Bilel is the French right-hand man of the most dangerous militant in the world, Abu Bakr al-Baghdadi, the Caliph of Islamic State. He offers Mélodie a way to fill the boredom in her young life: he cares about her, offers beautiful things, spiritual purpose and, in less an idyllic life. Bilel’s seduction is honey-tongued and forceful – and all Mélodie must do is join him and ISIS in their Syrian jihad. Every day he gives more detail, telling her how he drives a jeep filled with guns and bottles of the chocolate milk he loves for hundreds of miles on murderous missions of execution. Every night he lures, seduces and manipulates this vulnerable young woman.A riveting page-turner In the Skin of a Jihadist is a shocking inquiry into how technology is spreading radicalism, the lure of ISIS propaganda, and the factors that motivate young people – including many British teenagers – to join extremist wars in Syria and elsewhere.

    Of the wider issue of global politics, he reasons, the rise of Islamic fundamentalism has been a side effect. And religious intolerance places the minority communities of the country in a precarious position.They have to come to terms with a rapidly changing situation. A White Trail is an ethnographic study of these communities and the changes they are having to face. At a time when almost all accounts of religious minorities in the country focus on the persecution and discrimination they experience, A White Trail delves deeper into their lives, using the occasion of religious festivals to gain a deeper insight into the psyche of Pakistani Hindus, Sikhs, Christians, Zoroastrians and Bahais. It seeks to understand, through the oral testimonies of the members of these communities, larger socio-political issues arising from the situation.A White Trail originally began as a series of newspaper articles written by Lahore - based Haroon Khalid for Pakistans widely - circulated weekly, The Friday Times.

    These poetic meditations on the most profound of human relationships are like crystals: they sparkle with the many hues of the rainbow and contain worlds within, capturing us with their mystery.Here are poems that cause us to reflect on our own relationships, to experience again the intensity of friendship, the ache of loss, and the profundity of immersion.This is a book for poetry lovers, Rumi fans, and all gift-giving occasions; a book to treasure and to share.Previously published in hardcover as Whispers of the Beloved.Imitating others,I failed to find myselfI looked inside and discoveredI only knew my name.When I stepped outsideI found my real Self.Replaces ISBN 9781571746825.

    Dividing the time into three periods: 600-900, 900-1500 and 1500-1800, they set the artistic development in each era within its historical context and use art as a window into Islamic culture. Written in a lively and accessible style, and illustrated throughout with photographs, maps and plans, the book captures the essence of Islamic culture as expressed in its buildings, books and applied arts, and provides an essential introduction to the subject for both the student and the general reader.

    Traveling with a male friend, in the guise of a couple on their honeymoon, Wearing set out on her own at every available opportunity. She went looking for what lay beneath the media's representation of Iran and found a country made up of welcoming, curious, warmhearted, ambitious men and women.With humor and compassion, Wearing gives Iranians the chance to wander beyond headlines and stereotypes, and in doing so, reveals the poetry of their lives--those whose lives extend beyond Western news stories of kidnapping, terrorism, veiled women, and Islamic fundamentalism.With this engrossing account, Wearing casts a sympathetic eye on the real people of Iran, so often invisible to the West.--Publishers Weekly

    With 365 traditions covering the whole year, Daily Wisdom explores Islamic morals and manners in all aspects of everyday life. Beautifully presented, this ideal gift item is a must for every home. Abdur Raheem Kidwai is professor of English at the Aligarh Muslim University in India and a well-known author of many works on the Qur'an and Islam.

     With the slicing wit and piercing insight that have characterized all her work, Pamela Geller here recounts her unlikely journey from New York City career girl to indomitably fearless human rights activist, reviled by the enemies of freedom the world over. 'I assumed my freedom,' she writes. 'Never for one moment did I think that it could be taken from me. But all that changed on one day.' That day was September 11, 2001, when on a beautiful, bright blue sunny morning, the global jihad struck in America with terrifying and murderous force. The United States of America and the free world as a whole would never be the same again. Neither would Pamela Geller. In this book, Geller tells the whole extraordinary story of how she began chronicling her take on news events at her groundbreaking website Atlas Shrugs, then moved into activism, at first on behalf of Muslim girls who were being brutalized and victimized at home for not following the misogynistic rules of Islamic law, and then to stand against the advance of jihad and sharia on numerous fronts -- above all for the freedom of speech, which is increasingly embattled in this age of jihad. It's all here: Geller recounts the battle to defeat the sinister Ground Zero mosque project; the ISIS attack at Geller's Mohammed Art Exhibit and Cartoon Contest in Garland, Texas; the fatwa issued to her and plot to behead her; and much more including the relentless vilification from a mainstream media hell-bent on defaming and destroying everyone who stands for freedom against jihad terror and sharia oppression. Pamela Geller writes: 'Any lover of freedom would have been tarred the same way I was, and many have been. I am but a proxy in this terrible, long war. What has happened to me is what happens, in small and large ways, to every American who stands for freedom.' Yet, as shown in this book, she has prevailed. Without Pamela Geller, there would be a 16-story mega-mosque at Ground Zero today. Without Pamela Geller, untold numbers of young women who are living free today instead would have been victims of honor killings. Without Pamela Geller, countless numbers of indefatigable fighters for freedom would have been cowed and intimidated into silence by an increasingly violent and authoritarian left-wing agenda. If this book is proof of anything, it's that one person can make a difference. And what a remarkable difference Pamela Geller has made. At last, in Fatwa: Hunted In America, she tells her story.

    However, this best-selling book is not simply a catalogue of these events. Rather it examines and compares the outward existential behaviour, along with its inward psychological reality, both of those who do not base their way of life on Prophetic guidance and those that do.

    The questions about the revolution shape The Golden Cage while the answers shed light on Islamic Iran's current events and tell us why it strives for nuclear energy, chants "Death to Israel," and claims to be the most powerful force in the Middle East and Muslim world.History perhaps is best described through life stories we each can hold dearly. The Golden Cage is one such story about three brothers the author knew through their sister, Pari, a childhood friend. Each brother subscribes to a different political ideology that tears Iran and their lives apart. As Pari observes, her brothers live deluded lives in golden cages of ideology. These words mark the beginning of this story, illuminating the multifaceted, oppressive Iran of today and years past.

    . . Never had mayhem brought more peace. All our lives we had been taught the virtues of behaving, and now we were discovering the importance of misbehaving. Too much fear had tainted our days. Too many afternoons had passed in silence, listening to a fanatic’s diatribes. We were rebelling because we were not evil, we had not sinned, and we knew nothing of the apocalypse. . . . This was 1979, the year that showed us we could make our own destinies. We were rebelling because rebelling was all we could do to quell the rage in our teenage veins. Together as girls we found the courage we had been told was not in us.”In Journey from the Land of No Roya Hakakian recalls her childhood and adolescence in prerevolutionary Iran with candor and verve. The result is a beautifully written coming-of-age story about one deeply intelligent and perceptive girl’s attempt to ï¬?nd an authentic voice of her own at a time of cultural closing and repression. Remarkably, she manages to re-create a time and place dominated by religious fanaticism, violence, and fear with an open heart and often with great humor.Hakakian was twelve years old in 1979 when the revolution swept through Tehran. The daughter of an esteemed poet, she grew up in a household that hummed with intellectual life. Family gatherings were punctuated by witty, satirical exchanges and spontaneous recitations of poetry. But the Hakakians were also part of the very small Jewish population in Iran who witnessed the iron fist of the Islamic fundamentalists increasingly tightening its grip. It is with the innocent confusion of youth that Roya describes her discovery of a swastika—“a plus sign gone awry, a dark reptile with four hungry claws”—painted on the wall near her home. As a schoolgirl she watched as friends accused of reading blasphemous books were escorted from class by Islamic Society guards, never to return. Only much later did Roya learn that she was spared a similar fate because her teacher admired her writing.Hakakian relates in the most poignant, and at times painful, ways what life was like for women after the country fell into the hands of Islamic fundamentalists who had declared an insidious war against them, but we see it all through the eyes of a strong, youthful optimist who somehow came up in the world believing that she was different, knowing she was special. At her loneliest, Roya discovers the consolations of writing while sitting on the rooftop of her house late at night. There, “pen in hand, I led my own chorus of words, with a melody of my own making.” And she discovers the craft that would ultimately enable her to find her own voice and become her own person.A wonderfully evocative story, Journey from the Land of No reveals an Iran most readers have not encountered and marks the debut of a stunning new talent.

    It seeks to unveil the mystery of that man. Historians tell us Muhammad used to withdraw to a cave, spending days wrapped in his thoughts. He heard bells ringing and had ghostly visions. He thought he was demon possessed, until his wife reassured him he had become a prophet. Convinced of his status, he was intolerant of those who rejected him, assassinated those who criticized him, raided, looted, and massacred entire populations. He reduced thousands to slavery, raped, and allowed his men to rape female captives. All of this, he did with a clear conscience and a sense of entitlement. He was magnanimous toward those who admired him, but vengeful toward those who did not. He believed he was the most perfect human creation and the universe's raison d'être. Muhammad was no ordinary man. He was a narcissist. Understanding Muhammad, ventures beyond the stories. Focusing on the "why" rather than the "what," it unravels the mystique of one of the most enigmatic and influential men in history.

    In an era of escalating tensions in the Middle East, his defiant moral voice and eloquent account of a national struggle for freedom and democracy against the overwhelming backdrop of U.S. military hegemony fills a crucial gap in our understanding of this country.

    This is a book Americans should read.” —Washington PostThe fifteenth of thirty-six children, Sattareh Farman Farmaian was born in Iran in 1921 to a wealthy and powerful shazdeh, or prince, and spent a happy childhood in her father’s Tehran harem. Inspired and empowered by his ardent belief in education, she defied tradition by traveling alone at the age of twenty-three to the United States to study at the University of Southern California. Ten years later, she returned to Tehran and founded the first school of social work in Iran.Intertwined with Sattareh’s personal story is her unique perspective on the Iranian political and social upheaval that have rocked Iran throughout the twentieth century, from the 1953 American-backed coup that toppled democratic premier Mossadegh to the brutal regime of the Shah and Ayatollah Khomeini’s fanatic and anti-Western Islamic Republic. In 1979, after two decades of tirelessly serving Iran’s neediest, Sattareh was arrested as a counterrevolutionary and branded an imperialist by Ayatollah Khomeini’s radical students.Daughter of Persia is the remarkable story of a woman and a nation in the grip of profound change.

    

    The pair's innovative and authentic adaptation of Dante's epic, coupled with Birk's striking play on Gustave Dor's classic illustrations, make this a "Divine Comedy" for the 21st century. Acclaimed by both the literary and art worlds; rife with contemporary turns of phrase and slang (just as the original poem was written in the vernacular of its day) and pointed visions of the afterlife as contemporary cities; and rich with bold allusion, cultural critique, and witthis is the must-have collection of modern classics.