Reflecting both private devotional love and the attempt to attain union with God and become absorbed into the Divine, many poems in this edition are imbued with the symbols and metaphors that develop many of the central ideas of Sufism: the Lover, the Beloved, the Wine, and the Tavern; while others are more personal and echo the poet's battle to leave earthly love behind.These translations capture the passion of the original poetry and are accompanied by an introduction on Sufism and the common themes apparent in the works. This edition also includes suggested further reading.

    Dividing the time into three periods: 600-900, 900-1500 and 1500-1800, they set the artistic development in each era within its historical context and use art as a window into Islamic culture. Written in a lively and accessible style, and illustrated throughout with photographs, maps and plans, the book captures the essence of Islamic culture as expressed in its buildings, books and applied arts, and provides an essential introduction to the subject for both the student and the general reader.

    This revised and expanded edition of The Essential Rumi includes a new introduction by Coleman Barks and more than 80 never-before-published poems.Through his lyrical translations, Coleman Barks has been instrumental in bringing this exquisite literature to a remarkably wide range of readers, making the ecstatic, spiritual poetry of thirteenth-century Sufi Mystic Rumi more popular than ever.The Essential Rumi continues to be the bestselling of all Rumi books, and the definitive selection of his beautiful, mystical poetry.

    In this fascinating and useful book, Perry Anderson interviews the noted scholar of Islam Suleiman Mourad about the Qurʾan and the history of the faith. Mourad elucidates the different stages in Islam's development: the Qurʾan as scripture and the history of its codification; Muhammad and the significance of his Sunna and Hadith; the Sunni-Shiʿi split and the formation of various sects; the development of jihad; the transition to modernity and the challenges of reform; and the complexities of Islam in the modern world. He also looks at Wahhabism from its inception in the eighteenth century to its present-day position as the movement that galvanized modern Salafism and gave rise to militant Islam or jihadism. The Mosaic of Islam reveals both the richness and the fissures of the faith. It speaks of the different voices claiming to represent the religion and spans peaceful groups and manifestations as well as the bloody confrontations that disfigure the Middle East, such as the Saudi intervention in the Yemen and the collapse of Syria and Iraq.

    The state of God-Realisation is symbolised through union with a Beloved, and drinking the wine of spiritual love.This compact version of the Divan of Hafez is a facsimile illuminated manuscript, complete with beautiful Persian calligraphy and miniature illustrations. There are 43 ghazals, translated into English by classical scholar Gertrude Bell. It is a truly beautiful introduction not only to the works of this beloved Sufi mystic, but also to the artistry of Mahmoud Farshchian. It is like getting two books in one: poetry and art."Hafiz has no peer." — GoethePoetry is the greatest literary form of ancient Persia and modern Iran, and the fourteenth-century poet known as Hafiz is its preeminent master. Little is known about the poet's life, and there are more legends than facts relating to the particulars of his existence. This mythic quality is entirely appropriate for the man known as "The Interpreter of Mysteries" and "The Tongue of the Hidden," whose verse is regarded as oracular by those seeking guidance and attempting to realize wishes.A mere fraction of what is presumed to have been an extensive body of work survives. This collection is derived from Hafiz's Divan (collected poems), a classic of Sufism. The short poems, called ghazals, are sonnet-like arrangements of varied numbers of couplets. In the tradition of Persian poetry and Sufi philosophy, each poem corresponds to two interpretations, sensual and mystic.This outstanding translation of Hafiz's poetry was created by historian and Arabic scholar Gertrude Bell, who observed, "These are the utterances of a great poet, the imaginative interpreter of the heart of man; they are not of one age, or of another, but for all time."

    He recounts the perilous journey of the world’s birds to the faraway peaks of Mount Qaf in search of the mysterious Simorgh, their king. Attar’s beguiling anecdotes and humor intermingle the sublime with the mundane, the spiritual with the worldly, while his poem models the soul’s escape from the mind’s rational embrace.Sholeh Wolpé re-creates for modern readers the beauty and timeless wisdom of the original Persian, in contemporary English verse and poetic prose.

    . . A prison warder from Kerala is worshipped as an incarnate deity for two months of every year . . . A Jain nun tests her powers of detachment watching her closest friend ritually starve herself to death . . . The twenty-third in a centuries-old line of idol makers struggles to reconcile with his son’s wish to study computer engineering . . . An illiterate goatherd keeps alive in his memory an ancient 200,000-stanza sacred epic . . . A temple prostitute, who resisted her own initiation into sex work, pushes her daughters into the trade she nonetheless regards as a sacred calling.William Dalrymple tells these stories, among others, with expansive insight and a spellbinding evocation of remarkable circumstance, giving us a dazzling travelogue of both place and spirit

    But Pankaj Mishra shows that it was otherwise in this stereotype-shattering book. His enthralling group portrait of like minds scattered across a vast continent makes clear that modern Asia’s revolt against the West is not the one led by faith-fired terrorists and thwarted peasants but one with deep roots in the work of thinkers who devised a view of life that was neither modern nor antimodern, neither colonialist nor anticolonialist. In broad, deep, dramatic chapters, Mishra tells the stories of these figures, unpacks their philosophies, and reveals their shared goal of a greater Asia.       Right now, when the emergence of a greater Asia seems possible as at no previous time in history, From The Ruins Of Empire is as necessary as it is timely—a book essential to our understanding of the world and our place in it.

    For millennia it has been worshipped as a god; for centuries used as a tool of imperial expansion; today it is the cement of Pakistans fractious union. Five thousand years ago, a string of sophisticated cities grew and traded on its banks. In the ruins of these elaborate metropolises, Sanskrit-speaking nomads explored the river, extolling its virtues in Indias most ancient text, the Rig-Veda. During the past two thousand years a series of invaders Alexander the Great, Afghan Sultans, the British Raj made conquering the Indus valley their quixotic mission. For the people of the river, meanwhile, the Indus valley became a nodal point on the Silk Road, a centre of Sufi pilgrimage and the birthplace of Sikhism. Empires of the Indus follows the river upstream and back in time, taking the reader on a voyage through two thousand miles of geography and more than five millennia of history redolent with contemporary importance.

    This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding. Essential, and still eye-opening, Orientalism remains one of the most important books written about our divided world.

     In the late 1800s, British engineers building some of the first railways in the Dominion of India discovered large numbers of bricks buried in the dusty plains of the Punjab. This was odd because historians were not aware of any cities or civilizations which might have constructed buildings in this area. It wasn’t until archeological expeditions in the 1920s that it was finally realized that these bricks were the remains of mighty cities built by a previously unknown ancient civilization. Inside you will read about... ✓ Discovery ✓ Excavation of Harappa ✓ Origins ✓ Life and Death in the Indus Valley ✓ Downfall of the Indus Valley Civilization And much more! This culture has become known as the Indus Valley Civilization or sometimes the Harappan Civilization, after Harappa, the first city to be discovered. It has proved to be one of the largest ancient cultures, having a population of over five million people at its height and covering an area of one and a half million square kilometers. It also created very large cities, carefully planned and laid out where almost every house had its own bath and flush toilet, thousands of years before such things became common in other parts of the world. Somehow, the Harappans seem to have controlled this vast territory without having a large army or by conquering other weaker cultures, and they did not seem to have a single ruler such as a king or emperor. Then, for reasons that still aren’t understood, this culture declined and then vanished so completely that all that was left were piles of bricks in the plains of present-day India and Pakistan. We are still learning about these people, but this is what we know so far about the mysterious Indus Valley Civilization.

    

    On the night of November 26, Lashkar-e-Toiba terrorists attacked targets throughout the city, including the Taj Mahal Palace Hotel, one of the world’s most exclusive luxury hotels. For sixty-eight hours, hundreds were held hostage as shots rang out and an enormous fire raged. When the smoke cleared, thirty-one people were dead and many more had been injured. Only the courageous actions of staff and guests—including Mallika Jagad, Bob Nichols, and Taj general manager Binny Kang—prevented a much higher death toll.With a deep understanding of the region and its politics and a narrative flair reminiscent of Midnight in Peking, journalists Cathy Scott-Clark and Adrian Levy vividly unfold the tragic events in a real-life thriller filled with suspense, tragedy, history, and heroism.

    The world is changing dramatically and in an age of Brexit and Trump, the themes of isolation and fragmentation permeating the western world stand in sharp contrast to events along the Silk Roads, where ties are being strengthened and mutual cooperation established.This prescient contemporary history provides a timely reminder that we live in a world that is profoundly interconnected. Following the Silk Roads eastwards from Europe through to China, by way of Russia and the Middle East, Peter Frankopan assesses the global reverberations of continual shifts in the centre of power – all too often absent from headlines in the west.The New Silk Roads asks us to re-examine who we are and where we stand in the world, illuminating the themes on which all our lives and livelihoods depend.The Silk Roads, a major reassessment of world history, has sold over 1 million copies worldwide.

    But our story largely omits a whole civilization whose citizens shared an entirely different narrative for a thousand years.In Destiny Disrupted, Tamim Ansary tells the rich story of world history as the Islamic world saw it, from the time of Mohammed to the fall of the Ottoman Empire and beyond. He clarifies why our civilizations grew up oblivious to each other, what happened when they intersected, and how the Islamic world was affected by its slow recognition that Europe-a place it long perceived as primitive and disorganized-had somehow hijacked destiny.