. . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent

    It was not until 1942 that widely dispersed underground organizations would band together to form a united opposition to the occupying Germans. It was not until then that resistance would become the Resistance - a disciplined multi-national movement that would play a significant part in the outcome of World War II. In each occupied nation, resistance groups would grow, gathering and sending information to London, planning increasingly complex sabotage operations, and assisting thousands of people, particularly Jews, in fleeing Nazi-occupied territories. Their actions would eventually become a focused counteroffensive against the German army in 1944, when Allied troops gathered in Great Britain to prepare for the invasion of France. As their widespread activity weakened German outposts in France and other occupied countries, the Allies would gain the foothold they needed to win the war. This is their story.

    Violently attacked, tormented and trapped, she sifts through the truths and deceits of her marriage to self-made industrialist, Jean Kinck. Why had he lied? France, snug in the prosperity of Napoleon III’s Second Empire, is shocked by the vicious destruction of the bourgeois Kinck family. Under pressure from his superiors, the Chief of Police, Monsieur Claude, must unravel the baffling connections between the family and a mysterious young man, Jean-Baptiste Troppmann, a cold case, a famous palmist and France’s rising tide of dissatisfaction with the Emperor Napoleon III. The Cast of a Hand is an unforgettable love story and a murder mystery based on one of the most shocking crimes of 19th century Paris. GS Johnston’s razor sharp prose interweaves and cross-pollinates the two narratives, both desperately trying to arrive at the truth.

    French Satirical Newspaper

    South, by historian Hunter Stewart, chronicles the competition between two fierce rivals - Robert F. Scott and Roald Amundsen - to secure their place in history as the first man to lead an expedition to the most uninhabitable place on earth. South dramatically tells the story of the quest that is marked by heartbreak, greed, ego, and bravery - not only by Scott and Amundsen but by the courageous crews and financial backers who supported them. The journey to reach the South Pole was truly, as it was later called, "The Heroic Age of Arctic Exploration."

    The SOE, similar to the American OSS (predecessor of the CIA) was formed to conduct espionage and sabotage in occupied Europe, and to aid local resistance movements. The book describes Churchill's training in England and his four missions into occupied France, including two harrowing night-time parachute drops and two submarine landings. Notable too is the underlying love story with Odette Sansom, another Allied agent (code-named Lise), who along with Churchill were captured, imprisoned, and tortured for two years until the war's end. Churchill's narrative ends with their capture by the Germans; his prison experiences are related in The Spirit in the Cage, published in 1954.

    "During the course of our conversation, he told me he was planning an imminent trip to Venice. I decided to follow him," she writes at the beginning of Suite Vénitienne, her first artist's book and the crucible of her inimitable fusion of investigatory methods, fictional constructs, the plundering of real life and the composition of self. Over the course of almost two weeks in Venice, Calle notates, in time-stamped entries, her surveillance of Henri B., as well as her own emotions as she seeks, finds and follows him through the labyrinthine streets of Venice. Her investigation is both methodical (calling every hotel, visiting the police station) and arbitrary (sometimes following a stranger--a flower delivery boy, for instance--hoping someone might lead her to him). This Siglio reissue is a completely new iteration of Suite Vénitienne (first published in 1988 and long out of print), designed in collaboration with Calle to be the definitive English-language edition. Printed on Japanese paper with a die-cut cover and gilded edges, this beautiful new Siglio edition allows readers to devour this crucial and compelling work.

     From the middle of December 1944 to January 25, 1945, more than a million Allied and German troops fought for control of Belgium, France, and Luxembourg. The bitter conflict ended with more than 200,000 dead and wounded on both sides. The German counteroffensive was Adolf Hitler's last gasp, born out of desperation as he came to grips with reports that the Third Reich was losing ground in battlefields across Europe. Even in its weakened state, Germany's assault took Allied leaders by surprise. Hitler had correctly calculated that the Allied armies had moved too rapidly: The troops were not only undersupplied but unprepared for a surprise attack. Hitler was betting that a victory would allow Germany to negotiate for peace on its terms. He was almost right. If not for the bravery of American troops, who against all odds held up the German attack – and quick decisions made by General Dwight B. Eisenhower - history may have taken a much different turn. This is the story of World War II's final showdown.

    Norman R. Shapiro lionizes the feline's limitless allure in this one-of-a-kind collection. Spanning centuries and styles, he draws on she-cats and toms, and an honor roll of French poets, well known and lesser known, who have served as their devoted champions. He reveals the remarkable range of French cat poems, with most works presented here for the first time in English translation. Scrupulously devoted to evoking the meaning and music of the originals, Shapiro also respects the works' formal structures. Pairing Shapiro's translations with Olga Pastuchiv's elegant illustrations, Fe-Lines guides the reader through the marvels and inscrutabilities of the Mystique féline.

    Addie is ordered to remain in Paris as a material witness to the murder, threat of war or no. The fragile balance of the occupation's first well-mannered year could careen into violent oppression if it turns out the French engineered Ritter's death. And nothing would benefit the SS more in their desire to wrest control of France from the army. Charged with uncovering the truth, Abwehr major Rolf von Gerz begins to tally the suspects: Was it the spiteful chanteuse at the Club l'Heure Blue? Or the club's crafty Alsatian manager, with well-known ties to the Paris underworld? Ritter's estranged business partner? Or could the recent murder of a French stockbroker somehow be connected? And most troubling of all: Can the beautiful young American be trusted? A riveting murder mystery, spy thriller, and love story, with uniquely colorful characters and a surprise ending, Fall Irmgard is a true page-turner that draws the reader into the high-brow, seductive world of 1940s Paris, a city on the cusp of unraveling. EDITOR'S CHOICE. HISTORICAL NOVEL SOCIETYHNS REVIEWFALL IRMGARD"An American woman, Addie Bridges, accidentally finds herself in the center of a tense power-struggle in Rand Charles’ gripping and tremendously effective debut novel Fall Irmgard.The year is 1941, and Addie Bridges is in Paris when she witnesses the murder of a popular German businessman, Konni Ritter. The authorities order her to remain in Paris, and Charles complicates things greatly by introducing the fascinating character of Abwehr major Rolf von Gerz and putting him in charge of investigating Ritter’s death.In classic whodunit fashion, it quickly turns out there are many equally possible suspects, many of them connected with Paris demimonde. Charles does an extremely skillful job of deploying one plot-twist and unforeseen revelation after another, all while filling out his book with atmospheric and well-researched details of life in Paris as it passed into the dark days of Nazi occupation. His characters are well-drawn, and his dramatic pacing maintains an absorbing momentum throughout.An extremely satisfying (and beautifully designed) book.Strongly Recommended"Steve Donaghue. US Editor Historical Novel Society"I love this story, the characters, the way the characters interact, the way the subplots intertwine, the author's sense of Paris and Germany at the time, and his overall commentary on the historical and political issues of the day. Fall Irmgard brings occupied Paris to life, and exposes the rich tapestry of people that lived there."

    The correspondence between Charles Kiley and Billee Gray also tells the poignant tale of two young people in love but forced apart by the circumstances of war. Edited by Charles and Billee's daughter, son, and son-in-law, this never-before-published compilation of letters is a striking example of the heroic, call-to-duty spirit that characterized "the greatest generation."Charles was a soldier-journalist for the U.S. Army's Stars and Stripes newspaper and reported on the war from London, Normandy, Paris, Reims, Belgium, and Germany. As the sole reporter allowed direct access to Eisenhower's staff, he was the only reporter on the scene when the German high command was negotiating its unconditional surrender on May 7, 1945. Among his army newspaper friends and colleagues was Andy Rooney, later CBS correspondent and 60 Minutes commentator. Billee, like many young women of her time, witnessed the war years from the home front and filled vital civilian roles--defense-industry plant worker, Red Cross volunteer, war bonds salesgirl, and civil defense plane-spotter--and wrote about it all in her letters to Charles. Peppered with fascinating details about soldiers' and civilians' lives, and including Stars and Stripes articles and personal photographs of the era, Writing the War is both important history and a tribute to two remarkable people as well as their extraordinary generation.

    Collecting thoughts, essays,fragments and paroxysms on the revolutionary impulse of poetry, art, and life, THE BOOK IS A GHOST presents an image of Gilbert-Lecomte as a visionary writer whose impulse to transcend the banality of the everyday has been matched by few since Antonin Artaud.In considering the revolutionary spirit within the context of a mysticism (a term that is still functionally a dirty word for intellectuals), the texts gathered in this two-volume set strive to present alternative considerations of the intellectual & artistic concerns of Gilbert-Lecomte's day—concerns which still grip us a century later: the cinema, the value of art, the metaphysics of absence, a speculative consideration of vision through the pineal gland, a refusal to posit the high and the low as binary opposites, the limiting nature of expression & representation, and the ever pervasive question of death. In his consideration of poetry & the way language can shape thought, these essays reveal that Gilbert-Lecomte predated the structuralists & post-structuralists that would rise to prominence in the second half of the 20th century.In this volume, deftly translated by Michael Tweed, Gilbert-Lecomte's constant striving for revelation and revolution, his desire to refuse (and transcend) the corporeal limits one inhabits by being human, are finally revealed to English language readers.

    ‘What on earth was all that about? Why has my Daddy gone with that German?’ It made no sense. It made no sense at all.France, 1940: The British have retreated, evacuating their forces from Dunkirk. Nell and her girls stand on the beach on a clear day and see the outline of Dover Castle but it will be four and a half long years before they return to Britain. Jeanne, her sisters and their mother Nell are left to fend for themselves in occupied France when her father is arrested by the Nazis and taken to an internment camp. Proudly British, they have also been raised speaking French. Nell is determined to keep going, keep food on the table and see her girls continue in education. She takes in washing, teaches English and tries growing vegetables but the soil is too poor. They apply for Red Cross Parcels but are told, as they are not behind barbed wire, they don’t qualify. Yet amid the struggles come great friendships and pleasure in the smallest things; the rare treat of a piece of cake or tart, a Christmas tree decorated with cotton or singing in church.Jeanne’s sisters are distinct personalities, one bookish and quiet, the other outgoing. Letters from her interned husband Tom Sarginson and occasional visits to see him only temporarily eases the pain of being parted. Nell falls in love with a kindly German soldier. When liberation comes in 1944 Nell and the girls’ excitement is tempered by a shocking event in their then home village of Rieux-en-Cambresis. There follows an exhilarating and frustrating stay in newly liberated Paris and the shock of arriving back in the war weary Britain of late 1944. Nell and the Girls is a remarkable, dramatic and heartwarming true story of a family told from the viewpoint of young Jeanne Sarginson, later Gask.

    In 1944 the city was beset by cross-currents about who was to reclaim it. Was it to be the French Resistance, largely ephemeral throughout the war and largely Communist? Or was it to be the long-suffering Parisians themselves, many of them meantime collaborators? Or the Anglo-American armies which had indeed won the victory?Then there were the Free French forces led by Charles de Gaulle, and his second, General Leclerc, who now led a full (albeit American-supplied) armored division? The Germans, too, still retained a hand, with the option to either destroy the city, per Hitler’s wishes, or honorably cede it.This book punctures the myth parlayed by Is Paris Burning? and other worksthat describe the city's liberation as mostly the result of the insurrection by the Resistance in the capital. In fact, de Gaulle gave Leclerc his orders for the liberation of the city as early as December 1943, and the General’s great march down the Champs Élysées the day after the liberation was the culmination of a carefully laid plan to re-establish the French state.Amidst the swirling streams of self-interest and intrigue that beset the capital on the eve of its liberation, this book makes clear that Leclerc and his 2nd Armoured Division were the real heroes of the liberation and that marching on their capital city was their raison d'etre. At issue was the reconstitution of France itself, after its dark night of the soul under the Germans, and despite the demands of the Anglo-Americans and France’s own insurrectionists. That a great power was restored is now manifest, with this book explaining how it was ensured.