The masterful narrative makes halt in Mexico, Siberia and East Berlin, climbing the summits and charting the abysses of the 20th century along the way. The result is both a stunning panorama and a monumental German novel that makes history itself tangible through the history of one family. A novel of immense stature, founded on its humanity, its precision and its humour.In Times of Fading Light focuses on three generations. The grandparents, still convinced Communists, return to the fledging East Germany at the beginning of the 1950s to do their part in establishing the new state. Their son returns from the other direction, having emigrated to Moscow and found himself banished to Siberia. He returns with his Russian wife to a country mired in petit bourgeois values, yet also brings with him an unwavering belief that they can be changed. The grandson, meanwhile, feels increasingly constricted in a heimat that was not of his choosing, and heads to the West on the very day that his grandfather, the family patriarch, turns 90. The glittering lights of a political utopia that once shone enticingly seem to be gradually fading as time wears unwaveringly on.

    A voice totally free of anger and bitterness, a voice of someone who just tried to ride the waves to her best ability. It's a calming and rare voice in these times of recessionary gloom.Of course, a voice needs substance. Here you go: loss, love, life, guilt, hate, history, war and death. This little book covers it all, including an entire century and a complete life. When I finished reading it I felt as if there was nothing more to say.Admittedly, on the surface it sounds like any old country side story. The Catalan Pyrenees at the beginning of the last century: 13-year-old Conxa is sent to live and work for her childless aunt in another village. Years of hard work follow. Eventually she finds love and happiness with Jaume. But the civil war causes havoc and Conxa moves to Barcelona. It is here that she, now an old woman, sits down to tell us her story.We’ve heard such a story before, you say? Well, what Maria Barbal has managed to do with Conxa’s voice has few parallels in modern literature. She created the voice of a perceptive person but with no formal education. As a result she can’t use modern jargon. Instead she allows individual scenes to come to life making the reader see what, sometimes, Conxa herself does not understand. It’s a poetic, timeless voice, down to earth and full of contradictory nuances. It’s a voice that searches for understanding in a changing world but senses that ultimately there may be no such thing. She’s worth a listen.Translated from the Catalan by Laura McGloughlin andPaul Mitchell.

    A couple in their thirties live in a small rented cottage in a quiet part of Tokyo; they work at home, freelance copy-editing; they no longer have very much to say to one another. But one day a cat invites itself into their small kitchen. It leaves, but the next day comes again, and then again and again. Soon they are buying treats for the cat and enjoying talks about the animal and all its little ways. Life suddenly seems to have more promise for the husband and wife — the days have more light and color. The novel brims with new small joys and many moments of staggering poetic beauty, but then something happens….As Kenzaburo Oe has remarked, Takashi Hiraide’s work "really shines." His poetry, which is remarkably cross-hatched with beauty, has been acclaimed here for "its seemingly endless string of shape-shifting objects and experiences,whose splintering effect is enacted via a unique combination of speed and minutiae."

    Yu Hua, award-winning author of To Live, gives us a surreal tale of two brothers riding the dizzying roller coaster of life in a newly capitalist world. As comically mismatched teenagers, Baldy Li, a sex-obsessed ne’er-do-well, and Song Gang, his bookish, sensitive stepbrother, vow that they will always be brothers--a bond they will struggle to maintain over the years as they weather the ups and downs of rivalry in love and making and losing millions in the new China. Their tribulations play out across a richly populated backdrop that is every bit as vibrant: the rapidly-changing village of Liu Town, full of such lively characters as the self-important Poet Zhao, the craven dentist Yanker Yu, the virginal town beauty (turned madam) Lin Hong, and the simpering vendor Popsicle Wang.With sly and biting humor, combined with an insightful and compassionate eye for the lives of ordinary people, Yu Hua shows how the madness of the Cultural Revolution has transformed into the equally rabid madness of extreme materialism. Both tragic and absurd by turns, Brothers is a monumental spectacle and a fascinating vision of an extraordinary place and time.

    The Communist government has encouraged them to plant garlic, but selling the crop is not as simple as they believed. Warehouses fill up, taxes skyrocket, and government officials maltreat even those who have traveled for days to sell their harvest. A surplus on the garlic market ensues, and the farmers must watch in horror as their crops wither and rot in the fields. Families are destroyed by the random imprisonment of young and old for supposed crimes against the state. The prisoners languish in horrifying conditions in their cells, with only their strength of character and thoughts of their loved ones to save them from madness. Meanwhile, a blind minstrel incites the masses to take the law into their own hands, and a riot of apocalyptic proportions follows with savage and unforgettable consequences. The Garlic Ballads is a powerful vision of life under the heel of an inflexible and uncaring government. It is also a delicate story of love between man and woman, father and child, friend and friend—and the struggle to maintain that love despite overwhelming obstacles.

    The city is covered in ash. Three children of ex-militants are facing a past they can neither remember nor forget. Felipe sees dead bodies on every corner of the city, counting them up in an obsessive quest to square these figures with the official death toll. He is searching for the perfect zero, a life with no remainder. Iquela and Paloma, too, are searching for a way to live on. When the body of Paloma’s mother gets lost in transit, the three take a hearse and a bottle of pisco up the cordillera for a road trip with a difference. Intense, intelligent, and extraordinarily sensitive to the shape and weight of words, this remarkable debut presents a new way to count the cost of a pain that stretches across generations.

    The beautiful Indo prostitute Dewi Ayu and her four daughters are beset by incest, murder, bestiality, rape, insanity, monstrosity, and the often vengeful undead. Kurniawan's gleefully grotesque hyperbole functions as a scathing critique of his young nation's troubled past: the rapacious offhand greed of colonialism; the chaotic struggle for independence; the 1965 mass murders of perhaps a million "Communists," followed by three decades of Suharto's despotic rule.Beauty Is a Wound astonishes from its opening line: "One afternoon on a weekend in May, Dewi Ayu rose from her grave after being dead for twenty-one years…" Drawing on local sources—folk tales and the all-night shadow puppet plays, with their bawdy wit and epic scope—and inspired by Melville and Gogol, Kurniawan's distinctive voice brings something luscious yet astringent to contemporary literature.

    When he arrives at Clonliffe Seminary in the 1970s, it is a time in Ireland when priests are highly respected, and Odran believes that he is pledging his life to "the good."Forty years later, Odran's devotion is caught in revelations that shatter the Irish people's faith in the Catholic Church. He sees his friends stand trial, colleagues jailed, the lives of young parishioners destroyed, and grows nervous of venturing out in public for fear of disapproving stares and insults. At one point, he is even arrested when he takes the hand of a young boy and leads him out of a department store looking for the boy's mother.But when a family event opens wounds from his past, he is forced to confront the demons that have raged within the church, and to recognize his own complicity in their propagation, within both the institution and his own family.A novel as intimate as it is universal, A History of Loneliness is about the stories we tell ourselves to make peace with our lives. It confirms Boyne as one of the most searching storytellers of his generation.

    S. Byatt’s Possession and Geraldine Brooks’s People of the Book.Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history.   As the novel opens, Helen has been summoned by a former student to view a cache of seventeenth-century Jewish documents newly discovered in his home during a renovation. Enlisting the help of Aaron Levy, an American graduate student as impatient as he is charming, and in a race with another fast-moving team of historians, Helen embarks on one last project: to determine the identity of the documents’ scribe, the elusive “Aleph.”   Electrifying and ambitious, sweeping in scope and intimate in tone, The Weight of Ink is a sophisticated work of historical fiction about women separated by centuries, and the choices and sacrifices they must make in order reconcile the life of the heart and mind.

    It won’t be the last. He’s now arrived in Galicia. It’s where Álvaro died. It’s where the case has already been quickly closed as a tragic accident. It’s also where Álvaro hid his secrets.The man to whom Manuel was married for fifteen years was not the unassuming man he knew.Álvaro’s trail leads Manuel deep into one of Spain’s most powerful and guarded families. Behind the walls of their forbidding estate, Manuel is nothing but an unwelcome and dangerous intruder. Then he finds two allies: a stubbornly suspicious police lieutenant and Álvaro’s old friend—and private confessor—from seminary school. Together they’re collecting the pieces of Álvaro’s past, his double life, and his mysterious death.But in the shadows of nobility and privilege, Manuel is about to unravel a web of corruption and deception that could be as fatal a trap for him as it was for the man he loved.

    He lives in an undistinguished middle-class housing development in Maipu, a town in the suburbs of Santiago, Chile. When the neighbors camp out overnight, the protagonist gets his first glimpse of Claudia, an older girl who asks him to spy on her uncle Raul.       In the second section, the protagonist is the writer of the novel begun in the first section. His father is a man of few words who claims to be apolitical but who quietly sympathized—to what degree, the author isn’t sure—with the Pinochet regime. His reflections on the progress of the novel and on his own life—which is strikingly similar to the life of his novel’s protagonist—expose the raw suture of fiction and reality.      Ways of Going Home switches between author and character, past and present, reflecting with melancholy and rage on the history of a nation and on a generation born too late—the generation who, as the author-narrator puts it, learned to read and write while their parents became accomplices or victims. It is the most personal novel to date from Alejandro Zambra, the most important Chilean author since Roberto Bolaño.

    They all have one person in common, their beloved therapist Natasha who, though central to the lives of all of the women, is absent from their meeting. The women represent the many cultural and social groups that modern Chile is comprised of—from a housekeeper to celebrity television personality. They are of disparate ages and races and their lives have been touched by major political events from the dictatorship of Pinochet to the Israel-Palestine conflict. But despite their differences, as the women tell their stories, unlikely bonds are formed, and their lives are transformed in this intricately woven, beautifully rendered tale of the universal bonds between women from one of Latin America’s most celebrated novelists.

    William is a biologist and seed merchant who sets out to build a new type of beehive, one that will give both him and his children honor and fame.United States, 2007. George is a beekeeper fighting an uphill battle against modern farming, but he hopes that his son can be their salvation.China, 2098. Tao hand paints pollen onto the fruit trees now that the bees have long since disappeared. When Tao's young son is taken away by the authorities after a tragic accident, she sets out on a grueling journey to find out what happened to him.Haunting, illuminating, and deftly written, The History of Bees joins these three very different narratives into one gripping and thought-provoking story that is just as much about the powerful bond between children and parents as it is about our very relationship to nature and humanity.

    At the center of these memories is his elusive love, Sarah, a fiercely intelligent French scholar caught in the intricate tension between Europe and the Middle East.With exhilarating prose and sweeping erudition, Mathias Énard pulls astonishing elements from disparate sources—nineteenth-century composers and esoteric orientalists, Balzac and Agatha Christie—and binds them together in a most magical way.

    In 1626, Bada Shanren is born into the Chinese royal family. When the old Ming Dynasty crumbles, he becomes an artist, committed to capturing the essence of nature with a single brushstroke. Then the rulers of the new Qing Dynasty discover his identity and Bada must feign madness to escape.