He had a beautiful wife, three lovely children, a nice house...and all the mistresses he desired. He had it all -- all, that is, but happiness. Slocum was discontent. Inevitably, inexorably, his discontent deteriorated into desolation until...something happened. Something Happened is Joseph Heller's wonderfully inventive and controversial second novel satirizing business life and American culture. The story is told as if the reader was overhearing the patter of Bob Slocum's brain -- recording what is going on at the office, as well as his fantasies and memories that complete the story of his life. The result is a novel as original and memorable as his Catch-22.

    In Death in the Woods, we travel deep into the heart of America as Anderson saw it, to find an introspective man, in a desolate landscape, questioning the very meaning of his world."Death in the Woods is a signal junction in Anderson's career and is to my mind one of the finest stories in our language."—Jim Harrison

    

    At the heart of the book is Bill Gray, a famous reclusive writer who escapes the failed novel he has been working on for many years and enters the world of political violence, a nightscape of Semtex explosives and hostages locked in basement rooms. Bill's dangerous passage leaves two people stranded: his brilliant, fixated assistant, Scott, and the strange young woman who is Scott's lover—and Bill's.

    The highlight of this complete edition of poems is a CD containing vintage recordings of Thomas reading eight of his works in his famous "Welsh-singing" style.

    This collection, born out of the tumultuous social and political landscape of the late sixties, is as intense, sensual, and compelling as Jim Morrison's persona was during the Doors' peak. His fast life and mysterious death remain controversial more than forty years later.

    In making their selections, the editors have chosen the voices of seventeen poets and translators (Paul Auster, Samuel Beckett, Cid Corman, Eugene Jolas, W.S. Merwin, William Carlos Williams, and James Wright, to name a few), in homage to a writer long held in highest esteem by the literary avant-garde.

    But Poe is also the author of some of the most haunting poetry ever written--poems of love, death and loneliness that have lost none of their power to enthrall in this unique Signet Classic edition.

    His work ranges from the deceptively simple and lyrical Songs of Innocence and their counterpoint Experience - which juxtapose poems such as 'The Lamb' and 'The Tyger', and 'The Blossom' and 'The Sick Rose' - to highly elaborate, apocalyptic works, such as The Four Zoas, Milton and Jerusalem. Throughout his life Blake drew on a rich heritage of philosophy, religion and myth, to create a poetic worlds illuminated by his spiritual and revolutionary beliefs that have fascinated, intrigued and enchanted readers for generations.

    The poet himself called his great epic poem “old wives' chatter, cottage wisdom,” but for many writers “Briggflatts” is one of the dozen great poems of the 20th century: as Cyril Connolly put it, “the finest long poem to have been published in England since T. S. Eliot's Four Quartets.”As well as “Briggflatts” (long out of print in the US, and now only available in this edition), this new Complete Poems includes Bunting's other great sonatas, most notably Villon (1925) and The Spoils (1951), along with his two books of Odes, his vividly realized “Overdrafts” (as he called his free translations of Horace, Rudaki, and others), and his brilliantly condensed Japanese adaptation, Chomei at Toyama (1932). It also includes his posthumous Uncollected Poems. This centenary edition has an introduction by Richard Caddel, Director of the Basil Bunting Poetry Center at Durham University.

    This selection, made by a poet who shares Edward Thomas's deep but unsentimental feeling for and response to nature, reinforces Thomas's claim to centrality.

    Included are both the familiar favorites and Kipling's lesser-known works. This is the only complete collection of Kipling's poems available in paperback.

    But those who seek instead a true widening of the horizons of meaning, coupled with a sure-handed mastery of the craft of poetry, will find this latest collection satisfying indeed.Here is a man who matches superb gifts with a truly subtle imagination, into whose depths he is courageously traveling--pioneering--in exploratory penetrations into areas of life that are too often evaded or denied. "The Firebombing," "Slave Quarters," "The Fiend"--these poems, with the others that comprise the present volume, show a mature and original poet at his finest.

    Left an orphan at 19 years old in the late 1880s, Selina Peake needs to support herself. She leaves the city life she has known to become a teacher in the farming community of High Prairie, IL. Her father had told her that life is an adventure, and one should make the most of it.Selina sees beauty everywhere, including in the fields of cabbages. She has a natural curiosity about farming and oversteps the woman's traditional role by having the audacity to ask the men questions. She soon marries Pervus DeJong, a farmer. Selina eagerly offers suggestions for operational improvements, but Pervus ignores her, preferring to use the unprofitable farming methods employed by his father.Though she suffers many hardships, Selina always remembers the importance of beauty, and she admires those who exercise their creative talents. She tries to instill these views in her son Dirk and fights with her husband over the need for their child to get a full education. Once Dirk finishes college and starts work, will he retain Selina's values?So Big was the first book to have the rare distinction of being the best-selling book of the year and win the Pulitzer Prize for fiction.

    Though originally published separately, these prose poems have always been intended as a loose trilogy of thought and feelingor of thought manifested as feeling. The author comments: "Just as the title Curves to the Apple combines the organic and geometry (not to mention myth and history of science) the poems navigate the conflicting, but inextricable claims of body and mind, especially the female body and feelings in a space of logic and physics. The poems could all be called dialogic, reaching out across a synaptic (sometimes humorous) gap to a possible 'you' (though it may be rhetorical, another point of view in the same mind). But while the 'I' dominates the first two volumes, the third gives both voices equal space and chance."