Ordered to destroy the comet, he instead discovers that it is actually the shell of a derelict space probe - a wreck with just enough power to emit a single electronic signal...2034: Then a reply is heard. Searching for the source of this signal that comes from outside the solar system, Nigel discovers the existence of a sentient ship. When the new vessel begins to communicate directly with him, the astronaut learns of the horrors that await humanity. For the ship was created by an alien race that has spent billions and billions of years searching for intelligent life...to annihilate it.In the Ocean of Night is a 1977 hard science fiction novel by Gregory Benford. It is the first novel in his Galactic Center Saga. It was nominated for the Nebula Award for Best Novel in 1977. It was first published as a novelette in the May/June 1972 edition of Worlds of If Science Fiction.

    As Homebody eloquently proves, no contemporary writer outshines Orson Scott Card in crafting unlikely heroes or in suffusing the everyday world with an otherworldly glow.Don Lark's cheery name belies his tragic past. When his alcoholic ex-wife killed their daughter in a car wreck, he retreated from the sort of settled, sociable lifestyle one takes for granted. Only the prospect of putting a roof over other people's heads seems to comfort Lark, and he goes from town to town, looking for dilapidated houses he can buy, restore and resell at a profit. In Greensboro, North Carolina, Lark finds his biggest challenge yet -- a huge, sturdy, gorgeous shell that's suffered almost a century of abuse at the hands of greedy landlords and transient tenants. As he sinks his teeth into this new project, Lark's new neighborhood starts to work its charms on him. He strikes up a romance with the wry real estate agent who sold him the house. His neighbors, two charming, chatty old ladies, ply him endlessly with delicious Southern cooking. Even Sylvie, the squatter Lark was once desperate to evict from the old house, is now growing on him.But when Lark unearths an old tunnel in the cellar, the house's enchantments start to turn ominous. Sylvie turns cantankerous, even dangerous. There's still a steady supply of food from next door, but it now comes laced with increasingly passionate pleas for Lark to vacate the house at once. In short, everybody seems to want to get rid of him. Whether this is for his own good or theirs, Lark digs in his heels for reasons even he's not sure of. He embarks on a struggle for his life -- and his friends'-- against a house with a past even more tragic than his own. If Lark wins, he gets the kind of home and community he's always dreamed of. If he loses, all is lost....

    Teaming up with fellow SF writer Edward M. Lerner, Fleet of Worlds takes a closer look at the Human-Puppeteer (Citizens) relations and the events leading up to Niven's first Ringworld novel. Kirsten Quinn-Kovacs is among the best and brightest of her people. She gratefully serves the gentle race that rescued her ancestors from a dying starship, gave them a world, and nurtures them still. If only the Citizens knew where Kirsten's people came from….A chain reaction of supernovae at the galaxy's core has unleashed a wave of lethal radiation that will sterilize the galaxy. The Citizens flee, taking their planets, the Fleet of Worlds, with them.Someone must scout ahead, and Kirsten and her crew eagerly volunteer. Under the guiding eye of Nessus, their Citizen mentor, they explore for any possible dangers in the Fleet's path--and uncover long-hidden truths that will shake the foundations of worlds.

    Dick creates a novel that manages to be simultaneously unpredictable and perversely logical. Poor Pete Garden has just lost Berkeley. He's also lost his wife, but he'll get a new one as soon as he rolls a three. It's all part of the rules of Bluff, the game that's become a blinding obsession for the last inhabitants of the planet Earth. But the rules are about to change--drastically and terminally--because Pete Garden will be playing his next game against an opponent who isn't even human, for stakes that are a lot higher than Berkeley.

    On an island with a glass shore - relic of some even more ancient conflict - she discovers she is to be hunted by the Huhsz, a religious cult which believes she is the last obstacle before their faith's apotheosis. She has to run, knowing her only hope of finally escaping the Huhsz is to find the last of the ancient, apocalyptically powerful but seemingly cursed Lazy Guns. But that is just the first as well as the final step on a search that takes her on an odyssey through the exotic Golterian system and results in both a trail of destruction and a journey into her own past, as well as that of her family and the system itself; a journey that changes everything.

    A swordsman of the seventh rank, Wallie was now the master of a beautiful slave girl and a cunning blade. His mission: to serve a Goddess--even though he had never fought before! Original.

    In his hands, it would taste blood and cleave its own path through war, seeking vengeance for mortal--and immortal--treachery.

    To these new worlds come the Immortals, beings with strange ties to ancient Earth who seem to live forever, who can travel light years in days -- and who use their strange powers to control the existence of ordinary mortals. On the planet Pentecost, a small group sets out to find and challenge the Immortals. But in the search they themselves are changed: as Immortals, they discover a new threat, not just to themselves, but to the galaxy itself.

    Donaldson makes a triumphant return to his New York Times bestselling and critically acclaimed Chronicles of Thomas Covenant series with a quartet of new novels that take place ten years after Covenant's ultimate sacrifice as savior of the Land.

    Like his current success Glory Lane, Foster's newest novel, an amazing dark contemporary fantasy, involves contemporary people who suddenly get involved in a life-or-death conflict in a fantastically changing world.

    One of the most acclaimed writers in the field, Zelazny's rare ability to mix fantastical dream imagery with the real-life hardware of science fiction has won him more than a score of Hugo and Nebula nominations. He creates characters who live to haunt the reader beyond the page and who inhabit worlds both enchanting and disturbing--dazzling and memorable.7 • Introduction (The Last Defender of Camelot) • essay by Robert Siverberg11 • Comes Now the Power • (1966) • short story by Roger Zelazny18 • For a Breath I Tarry • (1966) • novelette by Roger Zelazny65 • The Engine at Heartspring's Center • (1974) • short story by Roger Zelazny76 • Halfjack • (1979) • short story by Roger Zelazny83 • Home is the Hangman • [Nemo] • (1975) • novella by Roger Zelazny165 • Permafrost • (1986) • novelette by Roger Zelazny195 • LOKI 7281 • (1984) • short story by Roger Zelazny204 • Mana from Heaven • [Magic Goes Away] • (1983) • novelette by Roger Zelazny250 • 24 Views of Mt. Fuji, by Hokusai • [Cthulhu Mythos] • (1985) • novella by Roger Zelazny329 • Come Back to the Killing Ground, Alice, My Love • [Kalifriki] • (1992) • novella by Roger Zelazny388 • The Last Defender of Camelot • (1979) • novelette by Roger Zelazny

    They take a job on the odd-shaped ship Icarus. But the ragtag crew was found at taverns, the secret cargo sealed tight, the employer missing, and a saboteur is aboard. After a beautiful crew member helps uncover the nature of their cargo for Earth, Jordan suspects they are in a vast conspiracy set to change human history. Unfortunately, he's right.

    Kids, including her brother Stephen, have logged into the net, and cannot escape. Clues point to a mysterious golden city called Otherland, but investigators all end up dead.

    None are more memorable than her Witch World novels. Simon Tregarth, a man from our own world, escapes his doom through the gates to the Witch World. There he aids the witch Jaelithe's escape from the hounds of Alizon, only to find himself embroiled in a deeper war against an even deadlier foe: the Kolder.

    He finds himself on a collision course that results in a desperate romance, and a journey into the ecstasy and dread that mirror each other at the heart of the postmodern experience.