and in danger, Mark looks for a way out of this nightmare. But he’s about to learn, proving that you are sane might not be easy as it sounds…

    We were colored girls in a white world that didn’t want us."  Born on the wrong side of a racial divide in apartheid-torn Cape Town, young sisters Ruby and Rose exist in a world where they are not welcome. As part of the Cape Colored community, they are considered socially inferior, yet even within their own social group the sisters live in the poor end of town. Their father was killed when they were very small, so when their mother dies after a protracted illness, Ruby and Rose’s fate falls into the hands of Aunt Olive. Ruby knows without being told that their aunt’s home will not be opened up to them – charity does not extend to the poor relations who would cast a smudge on such a respectable house. Aunt Olive condemns her nieces to the local orphanage, relieving her conscience with monthly invitations to Sunday lunch. In the orphanage the girls grow up sheltered from a divided world that they do not yet fully understand, but the day approaches when Ruby and Rose must forge their own paths in life and confront the lessons that apartheid enforces. Like the award-winning Dance with a Poor Man’s Daughter, this beautifully observed novel of sisterly love once again displays Pamela Jooste’s poignant understanding of human nature.

    Patterson's fundamentally serious but playful literary style. Patterson writes like the love child of Henry Miller and Mary Karr, with all the contradictions that implies -- a philosopher who thinks best over a glass of fine wine; an ex-Catholic still haunted by the image of the Crucifixion; an irreverent political satirist whose patriotism flies the flag of another iconoclast, Thomas Paine. Patterson grew up with a foot planted in each of two worlds -- one in Washington DC, the Capital of the Empire as he calls it, where the wheels of power spin, and one in rural Ontario, where his Canadian mother insisted the family spend their summers. His father, one of the wizards of twentieth century newspaper publishing, introduced him to the city's wheels of money and power, which he would later navigate as an entrepreneur, starting his first business at 20. But those Canadian summers introduced him to a different world - one where a cedar strip boat was better than any car, and where the ghosts of those who'd previously inhabited the family's island house floated out over the water of Lovesick Lake. It is those two worlds that blend in this collection, in reflections both serious and playful, on what it means to be a man, an artist, an iconoclast, a patriot, a lover, as the 20th century rolls over into the 21st.

    He's putting aside childish things, starting his first business serving food to the workers in Cape Town. His Pa is proud.At the same time, Mattie is pulled toward an altogether different version of masculinity, in which oiled and toned bodies cavort for him at the click of a mouse. His porn addiction threatens his relationship with his boyfriend, Jack, and imperils his inheritance.Pa’s days as a swaggering businessman are done, but even as cancer shrivels him, his ancient authority intensifies. While the family wrestles with his patrimony, around them a new South Africa moves forward, demanding they confront the challenges of the future as well as the past.

    The local investigation stalls, so the case is referred to Captain Benny Griessel and his colorful partner Vaughn Cupido of the Hawks--the Directorate for Priority Crime Investigations. The woman proves to be Alicia Lewis, an expert in old Dutch Masters paintings specializing in the recovery of valuable lost art. Discovering the two men she had contacted before coming to South Africa reveals what she was seeking--a rare painting by Carel Fabritius, Rembrandt's finest student, not seen since it disappeared from Delft in 1654. But how Lewis died, why, and at whose hand shocks even the two veteran detectives. The Woman in the Blue Cloak is a compact jewel of a thriller, filled with Deon Meyer's earthy dialogue, clever plotting, and the memorable characters that have peopled all of Deon Meyer's award-winning novels.

    Written as fiction to protect the innocent, the book exposes the explosive dark truths of the Winelands' elite. All is revealed through the eyes of stay at home mom, 49-year-old Jen, who is the wife of John, a renowned wine farmer and businessman. Jen, like many of her privileged friends, lives a charmed life provided by her husband, in exchange for conjugal sex and obligatory wifely gratitude. When Jen stumbles upon her playboy husband in a compromising position with his sexy employee, things fall apart. Jen is forced to choose between leaving her marriage, jeopardising her standing and stability in the community or turning a blind eye to his infidelity. The book follows Jen's passage to self-discovery and self-fulfillment, while other characters' perspectives move the story forward as each is privy to (and eventually reveals) at least one 'truth' or 'lie' which Jen must face. Jen's exposition of her husband's infidelity inadvertently mirrors the underbelly of the patriarchal and often duplicitous community of the seemingly perfect Stellenbosch. Led by prominent wine farmers, international businessmen and renowned academics, business and private interests, even if ethically compromised, are staunchly guarded. The unfolding chapters irreverently explore both the emotional growth of the protagonist, Jen, as well as the moral ambiguities of the other players in the book. Characters like Lee, John's childhood friend and unknown ally to Jen, and marriage wrecker, Patty, blur lines between right and wrong and what is decent and moral. The alluring opulence of the rich and privileged setting of the famed Cape Winelands is complemented by the very real, often funny and indeed relatable crises that Jen is forced to confront. Sex,Lies & Stellenbosch is a page turner - sexy, fast-paced and entertaining.

    Everyone else know Gideon Goosen as a monster: a gangster, assassin and murderer, who made a pact with the devil and deserves to live out his days in a solitary cell in Pretoria Central. How is it possible that the son of a decorated, God-fearing security policeman could fall so low? His mother blames it on his friends from the other side of the railway line in Randfontein, others on a leggy prostitute from Nigel who became his obsession. Gideon himself believes everything changed on an autumn morning when the fatal pellets from a pump-action shotgun cut short the life of an anti-apartheid activist in the driveway of his home. Set against the backdrop of the dying days of apartheid, and inspired by a true story and events that really happened, Jacques Pauw's explosive debut novel exposes the raw, seamy underworld of gangsterism and brutality when life was cheap and fear was everywhere.

    As she struggles to communicate with her maidservant turned caretaker, Agaat, the complicated history of their relationship is revealed.Life for white farmers in 1950s South Africa was full of promise. Young and newly married, Milla carved her own farm out of a swathe of Cape mountainside. She earned the respect of the male farmers in her community and raised a son. But forty years later all she has left are memories and the proud, contrary Agaat. With punishing precision, yet infinite tenderness, Agaat performs her duties, balancing anger with loyalty. As Milla’s white world and its certainties recede and Agaat faces the prospect of freedom, the shift of power between them mirrors the historic changes happening around them. Marlene van Niekerk’s epic masterpiece portrays how two women—and, perhaps, a nation—can forge a path toward understanding and reconciliation.